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Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into a narrative. He explores how this 'mobilization' of the artwork is brought into play in art documentaries and artist biopics, as well as in feature films containing key scenes situated in museums. The tension between stasis and movement is also discussed in relation to modernist cinema, which often includes tableaux vivants combining pictorial, sculptural and theatrical elements. This tension also marks the aesthetics of the film still, which have inspired prominent art photographers such as Cindy Sherman and Jeff Wall. Illustrated throughout, Jacobs' study of the presence of art in film, alongside the omnipresence of the filmic image in today's art museums, is an engaging work for students and scholars of film and art alike.

Encouraging readers to reflect upon language and the role metaphor plays in patterning ideas and thought, this book first offers a critical introduction to metaphor theory as it has emerged over the past thirty years in the States. James W. Underhill then widens the scope of metaphor theory by investigating not only the worldview our language offers us, but also the worldviews which we adapt in our own ideological and personal interpretations of the world. This book explores new avenues in metaphor theory in the work of contemporary French, German and Czech scholars. Detailed case studies marry metaphor theory with discourse analysis in order to investigate the ways the Czech language was reshaped by communist discourse, and the way fascism emerged in the German language. The third case study turns metaphor theory on its head: instead of looking for metaphors in language, it describes the way language systems (French & English) are understood in terms of metaphorically-framed concepts evolving over time. Including a multilingual glossary of key terms and concepts, this is an ideal volume for anyone new to the topic, as well as those already interested in metaphor theory and the analysis of worldviews.

Works by Don DeLillo, Martin Amis, Ian McEwan, Simon Armitage and Mohsin Hamid are discussed in relation to the specific problems of writing about such a visually spectacular 'event' that has had enormous global implications. Other chapters analyse initial responses to 9/11, the intriguing tensions between fiction and non-fiction, the challenge of describing traumatic history and the ways in which the terrorist attacks have been discussed culturally in the decade since September 11. Key Features * Contributes to the growing literature on 9/11, presenting an over-view of some of the main texts that have represented the attacks and their aftermath * Focus on Don DeLillo: adds to the literature surrounding this major novelist * Focus on Martin Amis: adds to the growing critical work on this much discussed British novelist and essayist * Man on Wire: provides a critical analysis of this Oscar winning film regarding its oblique references to 9/1

Explores the dynamic connections between the affective body and Djuna Barnes's textual corpus. Julie Taylor uses the writings of the American novelist, poet, dramatist, artist and journalist Djuna Barnes to form the basis of a series of disruptive questions about modernist aesthetics and the politics of reading.

Explores how film analysis can take account of the presence of digital images in cinemaDigital images are now ubiquitous elements within the cinematic frame but, as we analyse films or film moments, it can often be difficult to be sure how - and how much - to talk about digital elements. This accessible book demystifies the relationship of digital imaging to processes of watching and reading films, and gives scholars and students the tools to engage with digital imaging in cinema with ease. A wide-ranging series of case studies demonstrates how digital elements can be discussed and analysed in different scenarios, and a language is developed to describe digital elements accurately. Not just for digital effects enthusiasts, this book is essential for anyone interested in how to approach film critically: it is a toolbox for contemporary film analysis.Key Features: * The first book exploring how the presence of digital imaging in film affectsthe production of meaning.* Locates contemporary digital effects practice in relation to historical traditions offilmmaking and special effects practice.* Proposes a fresh, flexible approach to the close textual analysis of film that can takeaccount of the digital* Uses case studies from the Lord of the Rings trilogy and Avatar to Alice in Wonderland and King Kong to demonstrate this approach in action.

