Böcker utgivna av Farrar, Straus and Giroux

A Graphic AdaptationAn HBO Original Movie starring Michael B. Jordan (Black Panther), Sofia Boutella (Star Trek: Beyond), and Michael Shannon (The Shape of Water).An Eisner Award Nominee"Monday burn Millay, Wednesday Whitman, Friday Faulkner, burn 'em to ashes, then burn the ashes."For Guy Montag, a career fireman for whom kerosene is perfume, this is not just an official slogan. It is a mantra, a duty, a way of life in a tightly monitored world where thinking is dangerous and books are forbidden.In 1953, Ray Bradbury envisioned one of the world's most unforgettable dystopian futures, and in Ray Bradbury's Fahrenheit 451, the artist Tim Hamilton translates this frightening modern masterpiece into a gorgeously imagined graphic novel. As could only occur with Bradbury's full cooperation in this authorized adaptation, Hamilton has created a striking work of art that uniquely captures Montag's awakening to the evil of government-controlled thought and the inestimable value of philosophy, theology, and literature.Including an original foreword by Ray Bradbury and fully depicting the brilliance and force of his canonic and beloved masterwork, Ray Bradbury's Fahrenheit 451 is an exceptional, haunting work of graphic literature.

The Strange Bird-from New York Times bestselling novelist Jeff VanderMeer-is a novella-length digital original that expands and weaves deeply into the world of his "e;thorough marvel"e;* of a novel, Borne.The Strange Bird is a new kind of creature, built in a laboratory-she is part bird, part human, part many other things. But now the lab in which she was created is under siege and the scientists have turned on their animal creations. Flying through tunnels, dodging bullets, and changing her colors and patterning to avoid capture, the Strange Bird manages to escape.But she cannot just soar in peace above the earth. The sky itself is full of wildlife that rejects her as one of their own, and also full of technology-satellites and drones and other detritus of the human civilization below that has all but destroyed itself. And the farther she flies, the deeper she finds herself in the orbit of the Company, a collapsed biotech firm that has populated the world with experiments both failed and successful that have outlived the corporation itself: a pack of networked foxes, a giant predatory bear. But of the many creatures she encounters with whom she bears some kind of kinship, it is the humans-all of them now simply scrambling to survive-who are the most insidious, who still see her as simply something to possess, to capture, to trade, to exploit. Never to understand, never to welcome home.With The Strange Bird, Jeff VanderMeer has done more than add another layer, a new chapter, to his celebrated novel Borne. He has created a whole new perspective on the world inhabited by Rachel and Wick, the Magician, Mord, and Borne-a view from above, of course, but also a view from deep inside the mind of a new kind of creature who will fight and suffer and live for the tenuous future of this world.Praise for Borne*"e;Jeff VanderMeer's Southern Reach Trilogy was an ever-creeping map of the apocalypse; with Borne he continues his investigation into the malevolent grace of the world, and it's a thorough marvel."e; -Colson Whitehead"e;VanderMeer is that rare novelist who turns to nonhumans not to make them approximate us as much as possible but to make such approximation impossible. All of this is magnified a hundredfold in Borne . . . Here is the story about biotech that VanderMeer wants to tell, a vision of the nonhuman not as one fixed thing, one fixed destiny, but as either peaceful or catastrophic, by our side or out on a rampage as our behavior dictates-for these are our children, born of us and now to be borne in whatever shape or mess we have created. This coming-of-age story signals that eco-fiction has come of age as well: wilder, more reckless and more breathtaking than previously thought, a wager and a promise that what emerges from the twenty-first century will be as good as any from the twentieth, or the nineteenth."e; -Wai Chee Dimock, The New York Times Book Review

How does a Venus flytrap know when to snap shut? Can it actually feel an insect's tiny, spindly legs? And how do cherry blossoms know when to bloom? Can they actually remember the weather?For centuries we have collectively marveled at plant diversity and form-from Charles Darwin's early fascination with stems to Seymour Krelborn's distorted doting in Little Shop of Horrors. But now, in What a Plant Knows, the renowned biologist Daniel Chamovitz presents an intriguing and scrupulous look at how plants themselves experience the world-from the colors they see to the schedules they keep. Highlighting the latest research in genetics and more, he takes us into the inner lives of plants and draws parallels with the human senses to reveal that we have much more in common with sunflowers and oak trees than we may realize. Chamovitz shows how plants know up from down, how they know when a neighbor has been infested by a group of hungry beetles, and whether they appreciate the Led Zeppelin you've been playing for them or if they're more partial to the melodic riffs of Bach. Covering touch, sound, smell, sight, and even memory, Chamovitz encourages us all to consider whether plants might even be aware of their surroundings.A rare inside look at what life is really like for the grass we walk on, the flowers we sniff, and the trees we climb, What a Plant Knows offers us a greater understanding of science and our place in nature.

