Böcker utgivna av EDINBURGH UNIVERSITY PRESS

This is the first major effort to systematically organise and evaluate Schelling's arguments for a Philosophy of Revelation and to demonstrate their importance for contemporary debates in speculative realism, new realism and post-secularism.

'In this book, Sharon Jane Mee gives a bold new account of the power of cinema. Movies both enthrall us and unsettle us. The Pulse in Cinema works through this double allure, and offers us a profound meditation on what aesthetic experience might mean in the twenty-first century.' Steven Shaviro, DeRoy Professor of English, Wayne State University When we think of the pulse in cinema, we may think of the heartbeat of the spectator as they respond to affective or moving scenes in the film, or how fast-paced and shocking images exacerbate this physiological response. Conceptually extending film spectatorship, The Pulse in Cinema contends that cinema is an energetic arrangement of affective and intense forces, where the image and the spectator are specific components. Analysing body horror films such as The Tingler (1959), Dawn of the Dead (1978) and The Beyond (1981), this book builds on Lyotard's concept of the dispositif, Deleuze's work on sensation and Bataille's economic theory to conceptualise a pulse in cinema. A concept of the pulse is an evolution in our understanding of the aesthetics and economy of cinema. Sharon Jane Mee is Adjunct Lecturer in Film Studies at the University of New South Wales, Australia. Cover image: Bill Hunt (c) billhuntstudio.com Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-7584-6 Barcode

In this extensive study of the changing role of Gaelic in modern Scotland, Wilson McLeod looks at the policies of government and the work of activists and campaigners who have sought to maintain and promote Gaelic.

Drawing on newly-declassified government documents and international archives in Spain and beyond, this book explores the many ways in which Scots responded to the Spanish Civil War (1936-9).

Since its inception more than a century ago, Hong Kong cinema has been a pre-eminent form of local entertainment and a site of ideological contentions propelled by colonial, national and international politics at different historical junctures. The Other Side of Glamour is a study of the historical development of the left-wing film establishment in Hong Kong. The interplay between the macro-politics of the Cold War and the micro-politics of a regionalised/localised ideological warfare lends itself to a critical mapping of the general contours of the 'cultural Cold War' between the KMT and the CCP as it materialised in the so-called 'left-right divide' in the filmmaking world. Using the major studios as the main axis of analysis, this study traces the footprints of the other collaborating cultural agents which made up the left-wing film network in Hong Kong. It argues that the left-wing's institutional character and corporate strategies in the making of a 'popular left-wing cinema' are indispensable to an understanding of their nuanced legacy in Hong Kong cinema today. Vivian P. Y. Lee teaches Hong Kong cinema and heritage studies at the City University of Hong Kong.

Adriel M. Trott argues for an interdependent relationship of form and matter in Aristotle's metaphysics. Responding to feminist critiques from Judith Butler and Luce Irigary, she She finds resources for thinking the female's contribution and the female on its own terms and not as the contrary to form, or the male.

The violent use of armed, unmanned aircraft ('drones') is increasing worldwide, but uncertainty persists about the moral status of remote-control killing and why it should be restrained.

Explores the social consequences of Britain's creation of an Indian Ocean empire that brought millions of Muslim subjects under a single political umbrella for the first time in the modern era.

This book takes a unique approach grounded in political and cultural discourse to develop a political theory of restitution.

This book marks a critical intervention in the medical humanities that takes issue with its understanding of empathy as something that one has.

