With shades of Clarice Lispector, Mavis Gallant and Lucy Ellman, this late-period novel by the esteemed novelist, essayist, and film and literary critic Mieko Kanai - whose often dark and cynical work occupies something of a cult place within the Japanese canon - is a disconcerting and astute portrait of life in late-stage capitalist society.
Long considered one of Simone de Beauvoir's masterpieces, a profoundly moving recounting of her mother's death.
Feverish and forthright, Pond is an absorbing chronicle of the pitfalls and pleasures of a solitudinous life told by an unnamed woman living on the cusp of a coastal town. Claire-Louise Bennett's startlingly original debut collection slips effortlessly between worlds and is by turns darkly funny and deeply moving.
A collection of essays imagining a world in which a radical respect for death might exist alongside a fairer distribution of the earth's wealth, by one of our leading thinkers.
Thrumming with secrets and shape-shifting geographies, Dorothy Tse's extraordinary debut novel is a boldly inventive exploration of life under repressive conditions.
A tender meditation on friendship and the importance of community, Brian is also a slantwise work of film criticism, one that is not removed from its subject matter, but rather explores with great feeling how art gives meaning to and enriches our lives.
A brilliant new translation of the Brazilian modernist epic that aims to capture the country's complex identity.
Windham Campbell Prize-winner Kate Briggs' long-awaited debut novel, imagining new forms of life, writing and experience.
Told in rhythmic, propulsive prose that weaves seamlessly from one consciousness to the next over the course of a day, Laurent Mauvignier's The Birthday Party is a gripping tale of the violent irruptions of the past into the present, written by a major contemporary French writer.
Written as a series of linked essays, interwoven with a reflection on affinity itself, Affinities completes a trilogy, with Essayism and Suppose a Sentence, about the intimate and abstract pleasures of reading and looking.
In May and September 1976, two earthquakes ripped through north-eastern Italy, causing severe damage to the landscape and its population. About a thousand people died under the rubble, tens of thousands were left without shelter, and many ended up leaving their homes in Friuli forever.The displacement of material as a result of the earthquakes was enormous. New terrain was formed that reflects the force of the catastrophe and captures the fundamentals of natural history. But it is far more difficult to find expression for the human trauma, the experience of an abruptly shattered existence.In Rombo, Esther Kinsky's sublime new novel, seven inhabitants of a remote mountain village talk about their lives, which have been deeply impacted by the earthquake that has left marks they are slowly learning to name. From the shared experience of fear and loss, the threads of individual memory soon unravel and become haunting and moving narratives of a deep trauma.
Reminiscent of the work of Nobel Prize laureate Svetlana Alexievich, What Have You Left Behind? powerfully draws together civilian accounts of the Yemeni civil war and serves as a vital reminder of the scale of the human tragedy behind the headlines.
Corbin College, not-quite-upstate New York, winter 1959-1960: Ruben Blum, a Jewish historian-but not an historian of the Jews-is co-opted onto a hiring committee to review the application of an exiled Israeli scholar specializing in the Spanish Inquisition. When Benzion Netanyahu shows up for an interview, family unexpectedly in tow, Blum plays the reluctant host, to guests who proceed to lay waste to his American complacencies. Mixing fiction with non-fiction, the campus novel with the lecture, The Netanyahus is a wildly inventive, genre-bending comedy of blending, identity, and politics-"An Account of A Minor and Ultimately Even Negligible Episode in the History of a Very Famous Family" that finds Joshua Cohen at the height of his powers.
A dizzying portrait of contemporary Cuba as it has rarely been seen, by an up-and-coming Cuban novelist.
Bonsai is the story of Julio and Emilia, two young Chilean students who, seeking truth in great literature, find each other instead. Like all young couples, they lie to each other, revise themselves, and try new identities on for size, observing and analyzing their love story as if it's one of the great novels they both pretend to have read. As they shadow each other throughout their young adulthoods, falling together and drifting apart, Zambra spins a formally innovative, metafictional tale that brilliantly explores the relationship among love, art, and memory.
At what point does faith turn into tyranny? In Immanuel, winner of the inaugural Fitzcarraldo Editions Essay Prize, Matthew McNaught explores his upbringing in an evangelical Christian community in Winchester. As he moved away from the faith of his childhood in the early 2000s, a group of his church friends were pursuing it to its more radical fringes. They moved to Nigeria to join a community of international disciples serving TB Joshua, a charismatic millionaire pastor whose purported gifts of healing and prophecy attracted vast crowds to his Lagos ministry, the Synagogue Church of All Nations (SCOAN). Years later, a number of these friends left SCOAN with accounts of violence, sexual abuse, sleep deprivation and public shaming.In reconnecting with his old friends, McNaught realized that their journey into this cult-like community was directly connected to the teachings and tendencies of the church of their childhood. Yet speaking to them awakened a yearning for this church that, despite everything, he couldn't shake off. Was the church's descent into hubris and division separable from the fellowship and mutual sustenance of its early years? Was it possible to find community and connection without dogma and tribalism? Blending essay, memoir and reportage, Immanuel is an exceptional debut about community, doubt, and the place of faith in the twenty-first century.
