This book examines the significance of Whitehead's first year of lectures at Harvard, recently published in the first volume of The Edinburgh Critical Edition of the Complete Works of Alfred North Whitehead. In these newly commissioned essays, leading Whitehead scholars ask a range of important questions: Do these lectures challenge or confirm previous understandings of Whitehead's published works? What is revealed about the development of Whitehead's thought in the crucial period after London but before the publication of Science and the Modern World? What should we make of concepts and terms that were introduced in these lectures but were never incorporated into subsequent publications? The lectures published in The Harvard Lectures of Alfred North Whitehead, 1924-1925: Philosophical Presuppositions of Science represent Whitehead's first American lectures in philosophy after a long career in England as a mathematician and throw new light on the development of his philosophy. Also included in this volume is the text of Whitehead's first lecture at Harvard, recently gifted to the Critical Edition of Whitehead, allowing for a clearer understanding of Whitehead's plans and goals for his first course of lectures in philosophy than has previously been possible. Brian G. Henning, Founding Executive Editor of the Critical Edition of Whitehead, is Professor of Philosophy and Environmental Studies at Gonzaga University in Spokane, Washington. Joseph Petek, Assistant Editor of the Critical Edition, is a doctoral candidate in process studies at Claremont School of Theology.
Gavin Rae shows that the problematic status of agency caused by the poststructuralist decentring of the subject is a central concern for poststructuralist thinkers. First, Rae shows how this plays out in the thinking of Deleuze, Derrida and Foucault. He then demonstrates that it is with those poststructuralists associated with and influenced by Lacanian psychoanalysis that this issue most clearly comes to the fore. He goes on to reveal that the conceptual schema of Cornelius Castoriadis best explains how the founded subject is capable of agency.
This book shows how political and administrative forces shaped the way justice was applied in medieval Egypt. It introduces the model that evolved during the 7th to the 9th centuries, which involved four judicial institutions: the cadi, the court of complaint (mazalim), the police/shurta (responsible for criminal justice) and the Islamized market law (hisba) administrated by the market supervisor/muhtasib. Literary and non-literary sources are used to highlight how these institutions worked in real-time situations such as the famine of 1024-1025, which posed tremendous challenges to the market supervisors in Cairo. The inner workings of the court of complaint during the 11th-12th century Fatimid state are revealed through array of documentary sources. Further, non-Muslim communities, their courts and their sphere of responsibilities are treated as integral to how justice was dispensed in medieval Islam. Documentary sources offers significant insights into these issues and illuminate the scope and limits of non-Muslims self-rule/judicial autonomy.In sum, the book shows that the administrative and political history of the judiciary in medieval Egypt implicitly and explicitly illuminates broader questions about religious and social forces that shaped the lives of medieval people in the Middle East, Muslims and non-Muslims alike.
This book uses the methodology of sociology and literary studies to come to terms with the reality of Palestinian citizens of Israel across several generations. It explores the evolution of Palestinian identity from one that struggled for independence and self-determination up to 1948, to one that now presses the call for civil rights and civic equality. What were the forces that shaped this transformation over six decades?a Traditional sociological research on this community focusses on the structural relationships between Israel and its Palestinian citizens. Primarily concerned with the political discourse and activism of this community, it mostly makes use of party agendas, voting patterns and opinion polls as primary indicators. In contrast, this book focuses on the Palestinian voice, through an analysis of the 75 novels published by Palestinian citizens of Israel from 1948 to 2010. Paying attention to processes that are internal to this community, the author identifies the intellectual and ideological forces that drove major social and political transformations in this community over this period.
Argues for the importance of insects to modernism's formal innovationsUses the idea of the insect as a key to modernist writers' engagement with questions of politics, psychology, life, and literary formProvides in-depth analysis of lesser-known modernist narratives, such as H.D.'s Asphodel and Lewis's Snooty Baronet, as well as new readings of canonical texts - including D. H. Lawrence's Lady Chatterley's Lover and Samuel Beckett's TrilogyExplores the influence of popular scientific writing on modernist aestheticsReveals the attentiveness of modernist writers to nonhuman life, thus forging new lines of connection between modernism and literary animal studiesFocusing on the writing of Wyndham Lewis, D. H. Lawrence, H.D. and Samuel Beckett, this book uncovers a shared fascination with the aesthetic possibilities of the insect body - its adaptive powers, distinct stages of growth and swarming formations. Through a series of close readings, it proposes that the figure of the exoskeleton, which functions both as a protective outer layer and as a site of encounter, can enhance our understanding of modernism's engagement with nonhuman life, as well as its questioning of the boundaries of the human.
