Böcker utgivna av Edward Everett Root

This work by Professor William D. Rubinstein, the leading academic expert on wealth-holding in Britain over the past two centuries, comprises a series of volumes which will provide similar information on all persons leaving £100,000 or more down to 1914.For every person included, accurate information is given about his or her occupation or source of wealth, parentage and family background, education, marriage, children, and heirs, religion, political involvement, and land ownership.Virtually none of this information has ever been compiled before, and this work provides a unique, accurate, and realistic of the wealthy elite in Britain during and just after the Napoleonic Wars.The picture which emerges is a surprisingly conservative one, with wealth centred not in the new industries of the Industrial Revolution, but in London, especially in the City of London, as well as in the landed aristocracy, in fortunes made in the east and west Indies, and riches derived from "Old Corruption," by government employees and placemen. The Introduction to this work provides useful summaries of the main trends.This set of volumes will be of considerable interest to economic, social, and political historians, to genealogists and family historians, and to local historians and historians of local communities.

Starting with an unusual, 'revivalist' phase in the history of socialism in the late 1880s and early 1890s, this book goes on to explore the distinctive character of socialism in English history more widely understood. The book characterises 'the three socialisms': associationism, statism and collectivism...

These volumes comprise a unique and original work which provides comprehensive biographical information on all 884 persons who left personal estates of ¿100,000 or more in Britain from 1809, when these sources begin in a usable form. ¿100,000 is the equivalent of about ¿10 million today.

That Ezra Pound was the chief architect of Modernism in English and American poetry is well established. So, too, is the fact that in T. S. Eliot he discovered a peer, whose early career he fostered. Together, Pound and Eliot defined what Modern Poetry meant. But they also had peers in two great Irish writers: Yeats in poetry and Joyce in fiction.

This two-volume set brings together the essential and extensive publications by Professor Thompson otherwise scattered in many journals. These pieces form a major supplement to his classic book English Landed Society.

This two-volume set brings together the essential and extensive publications by Professor Thompson otherwise scattered in many journals. These pieces form a major supplement to his classic book English Landed Society.

This unusual work offers a personal documentary and highly individual witness to the terrible events in Flanders in 1917. The Battle of "e;Third Ypres"e; - popularly known as "e;Passchendaele"e; - epitomized the worst slaughter on the western front of the First World War. Many thousands killed, to no avail; the trenches full of mud; the total annihilation of the landscape; attempts to break through to victory which only produced minor movement forward, and at a terrible cost. This book tells the previously untold story of daily life immediately behind the frontline during the tragic year of 1917. The author, who kept a detailed record of events and attitudes, was a village priest, Achiel Van Walleghem. He lived in Reninghelst, just west of Ypres, and kept an extensive day-by-day account. He was very well informed by the officers lodging in his presbytery. And, urged by his innate curiosity, he witnessed and noted the arrival of the first tanks and the increasing importance of the artillery. He also visited the camps of the Chinese Labour Corps and the British West Indies Regiment. On 7 June 1917 he awoke early to see the enormous mines of the Battle of Messines exploding. And he was present when a deserter was shot at dawn. He records all this - and much more - with an unusual humanity. As a bystander living amidst the troops, he often had a special view of the events that unfolded before his eyes. Van Walleghem notes much that mattered to the soldiers there, and to the local people. This includes the influence of bad weather on the mood and morale of both troops and civilians, as well as military events. His comments on the different attitudes of English, Irish, Australian or other Empire troops and divisions are often priceless. But Van Walleghem equally records the misery of the local Flemish population and their relationship with the British rank and file: in bad times such as when a local is accused of spying, but also in good times when a village girl gets married to a British soldier. This diary is not just a forgotten source of the western front, it is one that will forever change our views on the conflict, and on how men and women tried to cope. In a year when many works will be published about Passchendaele this is a unique book.

The leading historian in this field here offers a number of specific studies which do much to illuminate the politics, literature and culture of alternative visions.Contents: Introduction. “Moral Force” and “Physical Force” in the Poetry of Chartism: John Mitchell and David Wright of Aberdeen; Mrs Rochester and Mr Cooper: Alternative Visions of Class, History and Rebellion in the “Hungry Forties”; Voices of Anger and Hope from the 1840s to the 1940s: Hugh Williams, T.E. Nicholas and Idris Davies; Bart Kennedy: Hater of Slavery, Tramp and Professor of Walking; Rebels on the Stage: Turn-of-the-Century Plays by Wilde, Galsworthy, Jones and Lawrence; The Shipbuilders’ Story; Felled Trees – Fallen Soldiers; Individual, Community and Conflict in Scottish Working-Class Fiction, 1920-1940; Genteel Anarchism: Herbert Read’s Poetry of Two Wars; Foregrounding the Kitchen: Everyday Domestic Life in Painting and Drama (with illustrations); Anti-authoritarianism in James Kelman’s Late-Twentieth-Century Fiction; John Burnside’s Living Nowhere as Industrial Fiction. Index.

