Böcker utgivna av EDINBURGH UNIVERSITY PRESS

The Shakespearean Inside is a study of all soliloquies and solo asides (dubbed "insides" for short) in Shakespeare's complete plays.

The study of amateur filmmaking and media history is a rapidly-growing specialist field, and this ground-breaking book is the first to address the subject in the context of British women's amateur practice.

Leibniz and the justification of justice as a legal system that optimises liberty and difference

Providing a clear, systematic account of the evolution of Bellour's thought on the nature of cinematic representation, the impact of digital technology and the response of the spectator, this is an essential guide to the work of a major contemporary thinker.

Analysing a wide range of novels and films, Sean McQueen brings renewed Marxian readings to cyberpunk texts previously theorised by Baudrillard or Deleuze. He places them at the heart of the emergence of biopunk and biocapitalism, theorising shifts in capitalism, science, technology, psychoanalysis, literature and film studies.

This critical introduction and guide to Gilles Deleuze's 1988 book'Bergsonism 'gives readers of both Deleuze and Bergson an opportunity to discover and fully connect with the philosophical encounter between these two great thinkers.

There are only a few detailed histories of Persia from Ancient Greek historiography that have survived time. Diodorus of Sicily, a first century BC author, is the only one to have written a comprehensive history in which more than cursory attention is paid to Persia.

Brent Adkins traces the history of ethics and morality by examining six thinkers: Aristotle, Spinoza, Kant, Mill, Nietzsche and Levinas. The book is divided into 3 sections - Ethics, Morality and Beyond. You'll learn what the philosophers actually said about how to live the best kind of life and, more importantly, why.

Brian Willems draws on the science fiction of Cormac McCarthy, Paolo Bacigalupi, Neil Gaiman, China Mieville, Doris Lessing and Kim Stanley Robinson alongside speculative materialists including Graham Harman, Quentin Meillassoux and Jane Bennett, to try and imagine the end of anthropomorphism.

Offers new vistas for reading, understanding and interpreting Arabic literature as well as the culture in which it was produced.

This book is a `one-stop-shop' for the busy undergraduate studying Shakespeare. Offering detailed guidance to the plays most often taught on undergraduate courses, the volume targets the topics tutors choose for essay questions and is organised to help students find the information they need quickly.

This study focuses on the close connections between literary value and the materiality of popular print artefacts in Britain from 1890-1930.

Camelia Suleiman delves into these tensions and contradictions, exploring how language policy and language choice both reflect and challenge political identities of Arabs and Israelis.

Focusing on the 1980s until the present, particularly on the films by writer-directors like Jim Jarmusch, Noah Baumbach and Richard Linklater, this book demonstrates dialogue's ability to engage audiences and bind together the narrative, aesthetic and performative elements of selected cinema.

Mathew Whiting explores Irish republicanism's transformation from violence to political power. He examines their electoral participation and engagement in democratic bargaining, the role of Irish-America and British government policy to argue that moderation was a long-term process of concessions in return for increased political inclusion.

The study of Arabic literary texts is blossoming and this book provides a comprehensive theoretical framework to help research this highly prolific and diverse production of contemporary literary texts.

This book argues that in order to understand dibao (China's minimum livelihood guarantee) we need to look at how the programme emerged and how it has developed in the years since.

Shame proposes a new form of political action that shows how 19th century activists denaturalise conventional beliefs about sexuality and gender, and challenge strong asymmetries of power.

An account of Leibniz's influence on Deleuze's philosophy

Chaste Value reassesses chastity s significance in early modern drama, arguing that presentations of chastity inform the stage s production of early capitalist subjectivity and social difference.

Self-Harm in New Woman Writing offers a trans-disciplinary study of Victorian literature, culture and medicine through engagement with the recurrent trope of self-harm in writing by and about the British New Woman.

This twofold study investigates the character of intelligence knowledge and the social context in which it is produced, using the Swedish Military and Security Directorate (MUST) as a case study.

A beginner's guide to the corpus analysis of style in texts

This book examines the multifarious ways in which the emergence of a modern culture of portability prompts a radical, if often problematic, departure from Victorian architectural conceptions of fiction towards more movable understandings of form and character.

Modernism and the Theatre of the Baroque fashions an independent aesthetic for modernist writers and texts that challenges many high modernist qualities promoted by James Joyce and T. S. Eliot.

This book covers the development of tragedy as a dramatic genre from its earliest examples in the 1560's until the closure of the theatres in 1642.