Böcker utgivna av Farrar, Straus and Giroux (BYR)

Nathan Go's taut meditation on forgiveness and regret is told in the indelible voice of a Filipino chauffeur nearing the end of his life.After suffering a serious heart injury, Lito Macaraeg reaches out to his estranged son-a journalist who lives in the United States, far from his father's Manila nursing home-to promise him a scoop: the story of a secret meeting between Imelda Marcos and Corazon Aquino. Imelda, best known for her excessive shoe collection, was the flamboyant wife of the late Philippine dictator; Corazon was the wife of the opposition politician who was allegedly killed by the Marcoses. An unassuming housewife, Corazon rose up after her husband's death to lead the massive rallies that eventually toppled the Marcos dictatorship.Lito was Corazon's personal driver for many years, and her only companion on the journey from Manila to Baguio City to meet Imelda. Throughout the long drive, Lito's loyalty to his employer is pitted against his own moral uncertainty about her desire to forgive Imelda. But as Lito unspools his tale about two women whose choices shaped their country's history, his own story, and failings, slowly come to light. He delves into his past: his neglectful father, who joined a Communist guerrilla movement; their life in a mountain encampment headed by a charismatic priest; and Lito's struggles with poverty and ambition. In the end, it is Lito himself who must contemplate the meaning and possibility of forgiveness.In Forgiving Imelda Marcos, Nathan Go weaves a deeply intimate novel of alternative history that explores power and powerlessness, the nature of guilt, and what we owe to those we love.

A startling new portrait of George Eliot, the beloved novelist and a rare philosophical mind who explored the complexities of marriage.In her mid-thirties, Marian Evans transformed herself into George Eliot-an author celebrated for her genius as soon as she published her debut novel. During those years she also found her life partner, George Lewes-writer, philosopher, and married father of three. After "eloping" to Berlin in 1854, they lived together for twenty-four years: Eliot asked people to call her "Mrs Lewes" and dedicated each novel to her "Husband." Though they could not legally marry, she felt herself initiated into the "great experience" of marriage-"this double life, which helps me to feel and think with double strength." The relationship scandalized her contemporaries yet she grew immeasurably within it. Living at once inside and outside marriage, Eliot could experience this form of life-so familiar yet also so perplexing-from both sides. In The Marriage Question, Clare Carlisle reveals Eliot to be not only a great artist but also a brilliant philosopher who probes the tensions and complexities of a shared life. Through the immense ambition and dark marriage plots of her novels, we see Eliot wrestling-in art and in life-with themes of desire and sacrifice, motherhood and creativity, trust and disillusion, destiny and chance. Carlisle's searching new biography explores how marriage questions grow and change, and joins Eliot in her struggle to marry thought and feeling.Includes black-and-white images

An epic middle-grade memoir about sisterhood and coming-of-age in the three years leading up to the Bosnian Genocide. Three Summers is the story of five young cousins who grow closer than sisters as ethnic tensions escalate over three summers in 1980s Bosnia. They navigate the joys and pitfalls of adolescence on their family's little island in the middle of the Una River. When finally confronted with the harsh truths of the adult world around them, their bond gives them the resilience to discover and hold fast to their true selves.Written with incredible warmth and tenderness, Amra Sabic-El-Rayess takes readers on a journey that will break their hearts and put them back together again.

The intellectual autobiography of Mario Vargas Llosa, winner of the Nobel Prize in Literature.From its origins, the liberal doctrine has represented the most advanced forms of democratic culture, and it is what has most defended us from the inextinguishable "call of the tribe." This book hopes to make a modest contribution to that indispensable project.In The Call of the Tribe, Mario Vargas Llosa surveys the readings that have shaped the way he thinks and has viewed the world over the past fifty years. The Nobel laureate, "tireless in his quest to probe the nature of the human animal" (Marie Arana, The Washington Post), maps out the liberal thinkers who helped him develop a new body of ideas after the great ideological traumas of his disenchantment with the Cuban Revolution and his alienation from the ideas of Jean-Paul Sartre, the author who most inspired Vargas Llosa in his youth.The works of Adam Smith, José Ortega y Gasset, Friedrich A. Hayek, Karl Popper, Raymond Aron, Isaiah Berlin, and Jean-François Revel helped the author enormously during those uneasy years. They showed him another school of thought, one that placed the individual before the tribe, nation, class, or party and defended freedom of expression as a fundamental value for the exercise of democracy. The Call of the Tribe documents Vargas Llosa's engagement with their work and charts the evolution of his personal ideology.

