Böcker utgivna av EDINBURGH UNIVERSITY PRESS

Explores how Walter Pater and his contemporary aesthetes were influenced by modern philosophies Repositioning Walter Pater at the philosophical nexus of Aestheticism, this study presents the first discussion of how Pater redefines Romantic Individualism through his engagements with modern philosophical discourses and in the context of emerging modernity in Britain. It also considers the dynamics between form and thought at the fin de sicle, contextualizing its comments in terms of Matthew Arnold, Oscar Wilde and Vernon Lee and others, to offer a fully integrated account of the intellectual cultures and currents in this period. Key Features:Boldly reassesses Pater's intellectual significance, arguing that he self-consciously poised on the cusp between late-Victorian Romanticism and ModernismImaginatively combines close readings with cultural and intellectual history and biography to reconsider individualism and philosophical thought in the Aesthetic 'Movement'Provides the most substantial scholarly engagement with Pater's unpublished manuscripts (held at the Houghton Library, Harvard University)

Crisis and the US Avant-Garde charts the energies and tensions of avant-garde poetics and vanguard politics. Crisis and the US Avant-Garde examines the politics of poetry through the lens of crisis. A timely commentary on the role poetic culture might play in political struggle going forward into our own various contemporary crises, the book connects major twentieth-century poets and movements, including Allen Ginsberg, Amiri Baraka and Language Poetry, with their various moments of political upheaval. Reading poems as attempted interventions in 'turning-points' or 'moments of decision' within American culture, Crisis and the US Avant-Garde looks at how poetry seeks to go beyond poetic language, and investigates how experimental American poetry has attempted to responds to imperialism, war, class conflict and capitalism itself. Key features:Reassesses the US avant-garde's relation to political eventsExplains how we might talk about a 'context' for avant-garde artProvides detailed readings of major poets, including Louis Zukofsky, Charles Olson, Denise Levertov, George Oppen, Amiri Baraka and othersKey reference point for experimental cultural politics todayBen Hickman is the author of John Ashbery and English Poetry (Edinburgh, 2012) and has published numerous essays on the New York School, the New American Poetry, John Clare and others. He studied at University College, London and currently teaches at the University of Kent.

This study focuses on the considerable but neglected body of works translated by S. S. Koteliansky in collaboration with Virginia Woolf and Katherine Mansfield.

A critical introduction to theoretical approaches to animals and animalityFrom caged orangutans to roasted pig, from dog training to horse phobias, from communicating bees to ruminating cows, Derek Ryan explores how animals are encountered in theoretical discourse. Across four thematically organised chapters on 'Animals as Humans', 'Animal Ontology', 'Animal Life' and 'Animal Ethics' he offers extended discussions of Nietzsche, Freud, Lacan, Heidegger, Merleau-Ponty, Derrida, Deleuze, Singer, Nussbaum, Adams and Haraway among others, as well as lively readings of contemporary literary texts by Carter, Coetzee, Auster and Foer. Intended as a resource for researchers, students, teachers and all those interested in human-animal relationships, Animal Theory: A Critical Introduction provides an accessible and authoritative account of the challenges and potential in thinking about and with animals.Key FeaturesProvides a wide-ranging discussion of theoretical approaches to animals in modern and contemporary philosophyOffers an accessible guide to key concepts in animal theoryIntervenes in current debates by critically engaging with theoretical issues and suggesting new ways to consider human-animal relationsIncludes close readings of four contemporary literary texts to supplement the theoretical discussionContains a list of 'Key Texts' and 'Further Reading' at the end of each chapterDerek Ryan is Lecturer in Modernist Literature at the University of Kent and author of Virginia Woolf and the Materiality of Theory: Sex, Animal, Life (Edinburgh University Press, 2013). His other publications include articles and essays that combine interests in modernism, philosophy and animal studies.

Enlightenment, Legal Education, and Critique deals with broad themes in Legal History, such as the development of Scots Law through the major legal thinkers of the Enlightenment, essays on Roman law and miscellaneous essays on the literary and philosophical traditions within law.

