Böcker utgivna av Faber & Faber

The first thing I remember is... falling.A young man arrives in a dying city with seashells in his pockets. He doesn't know who he is, or how he got here. He goes by the only name he can think of: Lanark. Lanark is a portrait of the outsider artist as a young man, an exploded life story like no other. This theatrical re-imagining of Alasdair Gray's classic novel takes us from the Dragon Chambers to the Cathedral of Unthank, from the post-war Glasgow School of Art to the sinister underground Institute, from the heavenly city of Provan to the hellish Elite Cafe, combining science-fiction, realism, fantasy, and playful storytelling.'Insanely ambitious... a heady, unsettling, unpredictable dream... this is a darkly playful and intriguingly dislocated evening in which chronological time, theatre's fourth wall, character conventions and all expectations get smashed.' GuardianLanark: A Life in Three Acts was conceived in collaboration by David Greig and Graham Eatough and adapted for the stage in collaboration with the creative team. It was presented as a co-production between the Citizens Theatre and the Edinburgh International Festival at the Edinburgh International Festival 2015.

The First World War holds a unique place in the nation's history; the poetry it produced, a unique place in the nation's hearts. To mark the centenary of the First World War in 2014, the Poet Laureate, Carol Ann Duffy, has engaged the most eminent poets of the present to choose the writing from the Great War that touched them most profoundly: their choices are here in this powerful and moving assembly. But this anthology is more than a record of war writing. Carol Ann Duffy has commissioned these same poets of the present to look back across the past and write a poem of their own in response to the war to end all wars. Whether as a reader your interest is in the Great War or the great war poets, or whether it is in the poetry of today, this anthology will hold a special place in your affections, as it remembers and recalls - a and through its commissioned work, renews and honours - the engagement between poetry and this terrible, unworldly of world conflicts.

For nearly forty years Paul Robertson performed throughout the world as First Violinist of the internationally renowned Medici String Quartet, of which he was a founder member. In 2008 the main artery to Paul's heart ruptured, leading to him dying on the operating-table, and then being resuscitated. Paul subsequently hovered in a deep coma for six weeks, close to death and experiencing visions, affording him profound insights into the relationship between music and the subconscious When he came to he felt he had been reborn - fundamentally, a different person - and not just because the left side of his body was partially paralysed. Instead, he woke with a completely new acceptance of the meaning of death, and a belief in life beyond. Now 64 years-old, Paul has decided not to undergo any more surgery, facing a very uncertain future and living on borrowed time. In this book Paul reflects on his musical training, his insights into the difficult realities of ensemble playing, and about the possible meaning of his experiences in both life and near-death. This extraordinary and poignant memoir will be for all musicians, spiritual thinkers and musical laymen who have engaged with the rigours of learning music.

The change will come. And it's not far away, I promise you that. Some figure will emerge from the dark screaming 'Get out of the way'. And not far behind others will follow... The young are waiting. In all their power. Knocking on the door.The master builder Halvard Solness has a fear of falling. A self-made man, without professional qualifications, he has achieved domination in the town but he's increasingly frightened of being displaced by the young. A woman, Hilde Wangel, appears from the mountains, claiming to have known Solness ten years previously, and telling him of a promise he made to her when she thirteen.David Hare has written a new adaptation of one of Henrik Ibsen's most complex autobiographical masterpieces - a mesmeric exploration of control, power, lust and death, which builds to a vertiginous climax.The Master Builder premiered in this English version at The Old Vic, London, in January 2016.

I can't remember which side I'm supposed to be working for, and it is not in fact necessary for me to know.The Cold War is approaching its endgame and somebody in spymaster Elizabeth Hapgood's network is leaking secrets. Is her star double agent really a triple? The trap she sets becomes a hall of mirrors in which betrayal is personal and treachery a trick of the light.Tom Stoppard's Hapgood premiered at the Aldwych Theatre, London, in March 1988. It was revived at the Hampstead Theatre, London, in December 2015.

