Böcker utgivna av Farrar, Straus and Giroux (BYR)

From Jenny Uglow, one of our most admired writers, a beautifully illustrated story of a love affair and a dynamic artistic partnership between the wars. In 1922, Cyril Power, a fifty-year-old architect, left his family to work with the twenty-four-year-old Sybil Andrews. They would be together for twenty years. Both became famous for their dynamic, modernist linocuts-streamlined, full of movement and brilliant color, summing up the hectic interwar years. Yet at the same time, they looked back to medieval myths and early music, to country ways that were disappearing from sight.Jenny Uglow's Sybil & Cyril: Cutting Through Time traces their struggles and triumphs, conflicts and dreams, following them from Suffolk to London, from the New Forest to Vancouver Island. This is a world of futurists, surrealists, and pioneering abstraction, but also of the buzz of the new, of machines and speed, of shops and sport and dance, shining against the threat of depression and looming shadows of war.

The final volume in the renowned Danish poet Tove Ditlevsen's autobiographical Copenhagen Trilogy ("A masterpiece" -The Guardian). Following Childhood and Youth, Dependency is the searing portrait of a woman's journey through love, friendship, ambition, and addiction, from one of Denmark's most celebrated twentieth century writersTove is only twenty, but she's already famous, a published poet, and the wife of a much older literary editor. Her path in life seems set, yet she has no idea of the struggles ahead-love affairs, wanted and unwanted pregnancies, artistic failure, and destructive addiction. As the years go by, the central tension of Tove's life comes into painful focus: the terrible lure of dependency, in all its forms, and the possibility of living freely and fearlessly-as an artist on her own terms.The final volume in the Copenhagen Trilogy, and arguably Ditlevsen's masterpiece, Dependency is a dark and blisteringly honest account of addiction, and the way out.

The acclaimed Danish poet Tove Ditlevsen's autobiographical Copenhagen Trilogy ("A masterpiece" -The Guardian) continues with Youth. Following Childhood, this second volume finds the young author consumed in trials by fire that only fuel her relentless passion for artistic freedom-placing her on a devastating and destructive path recounted in the final volume, Dependency.Forced to leave school early, Tove embarks on a checkered career in a string of low-paid, menial jobs. But she is hungry: for poetry, for love, for real life to begin. As Europe slides into war, she must navigate exploitative bosses, a Nazi landlady, and unwelcome sexual encounters on the road to hard-won independence. Yet she remains ruthlessly determined in the pursuit of her poetic vocation-until at last the miracle she has always dreamed of appears to be within reach.Youth, the second volume in the Copenhagen Trilogy, is a strikingly honest and immersive portrait of adolescence, filled with biting humor, vulnerability, and poeticism.

An indispensable memoir by one of the most prominent writers of his generationOriginally published in 1976, Christopher and His Kind covers the most memorable ten years in the writer's life-from 1928, when Christopher Isherwood left England to spend a week in Berlin and decided to stay there indefinitely, to 1939, when he arrived in America. His friends and colleagues during this time included W. H. Auden, Stephen Spender, and E. M. Forster, as well as colorful figures he met in Germany and later fictionalized in his two Berlin novels-and who appeared again, fictionalized to an even greater degree, in I Am a Camera and Cabaret.What most impressed the first readers of this memoir, however, was the candor with which he describes his life in gay Berlin of the 1930s and his struggles to save his companion, a German man named Heinz, from the Nazis. An engrossing and dramatic story and a fascinating glimpse into a little-known world, Christopher and His Kind remains one of Isherwood's greatest achievements.

From the New York Times-bestselling author of We Hunt the Flame comes the first book in a hotly-anticipated fantasy duology teeming with romance and revenge, led by an orphan girl willing to do whatever it takes to save her self-made kingdom.On the streets of White Roaring, Arthie Casimir is a criminal mastermind and collector of secrets. Her prestigious tearoom transforms into an illegal bloodhouse by night, catering to the vampires feared by society. But when her establishment is threatened, Arthie is forced to strike an unlikely deal with an alluring adversary to save it-she can't do the job alone.Calling on some of the city's most skilled outcasts, Arthie hatches a plan to infiltrate the sinister, glittering vampire society known as the Athereum. But not everyone in her ragtag crew is on her side, and as the truth behind the heist unfolds, Arthie finds herself in the midst of a conspiracy that will threaten the world as she knows it. Dark, action-packed, and swoonworthy, this is Hafsah Faizal better than ever.

