Böcker utgivna av Farrar, Straus and Giroux

The largest English-language collection to date from Israel's finest poetFew poets have demonstrated as persuasively as Yehuda Amichai why poetry matters. One of the major poets of the twentieth century, Amichai created remarkably accessible poems, vivid in their evocation of the Israeli landscape and historical predicament, yet universally resonant. His are some of the most moving love poems written in any language in the past two generations-some exuberant, some powerfully erotic, many suffused with sadness over separation that casts its shadow on love. In a country torn by armed conflict, these poems poignantly assert the preciousness of private experience, cherished under the repeated threats of violence and death. Amichai's poetry has attracted a variety of gifted English translators on both sides of the Atlantic from the 1960s to the present. Assembled by the award-winning Hebrew scholar and translator Robert Alter, The Poetry of Yehuda Amichai is by far the largest selection of the master poet's work to appear in English, gathering the best of the existing translations as well as offering English versions of many previously untranslated poems. With this collection, Amichai's vital poetic voice is now available to English readers as it never has been before.

"[The Doloriad] just might be what your rotten little heart deserves." -J. Robert Lennon, The New York Times Book ReviewOne of Vulture's Best Books of 2022. Winner of the 2023 Republic of Consciousness Prize and short-listed for the VCU Cabell First Novelist Award. Macabre, provocative, depraved, and unforgettable, The Doloriad marks the debut of Missouri Williams, a terrifyingly original new voiceIn the wake of a mysterious environmental cataclysm that has wiped out the rest of humankind, the Matriarch, her brother, and the family descended from their incest cling to existence on the edges of a deserted city. The Matriarch, ruling with fear and force, dreams of starting humanity over again, though her children are not so certain. Together the family scavenges supplies and attempts to cultivate the poisoned earth. For entertainment, they watch old VHS tapes of a TV show in which a problem-solving medieval saint faces down a sequence of logical and ethical dilemmas. But one day the Matriarch dreams of another group of survivors and sends away one of her daughters, the legless Dolores, as a marriage offering. When Dolores returns the next day, her reappearance triggers the breakdown of the Matriarch's fragile order, and the control she wields over their sprawling family begins to weaken.Told in extraordinary, intricate prose that moves with a life of its own, and at times striking with the power of physical force, Missouri Williams's debut novel is a blazingly original document of depravity and salvation. Gothic and strange, moving and disquieting, and often hilarious, The Doloriad stares down, with narrowed eyes, humanity's unbreakable commitment to life.

A confrontation with the destruction of the Amazon by a writer who moved her life into the heart of the forest.In lyrical, impassioned prose, Eliane Brum recounts her move from São Paulo to Altamira, a city along the Xingu River that has been devastated by the construction of one of the largest dams in the world. In community with the human and more-than-human world of the Amazon, Brum seeks to "reforest" herself while building relationships with forest peoples who carry both the scars and the resistance of the forest in their bodies. Weaving together the lived stories of the region and its history of violent corruption and destruction, Banzeiro Òkòtó is a call for radical change, for the creation of a new kind of human being capable of facing the potential extinction of our species. In it, Brum reveals the direct links between structural inequities rooted in gender, race, class, and even species, and the suffering that capitalism and climate breakdown wreak on those who are least responsible for them.The title Banzeiro Òkòtó features words from two cultural and linguistic traditions: banzeiro is what the Amazon people call the place where the river turns into a fearsome vortex, and òkòtó is the Yoruba word for a shell that spirals outward into infinity. Like the Xingu River, turning as it flows, this book is a fierce document of transformation arguing for the centrality of the Amazon to all our lives.

A stunning new collection of poetry from Shane McCrae, winner of the Whiting Writers' Award.Shane McCrae, one of the most powerful voices in contemporary poetry, returns with The Many Hundreds of the Scent, an urgent new collection that brims with lyric force. He expands both the poetic and the personal mythologies that he has been constructing over the course of his career. In addition to introducing his readers to "the thin king / who eats the world," McCrae invites them to bear witness to his tangle of childhood memories. In brutal, sorrowful lines, he recounts being kidnapped by his white supremacist maternal grandparents from his Black father as a boy. "O reader, listener, stay," McCrae writes. "You are now evidence."In The Many Hundreds of the Scent, Homeric figures mingle with those who populate the poet's world. Helen weighs Paris's spear in her hand and bloodies a raging Achilles; Penelope burns her loom each night; Dido watches Aeneas's ship burn on the horizon. A strikingly original and engaging poet, McCrae continually surprises-the collection includes a series of poems about the advent of post-rock and Hex, the debut album of the English band Bark Psychosis. With this collection, he has once more crafted an extraordinarily affecting book of poetry. As Kate Kellaway writes in The Guardian, "In McCrae's hands, poetry is reclamation. It is also transport: writing a way out and through."

