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Douglas Stewart Prize for Non-FictionIndigenous Writers'' PrizeUTS Glenda Adams Award for New WritingLonglisted for the 2023 Stella PrizePrime Minister''s Summer Reading List 2022, Grattan InstituteWe Come with This Place is a remarkable book, as rich, varied and surprising as the vast landscape in which it is set. Debra Dank has created an extraordinary mosaic of vivid episodes that move about in time and place to tell an unforgettable story of country and people.There is great pain in these pages, and anger at injustice, but also great love, in marriage and in family, and for the land. Dank faces head on the ingrained racism, born of brutal practice and harsh legislation, that lies always under the skin of Australia, the racism that calls a little Aboriginal girl names and beats and rapes and disenfranchises the generations before hers. She describes sudden terrible violence, between races and sometimes at home. But overwhelmingly this is a book about strong, beloved parents and grandparents, guiding and teaching their children and grandchildren what country means, about joyful gatherings and the pleasures of eating food provided by the place that nourishes them, both spiritually and physically.We Come with This Place is deeply personal, a profound tribute to family and the Gudanji Country in Australia, to which Debra Dank belongs, but it is much more than that. Here is Australia as it has been for countless generations, land and people in effortless balance, and Australia as it became, but also Australia as it could and should be.

By the time the Sinykins moved to South Dakota, America had broken hundreds of treaties with hundreds of Indigenous nations across the continent, and the land that had once been reserved for the seven bands of the Lakota had been diminished, splintered, and handed for free, or practically free, to white settlers.

A queer teen rebel escapes small-town Appalachia and becomes Los Angeles's Renowned Lesbian Dominatrix in this searing and darkly funny memoir that upends our ideas about desire, class, and power

A book about love, loss and queer single parenting co-written with a machine-learning algorithm and a toddler.

By the bestselling author of Fabulosa! and Outrageous!, this reappraisal of camp across time and in all its glorious forms shows how this inescapable part of popular culture has also played an important role in equality movements as a form of protest or resistance.The following things have seemed impossibly camp to me at one point or another: a doll whose body acts as a cover for a toilet roll, a peacock chair, a wig being pulled off and flushed down the toilet, a tantrum over wire coat hangers, a toppled-over Christmas tree, a 1950s muscle magazine featuring a photo of a young man dressed as a gladiator, a rat underneath a silver serving platter, and an estate agent wearing tiger face paint. Fabulously unrestrained and ever-evolving, camp has captured the cultural imagination for at least 150 years. The term possibly derives from the French se camper, meaning to pose in a bold, provocative or exaggerated fashion. Frequently used to define or deride young heterosexual men, the upper classes, Black people, older women and gay men, camp has also played a key role in equality movements. Paul Baker's highly anticipated reappraisal of camp surveys its touchstones across history and the changing ways that it has been understood. He traces the history of camp from the courts of Louis XIV and trials of Oscar Wilde to the archetypical dandy Beau Brummell and the celebrated playwright Noel Coward; from The Valley of the Dolls, Harlem's drag balls and Brazilian telenovelas through to the modern day divas of Donna Summer, Madonna and Britney Spears. Celebrating camp as an aesthetic, a sensibility and a way of life, this essential dive into an often-derided phenomenon, shows how camp has been a place of refuge and renewal, of heroism and hedonism, and how it is more powerful than ever.

It draws on the experience of dozens of activists, organisers and researchers across every habitable continent - from radical psychiatrists and youth organisers to co-operative builders in flooded Pakistan, activists in Nigeria and earth defenders in indigenous Mexico - to outline models for recovery and post-traumatic growth.

In 2015, increasing numbers of refugees and migrants, most of them fleeing war-torn homelands, arrived by boat on the shores of Greece, setting off the greatest human displacement in Europe since WWII.

Winner of the Graywolf Press Nonfiction Prize, a sensuous, immersive memoir thatexplores the trans experience through a sequence of beguiling fragments

The stories of refugees who fled violence or persecution only to become trapped in the worst refugee camps in Europe.Helen Benedict, award-winning British-American professor of journalism at Columbia University, teams up with Syrian writer and refugee, Eyad Awwadawnan, to present the stories of five refugees who have endured long and dangerous journeys from the Middle East and Africa to Greece. Hasan, Asmahan, Evans, Mursal and Calvin each tell their story, tracing the trajectory of their lives from homes and families in Syria, Afghanistan, Nigeria and Cameroon to the brutal refugee camps, where they are trapped in a strange and hostile world. These are compelling, first-person stories of resilience, suffering and hope, told in a depth rarely seen in non-fiction, partly because one of the authors is a refugee himself, and partly because both authors spent years getting to know the interviewees and winning their trust. The women and men in this book tell their stories in their own words, retaining control and dignity, while revealing intimate and heartfelt scenes from their lives.