The Poems of T. S. Eliot is the authoritative edition of one of our greatest poets, scrupulously edited by Christopher Ricks and Jim McCue. It provides, for the first time, a fully scrutinized text of Eliot's poems, carefully restoring accidental omissions and removing textual errors that have crept in over the full century in which Eliot has been so frequently printed and reprinted. The edition also presents many poems from Eliot's youth which were published only decades later, as well as others that saw only private circulation in his lifetime, of which dozens are collected for the first time. To accompany Eliot's poems, Christopher Ricks and Jim McCue have provided a commentary that illuminates the creative activity that came to constitute each poem, calling upon drafts, correspondence and other original materials to provide a vivid account of the poet's working processes, his reading, his influences and his revisions. The first volume respects Eliot's decisions by opening with his Collected Poems 1909-1962 in the form in which he issued it, shortly before his death fifty years ago. There follow in this first volume the uncollected poems from his youth that he had chosen to publish, along with such other poems as could be considered suitable for publication. The second volume opens with the two books of poems of other kinds that he issued, Old Possum's Book of Practical Cats and his translation of Perse's Anabase, moving then to verses privately circulated as informal or improper or clubmanlike. Each of these sections is accompanied by its respective commentary, and then, pertaining to the entire edition, there is a comprehensive textual history recording variants both manuscript and published. The Poems of T. S. Eliot is a work of enlightening scholarship that will delight and inform all those who read Eliot for pleasure, as well as all those who read with pleasure and for study. Here are a new accuracy and an unparalleled insight into the marvels and landmarks from The Love Song of J. Alfred Prufrock and The Waste Land through to Four Quartets

Listen, girls, if we stick together there's no ways we'll even get to the second round...Young, lost and out of control, a bunch of Catholic schoolgirls go wild for a day in the big city, the singing competition a mere obstacle in the way of sex, sambuca and a night back home with the submarine crew in Mantrap.Funny, sad and raucously rude, Lee Hall's musical play Our Ladies of Perpetual Succour, adapted from Alan Warner's novel The Sopranos, premiered at the Traverse Theatre in August 2015, in a production by the National Theatre of Scotland and Live Theatre.

A wonderful meditation on the English landscape in wet weather by the acclaimed novelist and nature writer, Melissa Harrison.Whenever rain falls, our countryside changes. Fields, farms, hills and hedgerows appear altered, the wildlife behaves differently, and over time the terrain itself is transformed.In Rain, Melissa Harrison explores our relationship with the weather as she follows the course of four rain showers, in four seasons, across Wicken Fen, Shropshire, the Darent Valley and Dartmoor. Blending these expeditions with reading, research, memory and imagination, she reveals how rain is not just an essential element of the world around us, but a key part of our own identity too.

One of the funniest writers of his generation, Michael Frayn has been writing humorous newspaper columns since 1959, principally for the "e;Guardian"e; and "e;Observer"e;, and originally came to prominence as the thrice weekly purveyor of these short, surreal, razor-sharp explorations of human foibles, sex, politics, manners, and the events of the day. This volume brings together 110 of his finest and funniest pieces from over the years, selected and introduced by Michael Frayn himself, and is an unmissable treat for the many fans of his unique comic voice, as well as a revelation for fans of the award-winning literary novels and plays of his later career.

I'm just as good as bloody Pierrepoint.In his small pub in Oldham, Harry is something of a local celebrity. But what's the second-best hangman in England to do on the day they've abolished hanging? Amongst the cub reporters and sycophantic pub regulars, dying to hear Harry's reaction to the news, a peculiar stranger lurks, with a very different motive for his visit.Don't worry. I may have my quirks but I'm not an animal. Or am I? One for the courts to discuss.Martin McDonagh's Hangmen premiered at the Royal Court Theatre, London, in September 2015.

