Böcker utgivna av EDINBURGH UNIVERSITY PRESS

In Vampires, Race, and Transnational Hollywoods, Dale Hudson explores the movement of transnational Hollywood's vampires, between low-budget quickies and high-budget franchises, as it appropriates visual styles from German, Mexican and Hong Kong cinemas and off-shores to Canada, Philippines, and South Africa.

Didier Debaise focuses in on Whitehead s attempt to construct a metaphysical system of everything in the universe that exists whilst simultaneously claiming that it can account for every element of our experience, giving us a radically new way of conceiving the relations between experience and speculation.

By contextualising White's life-writing and fiction within the contexts of manic-depression and narrative identity, 'Antonia White and Manic-Depressive Illness' proposes a new model for reading White.

First comprehensive study of the landmark modern feminist magazine, Time and Tide

This textbook will help you unlock and access the great potential of corpus linguistics for language learning.It provides step-by-step illustrated examples to help learners, graduate students, and language instructors visualize and understand the potential of corpus linguistics for language learning.

Using paratextual theory to address the accusations of gimmickry often directed towards extreme art films, 'Cultivating Extreme Art Cinema' focuses upon the DVD and Blu-ray object, analysing how sleeve designs, blurbs, and special features shape the identity of the film.

Tells of the relationship between Arthur Conan Doyle and the Strand Magazine, the aftermath of the success of Sherlock Holmes and the impact of that on both author and publication as they moved into the early twentieth century.

Second Death seeks to revitalise our understanding of the soul as a philosophically profound, theoretically radical, and ultimately and counterintuitively theatrically realised concept.

This book traces the dialectical development of auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays .

Examines the full stylistic range of the novels and biographies which Trollope explored in his final decade

Six authors two fine artists, a dancer, a creative writer, a designer and a philosopher participate in the first systematic reading of Gilles Deleuze's mature philosophy through the lens of creative practice. It is focused around five key aspects of creative production: forming, framing, experiencing, encountering and practising.

This study and revision guide draws on Claire McDiarmid's 20 years of experience teaching criminal law to new Scots law students. The new edition takes account of changes to the law in Defences, Homicide, Crimes against Public Order and Sexual Offences.

This textbook invites the student to explore early English syntax by looking at the linguistic characteristics of well- known texts throughout the early history of English. It shows how that piece of the language fits in to the broader picture of how English is developing and introduces the student to the real writing of the period.

Drawing on memoirs, testimonies, autobiographical novels, poetic autobiography, journals, and diaries, Nasser examines solitude and national struggles in contemporary Arab autobiography.

Pierfrancesco Basile looks at myths: where they came from and why Whitehead rejects them. In doing so, Basile makes it possible to grasp the main concepts of Whitehead's process metaphysics - especially the crucial notion that being and power are one and the same - and how it is rooted in the modern philosophical tradition.

Focusing on the central striking claim that all necessity is consequent. Tritten engages with ancient and contemporary philosophers including Quentin Meillassoux, Richard Kearney, Friedrich Schelling, Emile Boutroux and Markus Gabriel. He argues that even reason and God, while necessary according to essence, are contingent in existence.

Celluloid Singapore' is a ground-breaking study of the three major periods in Singapore's fragmented cinema history, namely the golden age of the 1950s and 60s, the post-studio 1970s, and the revival from the 1990s onwards.

Addressing representations of Russia and neighbouring Eastern Europe in post-1989 Nordic cinemas, this ground-breaking book investigates their hitherto overlooked transnational dimension.

As calls mount for resistance to recent political events, Simon Morgan Wortham rethinks how psychoanalysis, political thought and philosophy can be brought together. He explores the political implications and complexities of a psychoanalytic resistance through close readings of authors from within and outwith the psychoanalytic tradition.

Currently, adaptation policy for climate change prioritises economic and technological dimensions of governance and action. Now, Elaine Kelly brings continental theory into the conversation to explore the ethical dilemmas stemming from emerging global political crises of migration, displacement and communal relocation related to climate change.

Lasse Thomassen applies a fresh, poststructuralist approach to reconcile the theoretical and practical issues surrounding inclusion, exclusion and representation. He opens up debates and themes including Britishness, race, the nature and role of Islam in British society, homelessness and social justice.

Contemporary Spanish Gothic is the first book to study how the Gothic mode intersects with cultural production in Spain today, considering some of the ways in which such production feeds off and simultaneously feeds into Gothic production more widely.

Samuel Beckett and the Terror of Literature addresses the relevance of terror to understanding the violence, the suffering, and the pain experienced by the narrative voices of Beckett s major post-1945 works.

Drawing on a career-long exploration of 1960s French philosophy, Leonard Lawlor seeks a solution to 'the problem of the worst violence'. Lawlor argues all violence must itself be reduced to its lowest level. He engages with Foucault, Derrida and Deleuze and Guattari to create new ways of speaking to best achieve the least violence.