For fans of Bridgerton, a Regency romance by Rosalyn Eves about three young women, their big dreams, and a London Season gone awry.When Thalia, Kalliope, and Charis set off to Regency London for their first Season, they each have clear goals-few of which include matrimony. Thalia means to make her mark among the intelligentsia and publish her poetry, Charis hopes to earn her place among the scientific elite, and Kalliope aims to take the fashionable ton by storm. But this Season, it doesn't take long for things to fall apart. Kalli finds herself embroiled in scandal and reliant upon an arranged marriage to redeem her reputation, Thalia's dreams of publication are threatened by her attraction to a charming rake, and Charis finds herself an unexpected social hit-and the source of a family scandal that her heart might not survive. Can this roller-coaster Season find its happily ever after?An Improbable Season is a voicy, swoony regency drama about falling in love-with another person, with new opportunities, and with yourself.

Mary and Mr. Eliot is a twin portrait of T. S. Eliot and its author, the formidable Mary Trevelyan.In 1938 T. S. Eliot, already "a Classic in his lifetime," struck up a friendship with Mary Trevelyan. This passionately curious woman, an intrepid traveler who, like Eliot, was deeply involved in the affairs of the Church of England, served as the warden of the Student Movement House, mere yards from the poet and editor's office at Faber and Faber. Their relationship was domestic rather than artistic, characterized by churchgoing, conversation, record-playing, day trips to the English countryside with Mary at the wheel of the car Tom bought her, and Eliot cooking up sausages in his shirtsleeves. Over the years, their friendship deepened, and she came to believe it might grow into something more. Twice she proposed marriage, but Eliot always led her to understand that any such commitment would be impossible for him. Then the revelation of his long attachment to Emily Hale-and the sudden shock of his marriage to his secretary, Valerie Fletcher-caused a rupture between Trevelyan and the poet that could not be overcome. Mary Trevelyan left a unique chronicle-including diaries, letters, and pictures-that charts their twenty-year relationship. Now Erica Wagner has given it shape and context, bringing this untold story to light for the first time. Mary and Mr. Eliot is a tale of joy, misunderstanding, and betrayal that feels utterly modern and deeply human.

A paradigm-shattering biography of Phillis Wheatley, whose extraordinary poetry set African American literature at the heart of the American Revolution.Admired by George Washington, ridiculed by Thomas Jefferson, published in London, and read far and wide, Phillis Wheatley led one of the most extraordinary American lives. Seized in West Africa and forced into slavery as a child, she was sold to a merchant family in Boston, where she became a noted poet at a young age. Mastering the Bible, Greek and Latin translations, and the works of Pope and Milton, she composed elegies for local elites, celebrated political events, praised warriors, and used her verse to variously lampoon, question, and assert the injustice of her enslaved condition. "Can I then but pray / Others may never feel tyrannic sway?" By doing so, she added her voice to a vibrant, multisided conversation about race, slavery, and discontent with British rule; before and after her emancipation, her verses shook up racial etiquette and used familiar forms to create bold new meanings. Her life demonstrated that the American Revolution both strengthened and limited Black slavery. Indeed, she helped make it so.In this new biography, the historian David Waldstreicher offers the deepest account to date of Wheatley's life and works, correcting myths, reconstructing intimate friendships, and deepening our understanding of the revolutionary era. Throughout The Odyssey of Phillis Wheatley, he demonstrates the continued vitality and resonance of a woman who wrote, in a founding gesture of American literature, "Thy Power, O Liberty, makes strong the weak / And (wond'rous instinct) Ethiopians speak."

Born from her curated exhibition of Pablo Picasso's work in Paris, biographer Annie-Cohen Solal's prizewinning Picasso the Foreigner presents a bold new understanding of the artist's tempestuous relationship with his adopted homeland: France.Before Picasso became Picasso-the iconic artist now celebrated as one of France's leading figures-he was constantly surveilled by the police. Amidst political tensions in the spring of 1901, he was flagged as an anarchist by the security services-the first of many entries in what would become an extensive case file. Though he soon became the leader of the cubist avant-garde, and became increasingly wealthy as his reputation grew worldwide, Picasso's art was largely excluded from public collections in France for the next four decades. The genius who conceived Guernica as a visceral statement against fascism in 1937 was even denied French citizenship three years later, on the eve of the Nazi occupation. In a country where the police and the conservative Académie des Beaux-Arts represented two major pillars of the establishment at the time, Picasso faced a triple stigma-as a foreigner, a political radical, and an avant-garde artist.Picasso the Foreigner approaches the artist's career and art from an entirely new angle, making extensive use of fascinating and long-understudied archival sources. In this groundbreaking narrative, Picasso emerges as an artist ahead of his time not only aesthetically but politically, one who ignored national modes in favor of contemporary cosmopolitan forms. Cohen-Solal reveals how, in a period encompassing the brutality of World War I, the Nazi occupation, and Cold War rivalries, Picasso strategized and fought to preserve his agency, eventually leaving Paris for good in 1955. He chose the south over the north, the provinces over the capital, and craftspeople over academicians, while simultaneously achieving widespread fame. The artist never became a citizen of France, yet he enriched and dynamized its culture like few other figures in the country's history. This book, for the first time, explains how.Includes color images