In the past fifty years, more than $1 trillion in development-related aid has been transferred from rich countries to Africa. Has this assistance improved the lives of Africans? No. In fact, across the continent, the recipients of this aid are not better off as a result of it, but worse-much worse.In Dead Aid, Dambisa Moyo describes the state of postwar development policy in Africa today and unflinchingly confronts one of the greatest myths of our time: that billions of dollars in aid sent from wealthy countries to developing African nations has helped to reduce poverty and increase growth. In fact, poverty levels continue to escalate and growth rates have steadily declined-and millions continue to suffer. Provocatively drawing a sharp contrast between African countries that have rejected the aid route and prospered and others that have become aid-dependent and seen poverty increase, Moyo illuminates the way in which overreliance on aid has trapped developing nations in a vicious circle of aid dependency, corruption, market distortion, and further poverty, leaving them with nothing but the "e;need"e; for more aid. Debunking the current model of international aid promoted by both Hollywood celebrities and policy makers, Moyo offers a bold new road map for financing development of the world's poorest countries that guarantees economic growth and a significant decline in poverty-without reliance on foreign aid or aid-related assistance.Dead Aid is an unsettling yet optimistic work, a powerful challenge to the assumptions and arguments that support a profoundly misguided development policy in Africa. And it is a clarion call to a new, more hopeful vision of how to address the desperate poverty that plagues millions.

A guide to the art of personal writing, by the author of Fierce Attachments and The End of the Novel of LoveAll narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "e;I"e; who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth.How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal narrative needs to tell? That is the question The Situation and the Story asks--and answers. Taking us on a reading tour of some of the best memoirs and essays of the past hundred years, Gornick traces the changing idea of self that has dominated the century, and demonstrates the enduring truth-speaker to be found in the work of writers as diverse as Edmund Gosse, Joan Didion, Oscar Wilde, James Baldwin, or Marguerite Duras.This book, which grew out of fifteen years teaching in MFA programs, is itself a model of the lucid intelligence that has made Gornick one of our most admired writers of nonfiction. In it, she teaches us to write by teaching us how to read: how to recognize truth when we hear it in the writing of others and in our own.

The most comprehensive English-language collection of work ever by "e;the greatest poet of the twentieth century-in any language"e; (Gabriel Garcia Marquez)In his work a continent awakens to consciousness,"e; wrote the Swedish Academy in awarding the Nobel Prize to Pablo Neruda, author of more than thirty-five books of poetry and one of Latin America's most revered writers and political figures-a loyal member of the Communist party, a lifelong diplomat and onetime senator, a man lionized during his lifetime as "e;the people's poet."e;Born Neftali Basoalto, Neruda adopted his pen name in fear of his family's disapproval, and yet by the age of twenty-five he was already famous for the book Twenty Love Poems and a Song of Despair, which remains his most beloved. During the next fifty years, a seemingly boundless metaphorical language linked his romantic fantasies and the fierce moral and political compass-exemplified in books such as Canto General-that made him an adamant champion of the dignity of ordinary men and women.Edited and with an introduction by Ilan Stavans, this is the most comprehensive single-volume collection of this prolific poet's work in English. Here the finest translations of nearly six hundred poems by Neruda are collected and join specially commissioned new translations that attest to Neruda's still-resounding presence in American letters.

