Böcker utgivna av EDINBURGH UNIVERSITY PRESS

Finnegans Wake - Human and Nonhuman Histories opens new ground by exploring the productive tension between anthropocentric and non-anthropocentric readings of James Joyce's final modernist masterpiece. Drawing on the most up-to-date theories and methodologies (the Anthropocene, new materialism, petroculture studies, the blue humanities, animal studies, ecofeminism, ecomedia), twelve leading Joyce scholars offer valuable new insights into the interwoven historical and planetary dimensions of Finnegans Wake. The volume's focus allows the contributors to read the Wake's nonhuman imaginary in original, often surprising comparative contexts (colonialism, the Irish Revival, the Free State's energy policies, the invention of television) and to spotlight enlightening nonhuman themes in Joyce's circular history (bogs, storms, rivers, bodily fluids, skin, wolves, mourning, DNA, atoms, labour, music). As these chapters show, a century later, Finnegans Wake remains a vibrant and vital text in which to interrogate the limits, exploitations and common plight of human and nonhuman life in the 21st-century.

The decades between the French Revolution and the mid-nineteenth century were a period of radical transformation in Scottish society and culture on many levels. The Scottish Enlightenment had seen a striking blossoming of the natural sciences, with the development of a distinctive and influential national scientific culture. The natural philosopher David Brewster was educated in Edinburgh amidst the intellectual ferment of the late Enlightenment but lived to end his days as a grand old man of Victorian science. This book uses the long and eventful career of Brewster as a lens through which to explore themes of rupture and continuity in Scottish scientific culture in a period of dramatic social and political change.

With an interdisciplinary agenda, Film Phenomenologies investigates the emerging field of film phenomenology, linking the fundamental significance of early thinkers and related methods of phenomenological investigation to newer emphases and diverse voices, such as Gaston Bachelard, Karen Barad, Simone de Beauvoir, bell hooks, Iris Murdoch and Hermann Schmitz. Established scholars consider various themes, including colonial duration and the politics of refusal, feeling feminist time, the exchange of play, scalar theory and scattered bodies, spectatorship and the entanglement of montage, disability, dance and speculative embodiment, AI phenomenology and breath gestures, cinematic atmospheres, the precarious intimacy of the film screen, stardom and biopics, and Black lived experience. Divided into three parts, Film Phenomenologies offers a collective combination of phenomenological approaches, braiding classic and critical methods to explore aesthetic, embodied, ethical, and political perspectives. It is the first collection to provide a substantial engagement with diverse and inclusive directions in the field of film and media studies.

The Midcentury Minor Novel brings to light a distinctive mode of the American novel emergent in the middle decades of the twentieth century. It explains how a group of neglected writers reimagined the novel as a minor form, defined by its constraints rather than its possibilities. Reflecting a broadly held view among critics that midcentury fiction was in crisis or decline, these 'minor writers' sought to make a virtue of what were taken to be the novel's bleak prospects, crafting fictions of modest proportions and seemingly attenuated ambition that reflexively explored their own aesthetic limitations. Ironically, the book argues, midcentury anxieties about the 'death of the novel' breathed new life into it. Blending literary criticism and intellectual history, the book offers close readings of five writers who shared this curious project for the novel, an account of which adds texture to our understanding of the aesthetic diversity of midcentury American literature.

Lyn Hejinian is considered one of the most important avant-garde poets of the twentieth and twenty-first centuries. Beginning with five poems written from 1963 to 1965, The Proposition collects Hejinian's previously uncollected works from 1963-1983 in one unique volume. The individual early works curated in this volume broaden the existing published collections of Hejinian's works, showing Hejinian's play with form, visual language, and linguistic experiment before the poet's move to project orientated writing practices. With a new Preface by Lyn Hejinian, and five essays by prominent critics in the field, the volume offers both a new collection of Hejinian's poetry and an important scholarly resource for students, scholars, and readers of contemporary avant-garde writing more widely.