Who is Pontius Pilate? Who do the movies say that he is? What is truth? Pontius Pilate On Screen deals with one of history's most controversial characters. From Monty Python's Life of Brian to Mel Gibson's Passion of the Christ, Pontius Pilate is a figure of evidently endless fascination to filmmakers. The Roman prefect is depicted at times as the hapless victim of machinations beyond his control and at other times as the heartless villain of the piece. If in films about the Passion Jesus represents eternal truth, Pilate symbolises the values of the present - whether it is the lingering trauma of the Holocaust, the ongoing struggle over Civil Rights or the polarised politics of the current day - as filmmakers endeavour again and again to portray in Pontius Pilate a compelling counter-figure to Jesus himself. This book considers portrayals of Pontius Pilate in film from the silent era to the twenty-first century. It discusses over 25 films in detail, including Cecil B. DeMille's King of Kings (1927), Norman Jewison's Jesus Christ Superstar (1973), Martin Scorsese's Last Temptation of Christ (1988), Mel Gibson's The Passion of the Christ (2004) and Sony's Risen (2016). Based on extensive archival research and original interviews with actors, screenwriters and producers, it offers an extended discussion of the history, tradition and reception of Pontius Pilate. Christopher M. McDonough holds the Alderson-Tillinghast Chair in the Humanities at the University of the South in Sewanee, Tennessee.

The first comprehensive account of how the law and practice of child protection in Scotland has developed from its earliest origins to the present day, within the context of a changing world. Kenneth Norrie traces the assumptions that underlay child protection law at particular periods of time and identifies the pressures for change: this in order to afford a clearer understanding of how and why the contemporary law is designed and operates as it does. Particular issues are traced in legislative detail, including court processes, the changing thresholds for state intervention, the increasing regulation of children's homes and foster care, the developing rules on corporal punishment and the earlier practice of compulsory emigration to the colonies of children removed from their parents. The transformation of adoption is also covered in comprehensive detail. In drawing out key themes and common threads, Norrie sets contemporary developments against their historical context and offers a fuller understanding of child protection law in Scotland. Key Features: - Places the Scottish juvenile court in world-wide perspective and explores why the juvenile court ideals remain central to the contemporary children's hearing system in Scotland, dealing with both child offenders and neglected and abused children. - Offers detailed analysis of the legislation and explores the parliamentary debates surrounding Acts including the Children Act 1908, the Adoption of Children (Scotland) Act 1930, the Children and Young Persons (Scotland) Acts 1932 and 1937, the Children Act 1948, the Social Work (Scotland) Act 1968, the Children (Scotland) Act 1995, and the Children and Young People (Scotland) Act 2014 - Preserves in accessible form many long-forgotten legal and social aims, cases and secondary legislation Kenneth McK. Norrie is Professor of Law at the University of Strathclyde.

Analyses the cinematic and social significance of the star phenomenon in Southeast Asia.

Explores discourses on gender and representations of women in modern Iraqi fiction. By exploring discourses on gender in both propaganda and high art fictional writings by Iraqis, this book offers an alternative narrative of the literary and cultural history of Iraq.

Drawing on extensive work in neglected archives, 'Cheap Modernism' will be of interest to all those who want to know how the new literature became a global commercial hit.

Explores the little art communities and their aesthetic products in the early twentieth century This book is first to historicise and theorise the significance of the early twentieth-century little art colony as a uniquely modern social formation within a global network of modernist activity and production. Alongside a historical overview of the emergence of three critical sites of modernist activity - the little art colonies of Carmel, Provincetown and Taos - the book offers new critical readings of major authors associated with those places: Robinson Jeffers, Eugene O'Neill and D. H. Lawrence. Geneva M. Gano tracks the radical thought and aesthetic innovation that emerged from these villages, revealing a surprisingly dynamic circulation of persons, objects and ideas between the country and the city and producing modernisms that were cosmopolitan in character yet also site-specific. Geneva M. Gano is Associate Professor of English and Jesse H. and Mary Gibbs Jones Professor of Southwestern Studies at Texas State University.

Focusing on apocalyptic manifestations found in ISIS propaganda, this book situates the group's agenda in the broader framework of contemporary Muslim thought and explains key topics in millennial thinking within the spiritual context of modern Islamic apocalypticism.