The first volume of two, this collection of essays on Scots Law represents a selection of the most cited articles published by Professor John W. Cairns over a distinguished career in Legal History. It is a mark of his international eminence that much of his prolific output has been published outside of the UK, in a wide variety of journals and collections. The consequence is that some of his most valuable writing has appeared in sources which are difficult to locate. This collection covers the foundation and continuity of Scots Law from 16th and 17th century Scotland through the 18th century influence of Dutch Humanism into the 19th century and the further development of the Scots legal system and profession.

The theoretical writings of Jacques Lacan, Gilles Deleuze and Alain Badiou stand at the heart of contemporary European thought. While the combined corpus of these three figures contains a significant number of references to each other's work, such references are often simply critical, obscure "e; or both. Lacan Deleuze Badiou guides us through the crucial, under-remarked interrelations between these three thinkers, identifying the conceptual passages, connections and disjunctions that underlie the often superficial statements of critique, indifference or agreement. Working through the rubrics of the contemporary, time, the event and truth, Bartlett, Clemens and Roffe present a new, lucid account of where these three thinkers stand in relation to one another and why their nexus remains unsurpassed as a point of reference for contemporary thought itself.

Examines the Reading Room of the British Museum as a space of imaginative and historically generative potential in relation to the emergence of modern women writers in Victorian and early twentieth-century London Drawing on archival materials around this national library reading room, Roomscape is the first study that integrates documentary, theoretical, historical, and literary sources to examine the significance of this public interior space for women writers and their treatment of reading and writing spaces in literary texts. This book challenges an assessment of the Reading Room of the British Museum as a bastion of class and gender privilege, an image firmly established by Virginia Woolf's 1929 A Room of One's Own and the legions of feminist scholarship that uphold this spatial conceit. Susan David Bernstein argues not only that the British Museum Reading Room facilitated various practices of women's literary traditions, she also questions the overdetermined value of privacy and autonomy in constructions of female authorship, a principle generated from Woolf's feminist manifesto. Rather than viewing reading and writing as solitary, individual events, Roomscape considers the meaning of exteriority and the public and social and gendered dimensions of literary production. In addition to new perspectives on George Eliot, Christina Rossetti, and Virginia Woolf, Roomscape offers original research on other novelists, poets, and translators including Amy Levy, Mathilde Blind, Eleanor Marx, Clementina Black, Constance Black Garnett, A. Mary F. Robinson, and Vernon Lee (Violet Paget). Looking at the Reading Room of the British Museum as a networking site for a variety of readers, this study examines political radicals and women activists who found a transnational community in this London public space. An appendix of notable readers lists details of more than 200 women readers who registered for admission to the Reading Room of the British Museum from the middle of the nineteenth century through the early twentieth century.

This textbook introduces the reader to modernist avant-garde theatre. It clearly explains the key terms as well as the major movements, including Expressionism, Dadaism, Futurism, Workers' theatres, Constructivism and the Living Newspaper, and Mass Performance, using a case study approach. It introduces the important innovations of the modernist avant-garde, reassesses theatrical techniques, and provides examples of plays and performances from across Europe and America. There are also chapters on The Modernist Body and on Interdisciplinary Performance. The book approaches the modernist avant-garde both as an area of academic study and as potential raw material for contemporary performance.

What is a thing? What is an object? Tristan Garcia decisively overturns 100 years of Heideggerian orthodoxy about the supposed derivative nature of objects and in so doing provides deep insights about the world and our place in it. Garcia's original and systematic formal ontology of things strips them of any determination, intensity or depth. From this radical ontological poverty, he develops encyclopaedic regional ontologies of objects. By covering topics as diverse as the universe, events, time, the living, animals, human beings, representation, arts and rules, culture, history, political economy, values, classes, genders, ages of life and death, he shows that speculative metaphysics and ontology are alive and well.

This volume explicates Paul de Man's late project of a critique of aesthetic ideology and attempts to extend it in ways productive for critical thought. After a reading of de Man's work in all its rigour - and hence also the aesthetic theory of Kant, Schiller, and Hegel- the book goes on to uncover a 'material moment' in Hegel's Phenomenology of Spirit that lives on in Marx and in the Marxist tradition. The book also elucidates de Man's critical reading of Heidegger on the example of Holderlin-a moment essential for de Man's shifts to the question of rhetoric and then to the question of ideology-and ends with a reading of Derrida's 'last' text on de Man and its uncanny self-inscription in Rousseau's episode of the stolen ribbon.

