Böcker utgivna av EDINBURGH UNIVERSITY PRESS

A collection of Hugh McDiarmid's poetry

This book is a compilation of several articles about the Spanish Civil War by different authors each one dealing with a matter.

This book deals with the special power of literary texts to put us in contact with the past. A large number of authors, coming from different ages, have described this power in terms of 'the conversation with the dead': when we read these texts, we somehow find ourselves conducting a special kind of dialogue with dead authors. The book covers a number of texts and authors that make use of this metaphor - Petrarch, Machiavelli, Sidney, Flaubert, Michelet, Barthes. In connecting these texts and authors in novel ways, Jurgen Pieters tackles the all-important question of why we remain fascinated with literature in general and with the specific texts that to us are still its backbone. Siituated in the aftermath of New Historicism, the book challenges the idea that literary history as a reading practice stems from a desire to 'speak with the dead'.Key Features* Offers a broad survey (a combination of classical literature, Renaissance literature and modern theory and history)* Issues a plea for the importance of reading literary texts and the power of literature* Discusses key figues from the Western canon - Homer, Virgil, Dante, Machiavelli - in light of the idea that we can learn from the past by talking to 'the dead'* Combines theoretical discussions of the relationsip between literature and history with close reading of works by major literary authors and historians.

Corpus Linguistics has quickly established itself as the leading undergraduate course book in the subject. This second edition takes full account of the latest developments in the rapidly changing field, making this the most up-to-date and comprehensive textbook available. It gives a step-by-step introduction to what a corpus is, how corpora are constructed, and what can be done with them. Each chapter ends with a section of study questions that contain practical corpus-based exercises.* Designed for student use, with all technical terms explained in the text and referenced further in a Glossary* Examples are taken from existing corpora; detailed case study chapter included* Contains end-of-chapter summaries, study questions and suggestions for further reading* Updated reviews of new studies, areas that have recently come to prominence and new directions in corpus encoding and annotation standards* Detailed coverage of multilingual corpus construction and use* An in-depth historical review of computer-based corpora from the 1940s to the present day* Helpful appendices include answers to the study questions, up-to-date information on where corpora can be found, and the latest software for corpus research."e;[An] important addition to the fast growing literature in corpus linguistics... should be read by anyone interested in utilization of large-scale corpora in linguistic research."e; Studies in the Linguistic Sciences, on the first edition

Glasgow is enshrined in the popular consciousness as a city of multiple and often contradictory identities. The 'Second City of Empire', the 'Venice of the North', 'Red Clydeside' and the 'Merchant City' are a few of the phrases that have been used to project the Glasgow image, positively and negatively. This new and extensively illustrated history explores the reality behind these stereotypes, showing Glasgow's considerable longevity as a Scottish ecclesiastical and commercial centre, yet focusing on the profound social, economic and political changes over the nineteenth and twentieth centuries.Glasgow uses much original material to illustrate the rich diversity of cultural influences that have contributed to the city's distinctive urban character. Particular emphasis is given to the people who shaped the ideas and attitudes of the times. Nineteenth-century economic success, most celebrated in the enduring mystique of Clyde shipbuilding, was associated with high-profile entrepreneurs who embodied both cosmopolitanism and individualism. At the same time, there was a passion in the projection of the progressive city and a commitment to social improvement that found expression in the assertive and increasingly collectivist brand of Glaswegian politics.Yet, as the author explains, Glasgow's strong sense of civic patriotism was often overwhelmed by the sheer intensity of social problems, in one of the world's most populous cities by 1914. The dislocation of war and the trauma of economic depression gave further impetus to the quest for solutions, which took dramatic (if controversial) shape in post-1945 planning policies. Contemporary Glasgow thus bears the legacy of twentieth-century industrial decline as well as cultural renewal, although Glasgow shows that there is nothing novel about regeneration strategy in a city which has a long tradition of blending innovation with historical continuity.Beautifully illustrated with over 100 photo

This path-breaking approach to Thomas Aquinas interprets the Five Ways in the context of his theory of science. Aquinas is the leading medieval philosopher and his work is of continuing contemporary relevance. Addressing all the critical themes of authority and reason, Christopher Martin examines the role of science and definitions in medieval thought, and how to deal with the big question: is there a God? Rigorous and challenging, Martin's clear exposition compares and contrasts Aquinas' arguments with those of other philosophers, Anselm, Descartes and Kant.

