Böcker utgivna av Duke University Press

Presenting ethnographic case studies from across the globe, the contributors to Anthropos and the Material question and complicate long-held understandings of the divide between humans and things by examining encounters between the human and the nonhuman in numerous social, cultural, technological, and geographical contexts.

The contributors to Spirit on the Move examine Pentecostalism's appeal to black women worldwide and the ways it provides them with a source of community, access to power, and way to challenge social inequalities.

Presents and challenges the most basic assumptions about America's relationship with pornography and questions what the calls to eliminate it are really attempting to protect.

The contributors to Animalia analyze twenty-six animals-from yaks and vultures to whales and platypuses-that played central roles in the history of British imperial control.

The contributors to Animalia analyze twenty-six animals-from yaks and vultures to whales and platypuses-that played central roles in the history of British imperial control.

Filled with advice from over fifty contributors, this revised and expanded edition of The Academic's Handbook guides academics at every career stage, whether they are first entering the job market or negotiating post-tenure challenges of accepting leadership and administrative roles.

The contributors to Indigenous Textual Cultures examined the ways in which indigenous peoples created textual cultures to navigate, shape, and contest empire, colonialism, and modernity.

The contributors to Gramsci in the World examine the varying receptions and uses of Antonio Gramsci's thought in diverse geographical, historical, and political contexts, highlighting its possibilities and limits for understanding and changing the social world.

Conceiving of sovereign space as volume rather than area, the contributors to Voluminous States explore how such a conception reveals and underscores the three-dimensional nature of modern territorial governance.

Examining theater, performance art, music, sports, dance, and photography, the contributors to Race and Performance after Repetition explore how theater and performance studies account for the complex relationship between race and time.

The contributors to We Are Not Dreamers-who are themselves currently or formerly undocumented-call for the elimination of the Dreamer narrative, showing how it establishes high expectations for who deserves citizenship and marginalizes large numbers of undocumented youth.

Drawing on examples of things that happen to us but are nonetheless excluded from experience, as well as critical phenomenology, genealogy, and feminist theory, Cressida J. Heyes shows how and why experience has edges, and analyzes phenomena that press against them.

Kregg Hetherington uses Paraguay's turn of the twenty-first century adoption of massive soybean production and the regulatory attempts to mitigate the resulting environmental degradation as a way to show how the tools used to drive economic growth exacerbate the very environmental challenges they were designed to solve.

Alex Blanchette explores how the daily lives of a Midwestern town that is home to a massive pork complex were reorganized around the life and death cycles of pigs while using the factory farm as a way to detail the state of contemporary American industrial capitalism.

The Lonely Letters is an epistolary blackqueer critique of the normative world in which Ashon T. Crawley meditates on the interrelation of blackqueer life, sounds of the black church, theology, mysticism, and the potential for platonic and erotic connection in a world that conspires against blackqueer life.

Harriet Evans tells the history of the residents in Dashalar-now redeveloped and gentrified but once one of the Beijing's poorest neighborhoods-to show how their experiences complicate official state narratives of Chinese economic development and progress.

Through innovative readings of gay and lesbian films, Lee Wallace offers a provocative argument that queer experiments in domesticity have profoundly reshaped heterosexual marriage to such an extent that now all marriage is gay marriage.

Micha Rahder explores how multiple ways of knowing the forest of Guatemala's Maya Biosphere Reserve shape conservation practice, local livelihoods, and landscapes.

Farzaneh Hemmasi draws on ethnographic fieldwork in Los Angeles and musical and textual analysis to examine how the pop music, music videos, and television made by Iranian expatriates express modes of Iranianness not possible in Iran.

Marilyn Strathern provides a critical account of anthropology's key concept of relation and its usage and significance in the English-speaking world, showing how its evolving use over the last three centuries reflects changing thinking about knowledge-making and kin-making.

Focusing on a wide range of media technologies and practices in Beijing, Joshua Neves examines the cultural politics of the "fake" and how frictions between legality and legitimacy propel dominant models of economic development and political life in contemporary China.

Roberto Strongman examines three Afro-diasporic religions-Hatian Vodou, Cuban Lucumi/Santeria, and Brazilian Candomble-to demonstrate how the commingling of humans and the divine during trance possession produce subjectivities whose genders are unconstrained by biological sex.

A study of colonialism and art that examines the intersection of visual culture and political power in late-eighteenth-century British painting. Focusing on paintings from British America, West Indies, and India, it investigates the role of art in creating and maintaining imperial ideologies and practices - and resisting and complicating them.

The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a way to negotiate violence, trauma, systemic inequality, and the aftermaths of war and colonialism.

Drawing on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, Vanessa Diaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture.

Tyler Bickford traces the dramatic rise of the "tween" pop music industry, showing how it marshaled childishness as a key element in legitimizing children's participation in public culture.

Fadi A. Bardawil explores the hopes for and disenchantments with Marxism-Leninism in the writings and actions of revolutionary intellectuals within the 1960s Arab New Left.

Rahul Mukherjee explores how the media coverage of and debates about nuclear power plants and cellular phone antennas in India frames and sustains environmental activism.

Xavier Livermon examines the cultural politics of the youthful black body in South Africa through the performance, representation, and consumption of Kwaito-a style of electronic dance music that emerged following the end of apartheid.

Gillian Harkins traces the genealogy of the transformation of cultural construction of the pedophile as a social outcast into the image of normative white masculinity from the 1980s to the present, showing how his "normalcy" makes him hard to identify and stop.