Few polities were more instrumental to the rise of the East India Company and the advent of British colonial rule in South Asia than the Mughal successor state of Awadh (c. 1722-1856). And few individuals influenced the making of the Awadh regime and its pivotal relationship with the Company more than the chief consorts (begams) of its ruling dynasty. Drawing on previously unexamined Persian sources, this book centres the begams of Awadh within a revised history of state-formation and conceptual change in pre- and early colonial India. In so doing, it posits the begams as essential, if contested, builders of both the Awadh regime and the Company state, and as ambivalent partners in forging evolving political economies and emerging conceptual languages of statehood and sovereignty in early colonial India.

The Korean War Novel examines the ways that novels written by Korean and Asian American writers have represented the Korean War. By studying the ideological contours of works by Richard E. Kim, Ahn Junghyo, Susan Choi, Ha Jin, Choi In-hun and Hwang Sok-yong, it documents the range of historical narratives that have alternatively framed the Korean War as an international war, a civil war, a reverse postcolonial war or 'proxy war', a war between the genders, and an attempt to de-escalate the Cold War itself. The dual role of North East Asians as both victims and willing agents of the Cold War comes into focus in revisiting the conflict from the post-Cold War perspective of decolonisation. Suk Koo Rhee writes back against the authoritative version of Cold War historiography to explain the contemporary nature of the unfinished conflict on the Korean peninsula today.

Gardens were both a setting and showcase for nearly every aspect of social and daily life at the royal court during the early Islamic period in Western Asia. Safa Mahmoudian uses a wide range of primary source materials including contemporary Arabic manuscripts, together with archaeological reports, aerial photographs, and archaeologists' letters and diaries. Through close readings of this evidence, Mahmoudian creates a picture of these gardens in their historical, architectural and environmental contexts and examines various factors that influenced their design and placement. In doing so, Mahmoudian adds to our understanding of these gardens and palaces and, ultimately, early Islamic-period court culture as a whole.

Tackling digital effects such as colourisation, time-ramping, compositing and photo-realistic rendering, this monograph explores how the growing use of these post-photographic procedures shapes our relationship with the image and the world that the image represents. At stake is the ability to critically engage with the digital techniques that mediate perceptions of reality. Through a series of case-studies the book connects the dominant techniques of hybridisation with emergent ways of being in our increasingly hybrid physical-digital world. Pointing at the relationship between mainstream visual culture and the manifold imperatives of digital technology and digital culture, Hybrid Images and the Vanishing Point of Digital Visual Effects highlights how a handful of digital visual effects are coming to shape the way we live.

Human Spoken Interaction as a Complex Adaptive System explains how human spoken communication functions, combining two separate complex adaptive systems: the universal 'interaction engine' and language(s), which now number around 7,000. Siegel and Seedhouse offer a comprehensive overview of how the components and processes of the interaction engine work together to enable us to understand each other, whatever the language. Through combining Complexity Science and Conversation Analysis, this book explains how to simultaneously analyse spoken interaction on micro and macro scales. Detailed analyses of L2 learners reveal them to be simultaneously expert in using the interaction engine and inexpert in using the specific language. The study shows that the basic characteristics of the interaction engine are the same as for other life-related complex systems and that it is possible to access the perspectives of participants inside this complex adaptive system as it is evolving.

Drawing on a wealth of material from children's periodicals from the Victorian era to the early twentieth century, Kristine Moruzi examines how the concept of the charitable child has been defined through the press. Charitable ideals became increasingly prevalent at a time of burgeoning social inequities and cultural change, shaping expectations that children were capable of and responsible for charitable giving. While the child as the object of charity has received considerable attention, less focus has been paid to how and why children have been encouraged to help others. Yet the ways in which children were positioned to see themselves as people who could and should help - in whatever forms that assistance might take - are crucial to understanding how children and childhood were conceptualised in the past. This book uses children's print culture to examine the relationship between children and charitable institutions in the nineteenth and early twentieth centuries and to foreground children's active roles.