"Like a J.D. Salinger novel rolled in Hunter S. Thompson's hallucinogen dust." -Ann Powers, author of Travelling: On the Path of Joni Mitchell"[Waiting for Britney Spears] transformed and transported me." -Hanif Abdurraqib, author of There's Always This YearA frenetic, gonzo account of Britney Spears's historic rise and equally tragic fall told by an iconoclastic music journalist.America, 2003: A country at war, its shiny veneer beginning to crack. Von Dutch and The Simple Life dominate. And on the cover of every magazine, a twenty-one-year-old pop star named Britney Spears. Tracking her every move for a third-tier gossip rag in Los Angeles is a young writer who for all practical purposes let's call Jeff Weiss, who took whatever job he could to pursue his dream of being a "serious" writer. He'd instead become a firsthand witness to the slow tragedy of a changing nation, represented in spirit by "the coy it-girl at the end of history."Years later, after finally making it as a celebrated cultural critic, Weiss presents Waiting for Britney Spears, a gonzo, nostalgic, and mostly true recounting of Britney's rise and fall during his years in the tabloid underbelly of Los Angeles. Weiss follows America's sweetheart through Vegas superclubs and Malibu car chases, annulled marriages and soul-crushing legal battles, all the way to Britney's infamous 2007 VMA performance. As Weiss lives through the years leading to Britney's conservatorship, he observes, with peerless style, cringe-inducing fashion waves, a destructive culture of celebrity surveillance, and a country whose decline is embodied by the devastating downturn of its former golden child.With the narrative flair that established him as a singular chronicler of modern pop culture, Weiss goes for broke in Waiting for Britney Spears, a roaring Künstlerroman of celebrity, obsession, morality, and the last great pop star.

This story will be told, the way it has always been told. What else use is it otherwise? The hags on the heath. The woman who went mad. The man who became a tyrant. When her husband returns victorious from the battlefield with a prophecy that he will become king of Scotland, Lady Macbeth vows to make their darkest ambitions a reality. So far, so familiar. But then the story fragments. Shakespeare's Lady Macbeth is ruthless and driven, unstoppable in her pursuit of power, yet she quickly descends into madness and despair. Zinnie Harris's thrilling new version undoes the narrative we know, and remakes it, examining Lady Macbeth's trajectory and asking if we have really heard the whole story. This edition includes an afterword by Dan Rebellato, Professor of Contemporary Theatre at Royal Holloway, University of London. Macbeth (an undoing) premiered at the Royal Lyceum Theatre, Edinburgh, in February 2023. It transferred to the Rose Theatre, Kingston, Theatre for a New Audience, New York, and returned to the Royal Lyceum in 2024.

"The story of the groundbreaking trans athletes and Olympic bureaucrats who set the stage for today's culture wars"--

"A young gay man upends the lives of a powerful art-world couple in this steamy novel of self-discovery"--

"A lyrical meditation on healing--told through the lenses of justice, sex, love, family, and death--by journalist and podcaster Carvell Wallace"--

Alexander Solzhenitsyn's Warning to the West includes the texts of the Nobel Prize-winning author's three speeches in the United States in the summer of 1975, his first major public addresses since his expulsion from the Soviet Union in 1974: on June 30 and July 9 to trade-union leaders of the AFL-CIO in Washington, D.C., and in New York City, and on July 15 to the United States Congress; and also the texts of his BBC interview and radio speech, which sparked widespread public controversy when they were aired in London in March 1976. Solzhenitsyn's outspoken criticism of the West's growing weakness and complacency and his belief that Russia's growing strength will enable her to establish supremacy over the West without risk of a nucelar holocaust are expressed with the moral authority of a great novelist and historian. "Solzhenitsyn mounts a public indictment of the supine inattention of the West that rings like the blows of the hammer with which Luther nailed his manifesto to the doors at Wittenberg."--Times Literary Supplement

From teen activist and artistic prodigy Tyler Gordon comes a heartwarming picture book inspired by his own life about a boy with a speech difference who learns the power of self-expression through art.There once as a young boy had trouble with words. He paused and stuttered and stammered, which made school really tough. But with encouragement from his mom and a paintbrush in hand, he learns that finding your voice isn't about being perfect-it's about being true to yourself.For fans of I Talk Like a River and Amanda Gorman, The Boy Who Found His Voice is a joyful and empowering testament to art, empathy, and having self-confidence even in the face of doubt.