Investigating the contested legacies of British colonisation on Canada's Atlantic coast This volume offers fresh perspectives on the legacy of British colonisation in Atlantic Canada, a region that was pivotal in safeguarding Britain's imperial ambitions. Chapters in the collection engage with this legacy across three sections: Dispossession and Settlement; Religion and Identity; and Reappraising Memory. Showcasing research from both new and established scholars from Canada, the UK and the United States, the collection challenges the established historiography of the region and brings groups who have traditionally been excluded from Britain's broader imperial narrative into sharper focus. Key Features - Situates the Scottish experience within the process of British colonisation, challenging the tendency to omit the Scots from critical explorations of the colonisation process in this region. - Highlights the Indigenous experience, as well as the experience of the enslaved, free people of colour and religious minorities. - Features contributions from a broad range of scholars including John Reid, Annie Tindley and Willeen Keough S. Karly Kehoe is the Canada Research Chair in Atlantic Canada Communities and Michael E. Vance is Professor of History, both at Saint Mary's University, Nova Scotia. Cover images (top) shutterstock.com and (bottom) Harris H. Reid's photograph of Scottish settler descendants and indigenous Mi'kmaw participants at the Hector celebration in Pictou, Nova Scotia, taken on 17 July 1923; image courtesy of the McCulloch Museum and Genealogy Centre, Pictou, Nova Scotia, Canada Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-5903-7 Barcode
Examines literary engagement with immateriality since the 'material turn' in early modern studiesProvides six case studies of works by Shakespeare, Donne, and Herbert, offering new readings of important literary texts of the English Renaissance alongside detailed chapters outlining attitudes towards immateriality in works of natural philosophy, medicine, and theologyEmploys an innovative organization around three major areas in which problem of immaterial was particularly pitched: Ontology, Theology, and Psychology (or Being, Believing, and Thinking)Includes wide-ranging references to early modern literary, philosophical, and theological textsDemonstrates how innovations in natural philosophy influenced thought about the natural world and how it was portrayed in literatureEngages with current early modern scholarship in the areas of material culture, cognitive literary studies, and phenomenologyImmateriality and Early Modern English Literature explores how early modern writers responded to rapidly shifting ideas about the interrelation of their natural and spiritual worlds. It provides six case studies of works by Shakespeare, Donne and Herbert, offering new readings of important literary texts of the English Renaissance alongside detailed chapters outlining attitudes towards immateriality in works of natural philosophy, medicine and theology. Building on the importance of addressing material culture in order to understand early modern literature, Knapp demonstrates how the literary imagination was shaped by changing attitudes toward the immaterial realm.
By reading two bodies of literature not normally read together - the outlaw literature and espionage literature - Conor McCarthy shows how these genres represent and critique the longstanding use of legal exclusion as a means of supporting state power. Texts discussed range from the medieval Robin Hood ballads, Shakespeare's history plays, and versions of the Ned Kelly story to contemporary writing by John le Carre, Don DeLillo, Ciaran Carson and William Gibson.
Since the early 1990s, Israel has greatly expanded a system checkpoints, walls and other barriers in the West Bank and Gaza that restrict Palestinian movement. Israel/Palestine examines how authors and filmmakers have grappled with the spread of these borders. Focusing on the works of Elia Suleiman, Raba'i al-Madhoun, Ghassan Kanafani, Sami Michael and Sayed Kashua, it traces how political engagement in literature and film has shifted away from previously common paradigms of resistance and coexistence and has become reorganised around these now ubiquitous physical barriers. Depictions of these borders interrogate the notion that such spaces are impenetrable and unbreakable, imagine distinct forms of protest, and redefine the relationship between cultural production and political engagement.
Horror cinema is a genre that is undergoing constant evolution, from the sub-genre of 'found footage,' to post-cinematic new media forms such as Youtube horror, horror video games and cinematic virtual reality horror. By investigating how these new forms alter the dynamics of spectatorship, this book charts how cinema's affective capacities have shifted in relation to these modifications in the forms of cinematic horror. It applies a rich theoretical synthesis of phenomenological and Deleuzian approaches to a number of case studies, including films like The Blair Witch Project, Paranormal Activity and Creep as well as video games such as Alien: Isolation and new media forms such as Youtube horror and virtual reality horror.
