Böcker utgivna av Eyewear Publishing

Fiction. Beginning in 1931, amongst the dreary slums of London's Docklands, THE OTHER SIDE OF COMO takes us on a journey across mid-century Europe as it suffers the greatest war ever known. Based on true events, this is the story of Vivian, a young woman lost by the poor prospects available to her in England, leaves home and family for love. Love of a man, but also love of Northern Italy -- the rich landscape of the Grigna mountains; the lakes Como, Maggiore, Lugano; and the prosperous industrious city of Milan. As the shadow of Fascism draws over Italy, Vivian must watch as her happiness is gradually destroyed. "Fox has the gift to describe public and private matters, people who act bravely and others who, for complex reasons, get into fascist uniforms and become enemies. I recommend it to English-speaking readers for its richness, humanity and uniqueness as a story."--Jonathan Steinberg

Poetry. This is an exciting debut collection from a young poet who is part of the Instapoet revolution, and a must have for all those fascinated by the medium. Elisa Matvejeva's powerful and shocking poems are combined with illustrations exploring love, hate, sex, abuse and passion. These poems explode from the page with their raw energy, taking the reader through a whirlwind of psychedelic landscapes on the way. The creativity and honesty of these will be an inspiration for many young readers and writers.

Fiction. Who is that mournful man in the painting? THE AFTERLIVES OF DOCTOR GACHET tells the story of Paul Ferdinand Gachet, the subject of one of Vincent van Gogh's most famous portraits: one that shows what the artist called "the heartbroken expression of our times." But what caused such heartbreak? This thrilling historical novel follows Doctor Gachet from asylums to art galleries, from the bloody siege of Paris to life with van Gogh in Auvers, and from the bunkers of Nazi Germany to a reclusive billionaire in Tokyo, to uncover the secrets behind that grief-stricken smile.

Poetry. "[T]here's a working collie in (this poet) / who chases feet sound rhythm and form / and gladly burns in the fire and flow" aptly captures some of the dynamic in this astonishing collection. "[S]omeone said sadness / is the shadow of a cloud / another that there is more than sadness here / the sun itself has vanished" maps an empathic way of breaking into pain in Paris. In "the female deer have antlers" Finnegan asks "where does this stillness come from"--as you read the poems in HALF-OPEN DOOR, don't be surprised if an affirmative relation to being and to the world announces itself. "Set alongside pathways, rivers and through half-open doorways that invite active transformation, James Finnegan's debut collection maps metaphoric journeys of quest, loss of light, faith, identity and art. These poems... comment on each other and extend the metaphor of his half-open door as they traverse the today, yesterday and tomorrow of the poet's search for the meaning hidden in his multiple selves."--Deirdre Hines "[James Finnegan's] poems aredoorways into stillness, where the cut and thrust of the world is forced to withdraw, and time slows to a moment lit only by the keen and considered focus of the poet's eye... This is a stunning collection from a lyrical Irish heart, and a poet in full command and in full embrace of his art."--Dr. Liam Campbell

A queer manifesto for reimagining traditional poetic form through the historical formlessness and electricity of queer and lesbian sexual pleasure. The poems propose sex as a way to connect and disconnect; sexual fantasy as a way to virtually transform the city; and the citation of LGBTQI+ literary ancestors as a way to make a home.

Literary Nonfiction. Essays. First published in 1965, this iconic collection by a great philosopher contains essays on David Lindsay, L.H. Myers, George Bernard Shaw, Ayn Rand & Henry Williamson, among others. Wilson's eclectic style is displayed in essays that range over John Cowper Powys and Ernest Hemingway, Nietzche and the modern novel. In print again for the first time, this edition brings to light new studies in existentialism from a great master.

Poetry. A beautiful, formidably intelligent yet profoundly inviting book, Alex Houen's much-anticipated RING CYCLE brilliantly orchestrates its many motifs across poems that move from the metaphysical to the intimate to the droll sometimes within one poem. Houen is a poet of lavish linguistic sensuality, his poems vibrating with his attunement to fissures within the self, between lovers; salutes to friends; romantic skirmish; the ambient dread of our moment. Houen's brilliantly mash-upping mind encompasses pirated DVDs, Dryden and Alexander McQueen, conceits poetic and contemporary and untimely and unheimlich. A book of enormous range, simultaneously lush and austere, RING CYCLE tracks the perversities of erotic and filial suspension alongside questions of conscience and aesthetics.

