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A suspenseful account of the glorious days more than a century ago when our national madness began, the first Major League Baseball World Series. A post-season series of games to establish supremacy in the major leagues was not inevitable in the baseball world. But in 1903 the owner of the Pittsburgh Pirates (in the well-established National League) challenged the Boston Americans (in the upstart American League) to a play-off, which he was sure his team would win. They didn't--and that wasn't the only surprise during what became the first World Series. In Autumn Glory, Louis P. Masur tells the riveting story of two agonizing weeks in which the stars blew it, unknown players stole the show, hysterical fans got into the act, and umpires had to hold on for dear life.Before and even during the 1903 season, it had seemed that baseball might succumb to the forces that had been splintering the sport for decades: owners' greed, players' rowdyism, fans' unrest. Yet baseball prevailed, and Masur tells the equally dramatic story of how it did so, in a country preoccupied with labor strife and big-business ruthlessness, and anxious about the welfare of those crowding into cities such as Pittsburgh and Boston (which in themselves offered competing versions of the American dream). His colorful history of how the first World Series consolidated baseball's hold on the American imagination makes us see what one sportswriter meant when he wrote at the time, Baseball is the melting pot at a boil, the most democratic sport in the world. All in all, Masur believes, it still is.

In this incisive examination of our national security policy, Michael Klare suggests that the Pentagon in effect established a new class of enemies when the Cold War came to an -unpredictable and hostile states in Asia, Africa, and Latin America. Klare argues that the containment of these rising Third World powers-Iraq, Iran, Libya, and North Korea, especially-became the centerpiece of American military policy and the justification for near-Cold War levels of military sping.

When President Monroe issued his 1823 doctrine on U.S. policy in the Western Hemisphere, it quickly became as sacred to Americans as the Declaration of Independence and the Constitution. But in the years after World War II - notably in Guatemala in 1954, in Brazil in 1963, in Chile in 1973, and in El Salvador in the 1980s - our government's policy of supporting repressive regimes in Central and South America hastened the death of the very doctrine that had been invoked to protect us in the Cold War, by associating its application with torture squads, murder, and the denial of the very democratic ideals the Monroe Doctrine was intended to protect. Gaddis Smith's measured but devastating account is essential reading for all those who care how the United States behaves in the world arena."This epilogue to well-known history of Monroe Doctrine is a provocative interpretation of how US presidents resolved policy contradiction of accepting Soviet presence in the Caribbean while reaffirming tenets of Monroe Doctrine"--Handbook of Latin American Studies, v. 57.

In examining the economic and cultural trs that expressed America's expansionist impulse during the first half of the twentieth century, Emily S. Rosenberg shows how U.S. foreign relations evolved from a largely private system to an increasingly public one and how, soon, the American dream became global.

Composer John Kander and lyricist Fred Ebb are the longest-running song-writing partnership in Broadway history, having first joined forces in 1962. The creators of such groundbreaking musicals as Chicago, Cabaret, and Kiss of the Spider Woman, Kander and Ebb have helped to push American musical theater in a more daring direction, both musically and dramatically. Their impact on individual performers has been great as well, starting with the handpicked star of their first musical: an untested nineteen-year-old named Liza Minnelli (who writes of this experience in her introduction).Colored Lights covers the major shows of Kander and Ebb's partnership, from Flora, the Red Menace (starring a then-unknown Liza) to The Visit, their newest show, which is set to star another Kander and Ebb favorite, Chita Rivera. The pages and musicals in between reveal what has made theirs such an important and long-lived musical partnership--and one so valued by the artists they have worked with. In recounting the genesis and controversies of Cabaret, reflecting on the superstar mentality of such artists as Frank Sinatra and Barbra Streisand, and recalling their work with Bob Fosse on Chicago (as well as their thoughts on the Oscar-winning film version), John Kander and Fred Ebb provide a history not only of their own lives but also of the American musical theater of the late twentieth century.

Ardor, inspiration, the soul, the sublime: Such terms have long since fallen from favor among critics and artists alike. In his new collection of essays, Adam Zagajewski continues his efforts to reclaim for art not just the terms but the scanted spiritual dimension of modern human existence that they stake out. Bringing gravity and grace to his meditations on art, society, and history, Zagajewski wears his erudition lightly, with a disarming blend of modesty and humor. His topics range from autobiography (his first visit to a post-Soviet Lvov after childhood exile; his illicit readings of Nietzsche in Communist Poland); to considerations of artist friends past and present (Zbigniew Herbert, Czeslaw Milosz); to intellectual and psychological portraits of cities he has known, east and west; to a dazzling thumbnail sketch of postwar Polish poetry.Zagajewski gives an account of the place of art in the modern age that distinguishes his self-proclaimed liberal vision from the "e;right-wing radicalism"e; of such modernist precursors as Eliot or Yeats. The same mixture of ardor and compassion that marks Zagajewski's distinctive contribution to modern poetry runs throughout this eloquent, engaging collection.