This monograph addresses a subject in star studies that is still developing outside of (and even within) Hollywood and cinemas of the West - the film couple. Known as the 'love team' in the Philippines, they are a transmedia phenomenon whose sheer ubiquity and variety make them an ideal case study to work towards an understanding of the film couple and how they contribute to the pleasure of watching films. Film couples move beyond understanding the star as an individual, particularly where a popular love team is a prerequisite early training ground for successful stardom in the studio system. I explore three different identities that construct film couples and offer a vocabulary to distinguish between these identities and consider how they are inflected by each other. I then trace how the couple is constructed at various stages by stars, studios, film and other cross-media appearances, their fandom and wider societal context.

Rousseau's Politics of Taste challenges the popular but partial pictures we have of Rousseau as an inconsistent 'ancient' utopian or a 'modern' abstract philosopher with a systematising spirit. Combining intellectual history and political theory, it reinterprets his understandings of pleasure and happiness, judgment and amour-propre, inequality, the general will and, above all, taste. Rousseau's readers have long recognised the complex tensions in his thought. By reconstructing his theory of taste as a kind of modern Epicureanism, this book provides a way of articulating neglected patterns in those tensions and, a new understanding of what he was attempting to achieve with his political thought.

The twentieth century was the century of the deconstruction of all absolutes: of liberation understood as a critique of every meaningful structure. In this sense, conflict was understood as an instrument of the rupture of every form, institution and community. Niccolò Machiavelli is the first in our tradition to think about the productivity of political conflict - its capacity, on the model of ancient Rome, to construct new orders, institutions and forms of life. Francesco Marchesi offers an original reading of Machiavellian thought as well as a critique of some of the most influential contemporary theories of conflict including Foucault, Schmitt, Arendt, Lacan and Althusser. In doing so, he proposes an innovative, conflictual political ontology that, with Machiavelli, is capable of conceiving the affirmative, and not only deconstructive, power of conflict.

Drawing on thousands of naturalistic online interactions from Ready to Go, a popular football message board centred on North East England, North East Vernacular English Online describes dialect at the levels of morphology, syntax, lexis and - through a study of orthographic innovation - phonology, charting historical continuities as well as more recent developments. Pearce also examines metalinguistic commentary and debate on the website, revealing folk-attitudes and perceptions of linguistic variation. Informed by the latest research, but also building on the foundational scholarship of the English Dialect Society and the Survey of English Dialects, this volume will appeal to academics in the fields of sociolinguistics and dialectology, as well as undergraduates, post-graduates and general readers interested in the language and culture of England's most distinctive region.

Drawing on a wide variety of Chinese-language publications and in-depth interviews with high-school students, Mobilising China's One-Child Generation provides systematic evidence of the spread of martial logic and techniques into Chinese schools. The book explores how China has implemented Patriotic Education (PE) and National Defence Education (NDE) programmes to foster love for the nation and the Party-state, mobilise the population to fight modern wars in the information age, and encourage youth to join the army. It studies how these programmes present the tropes of war and the military to youth, and how they are related to shifting constructions of gender and the national collectivity. It also documents students' varied perceptions-and notably contestations-of this militarised ethos, complicating our understanding of popular nationalism and militarisation processes in this authoritarian global power.

Many critics classify Vladimir Nabokov as a highbrow humourist, a refined wordsmith overly fond of playful puzzles and private in-jokes whose art appeals primarily to an intellectually-sophisticated readership. This study presents a more balanced portrait, placing equal emphasis on the broader, earthier humour that is such a marked feature of Nabokov's writing, which draws on the human body and all things physical for its laughs: sex and scatology, farce and slapstick. Moving between the metaphysical and the physical, the cosmic and the comic, mind and matter, it presents Nabokov as a writer at home in both high and low forms of humour, a comedian who is capable of producing as many belly laughs as brainteasers, and of appealing to a much wider readership than is commonly supposed.

For seventy years, William Gillies has been seen as a placid painter of landscape and decorative still life. Andrew McPherson explodes this view to reveal a modernist whose response to the instabilities and violence of modernity touched universals of human experience. Gillies' idiom was shaped by institutions for artistic production unique to Scotland. But it was the politics of Scotland's connections to the rest of the British Isles that produced his mythic and misleading reputation. New paintings and new meanings are uncovered placing the micro-effects of modernity on mental health, family and community in the wider contexts of war, nationalism and public patronage. McPherson also shows how this changing world led Gillies towards new applications of modernist expression. Lavishly illustrated, and referencing almost one thousand works, this major reappraisal is an indispensable source on the cultural politics of a four-nation state and the reception of modernism in Britain.