Zizek's communism: revolutionary terror or Utopian jouissance?Good theory; bad politics - this is how Zizek's works have been described. Now Chris McMillan argues that Zizek's reading of global capitalism could reinvent political subversion. He highlights the political consequences of Zizek's fundamental concepts, such as the Lacanian Real, universality and the communist hypothesis. He argues that Zizek's turn to Communism represents the ultimate significance of Zizek's work for the 21st century and a marked new direction for Zizekian theory.While Zizek's work attracts a lot of labels, most of them pejorative - communist, conservative, anti-semantic - Chris McMillan identifies Zizek's unique and productive contribution to social and political theory, constructing his work as a response to the difficulties of contemporary social theory and the political deadlock of global capitalism.Key Features: * Summarises key applications of psychoanalytic theory to politics and shared social life * Produces a sustained reading of Zizek's understanding of the economy and capitalism * Considers the specific value of Zizek's work as a form of political action * Responds to Zizek's recent reference to the communist hypothesis and 'egalitarian justice'

Did you know that many of the greatest and most colourful Ottoman statesmen and literary figures from the 15th to the early 20th century considered plague as a grave threat to their empire? And did you know that many Ottomans applauded the establishment of a quarantine against the disease in 1838 as a tool to resist British and French political and commercial penetration? Or that later Ottoman sanitation effort to prevent urban outbreaks would help engender the Arab revolt against the empire in 1916? Birsen Bulmus explores these facts in an engaging study of Ottoman plague treatise writers throughout their almost 600-year struggle with this epidemic disease. Along the way, she addresses the political, economic and social consequences of the methods they used to combat it.

What is the Arabic term for 'sleeper cell'? How would you say 'hijacker'? Can you recognise the phrase 'operational planning'? Or 'money-laundering investigations'? This short, accessible vocabulary gives you ready-made lists of key terms in security Arabic for translating both from and into Arabic. It is divided into 13 key areas:* General* Global Security* Organisations* Energy Security* Weapons of Mass Destruction* Defence and Military* Law Enforcement* Counter Terrorism* Human Intelligence* Communications Technology* Information Technology* Information Security* Intelligence Analysis

When do 'troubles', riots and insurgency become war? How does a liberal state respond to an internal war within its own borders? How does it define the rules of engagement for its armed forces? These questions, amongst others, faced the British government in 1969, when it decided to send the British Army to the streets of Northern Ireland.This is the first academic study of the British Army in Northern Ireland, featuring Scottish, Welsh, Irish and English regiments. It investigates the complex experiences of soldiers during the often-controversial Operation Banner (1969-2007). The experiences of these soldiers raise many important and difficult questions on war and policy. Featuring key interviews with former soldiers, paramilitaries and Special Branch detectives, amongst other key actors, the authors attempt to answer these questions and enhance our knowledge of conflict resolution by providing a deep analysis of one of the most significant British military operations since the Second World War.Andrew Sanders is the John Moore Newman Research Fellow at University College Dublin. He is the author of Inside the IRA: Dissident Republicans and the War for Legitimacy (Edinburgh, 2011)Ian S. Wood is a distinguished Military historian, lecturer and journalist. He is the author of Gods, Guns and Ulster (Caxton 2003); Crimes of Loyalty: a History of the UDA (Edinburgh 2006); Britain, Ireland and the Second World War (Edinburgh 2010) and is a contributing author to A Military History of Scotland (Edinburgh 2012).Key WordsNorthern Ireland, British Army, Scottish soldier, Troubles, Northern Ireland, Ulster, Operation banner, Bloody Sunday, Saville report, soldiers, IRA, British Army, military, occupation, RUC, UDA, UVF, conflict, Military history, counter-terrorism, counter-insurgency, terrorism Key Features* First title to analyse the role of British Army in Northern Ireland* Draws on new primary sources including soldiers' diaries, log-sheets, in

