Böcker utgivna av Duke University Press

Delinda Collier finds alternative concepts of mediation in African art by closely engaging with electricity-based works since 1944.

Noah Tamarkin illustrates how Lemba people in South Africa give their own meanings to the results of DNA tests that substantiated their ancestral connections to Jews and employ them to manage competing claims of Jewish ethnic and religious identity, African indigeneity, and South African citizenship.

Diary of a Detour is film scholar and author Lesley Stern's memoir of living with cancer, where she chronicles the fears and daily experience of coming to grips with an incurable disease and turns to alternative obsessions and pleasures, from travel and friendships to her four chickens.

Laura Hyun Yi Kang demonstrates that the figure of "Asian women" functions as an analytic with which to understand the emergence, decline, and permutation of US power and knowledge at the nexus of capitalism, state power, global governance, and knowledge production throughout the twentieth century.

Johana Londono examines how the barrio has become a cultural force that has been manipulated in order to create Latinized urban landscapes that are palatable for white Americans who view concentrated areas of Latinx populations as a threat.

In essays addressing topics ranging from cinema, feminism, and art to hip hop, urban slums, and digital technology, Sujatha Fernandes explores the multitudinous ways ordinary Cubans have sought to hustle, survive, and create expressive cultures in the aftermath of the Soviet Union's collapse.

Examining the work of Aretha Franklin, Nina Simone, Solange Knowles, Flying Lotus, and others, Emily J. Lordi proposes a new understanding of soul, showing how it came to signify a belief in black resilience enacted through musical practices.

Christopher Chitty traces the 500 year history of capitalist sexual relations, showing how sexuality became a crucial dimension of the accumulation of capital and a technique of bourgeois rule.

T. J. Demos explores a range of artistic, activist, and cultural practices that provide compelling and radical propositions for building a just, decolonial, and environmentally sustainable future.

Alessandro Russo rethinks the history of China's Cultural Revolution, arguing that it must be understood as a mass political experiment aimed at thoroughly reexamining the tenets of communism itself.

Chris Ingraham shows that gestures of concern, such as sharing or liking a post on social media, are central to establishing the necessary conditions for larger social or political change because they help to build the affective communities that orient us to one another with an imaginable future in mind.

Charles R. Acland charts the origins, impact, and dynamics of the blockbuster, showing how it became a complex economic and cultural machine designed to advance popular support for technological advances.

Daisuke Miyao reveals the undetected influence that Japanese art and aesthetics had on early cinema and the pioneering films of the Lumiere brothers.

Monica Popescu traces the development of African literature during the second half of the twentieth century, showing how the United States and the Soviet Union's efforts to further their geopolitical and ideological goals influenced literary practices and knowledge production on the African continent.

Matthew C. Watson considers the life and work of artist and Mayanist scholar Linda Schele (1942-1998) as an entry point to discuss the nature of cultural inquiry, decipherment in anthropology, and the social conditions of knowledge production.

Ian Baucom puts black studies into conversation with climate change, outlining how the ongoing concerns of critical race, diaspora, and postcolonial studies are crucial to understanding the Anthropocene and vice versa.

Samantha Pinto explores how histories of and the ongoing fame of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta generate new ways of imagining black feminist futures.

Cait McKinney traces how lesbian feminist activists in the United States and Canada between the 1970s and the present developed communication networks, databases, and digital archives to use as a foundation for their feminist, antiracist, and trans-inclusive work.

Melissa Brough explores how youth-centered forms of civic and cultural engagement in Medellin, Colombia, create networks of change that have the possibility to transform and democratize cities around the world.

Abigail A. Dumes offers an ethnographic exploration of the Lyme disease controversy to shed light on the relationship between contested illness and evidence-based medicine in the United States.

Diana Taylor offers the theory of presente as a model of standing by and with victims of structural and endemic violence by being physically and politically present in situations where it seems that nothing can be done.

Allison Moore examines the tensions between the local and the global in the art photography movement that blossomed in Bamako, Mali, in the 1990s, showing contemporary Malian photography to be a rich example of Western notions of art meeting traditional cultural precepts to forge new artistic forms, practices, and communities.

Lily Woodruff examines the development of artistic strategies of political resistance in France in the decades following World War II, showing how artists countered establishment ideology, challenged traditional art institutions, appealed to direct political engagement, and grappled with French intellectuals' modeling of society.

Sa'ed Atshan and Katharina Galor draw on ethnographic fieldwork and interviews to explore the asymmetric relationships between Germans and Israeli and Palestinian immigrants in the context of official German policies, public discourse, and the impact of coming to terms with the past.

Written in 1937, published in Spanish in 1973, and appearing here in English for the first time, Freddy Prestol Castillo's novel is one of the few accounts of the 1937 massacre of tens of thousands of Haitians living in the Dominican Republic.

Kwasi Konadu centers the life of Ghanaian healer, spiritual leader, and farmer Kofi DOnkO (1913-1995) to tell the biography of his community and how they navigated the changes from the late nineteenth century through the end of the twentieth.

Catherine Waldby trace how the history of the valuing of human oocytes-the reproductive cells specific to women-intersects with the biological and social life of women.

Toni Pape examines contemporary television that often presents a conflict-laden conclusion first before relaying the events that led up to that inevitable ending, showing how this narrative structure attunes audiences to the fear-based political doctrine of preemption-a logic that justifies preemptive action to nullify a perceived future threat.

Maura Finkelstein examines what it means for textile mill workers in Mumbai-who are assumed to not exist-to live during a period of deindustrialization, showing how mills and workers' bodies constitute an archive of Mumbai's history that challenge common thinking about the city's past, present, and future.

Hester Blum examines the rich, offbeat collection of printed ephemera created by nineteenth- and early twentieth-century polar explorers, showing how ship newspapers and other writing shows how explores wrestled with questions of time, space, and community while providing them with habits to survive the extreme polar climate.