A new work of scholarship in the practice of rhetorical readingThis monograph provides readings of literary and philosophical texts that work through the rhetoric of tropes to the material inscription at the origin of these texts. The book focuses on the practice and pedagogical value of rhetorical reading. Its readings follow an itinerary from poetic texts (such as those by Wordsworth and Keats) through theoretical or philosophical texts (by Descartes and Nietzsche) to narrative fiction (by Henry James). The book also contains two essays on Paul de Man and literary theory and an interview on the topic of "e;Deconstruction at Yale."e; All three of these latter texts are explicitly about the inescapable function and importance of the rhetoric of tropes for any critical reading or literary study worthy of the name. As Andrzej Warminski demonstrates, 'rhetorical reading' is a species of 'deconstructive reading'-in the full 'de Manian' sense-but one that, rather than harkening back to a past over and done with, would open the texts to a different future. Key Features:New readings of texts by Wordsworth, Keats, Descartes, Nietzsche, and Henry JamesEssays and an interview on Paul de Man and 'Deconstruction at Yale' Reflects on and exemplifies the pedagogical value of 'de Manian' rhetorical readingAttempts to open a future for 'deconstructive' or 'de Manian' reading

What is man? Judith Still examines Derrida's contribution to this long-standing philosophical and political debate, which has typically evoked a significant division between human beings and other animals. Derrida pays close attention to how animals are used to explore humanity in a range of writings, including fables and fiction. This leads to ethical questions about how humans treat animals: sacrificing animals (say, in factory farms) while extending love to pets. And it leads to political questions about how we dehumanise 'outsiders', from historical matters such as colonialism and slavery to contemporary issues such as State Terror in response to 'rogue states'.

Quickly equips readers with the strategies to understand and deepen their engagement with individual poemsPraise for the first edition: 'Wide-ranging, provocative, and thorough, Strachan and Terry provide the student with all the tools necessary for the study of poetry. I can think of no other volume that offers the reader so much in so few pages. This is the text of choice for all students and teachers of the subject.'Duncan Wu, University of Glasgow Based on their extensive teaching experience, the authors provide a lively route map through the main aspects of poetry such as sound effects, rhythm and metre, the typographic display of poems on the page and the language of poetry using practical examples throughout. o Packed full of examples, from the work of Shakespeare to Edwin Morgan and from Sylvia Plath to John Agardo Detailed index of poets, works, terms, forms & conceptso Full glossary of poetic terms, from /acatalectic/ to /wrenched accent/, with cross-references and page references of examplesNew for this edition:o End-of-chapter exercises and follow-up research taskso New readings of modern women's poetryo Section on How to Write Poetry with exerciseso Suggestions for further reading - both books and websites

A glossary of words associated with Jacques Derrida accommodating the far-reaching implications of his workThis cornucopia of words and definitions intervenes at crucial points of tension across the entire range of Derrida's publications, including those published posthumously. It offers sustained expository engagement with a series of 67 key words - from Aporia to Yes - having significance throughout Derrida's thought and writing. Touching on the literary, as well as on political, aesthetic, phenomenological and psychoanalytic discourses, and tracing how Derrida's own practice of close reading shadows faithfully the texts he reads before producing a breaking point in the logical limits of a given text, each word, the essays illustrate, is not a final word. Instead, each shows itself, through close reading that places the terms, figures, tropes, and motifs in their broader contexts, to be a gateway, opening on to innumerable, interconnected concerns that inform the work of Jacques Derrida.

The pre-modern period saw a background of inter-ethnic strife among Arabs and non-Arabs, mainly Persians. Starting from the symbolic and cognitive roles of language, Yasir Suleiman shows how discussions about the inimitability and (un)translatability of the Qur'an in this period were, at some deep level, concerned with issues of ethnic election. In this respect, theology and ethnicity emerge as partners in theorising language. Staying within the symbolic role of language, Suleiman goes on to investigate the role of paratexts and literary production in disseminating language ideologies and in cultural contestation. He shows how language symbolism is relevant to ideological debates about hybrid and cross-national literary production in the Arab milieu. In fact, language ideology appears to be everywhere, and a whole chapter is devoted to discussions of the cognitive role of language in linking thought to reality.

