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  • av Carlos Manuel Alvarez
    135

    A powerful, unsettling portrait of ordinary family life in Cuba, Carlos Manuel Alvarez's debut novel The Fallen is a masterful portrayal of a society in free fall.

  • av Esther Kinsky
    169

    In May and September 1976, two earthquakes ripped through north-eastern Italy, causing severe damage to the landscape and its population. About a thousand people died under the rubble, tens of thousands were left without shelter, and many ended up leaving their homes in Friuli forever.The displacement of material as a result of the earthquakes was enormous. New terrain was formed that reflects the force of the catastrophe and captures the fundamentals of natural history. But it is far more difficult to find expression for the human trauma, the experience of an abruptly shattered existence.In Rombo, Esther Kinsky's sublime new novel, seven inhabitants of a remote mountain village talk about their lives, which have been deeply impacted by the earthquake that has left marks they are slowly learning to name. From the shared experience of fear and loss, the threads of individual memory soon unravel and become haunting and moving narratives of a deep trauma.

  • av Bushra al-Maqtari
    169

    Reminiscent of the work of Nobel Prize laureate Svetlana Alexievich, What Have You Left Behind? powerfully draws together civilian accounts of the Yemeni civil war and serves as a vital reminder of the scale of the human tragedy behind the headlines.

  • av Joshua Cohen
    125

    Corbin College, not-quite-upstate New York, winter 1959-1960: Ruben Blum, a Jewish historian-but not an historian of the Jews-is co-opted onto a hiring committee to review the application of an exiled Israeli scholar specializing in the Spanish Inquisition. When Benzion Netanyahu shows up for an interview, family unexpectedly in tow, Blum plays the reluctant host, to guests who proceed to lay waste to his American complacencies. Mixing fiction with non-fiction, the campus novel with the lecture, The Netanyahus is a wildly inventive, genre-bending comedy of blending, identity, and politics-"An Account of A Minor and Ultimately Even Negligible Episode in the History of a Very Famous Family" that finds Joshua Cohen at the height of his powers.

  • av Carlos Manuel Alvarez
    179

    A dizzying portrait of contemporary Cuba as it has rarely been seen, by an up-and-coming Cuban novelist.

  • av Daisy Hildyard
    169

  • av Alejandro Zambra
    169

    Bonsai is the story of Julio and Emilia, two young Chilean students who, seeking truth in great literature, find each other instead. Like all young couples, they lie to each other, revise themselves, and try new identities on for size, observing and analyzing their love story as if it's one of the great novels they both pretend to have read. As they shadow each other throughout their young adulthoods, falling together and drifting apart, Zambra spins a formally innovative, metafictional tale that brilliantly explores the relationship among love, art, and memory.

  • av Matthew McNaught
    179

    At what point does faith turn into tyranny? In Immanuel, winner of the inaugural Fitzcarraldo Editions Essay Prize, Matthew McNaught explores his upbringing in an evangelical Christian community in Winchester. As he moved away from the faith of his childhood in the early 2000s, a group of his church friends were pursuing it to its more radical fringes. They moved to Nigeria to join a community of international disciples serving TB Joshua, a charismatic millionaire pastor whose purported gifts of healing and prophecy attracted vast crowds to his Lagos ministry, the Synagogue Church of All Nations (SCOAN). Years later, a number of these friends left SCOAN with accounts of violence, sexual abuse, sleep deprivation and public shaming.In reconnecting with his old friends, McNaught realized that their journey into this cult-like community was directly connected to the teachings and tendencies of the church of their childhood. Yet speaking to them awakened a yearning for this church that, despite everything, he couldn't shake off. Was the church's descent into hubris and division separable from the fellowship and mutual sustenance of its early years? Was it possible to find community and connection without dogma and tribalism? Blending essay, memoir and reportage, Immanuel is an exceptional debut about community, doubt, and the place of faith in the twenty-first century.