In this stand-alone middle-grade novel set in the same world as A Dog-Friendly Town, Josephine Cameron delivers a mystery full of prime-time puppers, Houdini-inspired whodunits, and a reminder that puzzles are best solved with a little teamwork.Eleven-year-old Rondo McDade is starting to feel left out. His older brother, Epic, is heading into high school, and his younger sister, Elvis, is always mad at him. His parents keep pushing him out of their dog-friendly bed and breakfast, the Perro del Mar, and into the company of the new kid in town while a famous TV show films on location at the Perro. It's an important week for the town, and everyone knows Rondo has a history of causing trouble. Even if he doesn't mean to.But when canine actors start to disappear, including Carmelito's most beloved celebrity doggo, Pico Boone, Rondo is sure he knows who did it. Can he win back his family's trust and crack the case before Pico is lost forever?

Finalist for the 2023 Joyce Carol Oates PrizeA new collection of stories by David Means, a visionary "master of the form" (The Observer). Two nurses meet in the hospital parking lot to share a cigarette. They flirt and imagine a future together. They tell stories of patients lost and patients saved, of the darkest corners of human suffering and the luminous moments that break through, even here, in the shadow of death.In David Means's virtuosic new collection, time unfolds in unexpected ways: a single, quiet moment swells with the echoes of a widower's complicated marriage; a dachshund, given a new name and a new life by a new owner, catches the scent of the troubled man who previously abandoned her; young lovers become old; estranged couples return to their vows; and those who have died live on in perpetuity in the memories of those whom they touched. The stories in this collection-which have won the O. Henry Prize and the Pushcart Prize, and have been featured in The Best American Short Stories-confirm the promise of a writer who "believes in the power of stories to rescue and redeem people" (Max Liu, Financial Times).A revelatory meditation on trauma and catharsis, isolation and communion, Two Nurses, Smoking reflects the dislocations and anguish of our age, as well as the humanity and humor that buoy us.

"I'll Build a Stairway to Paradise is like an exquisite string of pearls: the perfect balance of elegance, style, design, and beauty. This book is inspiring, spirited, and totally absorbing." -Diane von FurstenbergThe story of Bunny Mellon, the great landscape and interior designer, becomes a revelatory exploration of extreme wealth in the American century. Bunny Mellon, whose life was marked by astonishing good fortune as well as tragedy and scandal, remains a singular figure in the annals of American design. She had her finger on the pulse of American culture and possessed a rare, once-in-a-generation sense of style and grace. Her most celebrated work-the White House Rose Garden, designed during the presidency of John F. Kennedy-demonstrated how formal restraint and the sparing use of color could be deployed to maximal effect. Later, her understated landscape design for the Kennedy grave site at Arlington National Cemetery changed the face of American public memorials.Mellon was a famously private person, and many of her greatest achievements remained concealed from public view. Her rarely seen gardens and domestic interiors at eight different properties on three continents became legends and models. At Oak Spring Farm in Virginia, the bibliographic riches of her Garden Library were twinned with the expansive flowering gardens lying below the Edward Larrabee Barnes-designed building. At her home on Nantucket, she pruned back the landscape to reveal the elemental forms of nature. Mellon also ranked as one of the great art collectors of her era, encouraging her husband Paul to use his family's vast wealth to acquire hundreds of nineteenth-century French paintings, many of which were donated to the National Gallery of Art. Her own tastes ranged from Mark Rothko to Richard Diebenkorn-in quantity.In I'll Build a Stairway to Paradise, Mac Griswold-who knew Mellon personally-delves into her subject's closely guarded personal archives to construct an unrivaled portrait of a woman as complex and multifaceted as the gardens and homes on which she left her mark. Mellon tested the anodyne 1950s model of woman-as-wife-as-mother by getting a divorce, admitting candidly to her first husband that she wanted a richer one. She imperiously traded old friends for new and ultimately used her reputation, her connections, and above all her money to help fund John Edwards's short-lived presidential campaign. She led an American version of a royal court that, over the years, included Jackie Kennedy, Hubert de Givenchy, and I. M. Pei.How Mellon's character, style, and taste developed together to produce her greatest accomplishments-private and public-is the real subject of this biography.

