Böcker utgivna av EDINBURGH UNIVERSITY PRESS

Transgender and the Literary Imagination' is the first full length study to revisit twentieth century narratives and their afterlives, examining the extent to which they have reflected, shaped or transformed changing understandings of gender.

Oliver Marchart presents the main features of Ernesto Laclau's ontology and tracks the development of antagonism from German Idealism via Marx to today's post-Marxism. In doing so, he demonstrates Laclau's significant contribution to the current 'ontological turn' in political thought.

Literature and Medicine in the Nineteenth-Century Periodical Press investigates how periodicals cultivated innovative literary forms, ideologies and discourses that reflected and shaped medical culture of Romantic-era Scotland.

Russian Futurist Theatre' explores is the first book to comprehensively uncover the Russian futurist theatre in all its virtuosity and diversity.

Thomas P. Anderson explores how the parameters of contemporary radical politics take shape in Coriolanus, King John, Henry V, Titus Andronicus, The Winter's Tale and Julius Caesar.

This collection of essays by Christopher J. Berry spans several decades and multiple shifts across Scottish Enlightenment, Hume and Smith studies. It brings together Berry's classic essays some of which are difficult to find with 3 new pieces, which cumulatively constitute a distinct interpretation.

Representing a profound engagement with the work of Samuel Beckett, this volume gathers the very best of Stan Gontarski's Beckett criticism on practical, theoretical and critical levels.

Reconsidering tropes such as the male juvenile delinquent figure, the makeover and the teen vampire, the book uses a series of detailed case studies to provide an innovative overview of the Hollywood teen movie and its construction of teen identity.

This study explores lyric poetry's response to a crisis of relevance in Victorian Modernity, offering an analysis of literature usually elided by studies of the modern formation of the genre and uncovering previously unrecognized discourses within it.

This book introduces you clearly and succinctly to the ways in which feminist ideas have transformed the form and content of British women's fiction and non-fiction writing.

Have you ever wondered what was really going on in the inner-plays, secret overhearing, and tacit observations of early modern drama? Taking on the shadowy figure of the early modern informer, this book argues that far more than mere artistic experimentation is happening here.

Eclipsed Cinema explores the under-investigated aspects of colonial film culture such as the representational politics of colonial cinema, the film unit of the colonial government, the social reception of Hollywood cinema in relation to emerging Korean nationalism, Japanese settlers'film culture, and gendered film spectatorship.

This lavishly illustrated volume presents the major surviving monuments of the early period of the Rum Seljuqs, the first major Muslim dynasty to rule Anatolia.

Writing the Radio War 'merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting.

Drawing on extensive research in transnationalism and ethnic conflict around the world, Taras re-evaluates the concepts of nation and nationalism in light of the major demographic changes brought about by global migration. He puts forward a new definition of nationhood that sets it apart from national identity, nationalism and diversity.

Contemporary political philosophy - e.g. Martha Nussbaum, John Rawls and Amartya Sen - tries to separate itself from other philosophical positions and frameworks. Now, Den Uyl and Rasmussen challenge this trend by moving from liberalism to what they call 'individualistic perfectionism', creating a powerful new way to think about ethics.

Drawing on the work of Hannah Arendt and Theodor W. Adorno, Claudia Leeb discusses guilt and democracy in the case of Austrian Nazi perpetrators and recent public controversies surrounding Austria's involvement in the Nazi atrocities. She shows us that only by guilt can individuals and nations take responsibility for their past crimes.

An introduction to the history of English morphology.

Liam Shields systematically clarifies and defends the political philosophy of Sufficientarianism, which insists that securing enough of some things, such as food, healthcare and education, is a crucial demand of justice. He engages in practical debates about critical issues such as child-rearing and global justice. -provided by publisher

This book examines the diverse uses of conspiracy theory in Egyptian fiction since the early twentieth century. Read against the historical and intertextual backgrounds of individual authors and their works, conspiracy theory emerges not as a single, rigid ideology, but as a style of writing that is equal parts literary and political.

Jon Cogburn evaluates Tristan Garcia's Form and Object: A Treatise on Things in terms of his metaphysics, differential ontology, and militant anti-reductionism through a series of seemingly incompatible oppositions: substance/process, analysis/dialectic, simple/whole and discovery/creation.

Drawing on Woolf's novels, essays, reviews, letters, diary entries, short stories, and memoirs, the book explores the political and the ontological, as the individual's connection to the world comes to be defined by an involvement and engagement that is always already situated within a particular physical, societal, and historical context.

Post-Soviet Russia was a period of linguistic liberalisation, instability and change with varied attempts to regulate and legislate language usage. This book looks at how these debates featured in literature and illustrates the discussion through six interpretive readings of post-Soviet Russian prose.

This book attends to fifty breath-related artworks (including sculpture, painting, new media, sound art, performance art) and contextualises Beckett's 'Breath' within the intermedial and high-modernist discourse.

The first truly interdisciplinary analysis to link Douglas Sirk's striking visual aesthetic to key movements in twentieth century art and architecture, this book reveals how the exaggerated artifice of Sirk's formal style emerged from his detailed understanding of the artistic debates that raged in 1920s Europe and the post-war United States.

An analysis of novelistic explorations of modernism in mathematics and its cultural interrelations

This book investigates rhetorical and representational practices that were used to monitor English law at the turn of the seventeenth century.