  • av Natasha Soobramanien
    169

    Edinburgh, 2014. Two writer friends, Damaris and Oliver Pablo, escape London, the city that killed his brother. They spend their days trying to get to the library, bickering over their tanking bitcoin, failing to write or resist the sadness. Then they meet Diego, a poet. He tells them he is named for his mother's island in the Chagos Archipelago, which she and her community were forced to leave by British soldiers in 1973. Damaris and Oliver Pablo become obsessed with this notorious episode and the continuing resistance of the Chagossian people, and want to write in solidarity. But how to share a story that is not theirs to tell? And how to account for a loss not theirs to grieve? A tragicomedy interrogating the powers of literature alongside the crimes of the British government, Diego Garcia is a collaborative fiction that opens up possibilities for the novel and seeks other ways of living together.

  • av Kirsty Bell
    189,-

    Humane, thought-provoking and moving, The Undercurrents is a hybrid literary portrait of a place that makes the case for radical close readings: of ourselves, our cities and our histories

  • av Jon Fosse
    169

    Asle is an ageing painter and widower who lives alone on the southwest coast of Norway. In nearby Bjorgvin another Asle, also a painter, is lying in the hospital, consumed by alcoholism. Asle and Asle are doppelgangers - two versions of the same person, two versions of the same life, both grappling with existential questions.In this final instalment of Jon Fosse'sSeptology, the majorprose work by 'the Beckett of the twenty-first century' (Le Monde), we follow the lives of the two Asles as youngeradults in flashbacks: the narrator meets his lifelong love,Ales; joins the Catholic Church; and makes a living bytrying to paint away all the pictures stuck in his mind.ANew Name: Septology VI-VIIis a transcendent explorationof the human condition, and a radically other readingexperience - incantatory, hypnotic, and utterly unique.

  • av Vanessa Onwuemezi
    155

    In her brilliantly inventive debut collection, Vanessa Onwuemezi takes readers on a surreal and haunting journey through a landscape on the edge of time.

  • av Agustin Fernandez Mallo
    205

    THE THINGS WE'VE SEEN, a novel in three parts, is Agustin Fernandez Mallo's most ambitious and accomplished novelto date.

  • av Adam Mars-Jones
    143

    Pristina, Kosovo, 1999. Barry Ashton, recently divorced, has been deployed as a civil engineer attached to the Royal Engineers corps in the British Army. In an extraordinary feat of ventriloquism, Adam Mars-Jones constructs a literary story with a thoroughly unliterary narrator, and a narrative that is anything but comic through the medium of a character who, essentially, is. Exploring masculinity, class and identity, Batlava Lake is a brilliant story of men and war by one of Britain's most accomplished writers.

  • av Esther Kinsky
    169

    An unnamed narrator, recently bereaved, travels to Olevano, a small village south-east of Rome. It is winter, and from her temporary residence on a hill between village and cemetery, she embarks on walks and outings, exploring the banal and the sublime with equal dedication and intensity. Seeing, describing, naming the world around her is her way of redefining her place within it. Written in a rich and poetic style, Grove is an exquisite novel of grief, love and landscapes.'Like a landscape painter who day after day sets up their easel outside, Esther Kinsky directs her eyes onto the terrain, studies it at particular times and in ever-changing weather, and seeks to understand its anatomy as well as the way it is used by people.'- Frankfurter Allgemeine Sonntagszeitung

  • av Jeremy Cooper
    179

    A novel in epistolary form, BOLT FROM THE BLUE charts the relationship between a mother and her artistic daughter over the course of thirty-odd years, and offers a partial and subjective account of British contemporary art since the mid-1980s.

  • - Septology III-V
    av Jon Fosse
    179

    I IS ANOTHER: SEPTOLOGY III-V, the second instalment in a major new work by Jon Fosse, one of Europe's most celebrated writers, follows the lives of Asle and Asle - two versions of the same person, two versions of the same life, both grappling with existential questions about life, death, love, light and shadow, faith and hopelessness.

