Böcker utgivna av Faber & Faber

From the late 1800s to the late 1950s, a diverse group of trailblazing women changed the face of dance, and in the process, contributed to shifting attitudes about women's bodies and rights.

Yet it also has an unexpected ingredient: a beating heart.' ObserverNow collected with its sequel - Reasons to be Happy'A richly entertaining shard of tragicomedy.' Daily Telegraph

Along the way, Mlinko's use of form and rhyme is as light as it is enlightening as she probes our all-too-human nature and pays careful attention to the quiet marvels to be found by looking carefully at right where we happen to be.

So when his client and brutal crime boss Dragan Sergowicz tries to interfere with his precious family time, Björn remembers his new-found goal to find serenity - and kills him. Now Björn can deepen his practice and seek inner peace - violently. 'A violent, feel-good rampage of a book where the pace and positivity never let up.

Heartstopper meets Nimona meets Legends & Lattes in this stunning graphic novel where Soup must battle her evil boss in a fantastical cooking competition.

the captains populating the pages of Shakespeare - Fastolf, Montagu, Talbot, Dunois and, above all, the extraordinary figure of Joan of Arc who changed the course of the war in a few weeks at the age of seventeen. 'The Hundred Years War ends in England's agonising defeat - but triumph for Jonathan Sumption .

The judges of the 2024 Forward Prizes for Poetry - comprising the poets Alycia Pirmohamed, Vanessa Kisuule, Daniel Sluman and Jane Clarke, and chaired by actor and comedian Craig Charles - read hundreds of recent books and individual poems before arriving at this anthology.

The hilarious guide to the countryside you never knew you needed, from up-and-coming TikTok-and Instagram-hit comedian Killian Sundermann. Welcome to the countryside!

There's this monstrous idiot - this monstrous elected idiot - who keeps telling his fellow-idiots to throw my books on a bonfire and beat me up in the street. Stefan is a successful author - widely read, universally admired, and translated into every language.

Supper is at 6 o'clock sharp, and there will be no admittance after 9 - a routine Nora likes, as it reminds her of her former life as a nun. As she settles in, she is careful not to reveal too much about herself to the other guests.

Rose and Finn were looking for sharks on the sea bed at the time, so out of everyone on board the luxury cruise ship Dauphin - the wealthy passengers, the researchers hard at work, the tight-knit crew and their strangely calm Captain - they are the only ones who can't be suspected.

AVAILABLE TO PRE-ORDER NOW'The outstanding graphic novelist of his generation.' Big Issue'Adrian Tomine has more ideas in twenty panels than novelists have in a lifetime.' ZADIE SMITH'Tomine has both talent and a writer's eye for the truth.' NICK HORNBYAdrian Tomine began his professional career at the age of sixteen, and in the decades since, has made a name for himself as a bestselling graphic novelist, screenwriter, and New Yorker cover artist. Now, for the first time, he's taking questions. Part personal history, part masterclass (illustrated throughout with photos, outtakes, and step-by-step process images), Q & A is an unprecedented look into Tomine's working methods and a trove of insight, guidance, and advice for aspiring and practising creatives alike.

Tolly's great grandmother isn't a witch, but both she and her old house, Green Knowe, are full of a very special kind of magic. Running around Green Knowe's moat, gardens and mysterious rooms, Tolly slowly discovers them, their toys and animals, and their wonderful stories .

A powerful collection of journalism on race, racism and black life and death from one of the nation's leading political voices.

Jodie Harsh arrived in London aged 15, in 2002, heading straight off the train from Canterbury to her first club night at the Astoria. New music, new fashion, new art, all coming together in a mad heady rush before - and during - the financial crash of 2008.

A cast of 'Indic-heritage poets' meets to perform poems and discuss the future of poetry. indiom engages eclectic, often Rabelaisian styles on subjects as various as the Indian poet Nissim Ezekiel, Shakespearean comedy, Under Milk Wood, The Simpsons and Newcastle United. Daljit Nagra's mock epic scrutinises the legacies of Empire and issues such as power and status, casteism and colourism, mimicry and mockery. What is Britishness now? How can humour help us survive hardship? The result is a capacious 'talkie'/poem/play of resistance and redress whose ludic structures defy boundaries: a story of intertextual and misplaced identities, gods and miracles, celluloid tragedy and blushing romantic desire amid an awkwardly rolling cricket ball and rioting poodles.

The debut collection of poetry by Gboyega Odubanjo. 'On 21 September 2001, the torso of a black boy was discovered in the River Thames, near Tower Bridge in central London, clothed only in an orange pair of girls' shorts.

But how we misread them, bright drop after bright drop in the sea of night. Based on the letters of Mary Queen of Scots, Mary Said What She Said is the testimony of Mary Stuart as she awaits martyrdom, accused of involvement in the most notorious plots of the time.

In my case, reading has always served a dual purpose. In a positive sense, it offers sustenance, enlightenment, the bliss of fascination. In a negative sense, it is a means of withdrawal, of inhabiting a reality quarantined from one that often comes across as painful, alarming or downright distasteful. In the former sense, reading is like food; in the latter, it is like drugs or alcohol. In Autobibliography, Rob Doyle recounts a year spent rereading fifty-two books - from the Dhammapada and Marcus Aurelius, via The Tibetan Book of the Dead and La Rochefoucauld, to Robert Bolaño and Svetlana Alexievich - as well as the memories they trigger and the reverberations they create. It is a record of a year in reading, and of a lifetime of books. Provocative, intelligent and funny, it is a brilliant introduction to a personal canon by one of the most original and exciting writers around. It is a book about books, a book about reading, and a book about a writer. It is an autobibliography.

Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. A breakout, genre-blurring novel from one of the most exciting new voices of Latin America's feminist Gothic. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires, on the run from the Church. She must ada