Edinburgh, 2014. Two writer friends, Damaris and Oliver Pablo, escape London, the city that killed his brother. They spend their days trying to get to the library, bickering over their tanking bitcoin, failing to write or resist the sadness. Then they meet Diego, a poet. He tells them he is named for his mother's island in the Chagos Archipelago, which she and her community were forced to leave by British soldiers in 1973. Damaris and Oliver Pablo become obsessed with this notorious episode and the continuing resistance of the Chagossian people, and want to write in solidarity. But how to share a story that is not theirs to tell? And how to account for a loss not theirs to grieve? A tragicomedy interrogating the powers of literature alongside the crimes of the British government, Diego Garcia is a collaborative fiction that opens up possibilities for the novel and seeks other ways of living together.
Humane, thought-provoking and moving, The Undercurrents is a hybrid literary portrait of a place that makes the case for radical close readings: of ourselves, our cities and our histories
Asle is an ageing painter and widower who lives alone on the southwest coast of Norway. In nearby Bjorgvin another Asle, also a painter, is lying in the hospital, consumed by alcoholism. Asle and Asle are doppelgangers - two versions of the same person, two versions of the same life, both grappling with existential questions.In this final instalment of Jon Fosse'sSeptology, the majorprose work by 'the Beckett of the twenty-first century' (Le Monde), we follow the lives of the two Asles as youngeradults in flashbacks: the narrator meets his lifelong love,Ales; joins the Catholic Church; and makes a living bytrying to paint away all the pictures stuck in his mind.ANew Name: Septology VI-VIIis a transcendent explorationof the human condition, and a radically other readingexperience - incantatory, hypnotic, and utterly unique.
In her brilliantly inventive debut collection, Vanessa Onwuemezi takes readers on a surreal and haunting journey through a landscape on the edge of time.
THE THINGS WE'VE SEEN, a novel in three parts, is Agustin Fernandez Mallo's most ambitious and accomplished novelto date.
Pristina, Kosovo, 1999. Barry Ashton, recently divorced, has been deployed as a civil engineer attached to the Royal Engineers corps in the British Army. In an extraordinary feat of ventriloquism, Adam Mars-Jones constructs a literary story with a thoroughly unliterary narrator, and a narrative that is anything but comic through the medium of a character who, essentially, is. Exploring masculinity, class and identity, Batlava Lake is a brilliant story of men and war by one of Britain's most accomplished writers.
An unnamed narrator, recently bereaved, travels to Olevano, a small village south-east of Rome. It is winter, and from her temporary residence on a hill between village and cemetery, she embarks on walks and outings, exploring the banal and the sublime with equal dedication and intensity. Seeing, describing, naming the world around her is her way of redefining her place within it. Written in a rich and poetic style, Grove is an exquisite novel of grief, love and landscapes.'Like a landscape painter who day after day sets up their easel outside, Esther Kinsky directs her eyes onto the terrain, studies it at particular times and in ever-changing weather, and seeks to understand its anatomy as well as the way it is used by people.'- Frankfurter Allgemeine Sonntagszeitung
A novel in epistolary form, BOLT FROM THE BLUE charts the relationship between a mother and her artistic daughter over the course of thirty-odd years, and offers a partial and subjective account of British contemporary art since the mid-1980s.
Written with an infernal lyricism that is as affecting as it is enthralling, HURRICANE SEASON, Fernanda Melchor's first novel to appear in English, is a formidable portrait of contemporary Mexico and its demons, brilliantly translated by the award-winning translator Sophie Hughes.
I IS ANOTHER: SEPTOLOGY III-V, the second instalment in a major new work by Jon Fosse, one of Europe's most celebrated writers, follows the lives of Asle and Asle - two versions of the same person, two versions of the same life, both grappling with existential questions about life, death, love, light and shadow, faith and hopelessness.
OLD FOOD explores mass consumption, both physical and digital, through our relationship with food. Artfully rendering humanity's insatiable appetite into pungent yet enthralling prose, Atkins portrays a world permeated with empty signifiers, replete with content yet increasingly devoid of meaning.
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