Böcker utgivna av Focal Press

The VES Handbook of Virtual Production is a comprehensive guide to everything about virtual production available today - from pre-production to digital character creation, building a stage, choosing LED panels, setting up Brain Bars, in-camera compositing of live action and CG elements, Virtual Art Departments, Virtual Previs and scouting, best practices and much more.Current and forward-looking, this book covers everything one may need to know to execute a successful virtual production project - including when it is best to use virtual production and when it is not. More than 80 industry leaders in all fields of virtual production share their knowledge, experiences, techniques, and best practices. The text also features, charts, technical drawings, color images, and an extensive glossary of virtual production terms.The VES Handbook of Virtual Production is a vital resource for anyone wishing to gain essential knowledge in all aspects of virtual production. This is a must-have book for both aspiring and veteran professionals. It has been carefully compiled by the editors of The VES Handbook of Visual Effects.

Dance Music Manual - a comprehensive guidebook for novice and seasoned professionals alike - walks readers through the tools and techniques required to create original, captivating, and professional-sounding electronic dance music.Key features of the Dance Music Manual include: Learn to navigate the complex world of electronic music production. Unleash your creativity with practical advice, insider tips, and expert techniques. Explore the intricacies of crafting infectious grooves and sculpting sounds. From beginner to expert, this comprehensive guide illuminates every aspect of producing, mixing, and mastering dance music. Used by professionals worldwide, this updated fifth edition has been significantly rewritten and includes new content on building your studio, processing, sampling, sound design, and a chapter on DJ techniques.The book is also supported by a companion website, providing audio and video examples of the techniques to accompany the book.

Challenging current music making approaches which have traditionally relied on the repetition of fixed forms when played, this book provides a new framework for musicians, composers and producers wanting to explore working with music that can be represented by data and transformed by interactive technologies.Beginning with an exploration into how current interactive technologies, including VR and AR, are affecting music, the book goes on to create an accessible compositional model which articulates the emerging field of 'transmutable music'. It then shows how to compose and produce transmutable music for platforms like video games, apps and interactive works, employing tutorials which use a range of inputs from sensors, data, and compositional approaches. The book also offers technical exercises on how to transform data into usable forms (including machine learning techniques) for mapping musical parameters, and discussion points to support learning.This book is a valuable resource for industry professionals wanting to gain an insight into cutting edge new practice, as well as for assisting musicians, composers and producers with professional development. It is also suitable for students and researchers in the fields of music/audio composition and music/audio production, computer game design and interactive media.

In 101+ Tips and Tricks Every Prop Maker Should Know, Utah Shakespeare Festival's Properties Director Ben Hohman explains tricks of the trade generally not taught in schools, but essential for prop makers working on the job. With tips and tricks divided into subject categories like carpentry, prop math, soft goods, upholstery, finishing, crafts and effects, and tools, the book breaks this knowledge down so that makers and prop managers can easily access the information, learn the skills, and be better prepared and more useful to any shop they work in. Each tip or trick is clearly introduced, features a relevant example of how it is useful, and includes step-by-step instructions. The book also features interviews and tips from prop makers across the creative industries, showcasing different techniques and need-to-know skills, and a glossary of prop terms that will help readers navigate the day-to-day of the prop shop.This book is written for theatrical prop artisans, prop managers, technical theatre students, and anyone who has an interest in prop building or backstage theatrical knowledge. Whether they are novice prop builders or seasoned professionals with decades of experience, this book will provide readers with a wealth of practical information that will serve them in their craft for many years to come.

This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with more than 360 interviews from the world's best editors (including nearly every Oscar-winner from the last 30 years).Since editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide-range of editors around the world. That is why this book diverges from the perspective of a single expert and instead compares and contrasts methodologies from a wide array of voices and organizes that information so that it is easily digested and understood.There is no one way to approach editorial problems, and this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those that aspire to become film editors. The questions asked and the organization of the book is not merely an academic view of the art of editing but is the practical result of an actual working film and TV editor bringing benefits to both student and professional readers.The book is a supplement by a collection of downloadable web-based chapters, that cover additional topics ranging from Choosing the Project to VFX.

Bringing together a diverse group of world-leading professionals across post-production film sound and electroacoustic music, Art of Sound explores the creative principles that underpin how sonic practitioners act to compose, tell stories, make us feel and communicate via sound. Revealing new understandings through analysis of interdisciplinary exchanges and interviews, this book investigates questions of aesthetics, perception, and interpretation, unveiling opportunities for a greater appreciation of the creativity and artistry in sound practice which underpins both experimental electronic music and the world's leading film and television productions.It argues that, in contrast to traditional ideas which can imagine creativity to flow from overarching creative visions, we can better understand and appreciate the creative act as constantly unfolding process of inspiration, material action and reflection, within which the creative flows with the materials of the work negotiating rich networks of potential. Such an approach enables us to better celebrate the reality of the creative process, de-centering technologies and universal rules from our frameworks, opening up sonic practices to more diverse ideas and approaches.Art of Sound provides insight into the latest developments and approaches to sound and image practice for composers, filmmakers, directors, scholars, producers, sound designers sound editors, sound mixers, and students who are interested in understanding the creative potential of sound.