"An essential account of America's greatest sculptor . . . [A] magnum opus." -Marjorie Perloff, The Times Literary SupplementThe landmark biography of the inscrutable and brilliant David Smith, the greatest American sculptor of the twentieth century. David Smith, a pioneer of Abstract Expressionism, did more than any other sculptor of his era to bring the plastic arts to the forefront of the American scene. Central to his project of reimagining sculptural experience was challenging the stability of any identity or position-Smith sought out the unbounded, unbalanced, and unexpected, creating works of art that seem to undergo radical shifts as the spectator moves from one point of view to another. So groundbreaking and prolific were his contributions to American art that by the time Smith was just forty years old, Clement Greenberg was already calling him "the greatest sculptor this country has produced." Michael Brenson's David Smith: The Art and Life of a Transformational Sculptor is the first biography of this epochal figure. It follows Smith from his upbringing in the Midwest, to his heady early years in Manhattan, to his decision to establish a permanent studio in Bolton Landing in upstate New York, where he would create many of his most significant works-among them the Cubis, Tanktotems, and Zigs. It explores his at times tempestuous personal life, marked by marriages, divorces, and fallings-out as well as by deep friendships with fellow artists like Helen Frankenthaler and Robert Motherwell. His wife Jean Freas described him as "salty and bombastic, jumbo and featherlight, thin-skinned and Mack Truck. And many more things." This enormous, contradictory vitality was true of his work as well. He was a bricoleur, a master welder, a painter, a photographer, and a writer, and he entranced critics and attracted admirers wherever he showed his work. With this book, Brenson has contextualized Smith for a new generation and confirmed his singular place in the history of American art.

A Wall Street Journal and Times Literary Supplement Book of the Year | Long-listed for the Plutarch AwardA bold new biography of the legendary painter John Singer Sargent, stressing the unruly emotions and furtive desires that drove his innovative work and defined the transatlantic, fin de siècle culture he inhabited. A great American artist, John Singer Sargent is also an abiding enigma. While dressing like a businessman and crafting a highly respectable persona, he scandalized viewers on both sides of the Atlantic with the frankness and sensuality of his work. He charmed the nouveaux riches as well as the old money, but he reserved his greatest sympathies for Bedouins, Spanish dancers, and the gondoliers of Venice. At the height of his renown in Britain and America, he quit his lucrative portrait-painting career to concentrate on allegorical murals with religious themes-and on nude drawings of male models that he kept to himself.In The Grand Affair, the historian Paul Fisher offers a vivid life of the buttoned-up artist and his unbuttoned work. Sargent's nervy, edgy portraits exposed illicit or dark feelings in himself and his sitters-feelings that high society on both sides of the Atlantic found fascinating and off-putting. Fisher traces Singer's life from his wandering trans-European childhood to the salons of Paris, and the scandals and enthusiasms he caused, and on to London. There he mixed with eccentrics and aristocrats, and the likes of Henry James and Oscar Wilde, while at the same time forming a close relationship with a lightweight boxer who became his model, valet, and traveling partner. In later years, Sargent met up with his friend and patron Isabella Stewart Gardner around the world and devoted himself to a new model, the African American elevator operator and part-time contortionist Thomas McKeller, who would become the subject of some of Sargent's most daring and powerful work.Illuminating Sargent's restless itinerary, Fisher explores the enigmas of fin de siècle sexuality and art, fashioning a biography that grants the man and his paintings new and intense life.

"Pankaj Mishra transforms a visceral, intimate story of one man's humble origins into a kaleidoscopic portrait of a society bedazzled by power and wealth-what it means on a human level, and what it costs. Run and Hide is a spectacular, illuminating work of fiction." -Jennifer Egan, author of Manhattan BeachGrowing up in a small railway town, Arun always dreamed of escape. His acceptance to the prestigious Indian Institute of Technology, enabled through great sacrifice by his low-caste parents, is seemingly his golden ticket out of a life plagued by everyday cruelties and deprivations. At the predominantly male campus, he meets two students from similar backgrounds. Unlike Arun-scarred by his childhood, and an uneasy interloper among go-getters-they possess the sheer will and confidence to break through merciless social barriers. The alumni of IIT eventually go on to become the financial wizards of their generation, working hard and playing hard from East Hampton to Tuscany-the beneficiaries of unprecedented financial and sexual freedom. But while his friends play out Gatsby-style fantasies, Arun fails to leverage his elite education for social capital. He decides to pursue the writerly life, retreating to a small village in the Himalayas with his aging mother. Arun's modest idyll is one day disrupted by the arrival of a young woman named Alia, who is writing an exposé of his former classmates. Alia, beautiful and sophisticated, draws Arun back to the prospering world where he must be someone else if he is to belong. When he is implicated in a terrible act of violence committed by his closest friend from IIT, Arun will have to reckon with the person he has become. Run and Hide is Pankaj Mishra's powerful story of achieving material progress at great moral and emotional cost. It is also the story of a changing country and global order, and the inequities of class and gender that map onto our most intimate relationships.