Literary Nonfiction. Jewish Studies. "Sometimes it takes years and years to see a pattern, but watch a tin of paint when it falls and spreads unmercifully across the carpet. You can't stop it. The stain just gets bigger and bigger and bigger, like secrets, passed down from generation to generation. Each family fiddles with the story, changes a fact here and there, tries to protect itself. From what--shame. We have to stop it." LAST PERFORMANCE AT THE ODEON is an evocative and original autobiographical prose poem, rich in insights into Anglo- Jewish life from the late nineteenth century to the present day, supported by family-historical documents and photographs. Nathanson gives us stories and snapshots of lovers, family, a grandfather who sails the wide open seas, an adventure in South Africa and a Romanian caretaker who watches over the tombs of their fathers or was it her great-uncle Alf? We never quite know. Her story stands alongside the complexities of her childhood, her search for roots and her desire for completion; the circle of identity that we all aspire to. "Hovering in an evocative space between poetry and prose, LAST PERFORMANCE AT THE ODEON is a hypnotic, exquisitely situated, study of remembered love. In an age of formulaic writing, this original book, with a voice and a vitality all of its own, stands out as one to savour and revisit."--Melissa Raphael "A hauntingly beautiful read, touching and tragic. A very personal family history come to life, a truly remarkable remembrance, highly recommended."--Steve Hoffman

Poetry. Wesley Franz's rich and thought-provoking first collection draws on his background in maths and science to consider other dimensions of reality and existence, consciousness, the relationships of space and time, and human moral responsibility, from a range of logical, physical, and aesthetic perspectives. Questions are asked as to how well we use our time individually and collectively, from close up and afar, with always the reminder that answers can be found in the simple, yet extraordinarily beautiful gifts nature has already given us.

Poetry. Fiction. An epic for an age without heroes, DID YOU PUT THE WEASELS OUT? is a celebration of the modern mythology that takes place in every small town. A modern update of the 8th century Gaelic saga The Ta-in, written in Alexander Pushkin's fiendish 'Onegin sonnet, ' Niall Bourke takes strict form to the extreme, and turns it into a hilarious, sharp-sighted satire of ordinary people's neuroses, indulgences and four-AM fears. Abandon your preconceptions: Bourke's prose-poetry operatic-verse-novel breaks all the rules--while managing to keep to them at the same time. Both traditional and undeniably of our time, DID YOU PUT THE WEASELS OUT? is poetry that celebrates the playfulness and uncertainty of being alive.

Poetry. Asian & Asian American Studies. Usha Kishore's third poetry collection, IMMIGRANT, is gleaned from nearly two decades of writing. This book examines the political, cultural and linguistic spaces of first-generation South Asian immigrants to the UK, and illustrates that to live in the diaspora is to occupy a spectral space, to be haunted by the ghosts of history, empire and colonialism, to be a ghost flitting in and out of spaces called nations, to be homeless, to be caught between. The binary perspectives of assimilation and marginalization recur in these poems as Kishore documents the politics of being an immigrant professional interacting with the harsh realities of racism and discrimination as she draws from her experience as an English teacher and tries to chart her poetic space in an imagined borderland. Richly experiential and languishing in language, these are poems that speak to our quest for home.

Literary Nonfiction. Art. Film. Music. Twenty years after the murder of The Notorious B.I.G., THE MAN ON HIGH melds the creative and the critical, and questions what legacy means in the 21st century. Contemplating Biggie through the lens of both skateboarding and poetry, Jeff Alessandrelli's THE MAN ON HIGH illuminates how The Notorious B.I.G. will always be rapping in the present tense. "In an era where the imagination is bent on nostalgia, the '90s is the number one fetish object, and events like the OJ Simpson trial and the LA Riots are being rehashed in Adidas track suits and retro band merch (I'm writing this in a Sade t-shirt I bought in a suburb of St. Louis over the summer), to the extent that Kendall Jenner tried to sell t-shirts with photos of Biggie on them with no permission from his estate and played naive when she got shut down, we need the complex sincerity of THE MAN ON HIGH. This is a rare example of a black musician who helped set the tonal landscape for an entire subculture actually being given credit and proper attention and love. You'll come away craving a skateboard and some headphones, and feeling Notorious." --Harmony Holiday "A refreshingly heartfelt and multivalent treatise on influence, inspiration, and individuality, Alessandrelli's THE MAN ON HIGH waxes and melds in tribute to a true cultural icon and iconoclast, the B.I.G., along the way reconsidering the nature of the many frames that give us faith amid an era of 'mere numerical arbitrariness.'"--Blake Butler

Set in the Cool Britannia period, here is a refreshing return to good old police work and a time of relative good times. By turns shocking, horrific, and blackly comical, this is a crime fan's feast, and a new series and heroine to pursue.

Poetry. Modelled on the famous United States competition, the third annual Best New British and Irish Poets competition was open to any poet of British or Irish citizenship and/or UK or Irish residency who has not yet published or will not publish a full-length collection of poetry. This anthology comprises work by some of the biggest rising stars and new talents in these isles.

