Böcker utgivna av Fordham University Press

How is political change possible when even the most radical revolutions only reproduce sovereign power? Via the analysis of the contradictory meanings of stasis, Vardoulakis argues that the opportunity for political change is located in the agonistic relation between sovereignty and democracy and thus demands a radical rethinking.

Based on unprecedented access to private correspondence, unpublished manuscripts and attuned to a musically inclined poet's skill in close listening, Who Can Afford to Improvise? retraces the full arc of James Baldwin's passage across the pages and stages of his career amplifying our sense of his contemporary relevance.

A biography of experimental poet and spiritual seeker Robert Lax, who inspired Thomas Merton, Jack Kerouac and many others. Using information and stories drawn from journal entries, letters, interviews and the author's personal recollections, the book chronicles the development of Lax's distinctive poetic style and a spontaneous, spiritual approach to life he called pure act.

Voices are material, somatic, and musical. They are also meaningful-they give body to concepts that cannot exist in abstractions. Through explorations of theology, pedagogy, translation, and more, this book works toward reintegrating our thinking about words as a fleshy combining of meaning and music.

This collection is the first to offer a genuinely interdisciplinary approach to Krzysztof Kieslowski's Decalogue, a ten-film cycle of modern tales that touch on the ethical dilemmas of the Ten Commandments. The cycle's deft handling of moral ambiguity and inventive technique established Kieslowski as a major international director.KieA lowski once said, "e;Both the deep believer and the habitual skeptic experience toothaches in exactly the same way."e; Of Elephants and Toothaches takes seriously the range of thought, from theological to skeptical, condensed in the cycle's quite human tales. Bringing together scholars of film, philosophy, literature, and several religions, the volume ranges from individual responsibility, to religion in modernity, to familial bonds, to human desire and material greed. It explores KieA lowski's cycle as it relentlessly solicits an ethical response that stimulates both inner disquiet and interpersonal dialogue.

When literary biographer and memoirist Louise DeSalvo embarked upon a journey to learn why her father came home from World War II a changed man, she didn't realize her quest would take ten years, and that it would yield more revelations about the man-and herself-and the effect of his military service upon their family than she'd ever imagined. During his last years, as he told her about his life, DeSalvo began to understand that her obsession with war novels and military history wasn't merely academic but rooted in her desire to understand this complex father whom she both adored and reviled because of his mistreatment of her. Although she at first believes she wants to uncover his story, the story of a man who was no hero but who was nonetheless adversely affected by the his military service, she learns that what she really wants is to recover the man that he was before he went away.As DeSalvo and her father uncover his past piece-by-piece, bit-by-bit, she learns about the dreams of a working-class man who entered the military in the late 1930s during peacetime to better himself, a man who wanted to become a pilot. She learns about what it was like for him to participate in war games in the Pacific prior to the war, and its devastating toll. She learns about what it was like for her parents to fall in love, set up house, marry, and have children during this cataclysmic time. And as the pieces of her father's life fall into place as works to piece together the puzzle of everything she's learned about this time, she finds herself finally able to understand him.Chasing Ghosts is an original contribution to the understanding of working-class World War II veterans who did not conventionally distinguish themselves through "e;heroic"e; actions and whose lives were not until recently considered worthy of historical or cultural attention. It personalizes the history of those sailors who served in the Navy aboard aircraft carriers and on islands in the Pacific prior to, and during World War II and contributes to the current vital conversation about the often-unrecognized effects of war and its traumas upon those men and their families. It reveals the lifelong devastating consequences of military service on those men and women who fell in love, married, and set up house. And it reveals the complexity of what it is like to be the daughter of a father who has gone to war.

This book examines the affinity between the notions of "theory" and "deconstruction" that developed in the American academy in the 1970s by way of a semi-fictional collective, the "Yale Critics": Harold Bloom, Paul de Man, Geoffrey Hartman, and J. Hillis Miller, in association with the French philosopher Jacques Derrida.

Cytomegalovirus is a lucid and spare autobiographical narrative by Herve Guibert (1955-1991) of the everyday moments of his hospitalization due to complications of AIDS. In one of his last works, the acclaimed writer presents his struggle with the disease in terms that are unsentimental and deeply human.

This book is a rehabilitation sensibility. It defines what we call sensibility or sensible life by defining the ontological status of images. It shows that images have an intermediate ontological status and exist in an autonomous sphere. It also explores our interactions with images in dream, fashion and language.

The book traces the process of creating of a new German memory of the Holocaust after the fall of the Wall. Combining theoretical analysis with historical case studies, the book revisits crucial debates and controversial issues out of which Germany's new 'memory culture' emerged as a collective project and work in progress.

This is the third volume of Maurice Blanchot's war-time Literary Chronicles. Written in 1943, they appeared during the darkest days of the war yet also at a time when real hope for victory was becoming possible. Against the grain of any simple optimism, Blanchot identifies in ruin and disaster a sign and a chance for a mode of human relation that will truly guarantee the future.

