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Exquisitely detailed drawings offer a “field guide” to ubiquitous but overlooked elements of Vancouver’s urban landscape.Three series of intricate graphite drawings depict, with arresting realism, real-world examples of assembled, grown, and built objects common to distinct milieus of Vancouver: the shopping carts piled high with belongings that clatter along sidewalks in the downtown core; the long, high hedges that insulate single-family homes from the din of arterial traffic; and the sculptural lions placed for good luck atop fenceposts in front of many homes, especially on the city’s east side.In creating snapshots and then laborious drawings of these objects, Taizo Yamamoto, the principal of Yamamoto Architecture, was driven by a fascination with how the recurrence of these seemingly mundane objects speaks to omnipresent issues of housing unaffordability, densification, and the aspirations of diasporic communities—concerns that have an uneasy relationship to celebrated narratives of Vancouver but play a prominent role in residents’ everyday lives. To this work he brings not just sustained careful attention but an architect’s eye for details both structural and textural, resulting in immersive, richly nuanced drawings.New essays and fiction from three authors engages the work through prose: Aaron Peck, author of Jeff Wall: North & West (2015), interprets the shopping cart drawings as an appreciation of “ephemeral architecture” and sees affinities to work by Walker Evans and Hilda and Bernd Becher; a short story by Giller Prize–nominated author Kevin Chong (The Double Life of Benson Yu, 2023) imagines the lives behind the hedges; and Jackie Wong, senior editor of The Tyee, reports on the origin, production, and symbolism of the many lions dotting the city.

The lives and habitats of two majestic bird species are shared through striking space, aerial, and surface photographs to artfully convey the fragile elegance of life on Earth.New perspectives can inspire us to think differently about our place in the universe. The first photos of Earth from space showed the home of all known life as a small “blue marble” in a vast darkness and are thought by many to have inspired the environmental movement. For Dr. Roberta L. Bondar, the first female Canadian astronaut and the world’s first neurologist in space, the rare perspective she enjoyed aboard the Space Shuttle Discovery enhanced her reverence for the world we share with non-human life— especially birds, the only animals also able to fly vast distances across the globe.In Space for Birds: Patterns and Parallels of Beauty and Flight, Bondar, also an accomplished professional nature and landscape photographer, focuses her lens on two international species: the endangered Whooping Crane, which migrates from its boreal nesting grounds in Canada’s Wood Buffalo National Park to the seaside abundance of its winter habitat in Texas; and the near-threatened Lesser Flamingo, which is seen in dazzling pink flocks on and above East African Rift Valley soda lakes. Photos from the International Space Station convey the continental scale of these birds’ travels, and Bondar’s aerial and surface photos, accompanied by insights both scientific and personal, offer intimate glimpses of their daily lives and unique behaviours. While these birds lead different lives on opposite sides of the globe, they share, with each other and with us, an imperative to survive and a reliance on Earth’s fragile ecosystems.This book complements a travelling photographic exhibit, Patterns & Parallels: The Great Imperative to Survive.

Decadent daytime dishes to keep the party goingJoey Maggiore is the force behind the Maggiore Group and Hash Kitchen, the restaurant empire launched in Arizona in 2015 that has become the go-to destination for the most audacious brunch around. With his epic DIY Bloody Mary Bar and Instagram-famous dishes like Carnitas Hash and Billionaire Bacon, Chef Joey is all about serving up a good time.In his debut cookbook, the King of Brunch shares 70 of his favorite flavor-forward recipes for pulling off the best meal of the week at home, including a Ten-Layer Breakfast Lasagna recipe, Crème Brulée French Toast Sticks, and nostalgic cereal-infused cocktails. Call your friends over, turn up the tunes–courtesy of a bumpin’ playlist by DJ Ice–and stake your claim to the brunch crown."When your motto is 'The Brunch Life,' your late-morning meal game better be strong and Chef Joey’s Hash Kitchen absolutely lives up to the mantra."—Thrillist