Poetry. Asian & Asian American Studies. Moving through past, present and future, this is a family history that journeys between America, Pakistan, modern Europe and even into space. Faisal Mohyuddin delves into the past of his parents and their neighbours in Pakistan and India in a self-consciously impossible attempt to find some way of belonging to a place that is lost. Moving from elegant ghazals of lament to stuttering, disjointed phrases of yearning, Mohyuddin portrays with restrained emotion the complexities of what it is to be displaced, geographically, spiritually, psychologically. With moments of sorrow interspersed with unsettling humour, deep familial love and celebrations of beauty, it is a story recognizable to any who have felt displaced in a new world. If the personal is political, then this is truly poetry for our times. "THE DISPLACED CHILDREN OF DISPLACED CHILDREN demands your attention from its title, which speaks directly to a specific immigrant reflexivity, the way the seam of placelessness both separates and connects generations. In one poem the speaker 'forgets the Urdu / word for loneliness, forgets the Punjabi word for / loneliness, forgets the English word for loneliness.' In another, he finds himself 'holding two large rocks, // looking for something else / sacred to smash open.' These aren't hopeless poems, but they have known hopelessness. What a marvel it is then, this work (and it is work) to turn back toward joy, to create joy despite (or to spite) those forces that would conspire against it. Here, starlight travels centuries just to dazzle us. The son of a father becomes the father of a son. Eternity exists only in mirrors, the book says, then demonstrates. I am such an eager student of this book, this poet, and this light."--Kaveh Akbar "Faisal Mohyuddin's debut collection speaks to the desire to forge a wholeness in a world that seems, too often, to be splitting at the seams. Written with an abiding sense of empathy, and charged with an unmistakable longing, these poems dissolve the boundaries between historical record, memory, and the imagination. Mohyuddin memorialises the suffering of the displaced, while at the same time transforming grief into song, heartache into story, and hunger into wisdom. This collection wrung out my tired heart."--Colum McCann "In these poems, Faisal Mohyuddin assembles a lyrical narrative using historical fact and ethereal longing as material a longing that sprouts from, or settles into, the unlikeliest crevices of the historical-personal. For every gash on the map of partition, there is a gap closing between ceramic tiles affixed on the floor by a mother as she speaks of staying close; for every good king, there is an assassin by the same name; for every assassin, a poet; and for every loss, a legend. What I admire the most in this work is how it confronts and diminishes hubris and elevates the quality of desire to echo the idiom of the mystic 'a longing with an energy and weight all its own, a longing that resides in song or sigh, in prayer or embrace, in caw / or coo.'"--Shadab Zeest Hashmi

Drama. Translated and Entirely Updated by Rosanna Hildyard. Though ostensibly Surrealist, Alfred Jarry's 1888 play Ubu Roi bears disconcertingly close resemblance to America in 2017. This new version, which brings Ubu to the USA, is a bombastic, irreverent romp through the misadventures of the titular usurper of the White House, with a sharp eye for materialism and political infighting. Slightly Shakespearean, mostly scatological; the ridiculous UBU TRUMP is more than a spoof. This satirical translation-palimpsest forms a terrifyingly relevant comment on our world turned upside down.

Poetry. Twenty years in the writing, THE KNIVES OF VILLALEJO is Matthew Stewart's first full collection. Stretching from suburban Surrey to the vineyards of Extremadura, Spain, its poems' delicate syllablic structures belie the vast wells of emotion beneath. Throughout the collection, brevity and apparent simplicity pack an unexpected punch -- each line, each poem, a perfectly poised, discrete drop, held together by the tensions of home and exile, then and now, before and after. Together, they form a pent-up storm.

Poetry. Music. This particular pamphlet is beautifully designed, printed on high-stock paper, with a proper spine and an ultra-cool cover. It features over 16 punk-rock-style song lyrics--zany, witty, brilliant, sometimes startling --by the master poet of songs played by his band, Rogue Oliphant. An album/LP is to follow (not from Eyewear). At a time when the Nobel is recognising the beauty and value of lyrics as a form of literature, here comes a great contender...

Britpop has burst its bubble, Cool Britannia has hit its come down and the Asbo Generation have come of age. It is 2004 in the North West of England. Fifteen years old, Lay Baby has nine months before school ends, before her mother signs the estrangement papers, before her name gets dropped into the council house raffle barrel.

Fiction. California Interest. Aliens, gods and artists--these are the figures that populate the numerous worlds of these exciting six stories. Gifted storyteller Sam Eisenstein explores the cosmic and psychic forces at work behind the fac, ade of everyday life. From a man whose dog charges him with taking down the president of the United States, to a Billy Pilgrim-like traveller in time and space, the collection speculates on dualities of love and lust and fate and free will. When you can't count on reality, you have to wonder who's really in charge here. This is a compelling fusion of sci-fi, fantasy, and literary genres, a brilliant new vision of short fiction for the 21st century.

Poetry. Music. Art. Consisting of printed and handwritten lyrics and poems alongside impersonal doodles and sketches, LITTLE BLACK BOOK is a portrait of the musician behind the on-stage glamour and performance. Designed to accompany Sarah's debut album, released this year, this is an inspiring and informal glimpse into a creative mind.