Böcker utgivna av Farrar, Straus and Giroux

An ordinary friendship between two extraordinary women

"e;This is the ultimate insider's view of perhaps the darkest chapter of the Forever Wars. Michael Gordon knows everyone, was seemingly everywhere, and brings a lifetime of brilliant reporting to telling this crucial story."e; -Retired U.S. Navy admiral James Stavridis, 16th Supreme Allied Commander of NATO and author of To Risk it All: Nine Crises and the Crucible of DecisionAn essential account of the struggle against ISIS-and of how Presidents Obama, Trump, and Biden have waged war.In the summer of 2014, President Barack Obama faced an unwelcome surprise: insurgents from the Islamic State had seized the Iraqi city of Mosul and proclaimed a new caliphate, which they were ruling with an iron fist and using to launch terrorist attacks abroad. After considerable deliberation, President Obama sent American troops back to Iraq. The new mission was to "e;degrade and ultimately destroy"e; ISIS, primarily by advising Iraqi and Syrian partners who would do the bulk of the fighting and by supporting them with airpower and artillery. More than four years later, the caliphate had been dismantled, the cities of Mosul and Raqqa lay in ruins, and several thousand U.S. troops remained to prevent ISIS from making a comeback. The "e;by, with, and through"e; strategy was hailed as a template for future campaigns. But how was the war actually fought? What were the key decisions, successes, and failures? And what was learned?In Degrade and Destroy, the bestselling author and Wall Street Journal national security correspondent Michael R. Gordon reveals the strategy debates, diplomatic gambits, and military operations that shaped the struggle against the Islamic State. With extraordinary access to top U.S. officials and military commanders and to the forces on the battlefield, Gordon offers a riveting narrative that ferrets out some of the war's most guarded secrets.Degrade and Destroy takes us inside National Security Council meetings at which Obama and his top aides grapple with early setbacks and discuss whether the war can be won. It also offers the most detailed account to date of how President Donald Trump waged war-delegating greater authority to the Pentagon but jeopardizing the outcome with a rush for the exit. Drawing on his reporting in Iraq and Syria, Gordon documents the closed-door deliberations of U.S. generals with their Iraqi and Syrian counterparts and describes some of the toughest urban battles since World War II. As Americans debate the future of using force abroad, Gordon's book offers vital insights into how our wars today are fought against militant foes, and the enduring lessons we can draw from them.

In The Twice-Born, Aatish Taseer embarks on a journey of self-discovery in an intoxicating, unsettling personal reckoning with modern India, where ancient customs collide with the contemporary politics of revivalism and revengeWhen Aatish Taseer first came to Benares, the spiritual capital of Hinduism, he was eighteen, the Westernized child of an Indian journalist and a Pakistani politician, raised among the intellectual and cultural elite of New Delhi. Nearly two decades later, Taseer leaves his life in Manhattan to go in search of the Brahmins, wanting to understand his own estrangement from India through their ties to tradition.Known as the twice-born-first into the flesh, and again when initiated into their vocation-the Brahmins are a caste devoted to sacred learning. But what Taseer finds in Benares, the holy city of death also known as Varanasi, is a window on an India as internally fractured as his own continent-bridging identity. At every turn, the seductive, homogenizing force of modernity collides with the insistent presence of the past. In a globalized world, to be modern is to renounce India-and yet the tide of nationalism is rising, heralded by cries of "Victory to Mother India!" and an outbreak of anti-Muslim violence.From the narrow streets of the temple town to a Modi rally in Delhi, among the blossoming cotton trees and the bathers and burning corpses of the Ganges, Taseer struggles to reconcile magic with reason, faith in tradition with hope for the future and the brutalities of the caste system, all the while challenging his own myths about himself, his past, and his countries old and new.

The Patch is the seventh collection of essays by the nonfiction master, all published by Farrar, Straus and Giroux. It is divided into two parts. Part 1, ΓÇ£The Sporting Scene,ΓÇ¥ consists of pieces on fishing, football, golf, and lacrosseΓÇöfrom fly casting for chain pickerel in fall in New Hampshire to walking the linksland of St. Andrews at an Open Championship. Part 2, called ΓÇ£An Album Quilt,ΓÇ¥ is a montage of fragments of varying length from pieces done across the years that have never appeared in book formΓÇöoccasional pieces, memorial pieces, reflections, reminiscences, and short items in various magazines including The New Yorker. They range from a visit to the Hershey chocolate factory to encounters with Oscar Hammerstein, Joan Baez, and Mount Denali. Emphatically, the authorΓÇÖs purpose was not merely to preserve things but to choose passages that might entertain contemporary readers. Starting with 250,000 words, he gradually threw out 75 percent of them, and randomly assembled the remaining fragments into ΓÇ£an album quilt.ΓÇ¥ Among other things, The Patch is a covert memoir.