"Splendid. This monumentally intimate collection journeys into the diverse soul of the nation. Moments of wit and affection contrast with an austere and formal observation of the human desire to settle, celebrate, and survive. A joyous and inspired book full of moments that are oddly resonant and deeply moving."—Atom EgoyanA subversive look at the liminal locations and transitional moments that make up the Canadian unconscious and the Not-So-True North.In this unvarnished look at Canada, renowned photographer Geoffrey James directs his gaze to the in-between spaces and forgotten places that resist the idea of a cohesive national identity. With an equable eye, James documents the ephemeral and the monumental: a demolition derby in Quebec, how an inmate at Kingston Penitentiary has decorated his cell, the Dickensian side door of Massey Hall in Toronto. The photographs in this collection celebrate the everyday while meditating on the issues James's adopted home faces: the bifurcation of rural and urban, rapid growth and increasing inequality, and its journey toward truth and reconciliation. Linked by views taken from train windows from British Columbia to Nova Scotia, James’s unofficial portrait of Canada brings into sharp relief the unfinished business of the nation as it lurches into the next century.Canadian Photographs includes a conversation between the photographer and Peter Galassi, former Chief Curator of Photography at the Museum of Modern Art.

The first comprehensive look at a leading figure in Canadian modernism and the many facets of his artistic creativity. Bertram Brooker (1888-1955), an associate of the Group of Seven, was a multi-disciplinary artist who was deeply engaged with the visual, literary and performing arts in Canada during the dynamic inter-war period. This was a time of dramatic change in Canadian cultural life, and Brooker was one of the artistic community's most gifted first responders. In 1927 he burst onto the Toronto art scene at the Arts and Letters Club with his painting exhibition "World and Spirit," considered to be the first show of abstract paintings in Canada. An advertising executive by day, he was inspired by music and mystical experience throughout his polymathic creative career. Brooker combined elements of abstraction and figuration as a painter, illustrator and graphic designer - the focus of this publication - and reflected myriad strains of contemporary thought in his efforts as a novelist, poet, short-story and essay writer, screenwriter, playwright, actor, musician, and as one of the most influential art critics of his day. Bertram Brooker: When We Awake! is the fully illustrated catalogue accompanying the exhibition organized by the McMichael Canadian Art Collection and curated by noted Canadian art scholar Michael Parke-Taylor, placing Brooker's career as a visual artist in the context of his wider creativity at last. It includes 150 of his paintings and drawings, a detailed chronology of his career, and new critical reflections on his trailblazing contribution to Canadian cultural life.

"A ground-breaking and definitive roadmap to finding success through the dynamic partnership of private equity and franchising."-Justin Nihiser, Operating Partner, Garnett Station PartnersPrivate equity (PE) is profoundly transforming the business of franchising, as companies increasingly perceive PE transactions as an attractive alternative to going public, and as investors realize the strength and resilience of the franchise model. In recent years, franchisors and multi-unit franchisees encompassing more than 700 brands have partnered with private capital, including Subway, which announced in 2023 that after decades of independence it would be acquired by Roark Capital Group for more than $9 billion. It's estimated that private capital is currently sitting on at least $1 trillion of "dry powder" - committed funds that haven't yet been deployed. Franchising will continue to attract investment out of this substantial and still-growing pool. In Big Money in Franchising, franchise thought leader, board advisor, franchise investor, and PE consultant Alicia Miller demonstrates how founders and franchisees alike can effectively leverage private capital to take their businesses to the next level of performance. Miller walks through PE growth playbooks in depth, drawing on recent case studies, highlighting best practices, and sharing valuable insights into PE's investing mindset, key players, selection criteria, and trading dynamics. The book also tracks the top challenges private capital has experienced in franchise investing, providing guidelines for vetting potential partners and conducting due diligence to avoid negative outcomes, value destruction, and stall-outs. Featuring interviews with franchise entrepreneurs, brand founders, deal advisors, and PE executives, Big Money in Franchising empowers readers with the information needed to build enterprise value and climb the private equity profit ladder.