A novel that celebrates radical queer survival and gleefully takes a hammer to false notions of successThis is the story of Corey Fah, a writer who has hit the literary jackpot: their novel has just won the prize for the Fictionalization of Social Evils. But the actual trophy, and with it the funds, hovers peskily out of reach.Neon-beige, with UFO-like qualities, the elusive trophy leads Corey, with their partner Drew and eight-legged companion Bambi Pavok, on a spectacular quest through their childhood in the Forest and an unlikely stint on reality TV. Navigating those twin horrors, along with wormholes and time loops, Corey learns-the hard way-the difference between a prize and a gift.Following the Goldsmiths Prize-winning Sterling Karat Gold, Isabel Waidner's bold and buoyant new novel is about coming into one's own, the labor of love, the tendency of history to repeat itself, and what ensues when a large amount of cultural capital is suddenly deposited in a place it has never been before.

Disarmingly witty and poignant, Sloane Crosley's memoir explores multiple kinds of loss following the death of her closest friend.Grief Is for People is a deeply moving and surprisingly suspenseful portrait of friendship, and a book about loss packed with verve for life. Sloane Crosley is one of our most renowned observers of contemporary behavior, and now the pathos that has been ever present in her trademark wit is on full display. After the pain and confusion of losing her closest friend to suicide, Crosley looks for answers in friends, philosophy, and art, hoping for a framework more useful than the unavoidable stages of grief. For most of her adult life, Sloane and Russell worked together and played together as they navigated the corridors of office life, the literary world, and the dramatic cultural shifts in New York City. One day, while Russell is still alive, Sloane's apartment is broken into. Along with her most prized possessions, the thief makes off with her sense of security, leaving a mystery in its place. When Russell dies exactly one month later, his suicide propels her on a wild quest to right the unrightable, to explore what constitutes family and possession as the city itself faces the staggering toll brought on by the pandemic.Crosley's search for truth is frank, darkly funny, and gilded with a resounding empathy. Upending the "grief memoir," Grief Is for People is the category-defying story of the struggle to hold on to the past without being consumed by it. A modern elegy, it rises precisely to console and challenge our notions of mourning during these grief-stricken times.

"This book rewired my brain; it's a bonafide knockout." -Kristen Arnett, author of With Teeth "You can try bracing yourself for the ride this story takes you on, but it's best to just surrender. Your wig is going to fall off no matter what you do." -Saeed Jones, author of How We Fight for Our LivesA gut-busting and heartbreaking descent into one woman's fraying connection to reality, from a soon-to-be superstar.Coral is the first person to discover her brother Jay's dead body in the wake of his suicide. There's no note, only a drably furnished bachelor pad in Long Beach, California, and a cell phone with a handful of numbers in it. Coral pockets the phone. And then she starts responding to texts as her dead brother.Over the course of one week, Coral, the successful yet lonely author of a hit dystopian novel, Wildfire, becomes increasingly untethered from reality. Blindsided by grief and operating with reckless determination, she doubles -and triples-down on posing as her brother, risking not only her own sanity but her relationship with her precocious niece, Khadijah. As Coral's swirl of lies slowly closes in on her, the quirky and mysterious alien world of Wildfire becomes enmeshed in her own reality, in the process pushing long-buried memories, traumas, and secrets dangerously into the present.A form-shifting and soul-crunching chronicle of grief and crisis, Venita Blackburn's debut novel, Dead in Long Beach, California, is a fleet-footed marvel of self-discovery and storytelling that explores the depths of humankind's capacity for harm and healing. With the daring, often hilarious imagination that made her an acclaimed short-fiction innovator, Blackburn crafts a layered, page-turning reckoning with what it means to be alive, dead, and somewhere in between.

One of our greatest novelists and thinkers presents a radiant, thrilling interpretation of the book of Genesis.For generations, the book of Genesis has been treated by scholars as a collection of documents, by various hands, expressing different factional interests, with borrowings from other ancient literatures that mark the text as derivative. In other words, academic interpretation of Genesis has centered on the question of its basic coherency, just as fundamentalist interpretation has centered on the question of the appropriateness of reading it as literally true. Both of these approaches preclude an appreciation of its greatness as literature, its rich articulation and exploration of themes that resonate through the whole of Scripture. Marilynne Robinson's Reading Genesis, which includes the original text, is a powerful consideration of the profound meanings and promise of God's enduring covenant with man. This magisterial book radiates gratitude for the constancy and benevolence of God's abiding faith in Creation.