"e;Hollywood 'happy ending' has long been considered among the most famous and standardised features in the whole of narrative filmmaking. Yet, while ceaselessly invoked, this notorious device has received barely any detailed attention from the field of film studies. This book is thus the first in-depth examination of one of the most overused and under-analysed concepts in discussions of popular cinema. What exactly is the 'happy ending'? Is it simply a cliche, as commonly supposed? Why has it earned such an unenviable reputation? What does it, or can it, mean? Concentrating especially on conclusions featuring an ultimate romantic union - the final couple - this wide-ranging investigation probes traditional associations between the 'happy ending' and homogeneity, closure, 'unrealism', and ideological conservatism, testing widespread assumptions against the evidence offered by a range of classical and contemporary films. "e;

A new departure in Scottish and Irish migration studiesThe Scottish diasporic communities closest to home-those which are part of what we sometimes term the 'near Diaspora'-are those we know least about. Whilst an interest in the overseas Scottish diaspora has grown in recent years, Scots who chose to settle in other parts of the United Kingdom have been largely neglected. This book addresses this imbalance.Scots travelled freely around the industrial centres of northern Britain throughout the nineteenth and early twentieth centuries and Belfast was one of the most important ports of call for thousands of Scots. The Scots played key roles in shaping Belfast society in the modern period: they were essential to its industrial development; they were at the centre of many cultural, philanthropic and religious initiatives and were welcomed by the host community accordingly.Yet despite their obvious significance, in staunchly Protestant, Unionist, and at times insular and ill at ease Belfast, individual Scots could be viewed with suspicion by their hosts, dismissed as 'strangers' and cast in the role of interfering outsiders.Key FeaturesThe only book-length scholarly study of the Scots in modern Ireland.Brings to light the fundamental importance of Scottish migration to Belfast society during the nineteenth century.Advances our knowledge and understanding of Scotland's 'near diaspora.'Highlights areas of tension in Ulster-Scottish relations during the Home Rule era.Puts forward a new agenda for a better understanding of British in-migration to Ireland in the modern period.

Onto-Cartography gives an unapologetic defense of naturalism and materialism, transforming these familiar positions and showing how culture itself is formed by nature. Bryant endorses a pan-ecological theory of being, arguing that societies are ecosystems that can only be understood by considering nonhuman material agencies such as rivers and mountain ranges alongside signifying agencies such as discourses, narratives and ideologies. In this way, Bryant lays the foundations for a new machine-oriented ontology. This theoretically omnivorous work draws on disciplines as diverse as deconstruction, psychoanalysis, Marxism, media studies, object-oriented ontology, the new materialist feminisms, actor-network theory, biology and sociology. Through its fresh attention to nonhumans and material being, it also provides a framework for integrating the most valuable findings of critical theory and social constructivism.

Justin Clemens examines psychoanalysis under the rubric of 'antiphilosophy': a practice that offers the strongest possible challenges to thought. Drawing on the work of Badiou, Freud, Lacan, Zizek and Agamben, he examines the relationships of humans to drugs, animality and sexuality, and to torture, slavery and swarming.

Demonstrates the importance of postcolonial approaches to understanding the literature of the period 1787-1833Arguing that literature of the Romantic period must be understood in the context of British colonial expansion and imperial rule, this text surveys Romantic literature's role in consolidating Britain as the centre of empire. It highlights the ways in which the expanding print market served readers eager to learn about the wider world: Romantic poetry and travel writing, for example, went hand in hand. Elizabeth Bohls shows that while Exoticism and Orientalism help us understand colonial discourses and imperial ideologies, texts not overtly concerned with the exotic, like Wordsworth's and Austen's, also engage the historical problematic of empire. Key FeaturesCovers travel writing, slave narratives, political prose as well as novels & poetry Reads canonical materials (Coleridge, Austen, Scott, Shelley, etc.) in new ways Wide coverage: the Romantic Geographies chapter treats travel in the Pacific, Canada/North America, the Caribbean, Africa and India, while the Romantic Orientalism chapter treats writings on India

For more than half a century, the Joint Intelligence Committee or 'JIC' has been a central component of the British Government's secret machinery. It represents the highest authority in the world of intelligence and acts as a broker between the spy and the policy-maker. From WWII to the War in Iraq, and from the Falklands to the IRA, it has been involved in almost every key foreign policy decision. This book reveals the declassified papers of the JIC, shining a light on the workings of Whitehall's secret world and the vital, previously unknown, role played by intelligence in pivotal events across the twentieth and twenty-first centuries.

