Böcker utgivna av Fordham University Press

NAMED THE BEST POETRY OF 2020 BY THE NEW YORK TIMESMy Daily Actions, or The Meteorites is the result of a daily investigative writing practice, in which I was worried that a poem invested in the particulars of my life would be uninteresting¿that the "ordinary" would be mundane. Instead memory, dreams, and the associative power of the imagination filled each moment with meaning, each tv show I watched or friend I spoke with, each outfit I wore or nail polish color I chose. In these poems, a combination of dread (for something approaching) and anxiety (for what might be approaching but isn't yet known) undid a sense of the present separate from climate change, global racial capitalism, whiteness, and gender-based violence, especially as I wrote as I tried to find out how my own gender fit into the world. The prose poem is the vehicle by which a recording practice ("journaling") meets the associative power of the poem.

After a detailed analysis of just what radical theology means, as a concept and in its relationship to traditional theology, this volume offers a selection of essays written for both academic and wider audiences which show aim at catching radical theology in action, in the church and in the culture at large.

Tilting the English Renaissance against the present moment, The Melancholy Assemblage examines how the interpretive experience of emotion produces social bonds. Placing readings of early modern painting and literature in conversation with psychoanalytic theory and assemblage theory, this book argues that, far from isolating its sufferers, melancholy brings people together.

Xenocitizens returns to the nineteenth century in order to uncover realities and possibilities that have been foreclosed by dominant liberal paradigms. Examining how antebellum crises pushed writers to formulate alternative ontological and social models for personhood and sociality, Xenocitizens glimpses startlingly unique and unfamiliar ways to exist and to leverage change.

Noir Affect defines noir in relationship to negative affect. It traces noir's negativity as it manifests in different national contexts and a range of different media. The forms of affect associated with noir are resolutely negative: loss, sadness, rage, shame, guilt, regret, anxiety, humiliation, resentment, resistance, and refusal.

The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. The book shows how the experience of reading is undergirded by the sonic.

Dictionary Poetics analyses book-length poems from a number of writers who have used particular editions of specific dictionaries to structure their work. Authors include Louis Zukofsky , George Oppen, Clark Coolidge, Bernadette Mayer, Tina Darragh, and Harryette Mullen.

This book argues that Christian theology must be done in conversation with other religions. The book integrates theology of religious diversity, comparative theology, and constructive theology by moving beyond reified accounts of "religions" that make interreligious learning impossible. The author proposes a new theory of the religious that celebrates interreligious learning.

This book explores the fascinating discourse on Jewish wit in the twentieth century when the Jewish joke became the subject of serious humanistic inquiry and inserted itself into the cultural and political debates among Germans and Jews against the ideologically-charged backdrop of anti-Semitism, the Jewish question, and the Holocaust.

A timely examination of the increasing efforts to criminalize the status of immigrants, exiles, and refugees

An extensively annotated edition of Ezra Pound's Chinese translations in Cathay (1915) and Lustra (1916), complete with manuscript sources and the Chinese originals and Pound's article "Chinese Poetry. Filled out by essays by Haun Saussy, Christopher Bush, and Timothy Billings, this edition resituates Cathay as a project of poetry in circulation and a work of World Literature.

This book explores the tumultuous history of state making in mid-nineteenth- century North America from a continental perspective. Essays by experts on Canadian Confederation, the U.S. Civil War, Mexico's fight against French imperialists, and indigenous Americans shed new light on events traditionally studied as separate national stories.

This book explores the tumultuous history of state making in mid-nineteenth- century North America from a continental perspective. Essays by experts on Canadian Confederation, the U.S. Civil War, Mexico's fight against French imperialists, and indigenous Americans shed new light on events traditionally studied as separate national stories.

Via the story of two images separated by a century, Jean-Christophe Bailly's The Instant and Its Shadow is a poetic and theoretical reflection on the origins of photographic technique, the imaginative power of montage, and the relation of photography to time itself.

Zonas Peligrosas: The Challenge of Creating Safe Neighborhoods in Central America examines indicators of orderliness and security in El Salvador, shows how policies and programs based on disorganization theory have been used, and why they might not make Salvadoran urban dwellers safer. In Latin America, these prescriptions form the basis for what has become known as "e;citizen security"e; policy. Just as in disorganization theory, citizen security emphasizes strong social cohesion and expectations for action on the part of neighbors and civil society. Mimicking the methodology of disorganization theorists from the Chicago School, Tom Hare conducted four neighborhood studies in the San Salvador metropolitan area. Mixed methods, including two hundred original survey-interviews, were used to create a rich description of each case. The cases were selected in order to compare and contrast the social order in neighborhoods with varying levels of security and physical and demographic makeup.

This book examines how the city peoples of New York and Paris interpreted their urban surroundings during the middle decades of the nineteenth century. At the center of this examination are the literary, material, political, and visual forms which afforded contemporaries new ways of "reading" the modern metropolis.

Peculiar Attunements places the recent turn to affect into conversation with an earlier affective turn that took place in European music theory of the eighteenth century. It offers a new way of thinking through affect historically and dialectically, drawing attention to repeating patterns and problems in affect theory's history.

King Alfonso VIII of Castile: Government, Family and War brings together a diverse group of scholars whose work concerns the reign of Alfonso VIII (1158-1215). This was a critical period in the history of the Iberian peninsula, when the conflict between the Christian north and the Moroccan empire of the Almohads was at its most intense, while the political divisions between the five Christian kingdoms reached their high-water mark. From his troubled ascension as a child to his victory at Las Navas de Tolosa near the end of his fifty-seven-year reign, Alfonso VIII and his kingdom were at the epicenter of many of the most dramatic events of the era.Contributors: Martin Alvira Cabrer, Janna Bianchini, Sam Zeno Conedera, S.J., Miguel Dolan Gómez, Carlos de Ayala Martínez, Kyle C. Lincoln, Joseph O'Callaghan, Teofi lo F. Ruiz, Miriam Shadis, Damian J. Smith, James J. Todesca

This book draws the work of Slavoj Zizek into conversation with the Christian mystical theological tradition in order to propose a materialist account of Christian identity as constituted by failure.

Murderous Consent details our implication in violence that we do not directly inflict but in which we are structurally complicit. Marc Crepon invites the reader to resist that implication by arguing for an ethicosmopolitics grounded in our receptivity to the pleas for assistance that the vulnerability and mortality of the other enjoin everywhere.