Winner of the 2023 Canadian Museum Association award for Outstanding Achievement in ResearchA landmark publication bringing together more than seventy voices illuminating the rich array of Indigenous art held by the McMichael Canadian Art Collection.Under the editorial direction of Anishinaabe artist and scholar Bonnie Devine, Early Days gathers the insights of myriad Indigenous cultural stakeholders, informing us on everything from goose hunting techniques, to the history of Northwest Coast mask making, to the emergence of the Woodland style of painting and printmaking, to the challenges of art making in the Arctic, to the latest developments in contemporary art by Indigenous peoples from across Turtle Island.Splendidly illustrated, Early Days not only tells the story of a leading collection but traces the emergence and increasing participation of many Indigenous artists in the contemporary art world. This publication will be the largest in the history of the McMichael, and represents a vital acknowledgment of the place of Indigenous art and ways of knowing in global art history.Featured contributors: Barry Ace, Pierre Aupilardjuk, Leland Bell, Dempsey Bob, Violet Chum, Hannah Claus, Dana Claxton, Taa.uu ‘Tuuwans Nika Collison, Alan Ojiig Corbiere, Marcia Crosby, Ruth Cuthand, Mique'l Dangeli, Sarah Florence Davidson, Robert Davidson, Blake Debassige, Bonnie Devine, Tarralik Duffy, Norma Dunning, David Garneau, John Geoghegan, Janice Grey, Haay'uups (Ron Hamilton), Jim Hart, Emma Hassencahl-Perley, Emily Henderson, Lynn Hill, Richard William Hill, Maria Hupfield, Heather Igoliorte, Luis Jacob, Gayle Uyagaqi Kabloona, William Kingfisher, Jessica Kotierk, Robin Laurence, Duane Linklater, Ange Loft, Tanya Lukin Linklater, Jean Marshal, Michael Massie, Kaitlin McCormick, Gerald McMaster, Ossie Michelin, Sarah Milroy, Antoine Mountain, Nadia Myre, Wanda Nanibush, Jeneen Frei Njootli, Ruth B. Phillips, Jocelyn Piirainen, Ryan Rice, Carmen Robertson, Paul Seesequasis, Leanne Betasamosake Simpson, Wedlidi Speck, Michelle Sylliboy, Snxakila Clyde Tallio, Drew Hayden Taylor, Nakkita Trimble, Jesse Tungilik, Camille Georgeson-Usher, William Wasden Jr., Jordan Wilson, Jessica Winters.

THINKERS50 BEST MANAGEMENT BOOKS FOR 2024GOLD MEDAL WINNER – 2024 AXIOM BUSINESS BOOKS AWARD – LEADERSHIP CATEGORY"Work-life balance" isn't making anyone happy.In fact, our relentless attempts to achieve this goal have created workplaces full of stress, discontent, and burnout.While this workplace disillusionment has been brewing for years, the pandemic helped catalyze a cultural shift of workers redefining themselves beyond what they do for a living. Now, it's time for you to rethink your role as a leader in the nexus of work and life.In Work-Life Bloom: How to Nurture a Team That Flourishes, award-winning author Dan Pontefract contends that a thriving workplace isn't about employee engagement levels, nor is it predicated on your team members bringing their "best selves" to work. Instead, it requires you to support the people you manage so they can be their best in work and life.Just as a flower needs the right mix of sunlight, water, and nutrients to grow, your people need the right mix of work-life factors to create a fulfilling and harmonious existence. Pontefract introduces a new leadership paradigm focused on twelve key work-life factors that determine whether your team members' gardens are able to grow.Drawing upon primary global research, interviews, and personal experiences, Pontefract delivers a timely blueprint for leaders to cultivate work-life ecosystems where individuals don't just survive—they bloom.