  • av Katharina Volckmer
    235,-

    With THE APPOINTMENT, her audacious debut novel, Katharina Volckmer challenges our notions of what is fluid and what is fixed and injects a dose of Bernhardian snark into contemporary British fiction.

  • Spara 10%
    av Rainald Goetz
    181

    An unapologetic embrace of the nightlife under the motto `Meet girls. Take drugs. Listen to music', RAVE attempts to capture the feel of debauchery from within while critiquing the media structures that contribute to the `epochality' of pop culture phenomena.

  • av Adam Mars-Jones
    169

    BOX HILL is a sizzling, sometimes shocking, and strangely tragic love story between two men, set in the gay bikercommunity of the late 1970s.

  • av Fernanda Melchor
    189,-

    Written with an infernal lyricism that is as affecting as it is enthralling, HURRICANE SEASON, Fernanda Melchor's first novel to appear in English, is a formidable portrait of contemporary Mexico and its demons, brilliantly translated by the award-winning translator Sophie Hughes.

  • av Ed Atkins
    169

    OLD FOOD explores mass consumption, both physical and digital, through our relationship with food. Artfully rendering humanity's insatiable appetite into pungent yet enthralling prose, Atkins portrays a world permeated with empty signifiers, replete with content yet increasingly devoid of meaning.

  • av Maria Tumarkin
    169

    In writing that is inventive, bold, and generous, Maria Tumarkin's AXIOMATIC is a brilliantly inventive exploration of how the past shaped the present blending narrative, reportage and essay.

  • av Agustin Fernandez Mallo
    179

    NOCILLA LAB is the third volume in the celebrated Nocilla Trilogy by Agustin Fernandez Mallo, translated from the Spanish by Thomas Bunstead.

  • av Jon Fosse
    155,-

    SCENES FROM A CHILDHOOD is the latest collection of stories by Jon Fosse, one of Norway's most celebrated authors and playwrights, famed for the minimalist and unsettling quality of his writing.

  • av Alejandro Zambra
    179

    Over the course of the chronicles and literary essays that make up this volume, Alejandro Zambra outlines his own particular theory of reading.

  • av Mathias Enard
    169

    In Tangier, young Lakhdar finds himself homeless after being caught in flagrante with his cousin Meryem. As the political and religious tensions in the Mediterranean flare up with the Arab Spring and the global financial crisis, Lakhdar and his friend Bassam entertain dreams of emigration, fuelled by a desire for freedom and a better life. Part political thriller, part road-movie, part romance, the latest novel by Mathias Enard takes us from the violence of Tangier's streets to Barcelona's louche Raval quarter. Street of Thieves is an intense coming-of-age story that delves deep into the brutal realities of the immigrant experience.'

  • av Eula Biss
    169

    In this bold, fascinating book, Eula Biss addresses our fear of the government, the medical establishment, and what may be in our children's air, food, mattresses, medicines, and vaccines. Reflecting on her own experience as a new mother, she suggests that we cannot immunize our children, or ourselves, against the world.

  • av Christina Hesselholdt
    169

    COMPANIONS draws together Christina Hesselholdt´s four short volumes centring on a young woman, Camilla, and her circle of friends. The cycle begins with CAMILLA AND THE HORSE and has been published to great critical acclaim in Denmark. At once confessional and elliptic, the CAMILLA books are a running series about a group of characters whom one meets at various stages in their lives. A character who narrates one story from his or her point of view becomes a subordinate character in another. At the centre stand Camilla and her husband Charles. Christina Hesselholdt writes about desire and conflict in relationships, about everyday life and the past, about materially comfortable, now middle-aged lives that are simultaneously well-ordered and messy. Danish title: ´Selskabet’, comprised of the four books ’Camilla and the Horse’, ’Camilla - og resten af selskabet’, ´Selskabet gør op’ and ´Agterudsejlet’.

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