This book examines the practice of risk allocation in the offshore energy industry through the public policy lens and offers a novel perspective on the concept of gross negligence in risk allocation. This perspective is founded on the proportionality element of distributive justice in burden distribution. The assessment of how mutual indemnity clauses apply as an absolute shield against liability arising from gross negligence reveals that moral hazard can result from the practice. In the analysis, this book considers the risk allocation practice in PSC and Concession regimes and how parties' liability is determined in drilling contracts. This book considers gross negligence a sui generis risk and provides a definitional pathway for determining when gross negligence occurs and how it should apply to offshore drilling contracts. Thus, it advances an environmental sustainability approach to offshore petroleum drilling operations. This book will be useful to operators and contractors, resource-rich countries, insurance companies, practitioners, scholars, and academics interested in risk allocation in the petroleum industry.

As evidenced by the famed Book of Kells and monumental high crosses, Scotland and Ireland have long shared a distinctive artistic tradition. The story of how this tradition developed and flourished for another millennium through survival, adaptation and revival is less well known. Some works were preserved and repaired as relics, objects of devotion believed to hold magical powers. Respect for the past saw the creation of new artefacts through the assemblage of older parts, or the creation of fakes and facsimiles. Meanings and values attached to these objects, and to places with strong early Christian associations, changed over time but their 'Celtic' and/or 'Gaelic' character has remained to the forefront of Scottish and Irish national expression. Exploring themes of authenticity, imitation, heritage, conservation and nationalism, these interdisciplinary essays draw attention to a variety of understudied artworks and illustrate the enduring link that exists between Scottish and Irish cultures.

This volume interweaves Shakespeare's wisdom with ancient spiritual practices and the insights of a post-secular age in order to explore a transhistorical space of sapient knowing and living. Pursuing the delight of heart, soul and understanding in the synaesthetic experience of theatre and the meditative space of poetry, sapiential Shakespeare explores knowledge, love, beauty, nature, will and power in conversation with multiple wisdom traditions, tapping into a global sensus communis rooted in energetic knowing-with. This collection of essays begins in the Mediterranean with classical, biblical and Egyptian wisdom, moves to the East to consider Sufi and Buddhist wisdom and then turns to the West to reflect on Indigenous science and ways of knowing. Sharing a common root in oikos, meaning home, the ecumenical and the ecological converge in an embodied ethics and politics of care premised in an ecological rather than ego-logical way of being.

This historical biography of Chrystal Macmillan, one of Scotland's most prominent campaigners for women's equality, justice and peace in the early twentieth century, is the first account of her life and work. It describes her early life in a comfortable home in Edinburgh, her school and university years in Scotland, and her rise to prominence as the main appellant in the 'Scottish Women Graduates' Case' when it went to appeal in the House of Lords. She was an important figure in the suffrage movement both in Scotland, and in England where she lived from 1913, becoming influential in several national and international women's organisations. She used her legal skills and training to scrutinise, draft and suggest amendments to legislation that had direct impact on women's lives, including their right to their own nationality, to become members of the legal profession and to be treated equally with men in the workplace. In 1915 she was an organiser of the International Women's Congress at The Hague, which urged political leaders to use mediation to stop the war. In 1924, she qualified as a barrister in London and was active on the Western Circuit and London courts. Although she left no diary, the recollections of friends, obituaries and memorials provide a vivid image of a woman of considerable ability, commitment and courage.