American Smart Cinema examines a contemporary type of US filmmaking that exists at the intersection of mainstream, art and independent cinema and often gives rise to absurd, darkly comic and nihilistic effects.Connecting the 'smart' sensibility to issues of expressive irony, generational divide and therapeutic culture, this bold new book describes a recent critical tradition in commercial-independent American filmmaking by exploring the unstable tone and dysfunctional themes of such films as The Royal Tenenbaums, Adaptation, The Squid and the Whale, Palindromes, The Last Days of Disco, Flirt, Ghost World, Your Friends and Neighbors, Donnie Darko and The Savages. Acknowledging the loaded forms of expression employed by these films, American Smart Cinema provides new directions for their study by discussing the self-conscious approach taken to film historical discourses of authorship, narrative and genre. Examining the smart film's taste for 'blank' style and issues of middle-class identity, the book provides a comprehensive account of smart cinema as an aesthetic category while also considering the cultural and political factors that have guaranteed it critical and popular success.

Explores the way Woolf used essay-writing techniques to develop her conception of the modern novel.The focus of this study is on Virginia Woolf's vast output of essays and their relation to her fiction. Randi Saloman shows that it was by employing tools and methods drawn from the essay genre - such as fragmentation, stream-of-consciousness and dialogic engagement with the reader - that Woolf managed to leave behind the realism of the 19th-century novel. Saloman draws on key theorists of the essay such as T. W. Adorno and Georg Lukacs, as well as on more recent scholars of 'essayism' (a term devised by Robert Musil to describe the hypothetical quality of the essay mode). She shows that the essay, as genre and mode, shaped Woolf's writing, and modern fiction more generally, in ways that have not yet been articulated. Key Features:* In-depth consideration of Virginia Woolf's shorter essays* Revisionary accounts of /A Room of One's Own/ (1929) and /Three Guineas/ (1938)* New readings of Woolf's major and less well-known novels, including /The Pargiters/, her failed 'essay-novel'* Repositions the essay as a major modernist genre, responsible in large part for the creation of the modern (and especially the 'modernist') novelKeywords: Virginia Woolf, Modernism, The Essay, Fiction, Essayism, The Novel, Genre

Presents major new research on gender in the Scottish EnlightenmentWhat role did gender play in the Scottish Enlightenment? Combining intellectual and cultural history, this book explores how men and women experienced the Scottish Enlightenment. It examines Scotland in a European context, investigating ideologies of gender and cultural practices among the urban elites of Scotland in the 18th century.The book provides an in-depth analysis of men's construction and performance of masculinity in intellectual clubs, taverns and through the violent ritual of the duel. Women are important actors in this story, and the book presents an analysis of women's contribution to Scottish Enlightenment culture, and it asks why there were no Scottish bluestockings.

Combines historical rigour with an analysis of dramatic contexts, themes and formsThe 17 contributors explore the longstanding and vibrant Scottish dramatic tradition and the important developments in Scottish dramatic writing and theatre, with particular attention to the last 100 years. The first part of the volume covers Scottish drama from the earliest records to the late twentieth-century literary revival, as well as translation in Scottish theatre and non-theatrical drama. The second part focuses on the work of influential Scottish playwrights, from J. M. Barrie and James Bridie to Ena Lamont Stewart, Liz Lochhead and Edwin Morgan and right up to contemporary playwrights Anthony Neilson, Gregory Burke, Henry Adams and Douglas Maxwell

The Scots accounted for around a quarter of all UK-born immigrants to New Zealand between 1861 and 1945, but have only been accorded scant attention in New Zealand histories, specialist immigration histories and Scottish Diaspora Studies. This is all the more peculiar because the flow of Scots to New Zealand, although relatively unimportant to Scotland, constituted a sizable element to the country's much smaller population. Seen as adaptable, integrating relatively more quickly than other ethnic migrant groups in New Zealand, the Scots' presence was obscured by a fixation on the romanticised shortbread tin facade of Scottish identity overseas. Uncovering Scottish ethnicity from the verges of nostalgia, this study documents the notable imprint Scots left on New Zealand. The book examines Scottish immigrant community life, culture and identity between 1850 and 1930, and: *explores informal and formal networks, associational life and transferred cultural practices to capture how Scottish immigrants negotiated their ethnicity, but also how that ethnicity fed into wider social structures in New Zealand; *argues that Scottish ethnicity in New Zealand functioned more as a positive mechanism for integration into the new society than as a protective and defensive source of reassurance and comfort; and*contends that Scots contributed disproportionately to the making of New Zealand society.