This third richly varied collection of plays by Marina Carr was published to coincide with the Royal Shakespeare Company's premiere of Hecuba at the Swan Theatre, Stratford-upon-Avon, in September 2015.Sixteen Possible Glimpses imagines sixteen fleeting moments in Anton Chekhov's short life and work. Phaedra Backwards retells the Phaedra myth to discover what shaped her. The Map of Argentina offers a meditation on love and what happens when it is denied, or pursued and hunted down. Hecuba was written in reaction to the bad press this Trojan queen receives, and reimagines how she may have suffered and reacted. Indigo is a dark and passionate romance amongst fairies, demons, ghouls and every sort of fantastic creature out of folklore and myth.

Billy Bragg is one of Britain's most distinctive and accomplished songwriters, whose work has articulated the passions, both personal and political, of Britain during the past five decades. A Lover Sings contains over seventy of his best-known lyrics, selected and annotated by the author.'Sexuality', 'A New England', 'Levi Stubbs' Tears' - these are unadorned, poetic songs that skilfully interweave everyday observation with much broader concerns: of fairness and outrage, of generosity and love. A Lover Sings reveals a unique sensibility: principled and proudly of the Left, funny, forthright and tender. It is a remarkable collection.

'Highly addictive.' KARIN SLAUGHTER'A major talent.' HARLAN COBEN'Packed with plot, The Ex rocks.' New York Journal of Books'Keeps you guessing right to the very end. I loved it.' BECKY MASTERMAN, author of Fear the DarknessDID HE, OR DIDN'T HE?Olivia Randall is one of New York City's best criminal defence lawyers. When she gets a phone call informing her that her former fiancee has been arrested for a triple homicide there is no doubt in her mind as to his innocence. The only question is who would go to such great lengths to frame him - and why?For Olivia, representing Jack is a way to make up for past regrets, and the hurt she caused him, but as the evidence against him mounts, she is forced to confront her doubts.

Marceline Loridan-Ivens was just fifteen when she was arrested by the Vichy government's militia, along with her father. He prepared her for the worst, telling her that he would not return. They were soon separated. The three kilometres between her father in Auschwitz and herself in Birkenau were an insurmountable distance, and yet he managed to send her a small note via an electrician in the camp - a sign of life.In But You Did Not Come Back, Marceline writes a letter to the father she would never know as an adult, to the man whose death enveloped her whole life. Her testimony is a haunting and challenging reminder of one of the worst crimes humanity has ever seen, and an affecting personal story of a woman whose life was shattered and never totally rebuilt.

A handsome new tutor brings reckless, romantic desire to an eccentric household. Over three days one summer the young and the old will learn lessons in love: first love and forbidden love, maternal love and platonic love, ridiculous love and last love. The love left unsaid and the love which must out.Ivan Turgenev's passionate, moving comedy, A Month in the Country, has been a source of inspiration for films, a ballet and the plays of Chekhov. Patrick Marber's Three Days in the Country premiered at the National Theatre, London, in June 2015 in association with Sonia Friedman Productions.

West Virginia: A church congregation vanishes in mysterious circumstances, only to be found dead some miles away. The evidence on the ground appears to indicate a ritual killing and the work of demonic forces.Enter Jessica Blackwood, the FBI's specialist in all things unusual. A former illusionist, Jessica's talent and experience enable her to see what others cannot, as she proved in the infamous 'Warlock' case. Maybe now, once again, the devil will be in the details.Following the trail from West Virginia to Mexico and Miami, Jessica uncovers a deadly conspiracy that might lead all the way to the Vatican itself. Only with her unique understanding of the powers of deception can they hope to stop a ruthless killer from exacting a revenge that's been thirty years in the planning . . .

Meet Jessica Blackwood, FBI Agent and ex-illusionist. Called in because of her past to offer expertise on the mysterious 'Warlock' case, Jessica must put all her unique knowledge to the test as they try to catch a ruthless killer. Needing to solve the unsolvable, and with the clock ticking, they're banking on her being the only one able to see beyond the Warlock's illusions. The first in a brilliant new series, Angel Killer will have you feverishly turning the pages, and in Jessica Blackwood, Mayne has created a complex, sassy and unforgettable new heroine. 'Professional illusionist Mayne introduces a fresh angle to serial-killer hunting.' Booklist'Mayne has created an unbelievably unforgettable book! 5 Stars!' Suspense Magazine

Two couples. Friendship, suspicion, deceit. And the truth. Florian Zeller's The Truth, in the English translation by Christopher Hampton, premiered at The Chocolate Factory, London, in association with Theatre Royal Bath. It follows the phenomenal success of The Father (Theatre Royal Bath, Tricycle, London and West End) and The Mother (Theatre Royal Bath, Tricycle, London), both by Florian Zeller and translated by Christopher Hampton.