A captivating photographic portrait of the diverse experiences of immigrants in the United States, depicting the resilience and realities of building a home in a new place. Disturbed by the increasingly hostile views of immigrants that arose in the United States during the 2016 presidential election, photographer Colin Boyd Shafer set out on a road trip to meet hundreds of families and individuals with roots abroad who now live in America. The result, after a year of travel covering fifty thousand miles, is this collection of striking photos and moving stories that form a portrait of the nation's complex and shifting relationship to immigration. Some of the participants chose to make America home; others were displaced by crises. Some were warmly welcomed and granted citizenship; others battled the immigration system for years and still live with fear and uncertainty. Their circumstances and origins vary, but all are united by a willingness to share their stories-of harrowing journeys, intense love, separated families, passionate activism-in hopes of adding nuance and depth to a vital issue that continues to polarize Americans.

Unlock the 10/10 life already within you. We all have that friend. The one who seems to glide through the day with an effortless smile on her face. The one who seems unstoppable-confident in her ability to achieve what she desires without the slightest trace of fear or doubt. The one who always seems to have the capacity to do and give more. If you're someone who's struggling with life's ebbs and flows, feeling left behind, or simply having difficulty getting through the day, you might think that high-performing friend is living in a different reality. But in fact, we're all capable of achieving that dime state through effective energy management. In Be a Dime, renowned corporate speaker, multi-sport athlete, and former celebrity trainer Jill Payne shares surprisingly simple and time-tested principles to modulate the signals that you send yourself and broadcast out to the world through your body language, your mental focus, and your internal dialogue. The result is a newfound ability to channel your emotions and determine your experience of life, with less interference from external factors. Complete with workbook exercises and prompts for self-reflection, Payne's program will help you to unlock greater resilience, drive, and joy to live a life that is the highest expression of yourself, from the inside out. The truth is that you're already a dime. Here's how to choose to consistently shine.

Striking photography and incisive texts document and reflect on the fascinating and uniquely Punjabi art form of sculptural water tanks.In the late 1970s, a unique local art form emerged in the villages of Doaba, a rural region of India’s Punjab state. Villagers who had moved elsewhere but retained close ties to the region began constructing elaborate multi-storey homes of brick or marble, topped with sculptural watertanks, sometimes called “showpieces.” Though almost unknown outside of India, in certain areas of the Punjab today homes like these dominate the landscape. The painted cement-and-rebar embellishments are usually individually commissioned, and take various forms including planes, animals, soccer balls, and weightlifters; in all cases, their intent is to announce and honor a family or individual’s presence in and connection to the region. Combined with the intricately decorated houses on which they perch, these works represent a merging of art, architecture, and everyday life that transcends conventional design norms to tell a diasporic story in a form that is unique to Punjab.Mumbai-based photographer Rajesh Vora visited 150 villages over several years to photograph hundreds of these works. In 2022, his photos were exhibited at the Surrey Art Gallery in British Columbia, Canada, a major center of the Punjabi diaspora. In addition to over 140 of Vora’s photographs, this volume offers texts by Rahul Mehrotra, who observes the hybrid and evolving conceptions of home that these vernacular forms express; Vora and Keith Wallace, the exhibition’s curator, who discuss the origins of the works and their travels in the region; Sajdeep Soomal, who locates the sculptures’ “dreams of technological modernity” on a trajectory flowing from the region’s agricultural past through to its independence from British colonization; and Satwinder Kaur Bains, who reflects on the nuanced and complex evocations that these photos tease from her own experience of migration.