Omaha, 1930. When ex-cop-turned-PI Jim Beely murders the man who assaulted his fourteen-year-old daughter, the last person he wants to see is local crooked cop Frank Tvrdik. Luckily, Frank isn't interested in the lifeless body in Jim's car. Frank has a proposition: he'll make the dead man disappear if Jim helps take down Elmer Kobb, who is vying for city commissioner and willing to backstab anyone who gets in his way.Soon, Jim and Frank are sucked into a seedy world of crime and corruption, where no one is safe and nothing is what it seems. Then Jim is violently attacked and one of his operatives turns up dead within the span of twelve hours, and his search for the truth yields a web of lies and a mounting death toll. As he and Frank are pulled deeper into the city's dark underbelly and its absurd political machinations, Jim begins to question everything he knows about Omaha and his place in it.In her moody, ferocious, and darkly funny follow-up to PIckard County Atlas, a novel Tana French called a "slow-burning beauty of a book," the native Nebraskan Chris Harding Thornton mines Omaha's sordid past, melding fact and fiction into an unforgettable tale of danger and deceit. Little Underworld asks: What does it mean to be good, and what is left for those of us who aren't?

One of the few indisputable geniuses of pop music, Sly Stone is a trailblazer and a legend. He created a new kind of music, mixing Black and white, male and female, funk and rock. As a songwriter, he penned some of the most iconic anthems of the 1960s and '70s, from "Everyday People" to "Family Affair." As a performer, he electrified audiences with a persona and stage presence that set a lasting standard for pop-culture performance.Yet his life has also been a cautionary tale, known as much for how he dropped out of the spotlight as for what put him there in the first place. People know the music, but the man remains a mystery. In Thank You (Falettinme Be Mice Elf Agin), his much-anticipated memoir, he's finally ready to share his story-a story that many thought he'd never have the chance to tell.Written with Ben Greenman, who has written memoirs with George Clinton and Brian Wilson, among others, and created in collaboration with Sly Stone's manager, Arlene Hirschkowitz, Thank You (Falettinme Be Mice Elf Agin) includes a foreword by Questlove.

The eagerly anticipated final volume in Jonathan Sumption'sprize-winning history of the Hundred Years War, "one of the great historicalundertakings of our age." ― Dan Jones, Sunday Times Triumph and Illusion is thefinal volume of Jonathan Sumption's epic history of the Hundred Years War. Ittells the story of the collapse of the English dream of conquest from theopening years of the reign of Henry VI, when the battles of Cravant andVerneuil consolidated their control of most of northern France, until the loss>Thissudden reversal of fortune was a seminal event in the history of the twoprincipal nation-states of western Europe. It brought an end to four centuriesof the English dynasty's presence in France, separating two countries whosefortunes had once been closely intertwined. It created a new sense of nationalidentity in both countries. The legacy of these events would influence their>Behind the clash of arms stood someof the most remarkable personalities of the age: the Duke of Bedford, theEnglish Regent who ruled much of France from Paris and Rouen; Charles VII ofFrance, underrated in both countries, who patiently rebuilt his kingdom afterthe disasters of his early years; the captains who populate the pages ofShakespeare - Fastolf, Montagu, Talbot, Dunois and, above all, theextraordinary figure of Joan of Arc who changed the course of the war in a fewweeks at the age of seventeen.

For years, Teresa has passed from one job to the next, settling into long stretches of time, struggling to build her career in any field or unstick herself from an endless cycle of labor. The dreaded move from one gig to another is starting to feel unbearable. When a recruiter connects her with a contract position at AllOver, it appears to check all her prerequisites for a "good" job. It's a fintech corporation with progressive hiring policies and a social justice-minded mission statement. Their new service for premium members: a functional fleet of driverless cars. The future of transportation. As her new-hire orientation reveals, the distance between AllOver's claims and its actions is wide, but the lure of financial stability and a flexible schedule is enough to keep Teresa driving forward.Joanne McNeil, who often reports on how the human experience intersects with labor and technology brings blazing compassion and criticism to Wrong Way, examining the treacherous gaps between the working and middle classes wrought by the age of AI. Within these divides, McNeil turns the unsaid into the unignorable, and captures the existential perils imposed by a nonstop, full-service gig economy.