Hannah Arendt's work has been noted for its unorthodox and eclectic style. This book aims to show that her unusual approach in fact reflects a consistent and distinctive conception of, and way of doing, political theory. This is established through close readings of her most influential works.

Difficult Atheism shows how contemporary French philosophy is rethinking the legacy of the death of God in ways that take the debate beyond the narrow confines of atheism into the much broader domain of post-theological thinking. Christopher Watkin argues that Alain Badiou, Jean-Luc Nancy and Quentin Meillassoux each elaborate a distinctive approach to the post-theological, but that each approach still struggles to do justice to the death of God.

How is the American political landscape represented in cinema? What is the relationship between Hollywood and Washington? From Arnold Schwarzenegger's rise to the Governorship of California through to the drama of the celebrity-fuelled 2008 Presidential election, Hollywood and politics have never been more intimate.This thoroughly updated and revised new edition continues to analyse the theoretical and conceptual relationship of Hollywood to national politics and the way film content and criticism has aligned itself to political culture and debate.Chronicling the evolution of American political cinema from the 1930s, this book explores the genre's symbiotic relationship with the American political culture and history. Through textual analysis of a range of films and television series, Scott provides a critique of current and past developments across several sub-genres, including the bio-pic, the election film and documentary.

How do learners and speakers make sense of their language and make their language make sense? Is it dived or dove? Dwarfs or dwarves? If the best students aced the test, did the pretty good students beece it? You've probably often pondered such questions yourself, but did you know that similar questions have inspired some of the most important advances in our understanding not only of how languages change but also of how children acquire grammar and how the human mind works? This book is designed to help readers make sense of morphological change and, more generally, of the concept of analogy and its role in language and in human cognition. With a critical look at the past 150 years of linguistic work on analogical change, David Fertig brings clarity to a field rife with terminological and theoretical confusion.

Marcel Mauss' 'Essai sur le don' (1923-4) has become one of the central non-philosophical references of contemporary French philosophy. Deleuze (and Guattari) and Derrida, to cite only two, engage with the concept of the gift explicitly and repeatedly. Gerald Moore shows how the problematic of the gift drives and illuminates the last century of French philosophy. By tracing the creation of the gift as a concept, from its origins in philosophy and the social sciences, right up to the present, Moore shows its central importance for a poststructuralist understanding of the relation between philosophy and politics.

Noam Reisner leads readers through the complexities of Milton's celebrated and challenging narrative poem as well as introducing them to the key critical views. The guide combines an introduction to the poem's main thematic and stylistic concerns together with discussion of important selected passages (substantial extracts from the text are included) and provides readers with a basic set of critical tools with which to interpret the text. Key Features * Detailed discussion of select passages from the poem divided into three interrelated sections - 'concepts and themes', 'style and form' and 'historical-political context' -for easy reference * Provides a general guide to teaching the text - first time teachers will find many suggestions for teaching as well as templates for teaching the poem in different course formats. * Up-to-date annotated bibliography

This book appraises the relationship between contemporary feminism and Julia Kristeva, a major figure in Continental thought. It addresses the conflicting range of feminist responses to Kristeva's key ideas and Kristeva's equally conflicting as well as ambiguous position vis-a-vis feminism. Schippers argues that this complex relationship can only be understood by positioning Kristeva along the fissures and fault lines which run through feminism. By attending to feminism's internal debates and disputes, and addressing the philosophical commitments and attachments held by Kristeva's critics, the book clarifies the diverse Kristeva reception within feminism and illuminates how her ideas trouble contemporary feminist thought. And despite Kristeva's fundamental ambiguity towards all matters feminist, Schippers makes a case for Kristeva's important contribution to a feminist project which is sympathetic towards her account of fluid subjectivity and her critique of identity politics. In doing so, the author advances the scholarly understanding of Kristeva and of contemporary feminist thought.