A socially conscious, adventurous, and style-forward look at how to make drinks for anyone, anytime. "In a cocktail world that is starting to look and act more like a science laboratory than a bar, Evelyn Chick is a breath of fresh air. Her easy-to-follow recipes will give readers more time to entertain and enjoy the drinks themselves-and isn't that the point?" -Ivy Mix, American Bartender of the Year (2015 Spirited Awards), Mixologist of the Year (2016, Wine Enthusiast), co-owner Leyenda, BrooklynA great cocktail is more than the sum of its parts. Globally acclaimed beverage expert Evelyn Chick knows that our enjoyment of a cocktail goes beyond the ingredients, equipment, and skills in the mix: it's about keeping an open mind and embracing the simple joy of sharing flavors with others. In this playful collection of recipes, Chick celebrates the simple joy of sharing flavors in approachable ways, offering unpretentious guidance on:Home bar tool and pantry essentialsSpirit categoriesEasy-peasy fancy garnishesSeriously refreshing summer drinks and warming cocktail-hour staplesLow-alcohol, zero-proof, and cannabis-inclusive optionsLarge-format servings for get-togethersVersatile syrups, tinctures, and infusions For the Love of Cocktails will inspire home bartenders-both beginners and those looking to level up-to curate the right drink for every occasion, whether you're in the mood for an after-work cocktail, a celebratory libation, or a backyard party favor. "Guaranteed to delight the palate of even the most discerning of cocktail aficionados. A must- have for the modern drinker."-Erick Castro, award-winning bartender; host of Bartender at Large"Levelling up the at-home happy-hour experience for any occasion ... Evelyn Chick mixes artistry and alchemy with practical advice, easy-to-find ingredients and mood-based recipes that deliver."-Elle Canada"This is the kind of mixology guide that will have a place on bookshelves for years to come."-Library Journal

An in-depth look at the people and the science behind our attempts to pull carbon dioxide out of the atmosphere with direct air capture.Drawing on interviews with stakeholders at the intersection of climate science, energy technology, and public policy, Paul McKendrick's investigation traces more than 20 years of technological development with direct air capture, from Biosphere 2; to multi-million dollar promises from Richard Branson, Bill Gates, and Elon Musk; to the opening of Orca, the world's largest commercial direct air capture facility, in Iceland in 2021.Figuring prominently in this narrative is the genius of Klaus Lacknerwho, along with othershas fueled intense scientific and political debate, and spurred a value chain that spans finance, industry, technology, policy, and academia.McKendrick's clear and riveting prose presents the full story of this fascinating pursuit for the first time, inviting readers to learn more about this critical climate intervention option.

Art and physics collide in this expansive exploration of how knowledge can be translated across disciplinary communities to activate new aesthetic and scientific perspectives.Leaning Out of Windows shares findings from a six-year collaboration by a group of artists and physicists exploring the connections and differences between the language they use, the means by which they develop knowledge, how that knowledge is visualized, and, ultimately, how they seek to understand the universe. Physicists from TRIUMF, Canada's particle physics accelerator, presented key concepts in the physics of Antimatter, Emergence, and In/visible Forces to artists convened by Emily Carr University of Art + Design; the participants then generated conversations, process drawings, diagrams, field notes, and works of art. The "wondrous back-and-forth" of this process allowed both scientists and artists to, as Koenig and Cutler describe, "lean out of our respective fields of inquiry and inhabit the infinite spaces of not knowing."From this leaning into uncertainty comes a rich array of work towards furthering the shared project of artists and scientists in shaping cultural understandings of the universe: Otoniya J. Okot Bitek reflects on the invisible forces of power; Jess H. Brewer contemplates emergence, free will, and magic; Mimi Gellman looks at the resonances between Indigenous Knowledge and physics; Jeff Derksen finds Hegelian dialectics within the matter–antimatter process; Sanem Güvenç considers the possibilities of the void; Nirmal Raj ponders the universe's "special moment of light and visibility" we happen to inhabit; Sadira Rodrigues eschews the artificiality of the lab for a “boring berm of dirt”; and Marina Roy metaphorically turns beams of stable and radioactive gold particles into art of pigments, oils, liquid plastic, and wood. Combined with additional essays, diagrams, and artworks, these texts and artworks live in the intersection of disparate fields that nonetheless share a deep curiosity of the world and our place within it, and a dedication to building and sharing knowledges.

