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Maps the ongoing changes in Salafi intellectual thought, dawa and jihad Starting in late 2017, Saudi Arabia embarked on a series of reforms reversing many socially restrictive policies long associated with Salafism. These developments have triggered critical questions about the future of Salafism, crucially: is this the end for the most influential puritanical Islamic reform movement of the 20th century? This book introduces the history of the rise and spread of Salafism during the 20th century as a global Islamic reform movement. It also explains Salafi tools of methodological reasoning: traditionally used to justify highly conservative positions, they now appear equally effective in defending more liberal life choices. The collection will help readers to appreciate the diversity of Salafi movements, as well as the significance of the ongoing socio-economic and political changes within Saudi Arabia and the wider Muslim world that are enabling shifts to this conservative Islamic scholarly tradition. Key Features - Examines the impact of reforms within Saudi Arabia on Salafi intellectual thought as well as on Salafi dawa movements and Jihadi groups - Explores the factors shaping social liberalisation within Saudi Arabia - Presents examples of reforms within Salafi intellectual thought - Shows dynamism and adaptability within Salafi dawa movements in different country contexts - Addresses the critical question of growing infighting within Salafi jihadi groups Masooda Bano is Professor of Development Studies in the Oxford Department of International Development and Senior Golding Fellow at Brasenose College, University of Oxford.

'Consistently challenging, informative, and enlightening, the essays in this volume make a major contribution in situating Agamben's thought in relation to existentialist thinkers and themes. They provide a bright new lens through which to view Agamben's work.' Kevin Attell, Cornell University Explores the philosophical relationship between Giorgio Agamben and the existentialist tradition While Giorgio Agamben's work has not previously been categorised as existentialist, his work creatively repackages important existentialist themes in a politico-theological context. This collection of essays offers creative new ways of considering Agamben's critique of the sovereign exception, as well as other existentialist themes, including feminism and postcolonialism. The international range of contributors each challenge, complicate or reimagine Agamben's reading of the sovereign exception, which appears among the writings of Kierkegaard, Nietzsche, Sartre, Heidegger, Beauvoir, Fanon, Kafka, Dostoevsky and others in both theistic and atheistic forms. Divided into three sections - Agamben and the Sovereign Exception, Agamben and the Death of God and Existentialist Themes in Agamben - this collection re-introduces Agamben as an unacknowledged existentialist philosopher who takes the major themes and concepts of existentialism in a startling new direction. Marcos Antonio Norris is a doctoral candidate and Crown Fellow at Loyola University Chicago. Colby Dickinson is Associate Professor of Theology at Loyola University Chicago. Cover image: (c) iStockphoto.com Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-7877-9 Barcode

Explores Beckett's engagement with various technologies throughout his artistic career. This collection of essays is the first comprehensive discussion of the role technology plays in shaping Beckett's trademark aesthetics. Samuel Beckett and Technology assembles an innovative and diverse range of scholarly approaches to the topic, which collectively renegotiate our understanding of his work in prose, theatre, film, radio and television. What emerges from these discussions is the centrality of technology for Beckett's creative imagination, a factor that is equally enabling as it is limiting. At the same time, the book reveals how theories of technology can yield new readings of the way Beckett responds to the conditions of technological modernity. As such, Beckett's work is examined in its relation to historical and contemporary technologies, discourses of technicity and technē, post-humanism and the digital age. Galina Kiryushina is a Doctoral Candidate and Researcher at the Centre for Irish Studies, Faculty of Arts, Charles University Prague. Einat Adar is Lecturer in English Literature at the University of South Bohemia. Mark Nixon is Associate Professor in Modern Literature at the University of Reading, where he is also the Co-Director of the Beckett International Foundation.

'This book offers a unique and wonderfully broad collection of essays that introduce the reader to an important and little-known trend in Shakespeare and theatre studies. The editors have included essays by leading theatre artists, playwrights, directors, actors and scholars who celebrate Shakespeare as seen through the multiple perspectives of Latinx Shakespeares as performance, as literature and as community-building through professional and community-based theatre companies from coast to coast.' Jorge Huerta, University of California San Diego A timely and exciting intervention at the intersection of Latinx and Shakespeare Studies Shakespeare and Latinidad is a collection of scholarly and practitioner essays in the field of Latinx theatre that specifically focuses on Latinx productions and appropriations of Shakespeare's plays. It is the first truly comprehensive treatment of this style of adaptation, bringing together the diverse voices working in this field today including leading academics, playwrights and theatre practitioners. This blend of essays and interviews reflects the transdisciplinary synthesis of scholarship, dramaturgy and pedagogy that shapes Latinx engagement with Shakespeare. Trevor Boffone is Lecturer in the Women's, Gender & Sexuality Studies Program at the University of Houston. Carla Della Gatta is Assistant Professor of English at Florida State University. Cover image: Calaveraspeare (c) Jose Pulido Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-8848-8 Barcode