Action TV Reboots and Visibility Politics: Rebooting Middlebrow Culture deals with the network TV reboots of Hawaii Five-0, MacGyver, Magnum, P.I., Lethal Weapon and The Equalizer to explore the cultural politics at work in contemporary middlebrow culture. The book focusses specifically on the representational politics of contemporary middlebrow TV. The book analyses action TV reboots via the framework of middlebrow television, and the political meanings of the category. It explores the category of middlebrow TV, the role of nostalgia of middlebrow reboots. This leads into a critique of the representational norms of middlebrow TV, which includes a variety of visual representations of 'otherness' but fails to narrativize marginalisation. Instead, visual 'difference' is reduced to visual signifier of an inclusive society. What emerges is the idea of visibility politics and its dominance in American network TV.

To watch television is to watch bodies in motion: walking, dancing, cooking, fighting, running, playing, travelling, and so on. Television and the Moving Body presents the first detailed exploration of the moving body on television. It analyses different types of movement, including walking, dancing, sports, and craft, outlining how these different movement profiles are employed to construct time, tell stories, work through cultural issues, and foster empathy. Through a range of case studies across different genres and formats, including Gogglebox, The West Wing, Taskmaster, The Repair Shop, Strictly Come Dancing and Sense8, this book examines what television's moving bodies tell us both about normative ideas of movement and identity, and about television itself.

Jeffrey Bell argues that a motivating problematic for existentialist writers is the attempt to think through the implications of the problematic nature of life. He applies a Deleuzian theory of problems to an analysis of some key concepts in contemporary social and political theory. Building on the metaphysics of problems set out in his book, An Inquiry into Analytic-Continental Metaphysics, he provides a new way of integrating the concerns of existentialist writers into contemporary political and social debates.

Jeffrey Bell offers a novel approach to thinking about a number of longstanding problems in metaphysics, issues that have persisted throughout the history of philosophy. By developing a metaphysics of problems, he shows how the history of both the analytic and continental traditions of philosophy can be seen to be an ongoing response to the problem of regresses. By highlighting this shared history, Bell brings these two traditions back together to address problems that have been essential to their projects all along and central to much of the history of philosophy.

Donald Trump's love of golf adds him to a long line of presidents who have a close association with sports. Indeed, golf might just be the leading presidential pastime, ever since William Howard Taft was photographed strutting the links against the advice of his predecessor Theodore Roosevelt. And it was Roosevelt, more than any president, who set the standard for linking the nation's top job to its favourite physical pastimes. Starting with Roosevelt's significant role in linking the presidency with fandom, advocacy of, and active participation in sports, this volume traces how occupants of the White House continued to develop these connections in various guises across the following century. Though historians have certainly not ignored such associations, the variety of case studies represented here provides a wider and more multidisciplinary selection of standpoints from which to assess the interactions between sports and the presidency than ever before.

This book offers the first comparative study of the foundations, consolidation and contestation of regime guardianship in the Islamic Republic of Iran and the Republic of Turkey. For decades, the military in Turkey and the clergy in Iran acted as the guardians of Atatürk and Khomeini's ideological legacies. At the turn of the 21st century rising popular actors in both countries started challenging the tutelary control of the state and society. While in Turkey the clash between the Kemalist guardians and their Islamist-led rivals resulted in a victory for the latter, although not for democracy, in Iran, traditionalist guardians were able to thwart popular challenges to their authority at the expense of the regime's democratic legitimacy. How was guardianship established, consolidated and contested in these republics with seemingly inimical founding ideologies? Why did it unravel in Turkey but survive in the Islamic Republic in the early 2010s? And what do these power struggles and their outcomes tell us about political contestation in tutelary hybrid regimes?

This book provides the first assessment of the performance of three leading European polities in providing estimative intelligence during an era of surprise. It develops a new framework for conducting postmortems guided by a normative model of anticipatory foreign policy. The comparative analysis focuses on how the UK, the EU and Germany handled three cases of major surprises: the Arab uprisings, the rise to power of the Islamic State (ISIS), and the Russian annexation of Crimea. It considers not just government intelligence assessments, but also diplomatic reporting and expert open sources and how these assessments were received by organisational leaders. The book tests and develops new theories about the causes of strategic surprises, going beyond a common focus on intelligence versus policy failures to identify challenges and factors that cut across both communities. With the help of former senior officials, the book identifies lessons yet to be learnt by European polities to better anticipate and prepare for future surprises.