When twenty-two-year-old Gerty Freely travels to Russia to work as a governess in early 1914, she has no idea of the vast political upheavals ahead, nor how completely her fate will be shaped by them. Yet as her intimacy with the charismatic inventor, Nikita Slavkin, deepens, she's inspired by his belief in a future free of bourgeois clutter, alight with creativity and sleek as a machine.In 1917, revolution sweeps away the Moscow Gerty knew. The middle classes - and their governesses - are fleeing the country, but she stays, throwing herself into an experiment in communal living led by Slavkin. In the white-washed modernist rooms of the commune the members may be cold and hungry, but their overwhelming feeling is of exhilaration. They abolish private property and hand over everything, even their clothes, to the collective; they swear celibacy for the cause.Yet the chaos and violence of the outside world cannot be withstood for ever. Nikita Slavkin's sudden disappearance inspires the Soviet cult of the Vanishing Futurist, the scientist who sacrificed himself for the Communist ideal. Gerty, alone and vulnerable, must now discover where that ideal will ultimately lead.Strikingly vivid, this debut novel by award-winning writer Charlotte Hobson pierces the heart with a story of fleeting, but infinite possibility.

In a momentous publication, Seamus Heaney's translation of Book VI of the Aeneid, Virgil's epic poem composed sometime between 29 and 19 BC, follows the hero, Aeneas, on his descent into the underworld. In Stepping Stones, a book of interviews conducted by Dennis O'Driscoll, Heaney acknowledged the importance of the poem to his writing, noting that 'there's one Virgilian journey that has indeed been a constant presence, and that is Aeneas's venture into the underworld. The motifs in Book VI have been in my head for years - the golden bough, Charon's barge, the quest to meet the shade of the father.'In this new translation, Heaney employs the same deft handling of the original combined with the immediacy of language and flawless poetic voice as was on show in his translation of Beowulf, a reimagining which, in the words of Bernard O'Donoghue, brought the ancient poem back to life in 'a miraculous mix of the poem's original spirit and Heaney's voice'.

Everyman is successful, popular and riding high when Death comes calling. Forced to abandon the life he has built, he embarks on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out.One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, this new adaptation by Poet Laureate Carol Ann Duffy was presented at the National Theatre, London, in April 2015.

First published in 1978, The Victims of Love was the last in a quartet of novels by Colin Spencer concerning the Simpson family and their charged relationships across the generations. Now we are in the 1960s, as Sundy Simpson attempts a reclusive existence as a single mother and Matthew struggles with the aftermath of a superficially civilised divorce and the continued rage of passion within.In a new preface Colin Spencer recalls how he drew inspiration from his own life and the lives of others, intending 'to be as honest to my experience as I can be, to be ruthless in my vision of others as I have been to myself'.'Affecting, hilarious, and grave . . . [the Generation Quartet] is a tapestry of unforgettable characters in all their seaminess and sadness, their idealism and desires. It is a delight to meet them again.' Sir Huw Weldon

The Importance of Music to Girls tells the story of the adventures that music leads us into - getting drunk, falling in love, cutting our hair, wanting to change the world - as well as the darker side of the adolescent years: loneliness, bullying, getting arrested. Lavinia Greenlaw remembers the music that inspired and accompanied her, and compelled her generation. From fancying Donny Osmond, to wanting to be Ian Curtis, this is a razor-sharp memoir, filtered through the medium of music.