'Offering a comprehensive and highly original perspective, Cinema and Soft Power is a significant contribution to the field. Anyone seeking to understand the value of cinema as a soft power instrument in case studies beyond the "usual suspects" will appreciate both the breadth and depth of this collection of essays.' Gary Rawnsley, University of Nottingham Ningbo China 'The relationship between soft power and popular culture, especially cinema, has largely been overlooked in academic literature. Dennison and Dwyer's innovative collection admirably fills this gap: a very useful resource for students and researchers.' Daya Thussu, Professor of International Communication, Hong Kong Baptist University The apparent shift in power relations between the developed and developing world, along with the increasing emphasis that national and transnational organisations place on the role of 'soft power' in global foreign policy, has profound implications for global film culture. Focusing primarily on the BRICS countries (Brazil, Russia, India, China and South Africa), this innovative collection examines the diverse and often competing ways the group as a whole engages with film as a medium of artistic expression, and as a 'soft power' resource. The contributors explore the wider implications for world cinema of its members' differing and dynamic positions in the global media landscape, and the book includes a comparative analysis by examining the post-imperial soft power of the UK at the time of Brexit. Stephanie Dennison is Professor of Brazilian Studies at the University of Leeds. Rachel Dwyer is Professor Emerita of Indian Cultures and Cinema at SOAS University of London. Cover image: Film Dangal, Beijing, China, 2017 (c) AP/Shutterstock ISBN: 978-1-4744-5627-2

Making Lebanon their Own. 19 B/W illustrations

This book examines Turkey's ethno-religious activism and power-related political strategies in the Balkans between 2002 and 2020, the period under the rule of the Justice and Development Party (AKP), to determine the scopes of its activities in the region.

Examines how the making, marketing and performance of new Islamic music genres relate to Islamic discourse and thought, through a case study of Awakening, an Islamic media company formed in London.

Incorporates the lessons learned from the 2011 Arab revolutions into democratic transition theory.

Ali Akbar examines the works of four noted scholars of Islam: Fazlur Rahman (Pakistan), Abdolkarim Soroush (Iran), Muhammad Mujtahed Shabestari (Iran) and Nasr Hamid Abu Zayd (Egypt).

Adriel M. Trott argues for an interdependent relationship of form and matter in Aristotle's metaphysics. Responding to feminist critiques from Judith Butler and Luce Irigary, she She finds resources for thinking the female's contribution and the female on its own terms and not as the contrary to form, or the male.

Exploring the religious cultures, beliefs and imperatives that shaped the Jacobite movement in ScotlandThe Revolution of 1688-90 was accompanied in Scotland by a Church Settlement which dismantled the Episcopalian governance of the church. Clergy were ousted and liturgical traditions were replaced by the new Presbyterian order. As Episcopalians, non-jurors and Catholics were side-lined under the new regime, they drew on their different confessional and liturgical inheritances, pre- and post-Reformation, to respond to ecclesiastical change and inform their support of the movement to restore the Stuarts. In so doing, they had a profound effect on the ways in which worship was conducted and considered in Britain and beyond.This book provides a fresh examination of the Jacobite movement based not on dynastic identification but on confessional and intellectual bases of support, focussing on the composite and nuanced traditions that sustained the Jacobite movement for seven decades beyond the Revolution of 1688-90.Allan I. Macinnes is Emeritus Professor of History, University of Strathclyde. Patricia Barton is Subject Leader in History, School of Humanities, University of Strathclyde. Kieran German is a Teaching Fellow at the University of Dundee.

Imagined States examines representations of the law in British and Nigerian high-brow, middle-brow and popular fiction and journalism. It reads works by Chinua Achebe, Joyce Cary, Cyprian Ekwensi and Edgar Wallace, together with a range of Nigerian market literature and journalism.