This distinctive comparison of Islamic and Christian mysticism focuses on the mystic journey in the two faith traditions - the journey which every believer must make and which leads to the Divine. The author clears away misconceptions and highlights similarities and differences in the thought and lives of six key mystics: Al-Kalabadhi, Al-Daylami, Al-Qushayri, Julian of Norwich, Thomas A. Kempis and Teresa of Avila. He considers the ways of Perfection on the Mystic Path and asks in what ways these authors have embarked on the mystic journey. He looks at the themes they have in common, as well as their differences, and asks how they envisage the concept of 'union' with the Deity. Readers will gain a broad understanding of the interdisciplinary and intertextual nature of the subject, as well its the diverse intellectual and historical contexts. Key FeaturesHighly interdisciplinary: embraces both Eastern and Western mystical traditionsSurveys themes as diverse as secular chivalry and union with the DivineExamines the role of al-Khidr/ al-Khadir/ Elijah/ Elias/ St George in both the Islamic and Christian mystical traditionsConsiders the negative and positive articulations of each traditionAssesses and compares three major Islamic and three major Christian mysticsA companion volume to Islam, Christianity and Tradition: A Comparative Exploration by Ian R. Netton (978 0 7486 2392 1)

Who is the 'real' IRA?The Real IRA, the Continuity IRA, the Irish National Liberation Army, the Official IRA and the Provisional IRA have all assumed responsibility for the struggle for Irish freedom over the course of the late-twentieth century. Yet as recently as 1969 there was only one Irish Republican Army which had attempted to unify Ireland using physical force. Andrew Sanders explains how and why the transition from one IRA to several IRAs occurred, analysing all the dissident factions that have emerged since the outbreak of the Northern Ireland troubles. He looks at why these groups emerged, what their respective purposes are, and why, in an era of relative peace and stability in Northern Ireland, they seek to prolong the violence that cost over 3500 lives. Key FeaturesExclusive interviews with members of all dissident and mainstream republican organizations, all loyalist factions and security force sources. Extensive archival research. The first scholarly analysis of Irish republican division. Shows influence of Irish-America in provoking dissent within republicanism.

Discussing the work of more than 60 poets from the US, UK, Ireland, Australia, New Zealand and the Caribbean, from Sujata Bhatt to M. Philip NourbeSe and from John Ashbery to Eliot Weinberger, Nerys Williams guides students through the key ideas and movements in the study of poetry today. With reference to original manifestos and web-based experiments, as well as the role of information culture in shaping and distributing poetry globally this book engages with the full vitality of the contemporary poetry scene. Key Features* Wide topic range - from performance to politics, from lyric expression to ecopoetics and from multilingual poetries to electronic writing - enables provocative thematic links to be made * Discussion of global Englishes, dialects and idiolects aimed at those studying poetry on postcolonial literature and contemporary poetics courses* Contemporary relevance: relates poetry to reporting on global conflict, including the impact of the Iraq War* Student resources include a chronology, web resources, a glossary, questions for discussion and a guide to further reading

The resurgence of Islam, geopolitical crises involving Muslim nations, violence associated with Islam and the immigration of millions of Muslims to Western countries have generated a strong interest in understanding Islamic law. The challenges of these new realities have impressed upon Muslims the need to rethink classical jurisprudence and a powerful contemporary ijtihad - the process of making a legal decision by independent interpretation of the legal sources - has unleashed a tremendous intellectual energy that is transforming legal systems across the Muslim world. This book explores the limits and controversies of this development in the context of the diverse needs of Muslim cultures and communities living in Muslim and non-Muslim nations and continents including Europe and North America. Key FeaturesExplains diverse bodies of Islamic law including fiqh, qanun and siyarSupplements Arabic terms from the Basic Code with English substitutesAnalyses the forces shaping contemporary ijtihadPresents a jurisprudential guide suitable for jurists, judges, national legislatures, and teachers and students and law and Islamic studies.