Nicolson crafts a geography of the ancient world and a brilliant exploration of our connections to the past.What is the nature of things?What is justice? How can I be myself?How should we treat each other?Before the Greeks, the idea of the world was dominated by god-kings and their priests. Twenty-five hundred years ago, in a succession of small eastern Mediterranean harbor cities, a few heroic men and women decided to cast off mental subservience and apply their own thinking minds to the conundrums of life.These great innovators shaped the beginnings of western philosophy. Through the questioning voyager Odysseus, Homer explored how we might navigate our way through the world. Heraclitus, in Ephesus, was the first to consider the interrelatedness of things. Xenophanes of Colophon was the first champion of civility. On the Aegean island of Lesbos, the early lyric poets Sappho and Alcaeus asked themselves, "How can I be true to myself?" On Samos, Pythagoras imagined an everlasting soul and took his ideas to Italy, where they flowered again in surprising and radical forms.The award-winning writer Adam Nicolson travels with us through this transforming world and asks what light these ancient thinkers can throw on our deepest preconceptions. Enhanced with maps, photographs, and artwork, How to Be is an expedition into early ideas. Nicolson takes us to the dawn of investigative thought and makes the fundamental questions of the ancient philosophers new again. What are the principles of the physical world? How can we be good in it? And why do we continue to ask these questions? It is an enthralling, exhilarating journey.

A bold, provocative reckoning with our current political delusions and dysfunctions.Ever since its publication in 1651, Thomas Hobbes's Leviathan has unsettled and challenged how we understand the world. Condemned and vilified by each new generation, his cold political vision continues to see through any number of human political and ethical vanities.In his wonderfully stimulating book The New Leviathans, John Gray allows us to understand the world of the 2020s with all its contradictions, moral horrors, and disappointments. The collapse of the USSR ushered in an era of near apoplectic triumphalism in the West: a genuine belief that a rational, liberal, well-managed future now awaited humankind and that tyranny, nationalism, and unreason lay in the past. Since then, so many terrible events have occurred and so many poisonous ideas have flourished, and yet our liberal certainties treat them as aberrations that will somehow dissolve. Hobbes would not be so confident.Filled with fascinating and challenging observations, The New Leviathans is a powerful meditation on historical and current folly. As a species we always seem to be struggling to face the reality of base and delusive human instincts. Might a more self-aware, realistic, and disabused ethics help us?

From the bestselling author of We the Animals, Blackouts mines lost histories-personal and collective.Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly, but who has haunted the edges of his life. Juan Gay-playful raconteur, child lost and found and lost, guardian of the institutionalized-has a project to pass along to this new narrator. It is inspired by a true artifact of a book, Sex Variants: A Study in Homosexual Patterns, which contains stories collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. As Juan waits for his end, he and the narrator trade stories-moments of joy and oblivion-and resurrect lost loves, lives, mothers, fathers, minor heroes. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures?Inspired by Kiss of the Spider Woman, Pedro Páramo, Voodoo Macbeth, the book at its own center and the woman who created it, oral histories, and many more texts, images, and influences, Justin Torres's Blackouts is a work of fiction that sees through the inventions of history and narrative. An extraordinary work of creative imagination, it insists that we look long and steady at the world we have inherited and the world we have made-a world full of ghostly shadows and flashing moments of truth.

An epic history of the people and institutions that have built the global economy since the Great Depression.In this vivid landmark history, the distinguished economic historian Martin Daunton pulls back the curtain on the institutions and individuals who have created and managed the global economy over the last ninety years, revealing how and why one economic order breaks down and another is built. During the Great Depression, trade and currency warfare led to the rise of economic nationalism-a retreat from globalization that culminated in war. From the Second World War came a new, liberal economic order. Squarely reflecting the interests of the West in the Cold War, liberalism faced collapse in the 1970s and was succeeded by neoliberalism, financialization, and hyper-globalization.Now, as leading nations are tackling the fallout from COVID-19 and threats of inflation, food insecurity, and climate change, Daunton calls for a return to a more just and equitable form of globalization. Western imperial powers have overwhelmingly determined the structures of world economic government, often advancing their own self-interests and leading to ruinous resource extraction, debt, poverty, and political and social instability in the Global South. He argues that while our current economic system is built upon the politics of and between the world's biggest economies, a future of global recovery-and the reduction of economic inequality-requires the development of multilateral institutions.Dramatic and revelatory, The Economic Government of the World offers a powerful analysis of the origins of our current global crises and a path toward a fairer international order.