Böcker utgivna av Duke University Press

Drawing on cultural policy, queer and feminist theory, materialist media studies, and postcolonial historiography, Bliss Cua Lim analyzes the crisis-ridden history of Philippine film archiving—a history of lost films, limited access, and collapsed archives.

In this revised and expanded twentieth anniversary edition of Big Game, Small World, Alexander Wolff travels the globe in search of what basketball can tell us about the world, and what the world can tell us about the game.

"Provocative and challenging, Dworetz's argument is calculated to unsettle intellectual complacency and to prompt Americans to a new appreciation of the liberal philosophic foundations of liberal philosophy."--Wilson Carey McWilliams, Rutgers University ""The Unvarnished Doctrine" restores Lockean-liberal thought to its proper place as the dominant ideology of the American Revolution. In doing so, this excellent book challenges republican revisionism which either denies the significance of Locke's liberalism or casts it as anti-revolutionary . . . ."--Douglas Jaenicke, "Political Studies" "Dworetz has done a fine job of drawing attention to the interwoven political and theological issues that frame the American Revolution. . . . Readers of Dworetz's effort will come away with renewed interest in American Revolutionary thought."--John J. Holder, Jr., "Transactions of the Charles S. Peirce Society ""A splendid and lively . . . book."--Issac Krammick, "Society"

Paper Knowledge is a remarkable book about the mundane: the library card, the promissory note, the movie ticket, the PDF (Portable Document Format). It is a media history of the document.

"An elegant display of prose. . . . [Klein's] polemic is bravely cranky. The book is important for . . . situating the act of smoking in Western culture and telling us addicts, without condescension, what kind of dance we're doing 10 or 20 times a day."--Laura Mansnerus, "New York Times Book Review" "[A] wise and timely book: it is also sly, funny, and peculiarly seductive. . . . [A] remarkable achievement."--John Banville, "New York Review of Books"

Throughout the French empire, from the Atlantic and the Caribbean to West and North Africa, men, women, and children responded to enslavement, colonization, and oppression through acts of suicide. In The Suicide Archive, Doyle D. Calhoun charts a long history of suicidal resistance to French colonialism and neocolonialism, from the time of slavery to the Algerian War for Independence to the "Arab Spring." Noting that suicide was either obscured in or occluded from French colonial archives, Calhoun turns to literature and film to show how aesthetic forms and narrative accounts can keep alive the silenced histories of suicide as a political language. Drawing on scientific texts, police files, and legal proceedings alongside contemporary African and Afro-Caribbean novels, film, and Senegalese oral history, Calhoun outlines how such aesthetic works rewrite histories of resistance and loss. Consequently, Calhoun offers a new way of writing about suicide, slavery, and coloniality in relation to literary history.