From the New York Times bestselling author of the My Struggle series comes a collection of ambitious, remarkably erudite essays on art, literature, culture, and philosophy.In the Land of the Cyclops is Karl Ove Knausgaard's first collection of essays to be published in English. In these wide-ranging pieces, he reflects openly and with penetrating intelligence on Ingmar Bergman's notebooks, Anselm Kiefer, the northern lights, Madame Bovary, Rembrandt, and the role of an editor. Accompanied by black-and-white reproductions throughout, these essays illuminate Cindy Sherman's shadowlands, the sublime mystery of Sally Mann's vision, and the serious play of Francesca Woodman. They capture Knausgaard's remarkable ability to mediate between the personal and the universal, between life and art. Each piece glimmers with his candor and his longing to authentically see, understand, and experience the world.

The Piano Player: British Classics presents 20 iconic pieces of British classical music, specially arranged for intermediate piano solo. The collection includes the theme from Enigma Variations by Edward Elgar and Vaughan Williams' Fantasia on a Theme by Thomas Tallis alongside music by Rachel Portman, Benjamin Britten, Howard Goodall and more, as well as traditional classics from across the British Isles.All the books in The Piano Player series feature a collectible pull-out print of the stunning cover artwork by the 20th century British painter Edward Bawden, alongside some of the greatest classical music ever written, specially arranged for the intermediate pianist.

Prisoners Without Trail is part of Hill and Wang's Critical Issues Series and well established on college reading lists.This book presents a concise introduction to a shameful chapter in American history: the incarceration of nearly 120,000 Japanese Americans during World War II. With a revised final chapter and expanded recommended readings, Roger Daniels's updated edition examines a tragic event in our nation's past and thoughtfully asks if it could happen again.

Illuminating the dark side of the American century, The Monster Show uncovers the surprising links between horror entertainment and the great social crises of our time, as well as horror's function as a pop analogue to surrealism and other artistic movements. With penetrating analyses and revealing anecdotes, David J. Skal chronicles one of our most popular and pervasive modes of cultural expression. He explores the disguised form in which Hollywood's classic horror movies played out the traumas of two world wars and the Depression; the nightmare visions of invasion and mind control catalyzed by the Cold War; the preoccupation with demon children that took hold as thalidomide, birth control, and abortion changed the reproductive landscape; the vogue in visceral, transformative special effects that paralleled the development of the plastic surgery industry; the link between the AIDS epidemic and the current fascination with vampires; and much more. Now with a new Afterword by the author that looks at horror's popular renaissance in the last decade, The Monster Show is a compulsively readable, thought-provoking inquiry into America's obsession with the macabre.

The Short Stories of Langston HughesThis collection of forty-seven stories written between 1919 and 1963--the most comprehensive available--showcases Langston Hughes's literary blossoming and the development of his personal and artistic concerns. Many of the stories assembled here have long been out of print, and others never before collected. These poignant, witty, angry, and deeply poetic stories demonstrate Hughes's uncanny gift for elucidating the most vexing questions of American race relations and human nature in general.

A New York Times Notable Book for 2011 Giacomo Leopardi is Italy's greatest modern poet, the first European writer to portray and examine the self in a way that feels familiar to us today. A great classical scholar and patriot, he explored metaphysical loneliness in entirely original ways. Though he died young, his influence was enormous, and it is no exaggeration to say that all modern poetry, not only in Italian, derives in some way from his work.Leopardi's poetry is notoriously difficult to translate, and he has been less well known to English-language readers than his central significance for his own culture might suggest. Now Jonathan Galassi, whose translations of Eugenio Montale have been widely acclaimed, has produced a strong, fresh, direct version of this great poet that offers English-language readers a new approach to Leopardi. Galassi has contributed an informative introduction and notes that provide a sense of Leopardi's sources and ideas. This is an essential book for anyone who wants to understand the roots of modern lyric poetry.