The Book Against Death is the work of a lifetime: a collection of Canetti's aphorisms, diatribes, musings and commentaries on and against death - published in English for the first time since his death in 1994 - interposed with material from philosophers and writers including Goethe, Kafka, Walter Benjamin and Robert Walser.
A genre-bending, literary eco-thriller, Living Things follows four recent graduates whose summer plans to work abroad take a sinister turn.
After several years of absence, a man reappears in the life of his wife and their young son and takes them to the dilapidated house in the mountains. The Son of Man is an exceptional novel on the transmission of violence from one generation to the next.
A genre-bending and thought-provoking examination of capitalism and cancer - and recent Brazilian history - based on the author's interviews with his truck driver father.
A prismatic memoir of loss and reckoning, as a young woman seeks to discover the lives of the parents she lost to AIDS, and what it means to 'go viral' in an era of explosive contagion.
A new and updated edition of London Feeds Itself, edited by the food writer and editor of Vittles, Jonathan Nunn, exploring the charged intersections between food and modern London.
Blending memoir, polemic and feminist philosophy, Intervals is a deeply moving work that harnesses the political potential of grief to raise essential questions about choice, interdependence and end-of-life care.
Blending fiction and essay, poetry and philosophy, Agustin Fernandez Mallo's The Book of All Loves is a startling, expansive work of imaginative agility, one that makes the case for hope in the midst of a disintegrating present.
Published in book form for the first time, Annie Ernaux's Nobel Lecture, delivered in Stockholm in December 2022, translated by Alison L. Strayer.
What is it like to live with chronic insomnia? In Sleepless, Marie Darrieussecq recounts her own experiences alongside those of fellow insomniacs, writers and artists including Virginia Woolf, Marguerite Duras and Franz Kafka.
In her spare, stark style, Annie Ernaux's Simple Passion documents the desires and indignities of a human heart ensnared in an all-consuming passion.
With shades of Clarice Lispector, Mavis Gallant and Lucy Ellman, this late-period novel by the esteemed novelist, essayist, and film and literary critic Mieko Kanai - whose often dark and cynical work occupies something of a cult place within the Japanese canon - is a disconcerting and astute portrait of life in late-stage capitalist society.
A collection of essays imagining a world in which a radical respect for death might exist alongside a fairer distribution of the earth's wealth, by one of our leading thinkers.
A tender meditation on friendship and the importance of community, Brian is also a slantwise work of film criticism, one that is not removed from its subject matter, but rather explores with great feeling how art gives meaning to and enriches our lives.
A brilliant new translation of the Brazilian modernist epic that aims to capture the country's complex identity.
Windham Campbell Prize-winner Kate Briggs' long-awaited debut novel, imagining new forms of life, writing and experience.
Told in rhythmic, propulsive prose that weaves seamlessly from one consciousness to the next over the course of a day, Laurent Mauvignier's The Birthday Party is a gripping tale of the violent irruptions of the past into the present, written by a major contemporary French writer.
Written as a series of linked essays, interwoven with a reflection on affinity itself, Affinities completes a trilogy, with Essayism and Suppose a Sentence, about the intimate and abstract pleasures of reading and looking.
In May and September 1976, two earthquakes ripped through north-eastern Italy, causing severe damage to the landscape and its population. About a thousand people died under the rubble, tens of thousands were left without shelter, and many ended up leaving their homes in Friuli forever.The displacement of material as a result of the earthquakes was enormous. New terrain was formed that reflects the force of the catastrophe and captures the fundamentals of natural history. But it is far more difficult to find expression for the human trauma, the experience of an abruptly shattered existence.In Rombo, Esther Kinsky's sublime new novel, seven inhabitants of a remote mountain village talk about their lives, which have been deeply impacted by the earthquake that has left marks they are slowly learning to name. From the shared experience of fear and loss, the threads of individual memory soon unravel and become haunting and moving narratives of a deep trauma.
Corbin College, not-quite-upstate New York, winter 1959-1960: Ruben Blum, a Jewish historian-but not an historian of the Jews-is co-opted onto a hiring committee to review the application of an exiled Israeli scholar specializing in the Spanish Inquisition. When Benzion Netanyahu shows up for an interview, family unexpectedly in tow, Blum plays the reluctant host, to guests who proceed to lay waste to his American complacencies. Mixing fiction with non-fiction, the campus novel with the lecture, The Netanyahus is a wildly inventive, genre-bending comedy of blending, identity, and politics-"An Account of A Minor and Ultimately Even Negligible Episode in the History of a Very Famous Family" that finds Joshua Cohen at the height of his powers.
A dizzying portrait of contemporary Cuba as it has rarely been seen, by an up-and-coming Cuban novelist.
Bonsai is the story of Julio and Emilia, two young Chilean students who, seeking truth in great literature, find each other instead. Like all young couples, they lie to each other, revise themselves, and try new identities on for size, observing and analyzing their love story as if it's one of the great novels they both pretend to have read. As they shadow each other throughout their young adulthoods, falling together and drifting apart, Zambra spins a formally innovative, metafictional tale that brilliantly explores the relationship among love, art, and memory.
At what point does faith turn into tyranny? In Immanuel, winner of the inaugural Fitzcarraldo Editions Essay Prize, Matthew McNaught explores his upbringing in an evangelical Christian community in Winchester. As he moved away from the faith of his childhood in the early 2000s, a group of his church friends were pursuing it to its more radical fringes. They moved to Nigeria to join a community of international disciples serving TB Joshua, a charismatic millionaire pastor whose purported gifts of healing and prophecy attracted vast crowds to his Lagos ministry, the Synagogue Church of All Nations (SCOAN). Years later, a number of these friends left SCOAN with accounts of violence, sexual abuse, sleep deprivation and public shaming.In reconnecting with his old friends, McNaught realized that their journey into this cult-like community was directly connected to the teachings and tendencies of the church of their childhood. Yet speaking to them awakened a yearning for this church that, despite everything, he couldn't shake off. Was the church's descent into hubris and division separable from the fellowship and mutual sustenance of its early years? Was it possible to find community and connection without dogma and tribalism? Blending essay, memoir and reportage, Immanuel is an exceptional debut about community, doubt, and the place of faith in the twenty-first century.
Edinburgh, 2014. Two writer friends, Damaris and Oliver Pablo, escape London, the city that killed his brother. They spend their days trying to get to the library, bickering over their tanking bitcoin, failing to write or resist the sadness. Then they meet Diego, a poet. He tells them he is named for his mother's island in the Chagos Archipelago, which she and her community were forced to leave by British soldiers in 1973. Damaris and Oliver Pablo become obsessed with this notorious episode and the continuing resistance of the Chagossian people, and want to write in solidarity. But how to share a story that is not theirs to tell? And how to account for a loss not theirs to grieve? A tragicomedy interrogating the powers of literature alongside the crimes of the British government, Diego Garcia is a collaborative fiction that opens up possibilities for the novel and seeks other ways of living together.
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