WINNER OF THE CANADIAN HISTORY ASSOCIATION INDIGENOUS HISTORY BOOK PRIZEIn this poignant display of the resilience of language, culture, and community in the face of the profound changes brought by settlers, Kluane First Nation Elders share stories from their lives, knowledge of their traditional territory (A¿ sì Keyi, "my grandfather's country"), and insights on the building of their self-governing First Nation. With generosity, diligence and deep commitment to their community, Elders from Lhù'ààn Mân Keyi (Kluane First Nation) recorded oral histories about their lives in the southwest Yukon. They shared wisdom, stories and songs passed down from grandparents, aunties and uncles, in Dan k'e (Southern Tutchone, Kluane dialect) and English. This years-long project arose from the Elders' desire for their children and future generations to know the foundations of language, culture, skills and beliefs that will keep them proud, healthy and strong. The Elders speak of life before the Alaska Highway, when their grandparents drew on thousands of years of traditional knowledge to live on the land through seasonal rounds of hunting and gathering; the dark years after the building of the Alaska Highway, when children were taken away to residential schools and hunting grounds were removed to form the Kluane Game Preserve and National Park; and the decades since, when the community worked through the Yukon land claims process to establish today's self-governing First Nation. Inclusivity is a key community value. The Elders' stories are accompanied by the voices of youth and citizens of all ages, along with a history of the Kluane region. The book is beautifully illustrated with Elders' photographs, historical images and art work, and photos showing breathtaking views of Kluane mountains, lakes, sites, trails, and activities in the community today. With passionate and deeply informed voices, this is a stirring portrait created by a community that has shown resilience through massive changes and remains dedicated to preserving their culture, language and lands for the generations to come.

Gathie Falk is one of Canada's most heralded visual artists: she has won the Governor General's Award in Visual and Media Arts, the Audain Prize for Lifetime Achievement in the Visual Arts, and the Gershon Iskowitz Prize; she has been honoured with the Order of British Columbia and the Order of Canada; and her work is featured in major galleries across the country. From performance works involving eggs and bird feathers, to paintings of flower beds and night skies, to celebrated sculptures of fruit, men's shoes, and dresses, Falk's chronicles of the everyday span more than four decades and a variety of media.Apples etc. is Gathie Falk's memoir, a lively, personal, and yet unsentimental reflection on nearly ninety years of art and life. Falk tells of growing up in small Mennonite communities in the 1930s and '40s. These were hard years, as her Russian immigrant father died just ten months after she was born. While the family struggled financially, Falk recalls cabbage rolls made by hand, a backyard skating rink, and music lessons paid for by an anonymous donor. Her apprenticeship, she says, was a long one. After working a series of menial jobs, she trained as a public school teacher, which led her back to the art classes she'd given up as a child. It has now been fifty years since Falk's art career was launched, and her "veneration of the ordinary" has sustained her through the deaths of beloved friends and relatives, a short-lived marriage, broken bones, and debilitating pain. Interweaving stories about her community, her family, and her daily rituals with anecdotes about her major artworks, Falk paints a portrait of a life well lived.

For more than 100 years, Vancouver has been home to a vibrant and thriving Cantonese opera scene. As a performance art carried out by transient troupes, it is an ephemeral medium that rarely leaves a trace in the historic records. However, an extraordinary treasure trove of early 20th-century Cantonese opera costumes, props, and stage dressings made its way to the Museum of Anthropology in Vancouver, BC. In the first book-length study of this little known collection, April Liu retraces the arduous journeys of early Cantonese opera troupes who began arriving along the west coast of North America during the mid-19th century. A close examination of the costumes and props reveal the moving songs, stories, performances, and ritual practices of early Chinese migrant communities who struggled to make a home in a foreign and often hostile land.

Sticky Pictures examines and celebrates the evolving work of Montreal-based artist Janet Werner. In her paintings, Werner builds a constellation of spatial and figurative explorations drawn from fashion magazines and art history to create collage-like composite figures that slip easily between articulations of beauty, gender, psychology and emotion. Werner's painterly operations are both unsettling and seductive, revealing the conditions of perception and looking as passageways to understanding the intensity of the world at hand. Werner's unique combination of abstraction, fictional portraiture, and the rich history of painting are explored in Sticky Pictures through texts by art and media historians, as well as an interview with the artist.Janet Werner’s work has been featured in international solo exhibitions from New York to Los Angeles and as far away as Cape Town. Her work was included in the Prague Biennale in 2003 and is featured in the collections of the Musée national des beaux-arts du Québec, Musée d’art contemporain in Montreal, The Art Gallery of Ontario in Toronto, Winnipeg Art Gallery, the Canadian Embassy in Berlin, the University of Lethbridge, Owens Art Gallery in Sackville, the Mendel Art Gallery in Saskatoon, Dunlop Art Gallery in Regina, McEvoy Foundation for the Arts in San Francisco, and numerous private and corporate collections. Werner lives and works in Montreal.

