Böcker utgivna av EDINBURGH UNIVERSITY PRESS

Presents a new way of examining the historical significance and endurance of Mary, Queen of Scots

The book examines how Danish and German film interacted with one another from 1910 through World War I till the advent of sound around 1930. The film businesses of the two countries were closely connected, and many film professionals crossed back and forth across national borders. The studies in this book include production and distribution history, censorship, celebrity studies, and aesthetic analysis. They contribute to European film and cultural history through extensive empirical investigation of films, persons and companies. The underlying perspective is that of entangled film history, an approach that stresses cross-border interchanges and mutual influences. Written by an international team of scholars, the book marks the conclusion of a four-year collective research project running alongside the stumfilm.dk initiative to digitise the entire Danish silent film heritage.

Redefines Irish modernism as resistance to religious, sociopolitical and aesthetic orthodoxies Edinburgh Companion to Irish Modernism presents a fresh perspective on received understandings of Irish modernism. The introduction draws connections between modernism in the arts and modernism as a resistant, liberal, relativist movement within the Catholic Church that was gathering momentum in the same period. In religion as in culture, resistance to orthodoxy has persisted, and for this reason this companion explores modernist heresies - cultural, aesthetic, critical, epistemological - that stretch back to the late nineteenth-century and forward to present day. Contributors widen the temporal, conceptual, generic, and geographical definitions of Irish modernism by investigating crosscurrents between literary form and cultural transformation through the twentieth and twenty-first centuries. The book enriches the canon of Irish modernism by recovering lesser-known works by both neglected and canonical writers, especially women poets and novelists. Maud Ellmann is the Randy L. and Melvin R. Berlin Professor of the Development of the Novel in English at the University of Chicago. Siân White is Associate Professor of English at James Madison University. Vicki Mahaffey is the Clayton and Thelma Kirkpatrick Professor of English at the University of Illinois at Urbana-Champaign.

A collection of original essays exploring the diverse impact of Virginia Woolf's writing on contemporary global literature and culture To capture the many Woolfian currents circulating today, the twenty-three chapters in this companion examine the global responses Woolf's work has inspired and explore her international influence. Authors address ways Woolf is received by writers, publishers, reading audiences and academics in countries around the world; how she is translated into multiple languages; and how her life is transformed into global contemporary biofiction. This collection is dialogic and comparative, incorporating both transnational and local tendencies insofar as they epitomize Woolf's global reception and legacy. It contests the 'centre' and 'periphery' binary, offering new models for Woolf global studies and promoting cross-cultural understandings. Jeanne Dubino is a Professor of English and Global Studies at Appalachian State University, USA. Paulina Pająk is a Lecturer in English Studies at the University of Wroclaw, Poland. Catherine Hollis is an Instructor at the University of California-Berkeley, USA. Celiese Lypka is a Postdoctoral Fellow in English Literature at the University of Manitoba, Canada. Vara Neverow is a Professor of English and Women's and Gender Studies at Southern Connecticut State University, USA.

A collection of original essays providing critical, international and cross-disciplinary approaches to the prose poem The first comprehensive guide to the prose poem, this book covers the history of the genre from Aloysius Bertrand's Gaspard de la nuit and Baudelaire's Paris Spleen to its most important modern and contemporary practitioners. It gives special attention to the genre's hybridity as well as to its propensity to engage in a dialogue with other genres, discourses and artistic forms. Written by prominent scholars of modern and contemporary poetry and poetics, The Edinburgh Companion to the Prose Poem offers analytical and historically informed narratives of the genre's transformations and variations across the nineteenth and twentieth centuries and into the next. Mary Ann Caws is Distinguished Professor Emerita and Resident Professor of English, French, and Comparative Literature at the City University of New York. She is the author of Creative Gatherings: Meeting Places of Modernism. Michel Delville is Professor of English, American and Comparative Literature at the University of Liège. He is the author of The American Prose Poem: Poetic Form and the Boundaries of Genre.