Russia increasingly emphasises the importance of 'soft power' for securing its foreign policy interests, but recent research has paid more attention to Russia's intentions rather than to the receiving end of its cultural and public diplomacy. This volume seeks to address this gap and explore the specifics of both Russian language promotion and its acceptance in a number of case and country studies, including Ukraine, Germany and Ireland. A range of scholars discuss the legal status and the practical use of Russian for communication or media use, both in the 'near' and the 'far abroad', examining the politics of the Russian language, the role of the Russian Federation in influencing these politics and the challenges that the promotion of Russian faces in particular contexts across the globe. Christian Noack is associate professor with the chair group of East European Studies at the University of Amsterdam, where he also served as director of the Amsterdam School for Regional, Transnational and European Studies between 2015 and 2019. Cover image: from the project Artconstitution, 2003, Alexander Sigutin, used with the permission of the artist and S.ART (Petr Vois gallery) Cover design: Michael Chatfield [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-6379-9 Barcode

Explores Elizabeth Bowen's significant contribution to twentieth-century literary theory From experiments in language and identity to innovations in the novel, the short story and life narratives, the contributors discuss the ways in which Bowen's work straddles, informs and defies the existing definitions of modernist and postmodernist literature which dominate twentieth-century writing. The eleven chapters present new scholarship on Bowen's inventiveness and unique writing style and its attachment to objects, covering topics such as queer adolescents, housekeeping, female fetishism, habit and new technologies such as the telephone. Jessica Gildersleeve is Associate Professor of English Literature at the University of Southern Queensland. Patricia Juliana Smith is Associate Professor of English at Hofstra University in New York.

Jan Bryant looks at the strategies visual artists and filmmakers are using to criticise the social and economic conditions shaping our historical moment. She then assesses how the world is being positively re-imagined through their work today. Located at the intersection of practice and theory, Bryant argues that an effective contemporary political aesthetics encompasses more than just analysis of a work's conceptual or aesthetic reality. It should also consider the impact the artwork has at the point of reception, the methods adopted by the artists and the relationships they engender with communities.

This is an in-depth, original survey of religion in the modern Arabic novel. Tracing the relationship from the genesis of the form in the early twentieth century to present, Phillips provides a thematic exploration of the push and pull between religion and secularism as it played out on the pages of the Egyptian novel.

These three books reflect the beginnings of one of the most radical and exhilarating figures in modern literature Incandescent Limbo recounts White's years in Paris. Many a writer in the modern era had made Paris a focal point of his or her activity, but probably no one made more of it or got more out of it than Kenneth White. While exploring a labyrinthine underworld, the book is fundamentally an autoanalysis and traces the birth of the writer as an intellectual nomad. Letters from Gourgounel takes us from the city to a wild part of south-eastern France, the Ardèche, where White undertakes a resourcing in an elementary context. Hailed in England as a 'fascinating curiosity of literature', this book not only made White famous overnight in France, it was seen there as a turning point in the contemporary situation. In the third book, Travels in the Drifting Dawn, the intellectual nomad begins his moves across territories and cultures. After passing through the London underground of the sixties, then delving into the ground of his native Scotland and neighbouring Ireland, we shift back to the Continent, accumulating experience on different levels in France, Spain, Belgium, Holland, before concluding the cycle in North Africa. The trilogy is not only a summary of White's itinerary in its initial stages, it opens up a whole intellectual and cultural programme. Kenneth White is not only a convinced European Scot, but he renews the tradition of the medieval Scotus vagans ('wandering Scot'), an existence devoted to travelling and learning, finding and founding. After much moving about, he taught (1983-96) from a specially created Chair of Twentieth-Century Poetics at the Sorbonne. In 1989, he founded the International Institute of Geopoetics, the aim of which is to explore in depth the human and non-human habitation of the earth and the basis of live culture. On the Continent, his work, whether in essay, narrative or poem, has been awarded many prizes, among them the Prix Medicis Etranger and the French Academy's Grand Prix du Rayonnement.