A tribute to the Canadian North, a meditation on artistic creation, and a window onto the ideological musings of Canada's greatest Structurist artist. In celebration of his 100th birthday, Eli Bornstein, in collaboration with author and curator Roald Nasgaard, has published a stunning work of personal reflection on a most transformative time in his life and career. Eli Bornstein: Arctic Journals, 1986 and 1987 is a tribute to the Canadian North, a meditation on artistic creation, and a window onto the ideological musings of Canada's greatest Structurist artist. Devoid of the mythologizing other artists have given their writing on the North, Bornstein's journals are introspective, insightful, and sometimes funny. Comprised of personal journal entries from two northern trips he took with photographer Hans Dommasch-along with watercolour studies, Structurist reliefs, and a personal collection of poems-Bornstein's work is a vital reminder of our outsized influence over the natural world and an invitation to recognize our need for nature in our life and in our art. Bornstein's publication is the culmination of a life's work on reconciling himself with nature and the understanding our very existence.

An ode to the medium of black-and-white street photography and a record of the enormity of life’s understated moments.Synchronicity showcases Fabrice Strippoli’s unique eye for capturing the remarkable in life’s most unremarkable moments. Strippoli’s lens work and his expertly crafted darkroom techniques transform these moments—from the seemingly mundane to the downright ordinary—into evocatively nostalgic pieces that invite comparison to mid-century masters of street photography like Robert Frank, Walker Evans, and Garry Winogrand. Combined with words by Juno winner Ron Sexsmith and New York Times bestselling author Justin Kingsley, Synchronicity is an ode to the medium of black-and-white street photography and a record of the enormity of life’s understated moments.

Axiom Business Book Award 2023 Bronze Co-Medalist, Leadership CategoryBronze award recipient for the 2022 Foreword INDIES Book of the Year - Career (Adult Nonfiction) The Emotionally Strong Leader offers those leading our workplaces, organizations, and institutions an opportunity to transform their leadership and their lives by learning to harness the power contained in recognizing and understanding their feelings. For leaders, managing their emotions and leading with a strong mind and a kind heart while using a set of clear, simple, and tested skills and strategies will enable them to connect more authentically and communicate more effectively with their colleagues and teams. This kind of connection and communication creates an environment of trust and belonging that will spur engagement, spike curiosity, and engender fraternity in the workplace. How does one get there? By leading with emotional intelligence. Unfortunately, too many leaders choose another path; one that eschews their emotions and those of their employees as bothersome and unimportant to the task at hand. This limited and damaging viewpoint tends to make people feel as though they are simply task-managing machines and not the terrific and complex individuals full of energy, passion, and unlimited potential that they are. What we need are leaders who understand themselves from the inside out, who know why they do what they do, and who use the information their feelings provide to help them make informed, rational decisions-especially when the stakes are high. We need leaders who express humility, engage in genuine and caring conversations with the people they lead, and who aren't afraid to admit when they make a mistake. We need executives who are both emotional and strong. Author Carolyn Stern's six-step self-coaching model-adapted from emotional intelligence courses she's developed for major universities and corporations across North America-is backed by decades of field experience and top science on emotions and behavior. Stern's model is the tool leaders need to uncover their barriers to growth and change, set personal goals, and tap into their motivation. It will give them the means and drive to manage the hurdles life throws at them, dramatically impacting their performance, results, and happiness. Simply put, The Emotionally Strong Leader will turn the way readers think about leading on its head.