Esprit de corps has played a significant role in the cultural and political history of the last 300 years. Through several historical case studies, Luis de Miranda shows how this phrase acts as a combat concept with a clear societal impact. He also reveals how interconnected, yet distinct, French, English and American modern intellectual and political thought is. In the end, this is a cautionary analysis of past and current ideologies of ultra-unified human ensembles, a recurrent historical and theoretical fabulation the author calls 'ensemblance'.
A systematic transnational investigation of post-war literary experiments in Europe and the Americas What are the forms in which the avant-garde returns after the Second World War? How does the literary avant-garde re-invent itself without losing its affinity with historical avant-garde currents such as surrealism and futurism? This book explores the international relevance of the concept of neo-avant-garde for the study of post-war literary innovations covering North American, Latin American, Caribbean, Austrian, French, British, Belgian, Dutch and German cases. Each of the twenty-one newly commissioned chapters combines theoretical reflection with practical analysis. Together, they provide a multi-faceted account of diverse group and trends, such as the New Realists, Black Arts Movement, Labris and the Vienna Group. They also focus on a wide range of authors, like Pierre Alferi, Amiri Baraka, Konrad Bayer, Mario Bellatín, Kamau Brathwaite, and Anna Kavan. In addition, they pay attention to specific techniques, including erasure, lyricisation, and montage, and to specific genres such as comic books, experimental fiction, and visual poetry. Bart Vervaeck is Professor of Dutch Literature and Narrative Theory at the University of Leuven.
Examines an under-analysed period of Robert Altman's career.
'Binge-watching' has become an umbrella term for a number of analytical questions in contemporary television studies, serving to describe the structure, marketing and publication model of Netflix and other streaming platforms. Because the term describes a range of different ideas linked to streaming television programming, research on binge-watching can bring together a number of different and related questions. This edited collection explores binge-watching and its role in contemporary television from the perspectives of fan studies, audience research, transnational television studies and narratology. This breadth of scope makes it possible to explore a broad variety of meanings and functions of the term and concept in contemporary television studies. Mareike Jenner is a Senior Lecturer in Media Studies at Anglia Ruskin University
This book investigates the interrelations between aesthetics, ethics and politics in a variety of visual media forms, ranging across art installations, film and television, interactive documentaries, painting, photography, social media and videogames. An international mix of emerging and established authors, with interdisciplinary expertise, explores how different ethical questions, political implications and aesthetic pleasures arise and shape one another in distinct visual media. Investigating themes such as the use of cinema as a medium for ethical and political thought, how documentary subjects both conceal and reveal truth, the new ethical challenges arising from interactive media and the role of images in responding to political events and trauma, this is a groundbreaking work about the interrelations of aesthetic, ethical and political values in visual media. Marguerite La Caze is Associate Professor in philosophy at the University of Queensland. Ted Nannicelli is Senior Lecturer in the School of Communication and Arts at the University of Queensland.