Three collections of essays whose aim is to express the cartography and the experience of a live, open world If Kenneth White was keenly interested in early twentieth-century attempts to rescue his home territory, Scotland, from a heavy heritage of historicism, doldrums, flat realism (and its cousin, fantasticality), right from the start he was out for something more radically grounded, more intellectually incisive and culturally more coherent. The three books gathered here illustrate his initial movement on these lines in all its aspects, from politics to poetics. On Scottish Ground reveals the terrain to be explored, from geology and archaeology up, resituating figures such as David Hume, Patrick Geddes, Hugh MacDiarmid, as well as revisiting the works of scotic thinkers such as Duns Scotus and John Scot Erigena. Ideas of Order at Cape Wrath takes the exploration further. The word "wrath" here, taken by many to mean "anger", in fact goes back to the old Norse word signifying "turning point". White's turning point is not only geographical, it is fundamental. The third book, The Wanderer and his Charts, lays out the co-ordinates of the new space White has opened up. He may have left Scotland, but he has taken with him a lot of what we might call a quintessential Scotland, just as Joyce took with him an essential Ireland. Kenneth White is not only a convinced European Scot, but he renews the tradition of the medieval Scotus vagans ('wandering Scot'), an existence devoted to travelling and learning, finding and founding. After much moving about, he taught (1983-96) from a specially created Chair of Twentieth-Century Poetics at the Sorbonne. In 1989, he founded the International Institute of Geopoetics, the aim of which is to explore in depth the human and non-human habitation of the earth and the basis of live culture. On the Continent, his work, whether in essay, narrative or poem, has been awarded many prizes, among them the Prix Medicis Etranger and the French Academy's Grand Prix du Rayonnement.

Bullets to Ballots explores the different trajectories that the deradicalisation process can take - whether it occurs after a military victory, a military defeat, or a draw in an armed conflict between insurgent groups and incumbent authorities.

Studies the illustrated 16th-century Ottoman manuscripts of a major hagiography of Rumi and his spiritual descendants Picturing the life story of Jalal ad-Din Rumi, an outstanding poet, mystic and founder of the Sufi Mawlawi order (later popularly known as 'The Whirling Dervishes'), the paintings in three extant manuscripts of Aflaki's Wondrous Feats of the Knowers of God provide a unique way to interpret the text. Part One's three chapters, under the heading 'History and Context', provide the medieval Anatolian historical setting; the broad contours of literary and artistic works of Islamic hagiography; and the specific details of the three manuscripts to be explored. Part Two - 'Text and Image' - proposes a method for interpreting a hybrid literary-visual document as a grand narrative of the family Rumi at the inspirational and ethical core of a virtuous community flourishing within a complex Muslim society under divine providence. The paintings in the three manuscripts were produced by studios of painters under the patronage of major late 16th-century Ottoman sultans. The result of their efforts is a kind of 'visualised hagiography' uniquely capable of suggesting distinctive and often surprising twists on the narratives, enhancing the text with images of striking beauty and rich detail. Key Features - Presents a visualised hagiography in three 16th-century Ottoman manuscripts - Includes colour images of all the paintings from the three manuscripts, accompanied by a summary of the text illustrated in each picture - Focuses on the specific relationships between literary narrative and its visual representation in late medieval Islamic art - Provides Anatolian and Ottoman historical background as context for the life story of Rumi and the Mawlawi Sufi order John Renard is Professor of Theological Studies at Saint Louis University. He has written many books including Crossing Confessional Boundaries: Exemplary Lives in Jewish, Christian, and Islamic Traditions (2020), Friends of God: Islamic Images of Piety, Commitment and Servanthood (2008) and All the King's Falcons: Rumi on Prophets and Revelation (1994).

Presents transformations in Islamic architecture and ornament in relation to parallel theological and political changesThis volume collects Yasser Tabbaa's investigative and interpretive articles on medieval Islamic architecture, ornament and gardens in Syria and Iraq, with comparative expansions into Anatolia, Egypt, North Africa and Spain. The monuments in question, many of which have vanished in recent years, are examined within the context of the political divisions and theological ruptures that characterised the Islamic world between the 11th and 13th centuries.The writings cover such significant forms as muqarnas vaulting, proportioned Qur'anic scripts and cursive public inscriptions, and monument types such as the madrasa, the hospital, the tribunal (dar al-'adl) and the citadel palace. Collectively, they present medieval Islamic architecture as a transformative process that echoes Abbasid glory and signals future developments in later Islamic architecture.Key Features¿ Discusses monuments in Syria and Iraq, many of which have vanished without being properly studied¿ Explores innovations in medieval Islamic architecture within the shifting political and theological landscape¿ Reaffirms the centrality of the Abbasid Caliphate in these innovations and their dispersion throughout the Islamic world¿ Expands on the role of poetry in the transmission of garden and fountain types from the eastern to the western Islamic world¿ Explores the unprecedented expansion of Shi'i shrines in Syria, largely due to Iranian patronageYasser Tabbaa has taught Islamic art and architecture for 35 years in several major US universities, including MIT, the University of Michigan, and Oberlin College. He is the author of several books including Constructions of Power and Piety in Medieval Aleppo (1997) and The Transformation of Islamic Art during the Sunni Revival (2001).