It is said that words are like people: One can encounter them daily yet never come to know their true selves. This volume examines what words are-how they exist-in religious phenomena. Going beyond the common idea that language merely describes states of mind, beliefs, and intentions, the book looks at words in their performative and material specificity.The contributions in the volume develop the insight that our implicit assumptions about what language does guide the way we understand and experience religious phenomena. They also explore the possibility that insights about the particular status of religious utterances may in turn influence the way we think about words in our language.

A close reading of Simone Weil's philosophical and literary writings examining themes of ethical obligation, dispossession and vulnerability in relation to the works of Emmanuel Levinas, Maurice Blanchot and Judith Butler.

In this book Scotus addresses fundamental issues concerning the limits of human knowledge and the nature of intellect and the object cooperate in generating actual cognition by developing his doctrine of the univocity of being, refuting skepticism and analyzing the way the knowledge in the case of abstractive cognition.

The Alchemy of Empire unravels the non-European origins of Enlightenment science. Focusing on the abject materials of empire-building, this study traces the genealogies of substances like mud, mortar, ice, and paper, and forms of knowledge like inoculation, arguing that East India Company employees deployed the paradigm of alchemy in order to make sense of the new worlds they confronted.

Benjamin's relationship to theological matters has been less observed than it should. Walter Benjamin and Theology brings together some of the world's most renowned experts to reassess the stake theology has in Benjamin's writings, aiming for nothing less than the beginning of a new phase in Anglophone Benjamin scholarship.

Falque presents a theological critique of French phenomenology, engaging Levinas, Ricoeur, Merleau-Ponty, Bonaventure, Scotus, Aquinas... He advances a Catholic hermeneutic of the body and the voice, a phenomenology of believing, and a metaphysical movement from human finitude and contingency to conversion and transformation via the overlay of the God-man.

Through a subtle reading of the writings of Homer, Virgil, and Hannah Arendt, Barbara Cassin produces an in-depth analysis, at once scholarly and personal, of nostalgia. Where does nostalgia come from? Where do we truly feel at home? Cassin explores the notion that nostalgia has less to do with place and more to do with language.

A rigorous and many-layered study of the works of Blanchot and Adorno in terms of the relation between negativity and autonomy in the work of art with particular reference to literature, which yields a thinking of materiality in language as an ambiguous force of critique and innovation.

This edited volume, Academics in Action! describes a multi-disciplinary model informed by the educational philosophy of John Dewey wherein students and faculty work with communities, learn from them, and combing findings from theory and research to develop solutions to solve community problems. The volume offers innovative examples of community-engaged research, teaching, and service.

This book elucidates the ways in which German Idealist authors such as Kant, Fichte, Friedrich Schlegel and Hegel envisioned the conjunction of spontaneous activity and receptivity towards culturally transmitted models in the context of aesthetic experience, philosophical thought, textual communication and literary criticism.

This study will attempt to understand, through both a careful reading of Kundera's oeuvre as well as a consideration of the Continental philosophical tradition, the place that Kundera calls "the universe of the novel." I argue that Kundera transforms-not applies-philosophical reflection within the art form of the novel.

Philosophy holds an ambivalent relation to the pleasures of intoxication, this excess that both fascinates and questions philosophy's sober ambitions for conceptual clarity and appropriate behavior. Displacing established dualities-mind and body, reason and desire, logic and eros-Nancy's subject becomes intoxicated: Ego sum, ego existo ebrius-I am, I exist-drunk.

Through the rendering of Catholic Church migration's debates this book shows how Latin American lay and religious migration in Rome is an Atlantic Return from the Americas challenging an Euro-centric Catholic identity and how multiple forms of being Catholic inform gender, labor and sexuality at the heart of Catholicism in Europe.

This volume brings together scholarship on pan-European late-medieval religious controversy, with particular attention to developments in England, Bohemia, and at general church councils. It builds on recent work by approaching late-medieval cultural transaction and controversy internationally. Contributors examine textual transmission and compilation, polemical rhetoric, and philosophical and theological interchange, among other subjects.

This book is a rare and important gift. One of the few memoirs of combat in World War II by a distinguished African-American flier, it is also perhaps the only account of the African-American experience in a German prison camp.

A collection of essays by Orthodoxy, Catholic, and Protestant scholars on Christianity's relationship to liberal democracy and the legacy of Emperor Constantine for Christian political thought.

This poignant memoir, based on the author's thirty-eight-year friendship with Governor Cuomo, portrays the spiritual journey of a man who played many roles: inspirational political leader, moral compass, spellbinding orator, gifted author, legal scholar, and loving father and grandfather. He was, in O'Shaughnessy's words, one of the most articulate and graceful public men of the twentieth century.