'If the recent history of the subjunctive in British and American English is the tip of the language-historical iceberg, then Moessner's meticulous corpus study covering the time from Old English to the beginning of the eighteenth century is essential reading for anyone interested in the iceberg's vast submerged base.' Christian Mair, Universität Freiburg Traces the development of subjunctive use across the periods of Old English, Middle English, and Early Modern English Locating the subjunctive at the interface of mood and modality, this book presents a systematic description of the use of English subjunctive in main clauses, noun clauses, relative clauses and adverbial clauses. It explores the factors that governed its competition with other verbal expressions in texts ranging from the 9th to the beginning of the 18th century. Employing close reading alongside analysis of corpus data and the use of descriptive statistics, it offers new insights into the research landscape of the English subjunctive use and into the fields of historical English linguistics and corpus linguistics. Key Features - Extracts data from parallel corpora of three historical periods - Uses descriptive statistics - Combines quantitative and qualitative data analyses - Provides both synchronic and diachronic analyses - Illustrates results by authentic examples accompanied by modern English translations - Includes new insights into the fields of historical English linguistics and corpus linguistics Lilo Moessner is professor emerita of RWTH Aachen University, Germany, where she held a chair of Historical English Linguistics and Medieval Studies. Cover image: (c) iStockphoto.com Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-3799-8 Barcode

'A welcome addition to the literature on cinema and migration, Phillis' monograph examines the ways in which the cinema of a small European country with a long history of emigration has responded to the post-1990s phenomenon of becoming a host country for immigrants. The book focuses mainly on migration from Albania that dominated social discourse and cinematic representation in the 1990s and 2000s, but also throws light to cinematic responses to the mid-2010s "refugee crisis". A timely contribution to pressing global debates examined from a small country perspective.' Lydia Papadimitriou, Liverpool John Moores University Greek Cinema and Migration provides a response to urgent calls to comprehend the cultural impact of immigration in Greece, and to determine the capacity of contemporary Greek cinema to challenge the logic of Fortress Europe. Placing contemporary Greek cinema within the context of European film production and transnational cinema, the book explores the fascination of Greek filmmakers with migration, mobility, borders and identity, between 1991 and 2016. With case studies of films such as The Suspended Step of the Stork (1991), The Way to the West (2003), Man at Sea (2011) and many more, this groundbreaking book provides an in-depth understanding of contemporary Greek cinema and its direct correlation to the country's ongoing struggles to implement European modernity. Philip E. Phillis has taught at Glasgow University and Glasgow Caledonian University, and is currently a lecturer in Film and Media Studies at Sciènces Po College in the city of Le Havre, France. Cover image: Ephemeral Town, Yorgos Zafiris, 2000 (c) Greek Film Centre - Notos Film Productions Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-3703-5 Barcode

Maps the new Islamic authority platforms emerging in the West and their relationship with older centres of learning in a three-fold typology: Neo-Traditionalists; Neo-Legalists, and Neo-Conservatives.

This volume focuses on the four most influential Islamic authority structures with a visible following among Muslims around the globe: Al-Azhar (Egypt); Saudi Salafism (Saudi Arabia); Deoband (South Asia); Diyanet (Turkey).

American Travel Literature analyses US tourist writings about Italy from 1824 to 1862 to explain what roles transatlantic travel, aesthetic response, and the genre of tourist writing played in the formation of the United States.

This book provides a detailed exploration of the way in which administrative and judicial offices and practices provided an essential space for politics in 19th-century Bulgaria, securing local inhabitants' participation with Ottoman imperial governance.

This book argues that Internet diffusion and use in the Middle East enables meaningful micro-changes in citizens lives, even in states where no Arab Spring revolution occurred.

This book tells stories of interaction, conflict and common exchange between Berbers, Arabs, Latins, Muslims, Christians and Jews in North Africa and Latin Europe. Using individual biographies, this book argues that North Africa was, in fact, an integral part of western history.

This book discusses the largest and earliest medieval library of the Middle East for which we have documentation the Ashrafiya library in the very centre of Damascus and edits its catalogue.