This book investigates the sensuous qualities of narration in the feature-length fiction film. Sensuous narration takes place when details of visual (or aural) texture are foregrounded for storytelling purposes. For example, the image becomes 'soft' in order to signal the representation of a character's memory; a 'scratchy' version of a song plays on the soundtrack in order to shape the viewer's understanding of the images it accompanies. In these cases, image and sound are associated with tactile properties (softness and scratchiness).The book provides a comprehensive account of existing work on film narration and offers an overview of the sensuous aspects of cinematic storytelling, as demonstrated through a broad selection of films. The films used as case studies in the book are particularly 'multi-layered', in that they all make extensive use of materials with sensuously contrasting visual and/or aural properties: for example, films whose images are a combination of colour and monochrome (e.g. The Wizard of Oz); whose soundtracks feature multiple voiceover narrators (e.g. All About Eve) or which feature multiple performers portraying the same character (e.g. the Bob Dylan biopic I'm Not There).

Charts the history and development of Twelver Shi'ismAs many as 40 different Shi`i groups existed in the 9th and 10th centuries; only 3 forms remain. Why is Twelver Shi`ism one of them? As the established faith in modern Iran, the majority faith in Iraq and areas in the Gulf and with its adherents forming sizeable minorities elsewhere in the region, it is arguably the most successful branch of Shi'ism. Andrew Newman charts the history Twelver Shi'ism, uncovering the development of the key distinctive doctrines and practices which ensured its survival in the face of repeated challenges. He argues that the key to the faith's endurance has been its ability to institutionalise responses to the changing, often localised circumstances in which the community has found itself, thereby remaining remarkably resilient in the face of both internal disagreements and external opposition.

A comprehensive survey of Muslim Spain from 711-1502. This introduction to Muslim Spain covers the period from 711 to1502, giving readers a substantial overview of what it was that made it a unique and successful society, and of its powerful legacy in the formation of modern Spain. Using a chronological framework and pushing the main historical developments to the forefront, the author keeps in view the shifting social patterns caused by the changing balance between town and country, major and minor dynasties, foreign groupings and repeated invasions from North Africa. He also includes discussion of topics such as inter-faith relations, multi-ethnic competing groups, and how intellectual life was enriched by pluralism and influence from abroad.

This monograph addresses diachronic change of languages in terms of a restructuring of speakers' internal grammatical knowledge. The authors answer questions about the circumstances surrounding grammatical change and attempt to identify causes, constructing a general theory of diachronic change consistent with insights from language acquisition.

To understand today's Arab thinking, you need to go back to the beginnings of modernity: the nahdah or Arab renaissance of the 19th and early 20th centuries. Abdulrazzak Patel enhances our understanding of the nahdah and its intellectuals, looking back to its origins in the 1700s and taking into account important internal factors alongside external forces. He explores the key factors that contributed to the rise and development of the nahdah, he introduces the humanist movement of the period that was the driving force behind much of the linguistic, literary and educational activity. Drawing on intellectual history, literary history and postcolonial studies, he argues that the nahdah was the product of native development and foreign assistance and that nahdah reformist thought was hybrid in nature. Overall, this study highlights the complexity of the movement and offers a more pluralist history of the period.

This book fills this gap and provides an essential resource for academics and researchers with an interest in cinematic representations of the family and transnational cinema.

This book uses large scale social and cultural trends and major world events to analyse the American comedy film. This is a historical and conceptual study discussing the comedy narrative, comic traditions, and role of visual culture. The important innovators of American film comedy and the role of visual technology within cultural politic are discussed, as well as theorists such as Freud, Baudrillard, and Derrida. Key features* Close analysis of two films to illustrate key points in each chapter* Relevant both to film and cultural studies* Chronological treatment