Positive Psychology for Music Professionals is a guidebook to the building blocks of positive psychology and character strengths, and the ways in which they can be used by music professionals throughout the industry to empower, celebrate and leverage individuality.Written in a highly accessible and entertaining tone - and based on the science of character pioneered by the VIA Institute - this book is designed to introduce the language, themes and concepts of a strength-based approach to working in the music industry. Targeted exercises, self-reflections, interviews and profession-specific case studies, encourage readers to harness the power of their strengths to shift to an open mindset, create more positive working relationships and improve institutions within their field. Positive Psychology for Music Professionals is essential reading for music professionals of all kinds, including aspiring and established musicians, students, music producers, educators and managers in all sectors of the industry.

A History of Maternity Wear: Design, Patterns, and Construction explores pregnancy clothing worn throughout the decades, providing historical information, images, and patterns.Filled with photos showing extant attire, with intricate details and sample patterns that can be recreated to scale, this book examines how maternity clothes were constructed, provides historical context, and aids readers in designing their own maternity garments. Each chapter includes examples of commonly worn maternity styles from a number of regions of the English-speaking world, with information from the United States, Britain, Australia, and Canada. The book concludes with a chapter on historically accurate underpinnings from the 17th century to the present day.A History of Maternity Wear: Design, Patterns, and Construction is written for costume professionals looking to research historically accurate characters and costumes for productions, as well as fashion historians and costume enthusiasts.

This book explains how to comply with the federal and states securities regulations when seeking to raise money from private investors for the development, production and/or distribution of a feature or documentary film. Drawing from the experience and expertise of a securities and entertainment attorney who has worked with independent filmmakers for 30 plus years, this resource explores securities law compliance in order to help readers comply with the law and avoid criminal and civil liability, while successfully raising investor funds for their film projects. Readers will gain an understanding of why the securities laws apply to most investor financing transactions, what choices need to be made by the filmmaker, what information needs to be disclosed to prospective investors, how to comply with the SEC's policy regarding financial projections, what is the appropriate investment vehicle for various forms of investor financing, what limitations are imposed on the use of finders and how to handle the required federal and state notice filings. It is an essential resource for any film student taking a film finance course (or a production course with a film finance component), as well as any independent film producers, entertainment/securities attorneys and film school instructors, who want to be informed about the legal and practical aspects of investor financing of independent films.

For aspiring producers and directors who need to learn film finance from the ground up, this revolutionary new book teaches the fundamentals, through the voices of more than 60 successful independent producers. Using a research and data-based approach, award-winning professor David Offenberg combines the wisdom of well-known and successful producers into one fun, easy-to-follow guide.Within, readers will learn how to talk to potential investors and what those financiers will expect from them in return. The book is also packed with informative anecdotes and examples to enrich each chapter and contextualize the film financing landscape. As the book progresses, equity, debt, revenue, profits, and their role in your movie will be explored. Accessible information about tax incentives and profit participations is included to help emerging filmmakers build out a workable financing plan. The book combines hard numbers and data sets, with direct guidance from successful producers, to construct a holistic overview on how you can turn your new-found financial knowledge into funding for your movie.This ground-breaking book is a must-read for any aspiring producer or director who wishes to gain an informed and easily digestible understanding of film finance.

Leadership in Music Technology Education examines the pedagogical, sociocultural, and philosophical issues that affect curriculum, research, and decision-making in music technology in higher education. This book considers a range of cutting-edge topics, including the impact of the COVID-19 pandemic, professional development concepts, partnerships between higher education and the creative and cultural industries, and the effects technology has on sustainability. Drawing on Leadership theories, including Transformational, Situational, Servant, and Social Change Model Theory, the book puts forward a new model, Creative Industry Leadership, which considers the sociocultural aspects of Music Technology Education, and interrogates biased ideologies that limit opportunities for a broad range of learners and practitioners in education and beyond. Additionally, Leadership in Music Technology Education examines educators' informal leadership capacities during the COVID-19 pandemic and how inclusive pedagogy expands the creative boundaries of teaching, learning, and music-making for all. Leadership in Music Technology Education is crucial reading for instructors teaching audio engineering and music technology, as well as researchers in education, music pedagogy and related fields. This is also a valuable read for anyone with an interest in music technology and its many potentialities.