An analysis of the phenomenon of political violence and its implications for democratic politics. This book applies democratic theory to the problem of creating a liberal democracy in a situation of conflict, violence and social division. It adopts a distinct perspective: that both community and conflict are at the heart of all but the smallest of democratic societies, and that they need to be reconciled in order for democracy to be successful. Within this framework the book focuses on the particular issue of the challenge posed by violence, both to established democracies and to the establishment of new democracies. Empirical examples from a wide range of established and developing democracies are used to elucidate this problem. There are chapters on national and ethnic conflict, the challenge of terrorism, the problems of cultural division, and on attempts at creating democracy by imposition. A concluding chapter explores the question of establishing a common culture of citizenship spanning ethnic and cultural divisions. Key Features*Topicality of the themes discussed*Combination of theoretical arguments with 'real world' empirical examples and case studies*Presentation of a broad overview of the crucial issues facing liberal democracies in contemporary politics*Advancement of the debate with the proposal of new arguments for the future conduct of liberal-democratic politics to meet new violent challenges*Takes examples from East Timor, Kenya, Chechnya, Afghanistan, Iraq and France

Just war theory exists to stop armies and countries from using armed force without good cause. But how do we decide whether a use of armed force is just or unjust? In this original book, John W. Lango takes some distinctive approaches to the ethics of armed conflict. 1. A revisionist approach that involves generalising traditional just war principles, so that responsible agents can apply them to all forms of armed conflict. 2. A cosmopolitan approach that features the Security Council. 3. A preventive approach that emphasises alternatives to armed force, including negotiation, nonviolent action and peacekeeping missions. 4. A human rights approach that encompasses not only armed humanitarian intervention but also armed invasion, armed revolution and all other forms of armed conflict. Using these principles, he discusses issues surrounding just cause, last resort, proportionality and noncombatant immunity. He then applies them to hot topics in international conflicts including drone strikes, no-fly zones, moral dilemmas, deterrence, intelligence, legitimate authority, escalation and peace agreements, drawing on real-world case studies from recent conflicts in countries including Afghanistan, Darfur, Libya and South Sudan.

Intervening into fields including posthumanist, disability, animal and feminist studies, and current critiques of capitalism and consumerism, Frida Beckman recovers a theory of sexuality from Deleuze's work.

An in-depth and insightful study of Shari'ah governance from a theoretical and practical perspective. Shari'ah governance has a profound influence on the day-to-day practice of Islamic Financial Institutions (IFIs) and each jurisdiction has adopted a different approach to developing a governance framework. Hasan Zulkifli reviews these pluralistic approaches and identifies best practice. With examples, case studies and practical discussions based on IFIs in Malaysia, the GCC countries of Bahrain, UAE, Qatar, Kuwait and Saudi Arabia and the UK. Topics covered include; The theory behind corporate and Shari'ah governance; The regulatory framework for Shari'ah governance; Shari'ah governance approaches; The Shari'ah Board's role and how it retains its independence, transparency and competence; The operational procedures of Shari'ah governance; The effectiveness of the Shari'ah Board and how it could be improved

Do you want to improve your teaching practice? Do you need to know more about getting the most out of student feedback? This textbook covers all topics in preparing TESOL teachers for the practical component of their programme. Covering both the theory of reflective practice and practical techniques, this book explains the cycle of observation, planning and materials, teaching, feedback, and action. By encouraging this teaching practice cycle and raising your awareness, you will learn the practical ways in which these activities can improve your teaching performance. Activities which focus on your own knowledge and experiences are included in each chapter, alongside a selection of further reading. The real data used, including classroom interaction and feedback discourse, come from a range of different cultural contexts. On-going professional development and practice-based and action research are also explained.