The first English-language book to cover Danish cinema from the 1890s to the present day, this wide-ranging collection places well-known auteurs such as Carl Th. Dreyer, Lars von Trier and Susanne Bier in their cultural context, and introduces a number of genres and themes that are less familiar to international audiences, including film stars of the silent era, children's film, folk comedies, porn film, trends in documentary and Greenlandic cinema. With twenty-two chapters, all of them specially commissioned for this volume, A History of Danish Cinema explores the role of screen representations and film policy in shaping Denmark's cultural identity, but also emphasises just how internationally mobile Danish films and filmmakers have always been -- showcasing this small nation's extraordinary contribution to world cinema. C. Claire Thomson is Associate Professor of Scandinavian Film at UCL and the author of Short Films from a Small Nation: Danish Informational Cinema 1935-1965 (EUP, 2018) Isak Thorsen is the author of Nordisk Films Kompagni 1906-1924: The Rise and Fall of the Polar Bear (John Libbey, 2017) Pei-Sze Chow is Assistant Professor of Media and Culture at the University of Amsterdam and the author of Transnational Screen Culture in Scandinavia: Mediating Regional Space and Identity in the Øresund Region (Palgrave, forthcoming)
China's haunted screens boast a rich legacy of uncanny, bizarre, grotesque, horrific, mystical and paranormal tales dating back to the silent era. Emerging from a period in which the supernatural ran afoul of censors in the Peoples' Republic of China, the resurgence of films rooted in "superstition" merits serious critical attention. This anthology provides penetrating insight into this re-enchantment seen in films by auteurs such as Zhang Yimou (PRC), Hou Hsiao-hsien (Taiwan), and Tsui Hark (Hong Kong) as well as in reimagined classics such as Journey to the West in its multiple manifestations on screen. Gina Marchetti, University of Hong Kong Although Chinese film audiences have always maintained a foundational cultural interest in the fantastic, this trend has dramatically increased over the last decade. Sino-Enchantment is the first work in English to approach this recent explosion of fantastic film in Chinese cinemas, where each re-envisioning of the form is determined by cultural, economic, political and technological factors to produce fresh inventions and creative reinventions of familiar narratives, characters and tropes. With case studies of films such as The Assassin (2015), Monster Hunt (2015) and The Great Wall (2016), this novel approach uses the framework of 'Sino-enchantment' as a new theoretical lens through which readers can engage with elements of the fantastic in Chinese cinema. Kenneth Chan is Professor of English at the University of Northern Colorado. Andrew Stuckey has taught at Kalamazoo College, the Ohio State University, the University of California at Irvine, and the University of Colorado at Boulder.
Jocelyne Saab was one of the most important female filmmakers pioneering a sense of international emancipatory world cinema from the early 1970s to her death in 2019. This book is the first English-language study dedicated to her entire oeuvre which consisted of journalism, documentaries, experimental and feature films, as well as photography, art exhibitions and curation, and film festival organisation. In this book, a range of international scholars integrates her work into a cohesive study of all aspects of her oeuvre - filmic, activist and artistic - representing the global significance of Saab's work and the ongoing resonance of her ideals and activism in a worldwide perspective. Mathilde Rouxel is a researcher and independent curator, specialising in Arab cinema. Stefanie Van de Peer is Lecturer in Film and Media at Queen Margaret University, Edinburgh.
This short, accessible vocabulary of business Arabic provides learners with strictly relevant key terms for translating both from and into Arabic.
Presenting the depiction of migration through a variety of cinematic outlets, this volume explores film's depiction of human displacement in different geographic circumstances and probes the reasons why cinema so frequently evokes a stereotype of in-transit people. Techniques of affect and distance are revealed in the contributors' close film studies of wide-ranging matter which include works by the Dardenne brothers, transnational video artists Ghazel and Bouchra Khalili, and studies of Syrian films at Western festivals. Migrants' Perspective, Migrants in Perspective: World Cinema deciphers the semiotics of migration and its representation in cinema, exploring both the complications of shooting a migrant subject, and the challenges of including the migrants' point of view. Nicole Beth Wallenbrock is Assistant Professor of French and Francophone Studies at the City University of New York, Hostos Community College. Frank Jacob is Professor of Global History at Nord Universitet, Norway. Cover image: dyslexia 3, acrylic and ball point pen on paper, size 140 x 100cm, 2015 (c) ghazel Cover design: www.paulsmithdesign.com
Following a period of rapid political change, both globally and in relation to the Middle East and South Asia, this collection sets new terms of reference for an analysis of the intersections between global, state, non-state and popular actors and their contradictory effects on the politics of gender.
This collection of essays, by acknowledged experts in the field, provides valuable insight into one of the most exciting developments in Beckett Studies in recent years. Samuel Beckett and Translation explores the idea that at the core of Beckett's work there is no fixed centre but a constant movement between variants of French and English. This collection of newly commissioned edited essays opens up original lines of enquiry into this restless impulse and how it finds a resonance in Beckett's writing. Topics, including Beckett's self-translations, translations of other authors and poetics of translation, are discussed in an Introduction and thirteen chapters followed by a section of commentary from seasoned translators who have worked on Beckett's texts. In examining the full range of Beckett's literary genres, this book presents how the high voltage released by Beckett's bilingualism informs the intricacies of his literary production. José Francisco Fernández is Senior Lecturer in English Literature at the University of Almería, Spain Mar Garre García is a PhD researcher (Gerty Cori Fellow) at the University of Almería, Spain
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