This book begins with 'ways of seeing' the lives and times of religious and other organisations as instances of cultural creativity, and as rival clusters of social potential. It tells the story of class conflict over forms of association - for example between the Friendly Societies and the private insurance industry since National Insurance began with Lloyd George in 1911. Stephen uses his experience at Ruskin College to think practically as well as historically about co-operative schools, 'access' to Higher Education and the idea of a co-operative university. The book ends by suggesting ways forward for Co-operative Studies and co-operative politics - examining the obstacles and opportunities facing twenty-first century Co-operative and Mutual Enterprise.

This revelatory and often startling book is the most unusual insider-story about book publishing ever issued. It pivots on the enormous changes in publishing, its culture and politics over four tumultuous decades since the 1970s. / The book does so in providing a detailed blow-by-blow account of the author's struggles over the eventual publication of his classic and magisterial work Charles Dickens and His Publishers. This was originally issued in 1978 - and reissued in a second revised edition by Oxford University Press in 2017. / "Behind The Scenes" is an essential 'read' for every author faced with the complexities of the modern publishing world. / It deals with the many distinct components: authorship, illustration, bibliography, printing, cultural formations, circulation, readership, and use. Valuably, too, it is about the many challenges to overcome. / Robert Patten shows what has recently happened to scholarly publishing, as instanced by his book with OUP. He analyses how the process of soliciting, editing, publishing, and selling one retail title was and is conducted (and how changes have happened since the 1970s); who initiates and formulates a project, and how; under what cultural regimes-legal, commercial, academic. He asks what combination of agencies [persons, machinery, distribution systems] enables a book to be manufactured, marketed and sold in the various ways in which books reach the marketplace today. It is a key work in communications history.

A leading historian asks questions, and presents a fresh view of unresolved mysteries. Who shot JFK? Who did the 'Jack the Ripper' murders? Did Richard II murder the Princes in the Tower? Was the man calling himself Rudolf Hess and who landed in Scotland in WW2 really Hitler's Deputy etc...

New edition of the well-known study by the leading international expert on wealth formation and the wealthy in the 19th and 20th centuries in Britain.

This major new work on significant but neglected or marginalised late nineteenth-century and early twentieth-century Irish women writers could not be more timely.  / This collection presents international research on the work of Irish women writers at the turn of the twentieth century. Discovering new voices and introducing original perspectives on the lives, works and networks of more familiar literary figures, these essays make a key contribution to contemporary feminist recovery projects and remapping the landscape of Irish literature of this period. / There is a burgeoning interdisciplinary and international field in which a diverse range of hitherto neglected Irish women writers have been recovered, and their lives, works, networks and other contexts illuminated.  Irish Women Writers at the Turn of the Twentieth Century capitalises on this rich, diverse and innovative field, drawing on new scholarship that develops existing strands of enquiry further. It also opens up new avenues for exploration. / The strengths of the work is in its seeking of new engagements specifically in relation to Irish women’s cultural economies, particularly literary networks, access to literary production and publication, the long nineteenth century and emergent modernist aesthetics. A further key concern is the politics of retrieval of lost women’s lives and writings, the relationship of Irish feminist critical projects to the ongoing acts of commemoration associated with the formation of the Irish state, and increasing concerns with the future-proofing of ‘lost’ feminist digital recovery projects of the 1990s. / This new collection of original work offers new scholarship about these concerns in late nineteenth-century and early twentieth-century Irish women’s writing. It draws attention to the significant figure of the Irish New Woman, feminism in the archives, vegetarianism and suffrage, anthologies and the canon, literary and publishing networks, digital methodologies, and women’s writing and intellectual journals, newspaper and periodical histories. / Waking The Feminists, a movement campaigning for better female representation in the arts was established in Ireland in 2015. The launch of ‘Fired!’, a ‘convergence of practising women poets and academics responding to the publication of The Cambridge Companion to Irish Poets (2017) protested against the exclusion of Irish women poets generally from the literary canon, including many who were popular and prolific during the nineteenth century. / Two recently held events – ‘Irish Women Playwrights and Theatremakers’ (2017) and the symposium, “Occluded Narratives: Researching Irish Women’s Writing (2016) - foregrounded the interest in these areas and the plenitude of new research. The present book draws on work first presented at the editors’ symposium, “Occluded Narratives: Researching Irish Women’s Writing (1880-1910)” (May Immaculate College, Limerick 2016) where the Irish Women’s Writers Network was also launched.