Knowledge Within: Treasures of the Northwest Coast looks into seventeen of the numerous sites in the Pacific Northwest region with major collections of Northwest Coast Indigenous material culture, bringing attention to a wide range of approaches to caring for and exhibiting such treasures. Each chapter is written by one or more people who work or worked in the organization they write about. Each chapter takes a different approach to the invitation to reflect upon their institution: some narrate a history of the institution, some focus on particular pieces in the collection, and some consider the significance of the work currently being done for the present and future. They do more than fill in the gaps and background of an already existing discussion. They show that these are places and moments in a much longer story, still ongoing, with many characters—individuals, institutions, communities, artworks, treasures—on different, although often parallel or intersecting, journeys.

Over six decades of brilliant prints and paintings from the most prominent Northwest Coast artist of his generation. Finalist for the Roderick Haig-Brown Regional Prize, a BC & Yukon Book PrizeSince leaving Haida Gwaii to study art in Vancouver-where he carved argillite with Bill Reid in a department store and hand-sold prints on the UBC campus-Guud sans glans, Robert Davidson has moved between two worlds. As a host of Potlatches, carver of masks and totem poles, and performer and teacher of traditional Haida songs and dances, he has been one of the driving forces in the resurgence of Haida culture in the aftermath of colonization. As an artist working in serigraphs, acrylic, wood, silver, and aluminum to preserve and breathe new life into Haida formline, he has become among the most respected, celebrated, and thrilling artists in the country, if not the world. Echoes of the Supernatural is the first publication in over forty years to offer a comprehensive visual retrospective of his astonishing career. It includes new photography of over 150 prints, as well as images of over fifty paintings; numerous painted woven hats, painted and carved sculptures, jewellery, aluminum sculpture; and dozens of archival photos. His long-time gallerist Gary Wyatt, who worked closely with Davidson in shaping the book and received full access to his archives, details the artist's life and career, and offers insights on the work based on extensive new interviews. A foreword by Karen Duffek situates the contours of Davidson's practice within the broader Northwest Coast art world.

Gathie Falk: Revelations, published on the occasion of the retrospective exhibition curated by Sarah Milroy, investigates the career of a legendary Canadian artist.Now in her nineties, Gathie Falk was born in 1928 in Brandon, Manitoba, settling finally in Vancouver, where she established herself as one of Canada’s most visionary and experimental artists. Flying horses, rows of potted conifers festooned with blossoms and ribbons, floating cabbages, piles of glossy apples, gentlemen’s brogues presented in reliquary style, expanses of water, or burgeoning flower beds exploding with color—these have been the manifestations of Falk’s rampant imagination as she has explored the disciplines of painting, ceramic, performance art and installation over the span of a half century. In all her works, effulgence and order are held in a dynamic tension as she works through her generative themes and variations.A trailblazer on all fronts, she has brought a rich sensibility to bear on her observations of the everyday, perceptions often tinged with the surreal and the uncanny. From her fruit piles to the landmark performances of her early career, to her extended pursuit of themes with variations in her painting practice —expanses of water dazzling with light, riotous flower borders set against cement sidewalks, night skies pierced by starlight or obscured by clouds—she finds the wondrous in the routine world around her, pursuing her work with a modesty and diligence that reflects her Russian Mennonite heritage.The publication includes an introduction by McMichael Chief Curator Sarah Milroy, lead essay by Vancouver curator and writer Daina Augaitis (who examines her performance and installation works in a national and international context), and a host of other artists and writers, rising to the occasion of this career-spanning survey. This catalogue summarizes an extraordinary career, with full page images of her artworks and rarely seen archival photos of the artist’s studio, performance works, and Falk herself.For more than sixty years, Falk has generated work of extraordinary thematic integrity and material invention. This publication will illuminate those connections across disciplines, while also tracing the artist’s journey from youth to old age—from the lushness of the fruit piles, with their sensuous surfaces and dazzling colors, to the sepulchral hush of the night skies.

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