Philosophy, Music and Emotion explores two issues which have been intensively debated in contemporary philosophy: the nature of music's power to express emotion, and the nature of emotion itself. It shows how closely the two topics are related and provides a radically new account of what it means to say that music 'expresses emotion'. Geoffrey Madell maintains that most current accounts of musical expressiveness are fundamentally misguided. He attributes this fact to the influence of a famous argument of the nineteenth-century critic Hanslick, and also to the dominant 'cognitivist' approach to the nature of emotion, which sees the essence of emotion to be the entertaining of evaluative judgements and beliefs of a certain sort, an account very much in accord with Hanslick's position. Such an approach results either in the unpersuasive view that musical expressiveness is somehow akin to human expressive gesture, or in the view that music arouses feelings which have no specific object and, unavoidably, no necessary connection with the music.The book argues that the 'cognitivist' account of the nature of emotion is quite false and that it needs to be replaced with a conception of emotions as states of feeling towards - states of intentional feeling - whose objects are often evaluatively characterised states of affairs; however, in the context of the emotions that are aroused by music these objects are always musical events or states. Central to this bold analysis of emotion is a new account of two closely connected mental states, those of desire and of pleasure, and of what role these states have in human motivation and value.

What did early Scottish gardens look like? How did these gardens relate to the house and how did passing time affect their development? Where did the plant stock come from: herbs, shrubs, annuals and perennials, from the thistle to the rose? Did the gardens match the richly embellished interiors of Scots aristocrats and merchants, particularly after the Reformation? Evocative and tantalising remains of 'missing gardens' such as earthworks, stone walls, doocots, date stones, terracing, traceries of paths, sundials, a few ancient yews, and gardens themselves - Culross, Edzell, Pitmedden, Kinross -fire the imagination as Sheila Mackay guides the reader on a personal tour of the 16th, 17th and 18th-century gardens of Scotland.Contrary to popular belief within British garden history, designed landscapes have played a vital role in the lives of aspiring Scots from the 16th century, with paintings from the time depicting elaborate gardens to match houses and interiors that reflected status, wealth and a sense of self-esteem. In her exploration of these gardens - from Arthur's Seat in 1500 to The Hermitage in 1750 - Sheila Mackay reveals the dramatic developments that occurred during this period.This is a history peopled with the characters of the time, and includes extracts from songs, poems, and paintings of gardens throughout the period. Imaginative reconstructions of gardens for the people of the time - a 16th-century garden for the calligrapher Esther Inglis and a 17th-century landscape for the portrait painter George Jamesone - and the creative re-design of the ground of the Pleasaunce at Edzell Castle in light of contemporary European developments enhance the sense of the inspired designs of the time.An evocative picture is painted of these gardens and it is hoped that this will inspire the reader to make their own distinctive maps and undertake their own explorations of the gardens of Scotland.Key Features:*Illustrated with over 90 photograph

In the period of decolonisation that followed the end of the Second World War a number of scholars, mainly Middle Eastern, launched a sustained assault on Orientalism - the theory and practice of representing 'the Orient' in Western thought -accusing its practitioners of misrepresentation, prejudice and bias. As a result an intense debate occurred regarding the validity of the charges made, involving not only Orientalists but students of history, anthropology, sociology, women's studies and the media. Orientalism: A Reader provides the student with a selection of key readings from this debate, covering a range of areas including myth, imperialism, the cultural perspective, Marxist interpretation and feminist attitudes.The origins and character of the debate on Orientalism are introduced, as well as the intellectual foundations of the assault made and the nature of the debate which ensued. Coverage begins with nineteenth-century material from thinkers such as Hegel and Marx, and moves through extracts from Nietzsche, Gramsci and Foucault to contemporary work from, for example, Bryan Turner, John MacKenzie and Edward Said. As well as a general introduction, each section is introduced and the extracts are placed in context to guide the student carefully through this complex debate.

For more than forty years, the experimental filmmaker James Benning has been engaged in a systematic investigation of the relations between man, landscape, and the filmic medium, and during the last decade it has become increasingly clear how much these investigations have to offer to contemporary debates about ecology, the age of the anthropocene and the potentialities of new digital technologies. In James Benning's Environments a range of international scholars highlight the thematic and formal coherence of Benning's practice, whilst providing readers with an artistic and historical context to understand his experimental film work. The volume offers a number of interpretative frameworks drawing on film theory, environmental humanities, visual culture and philosophy, explaining why Benning has emerged as one of today's essential filmmakers.