Graceful and resonant new work by a lyric poet at the height of his skill."e;Like something broken of wing,lying there.Other than breathing's rise, catch,release,a silence, as of some especially woundedanimal that, nevertheless, stillis conscious,you can seestraight through the openeye to where instinct falters becausefor once it has comedivided"e; --from "e;Chamber Music"e;In the art of falconry, during training the tether between the gloved fist and the raptor's anklets is gradually lengthened and eventually unnecessary. In these new lyric poems, Carl Phillips considers the substance of connection -- between lover and beloved, mind and body, talon and perch -- and its the cable of mutual trust between soaring figure and shadowed ground. Contemporary literature can perhaps claim no poetry more clearly allegorical than that of Carl Phillips, whose four collections have turned frequently to nature, myth, and history for illustration; still, readers know the primary attributes of his work to be its physicality, grace, and disarming honesty about desire and faith. In The Tether, his fifth book, Phillips's characteristically cascading poetic line is leaner and more dramatic than ever.

Winner of the PEN/Voelcker career achievement award in poetry Misgivings is C. K. William's searing recollection of his family's extreme dynamics and of his parents' deaths after years of struggle, bitterness, inner conflict, and, finally, love. Like Kafka's self-revealing Letter to His Father, Misgivings is a full of doubt, both philosophical and personal, but as a work of art it is sure and true. Williams's father was an "ordinary businessman"--angry, demanding, addicted to the tension he created with the people he loved; a man who could recite the Greek myths to his son yet vowed never to apologize to anybody. Wiiiams's mother was a housewife, a woman with a great capacity for pleasure, who was stoical about the family's dire early poverty yet remained affected by it even when they became well-off. Together, these two formed what Williams calls the "conspiracy that made me who I am." His account of their life together and of their deaths--his father's in a final abandonment of the will to live, his mother's with calm resignation--is a literary form of the reconciliation the family achieved at the end of his parents' lives, composed as a series of short takes, a double helix of experience and recollection.

An informed, comprehensive guide to raising a multicultural family.How many times do you celebrate the New Year at home? Just once? If your family is Jewish, Chinese, and a few other things besides, you might celebrate twice or even three times a year! As the rate of cross-cultural adoption grows in the United States, new traditions are emerging. These are part of a new multiculturalism which, with its attendant joys and challenges, has become a fact of life in urban, suburban and even rural America. Alperson's sourcebook offers families the first complete guide to the tangled questions that surround this important phenomenon. As the adoptive Jewish mother of Sadie, her Chinese-born daughter, Alperson is able to offer personal as well as professional insight into such topics as combining cultures in the home, confronting prejudice, and developing role models. Focusing on adoptive families - international and transracial adoption in the United States has jumped in recent years - she provides guidelines on how families can prepare for their exciting journey toward becoming a multicultural family.In addition to drawing on extensive interviews with such families, her book includes a wealth of on-line and "e;conventional"e; resources to find books, food products, toys, clothing, discussion groups and heritage camps that help families to enhance their lives as they build a multicultural home.

This volume, Wright's eleventh book of poetry, is a vivid, contemplative, far-reaching, yet wholly plain-spoken collection of moments appearing as lenses through which to see the world beyond our moments. Chickamauga is also a virtuoso exploration of the power of concision in lyric poetry--a testament to the flexible music of the long line Wright has made his own. As a reviewer in Library Journal noted: "e;Wright is one of those rare and gifted poets who can turn thought into music. Following his self-prescribed regimen of purgatio, illuminato, and contemplatio, Wright spins one lovely lyric after another on such elemental subjects as sky, trees, birds, months, and seasons. But the real subject is the thinking process itself and the mysterious alchemy of language: 'The world is a language we never quite understand.'"e;

This important book--shot through with reflections on, explorations of, and hymns to both our natural and spiritual realms--features the three poetry collections Charles Wright published during the 1980s: The Southern Cross (1981), The Other Side of the River (1984), and Zone Journals (1988).

"e;Philosophy may be defined as the art of asking the right questions...Awareness of the problem outlives all solutions. The answers are questions in disguise, every new answer giving rise to new questions."e; This example of Rabbi Heschel's thought and manner of expression, familiar to the readers of his many books, serves as an epigraph to The Wisdom of Heschel.As Ruth Goodhill says in her foreword, "e;These selections from the works of the prophetic giant of the twentieth century, Abraham Joshua Heschel, represent my personal response to his writings. This book, conceived during his lifetime, is offered as an introduction to his thought and to his profound understanding of the agonies of modern society."e;Most of the selections are taken from God in Search of Man, The Insecurity of Freedom, Man Is Not Alone, The Sabbath, The Prophets, and Who Is Man? Among the categories in which the excerpts have been grouped are "e;Questions Man Asks, "e; "e;Man's Needs, "e; "e;Caring for Our Old, "e; "e;Teaching Our Young, "e; "e;Law, "e;"e; The Sabbath, "e; and "e;One World."e;

In this first biography of "the most dangerous woman in America, " Gorn proves why, in the words of Eugene V. Debs, Mother Jones "has won her way into the hearts of the nation's toilers, and . . . will be lovingly remembered by their children and their children's children forever." 11 photos.