First published in 1970, Lovers in War was the third of a quartet of novels by Colin Spencer concerning the Simpson family. This volume finds brother and sister Matthew and Sundy Simpson suffering fresh emotional turmoil. Sundy has divorced her philandering husband, Reg, and is living with Jamey Best-David, whose Catholic wife will not grant him a divorce. Matthew, resisting the homosexual world to which he feels drawn, has married his boyhood sweetheart, Jane. But when Reg resurfaces, both Matthew and Sundy succumb again to his incorrigible charm.This Faber Finds edition includes a new preface by Colin Spencer wherein he reflects on 'how the ethics of loving, its agonies and joys, are so unchanged'.

'A variation on the theme of The Turn of the Screw in the manner of Graham Greene with an olive from The Cocktail Party and a dash of Dashiell Hammett.' Cyril ConnollyFirst published in 1961, The Scarlet Boy saw the versatile Arthur Calder-Marshall venturing into gothic terrain with a study in the paranormal. Historian George Grantley agrees to find a property for his school-friend Kit Everness, now a successful QC, in Grantley's home town of Wilchester. Grantley's eye falls on a place dear to him in childhood: Anglesey House, where his boyhood companion Charles Scarlet lived with his glamorous mother, Helen. But Charles committed suicide there, and some say the house is haunted. Grantley and Everness are undeterred; however, they will come to find their rational views tested, and the lives of their loved ones endangered.

Tea's cold, lunch is late and the great Professor has turned out to be a fraud - for Uncle Vanya, life has gone wonky, it's gone to hell.Only one thing can save him - a glamorous woman's love. But she's not interested either. And what's worse, she's married to the Professor.Samuel Adamson new version of Anton Chekhov's Uncle Vanya - a dark and funny exploration of cross-purposed love, bitter jealousy and a dysfunctional family - opened at West Yorkshire Playhouse, Leeds, in February 2015.

Winner of the Waverton Good Read Award 2017Shortlisted for the Authors' Club Best First Novel Award 2017Shortlisted for the Goldsboro Books Glass Bell Award 2017Imagine if your whole life changed in the blink of an eye . . . Captain Tom Barnes is leading British troops into a war zone when he is gravely injured by an exploding IED. This devastating moment and the transformative months that follow are narrated here by forty-five objects, telling one unforgettable story.

Spanning the 1950s to the 70s, the plays capture the rebellious mood of a post-war generation growing up to a backdrop of James Dean, Elvis, sharp-suited glamour, hope and despair.John Byrne takes the slab room he worked in and makes it pure theatre: the scams, the dreams, the aloof but gorgeous girl, the despair of life back home, the obligatory tormenting of the office 'weed', and the mandatory boy chat and pranks all help the day to pass. Phil and Spanky explode onto the stage in a classic vaudeville double-act.Now considered one of Scotland's defining literary works of the twentieth century, the Slab Boys Trilogy premiered at the Traverse back in the late 1970s and early 80s taking Scotland, then Britain, and then Broadway quickly by storm.

Alan Ayckbourn's play is about a very ordinary teenager called Lucy. With her father glued to the cowboys on the telly, her mother preoccupied with neighbourly gossip and her brother enclosed in his ear-phones, no one wants to know about her place in the school swimming team. So Lucy revives her childhood fantasy friend, Zara, setting a place for her at the very ordinary tea table. This time Zara materializes, bringing with her an idealized father and brother, and showing Lucy how to make her real family vanish. The moral of this cautionary tale is carefully spelt out - that when you get what you want it's not what you wanted - as Lucy's dream family turns out to be a nightmare. The play is supposedly for children of seven upwards, but there's a message here for parents, too, about listening to kids.

Little Sister Death is the stunning 'lost' horror novel of the late William Gay. Inspired by the famous 19th Century Bell Witch haunting of Tennessee, it follows the unravelling life of David Binder, a writer who moves his young family to a haunted farmstead to try and find inspiration for his faltering work... Beautifully written and structured, Little Sister Death is a loving and faithful addition to the field of classic horror writing, eschewing any notions of irony or post-modern tricks as it aims, instead, straight for your soul.