Longlisted for the National Book Critics Circle (NBCC) Barrios Book in Translation PrizeA Woman's Battles and Transformations is a portrait of the author's mother by the acclaimed writer of the international bestsellers The End of Eddy and History of Violence.Late one night, Édouard Louis got a call from his forty-five-year-old mother: "I did it. I left your father." Suddenly, she was free.This is the searing and sympathetic story of one woman's liberation: of mothers and sons, of history and heartbreak, of politics and power. It reckons with the cruel systems that govern our lives-and with the possibility of escape. Sharp, short, and fine as a needle, it is a necessary addition to the work of Édouard Louis, "one of France's most widely read and internationally successful novelists" (The New York Times Magazine).

Max Egremont, author of Some Desperate Glory, tells stories from the "Glass Wall" between Europe and Asia.Few countries have suffered more from the convulsions and bloodshed of twentieth-century Europe than those in the eastern Baltic region. Caught between the giants of Germany and Russia, on a route across which armies surged or retreated, small nations like Latvia and Estonia were for centuries the subjects of conquests and domination as foreign colonizers claimed control of the territory and its inhabitants, along with their religion, government, and culture.The Glass Wall features an extraordinary cast of characters-contemporary and historical, foreign and indigenous-who have lived and fought in the Baltic, western Europe's easternmost stronghold. Too often the destiny of this region has seemed to be to serve as the front line in other people's wars. By telling the stories of warriors and victims, of philosophers and barons, of poets and artists, of rebels and emperors, and of others who lived through years of turmoil and violence, Max Egremont sets forth a brilliant account of a long-overlooked region, on a frontier whose limits may still be in doubt.

From New York Times-bestselling author Dashka Slater comes the whimsical and witty sequel to The Book of Fatal Errors!Rufus may have successfully sent the feylings home to the Green World, but he still has one pesky feyling under his wing: Nettle, his sometimes enemy, now mentor. Nettle is in charge of helping Rufus and his cousin Abigail protect Feylawn, their grandfather's magical and mysterious homestead.But this difficult task becomes even more dangerous when a leopard appears in the woods without warning; strange, waterlogged women arrive to warn of impending doom; and a goblin begins digging his way back to Earth, hungry for revenge. Meanwhile, Rufus's father is intent on selling Feylawn to the highest bidder. Can Rufus and Abigail save Feylawn and its magic? Or will they have to say goodbye to the feylings forever?In The Book of Stolen Time, our favorite heroes are back! And magic, mischief, and adventure abound.

The final volume in the renowned Danish poet Tove Ditlevsen's autobiographical Copenhagen Trilogy ("A masterpiece" -The Guardian). Following Childhood and Youth, Dependency is the searing portrait of a woman's journey through love, friendship, ambition, and addiction, from one of Denmark's most celebrated twentieth century writersTove is only twenty, but she's already famous, a published poet, and the wife of a much older literary editor. Her path in life seems set, yet she has no idea of the struggles ahead-love affairs, wanted and unwanted pregnancies, artistic failure, and destructive addiction. As the years go by, the central tension of Tove's life comes into painful focus: the terrible lure of dependency, in all its forms, and the possibility of living freely and fearlessly-as an artist on her own terms.The final volume in the Copenhagen Trilogy, and arguably Ditlevsen's masterpiece, Dependency is a dark and blisteringly honest account of addiction, and the way out.

The acclaimed Danish poet Tove Ditlevsen's autobiographical Copenhagen Trilogy ("A masterpiece" -The Guardian) continues with Youth. Following Childhood, this second volume finds the young author consumed in trials by fire that only fuel her relentless passion for artistic freedom-placing her on a devastating and destructive path recounted in the final volume, Dependency.Forced to leave school early, Tove embarks on a checkered career in a string of low-paid, menial jobs. But she is hungry: for poetry, for love, for real life to begin. As Europe slides into war, she must navigate exploitative bosses, a Nazi landlady, and unwelcome sexual encounters on the road to hard-won independence. Yet she remains ruthlessly determined in the pursuit of her poetic vocation-until at last the miracle she has always dreamed of appears to be within reach.Youth, the second volume in the Copenhagen Trilogy, is a strikingly honest and immersive portrait of adolescence, filled with biting humor, vulnerability, and poeticism.