Who better to investigate the literary spirit world than that supreme connoisseur of the unexpected? From the author of such beloved books as James and the Giant Peach, Charlie and the Chocolate Factory, and The Witches comes a collection of spooky tales carefully curated by the author himself, Roald Dahl's Book of Ghost Stories. Of the many permutations of the macabre or bizarre, Dahl was always especially fascinated by the classic ghost story. As he relates in the erudite introduction to this volume, he read some 749 supernatural tales at the British Museum Library before selecting the 14 that comprise this anthology. "Spookiness is, after all, the real purpose of the ghost story," Dahl writes. "It should give you the creeps and disturb your thoughts." For this superbly disquieting collection, Dahl offers favorite tales by such masterful storytellers as E. F. Benson, J. Sheridan Le Fanu, Rosemary Timperley, and Edith Wharton.

In recent years, America's criminal justice system has become the subject of an increasingly urgent debate. Critics have assailed the rise of mass incarceration, emphasizing its disproportionate impact on people of color. As James Forman, Jr., points out, however, the war on crime that began in the 1970s was supported by many African American leaders in the nation's urban centers. In Locking Up Our Own, he seeks to understand why. Forman shows us that the first substantial cohort of black mayors, judges, and police chiefs took office amid a surge in crime and drug addiction. Many prominent black officials, including Washington, D.C. mayor Marion Barry and federal prosecutor Eric Holder, feared that the gains of the civil rights movement were being undermined by lawlessness-and thus embraced tough-on-crime measures, including longer sentences and aggressive police tactics. In the face of skyrocketing murder rates and the proliferation of open-air drug markets, they believed they had no choice. But the policies they adopted would have devastating consequences for residents of poor black neighborhoods.A former D.C. public defender, Forman tells riveting stories of politicians, community activists, police officers, defendants, and crime victims. He writes with compassion about individuals trapped in terrible dilemmas-from the men and women he represented in court to officials struggling to respond to a public safety emergency. Locking Up Our Own enriches our understanding of why our society became so punitive and offers important lessons to anyone concerned about the future of race and the criminal justice system in this country.

FINALIST FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR THE ART OF THE ESSAYA New York Times Notable Book of 2017The flâneur is the quintessentially masculine figure of privilege and leisure who strides the capitals of the world with abandon. But it is the flâneuse who captures the imagination of the cultural critic Lauren Elkin. In her wonderfully gender-bending new book, the flâneuse is a "determined, resourceful individual keenly attuned to the creative potential of the city and the liberating possibilities of a good walk." Virginia Woolf called it "street haunting"; Holly Golightly epitomized it in Breakfast at Tiffany's; and Patti Smith did it in her own inimitable style in 1970s New York.Part cultural meander, part memoir, Flâneuse takes us on a distinctly cosmopolitan jaunt that begins in New York, where Elkin grew up, and transports us to Paris via Venice, Tokyo, and London, all cities in which she's lived. We are shown the paths beaten by such flâneuses as the cross-dressing nineteenth-century novelist George Sand, the Parisian artist Sophie Calle, the wartime correspondent Martha Gellhorn, and the writer Jean Rhys. With tenacity and insight, Elkin creates a mosaic of what urban settings have meant to women, charting through literature, art, history, and film the sometimes exhilarating, sometimes fraught relationship that women have with the metropolis.Called "deliciously spiky and seditious" by The Guardian, Flâneuse will inspire you to light out for the great cities yourself.

The coming-of-age story of one of Jamaica Kincaid's most admired creations--newly available in paperbackLucy, a teenage girl from the West Indies, comes to North America to work as an au pair for Lewis and Mariah and their four children. Lewis and Mariah are a thrice-blessed couple--handsome, rich, and seemingly happy. Yet, alomst at once, Lucy begins to notice cracks in their beautiful facade. With mingled anger and compassion, Lucy scrutinizes the assumptions and verities of her employers' world and compares them with the vivid realities of her native place. Lucy has no illusions about her own past, but neither is she prepared to be deceived about where she presently is. At the same time that Lucy is coming to terms with Lewis's and Mariah's lives, she is also unravelling the mysteries of her own sexuality. Gradually a new person unfolds: passionate, forthright, and disarmingly honest. In Lucy, Jamaica Kincaid has created a startling new character possessed with adamantine clearsightedness and ferocious integrity--a captivating heroine for our time.