Böcker utgivna av Dover Publications Inc.

Twenty-nine realistic drawings depict Titanic at dock in Southhampton, England; passengers dining and strolling on deck, the ship striking the iceberg, passengers jumping into the water, and more. Captions.

In this classic treatise, a complete physical picture of quantum theory, the Nobel Laureate covers not only his own far-reaching contributions to quantum theory, but also those of Dirac, Schroedinger, Compton, Wilson, Einstein and others. "An authoritative statement of Heisenberg's views on this aspect of the quantum theory."

Rich in detail, shrewdly observed, and vividly narrated, these 6 tales include "Three Deaths," "The Three Hermits," "The Devil," "Father Sergius," "Master and Man," and the title story.

Blossfeldt's exquisite sharp-focus photo studies of plant form -- leaves, buds, stems, seed pods, tendrils and twigs -- won acclaim with publication of the 1928 edition of this book.

Young children can create a busy airport scene with the images in this entertaining activity book. Features 30 full-color peel-and-apply stickers depicting passengers, flight crew, luggage handlers, a fuel truck, supersonic and conventional aircraft, and more that can be applied to a background scene of a runway, hangars, and a control tower. Full-color. 4 plates.

Nature was a form of religion for naturalist, essayist, and early environmentalist Henry David Thoreau (1817 62). In communing with the natural world, he wished to "live deliberately, to front only the essential facts of life, and learn what it had to teach." Toward that end Thoreau built a cabin in the spring of 1845 on the shores of Walden Pond on land owned by Ralph Waldo Emerson outside Concord, Massachusetts. There he observed nature, farmed, built fences, surveyed, and wrote in his journal.One product of his two-year sojourn was this book a great classic of American letters. Interwoven with accounts of Thoreau's daily life (he received visitors and almost daily walked into Concord) are mediations on human existence, society, government, and other topics, expressed with wisdom and beauty of style.Walden offers abundant evidence of Thoreau's ability to begin with observations on a mundane incident or the minutiae of nature and then develop these observations into profound ruminations on the most fundamental human concerns. Credited with influencing Tolstoy, Gandhi, and other thinkers, the volume remains a masterpiece of philosophical reflection."

This unique collection spans over 400 years (1488-1902) of haiku history by the greatest masters, in translations by top-flight scholars of the field. Haiku (distilled poems featuring 17 syllables) command enormous respect in Japan. Now readers of poetry in the West can savor these expressive masterpieces in this treasury.

His Don Quixote ... from its first to its last page [is] a marvel of imagination, poetry, sentiment, and sarcasm. . . . People still speak of it only as 'Doré's Don Quixote'.--Life and Reminiscences of Gustave Doré Doré himself had something of Quixote's chivalry and spent an arduous life drafting impossible dreams; he knew fame as well as pain, disillusionment, and failure. At age 30 he was ready for Quixote and prepared to realize his dream of illustrating the world's great books.Doré never became the painter he yearned to be, but he came very close to realizing his desired intimacy with the classics. His sympathy with Cervantes' satire was so close that, of the numerous Quixote interpretations by many outstanding artists, Doré's has become the standard. The French translation of Cervantes that Doré illustrated is forgotten; here is the memorable remnant of that work--all 120 full-page plates, plus a selection of 70 characteristic headpiece and tailpiece vignettes.As can be seen in the backgrounds, Doré was ready professionally as well as emotionally for Quixote. He had traveled through Spain preparing an earlier work, and his graphic memory was as strong and indelible as that of another great Quixote interpreter, Picasso. From Sancho's village through Spanish hills and dry plateaus, in the Pyrenees and by the sea, in rural castles and Barcelona luxury, Doré illuminated the seventeenth-century setting with a nineteenth-century acquaintance with the scene. Doré was also a careful student of Renaissance costume and architecture; his minutiae, so copious, are invariably correct.Captions written especially for this edition describe the action with reference to the original Spanish text, capturing high points of the story. But of course Doré conveys it all in a picture: the famous windmill charge, traversing the Sierra Morena, battling the Knight of the White Moon, visions of giants, dragons, flaming lakes, and damsels, the Dulcinea never found, all in full-page wood engravings. Doré's marvelous penchant for ghostly effects in panoramic landscapes and seascapes finds large scope here, carefully engraved by one of the best of his longtime studio engravers, H. Pisano.Doré's Man of la Mancha glows with the artist's own enchantment and humor. Artists and illustration aficionados will add this royalty-free volume to other Dover editions of Doré's works--art he created to stand with great literature that now stands alone. Doré's Quixote indeed stands alone, unique among the knights and graphic castles in Spain.Dover (1982) original publication of selections from L'ingenieux hidalgo Don Quichotte de la Manche par Miguel de Cervantes Saavedra, published by L. Hachette et Cie, Paris, 1869.

The guidance to be found within these covers reflects the author's inspired ability as a teacher and artist of the highest magnitude. It is probably the finest book on the subject of drawing the human form that I have ever seen.--Irving Shapiro, A.W.S., Director, American Academy of ArtThis unique guide offers a bold, innovative approach to drawing from life. Instead of teaching the traditional method of building up a drawing from lines, leaving mass and tone till later, noted art instructor Douglas R. Graves takes precisely the opposite tack. The student is encouraged to begin seeing and thinking in terms of tonal masses immediately. This approach enables students to draw quickly and accurately without the need for a line drawing first. The author compares it to learning to paint with charcoal.Step-by-step demonstrations and over 200 of the author's own drawings offer inspiration and practical guidance in the technique. You'll learn how to see tonal quality, how to key a drawing, how to translate color into black and white, and valuable techniques for keeping the figure from looking stiff. Other topics include the role of alignment in achieving proper proportions, foreshortening, male and female figure distinctions, the use of modeling to achieve added dimension, drawing the face, positioning the figure, and many other aspects of life drawing.For students of drawing--beginner to expert--this book is an invaluable guide not just to drawing from life but to the essential principles of observation, composition, and draftsmanship that underlie all successful drawing and painting. It belongs in the library of every artist. For this edition, the author has revised previous chapters and added a new one on Different Modes of Charcoal.Revised and enlarged Dover (1994) republication of the work published by Watson-Guptill Publications, New York, 1971.

Exposition of fourth dimension, concepts of relativity as Flatland characters continue adventures. Topics include curved space time as a higher dimension, special relativity, and shape of space-time. Includes 141 illustrations.

Susan Gaber's encyclopedia of lush flower design contains 100 graceful, botanically accurate garden flowers rendered for artists, designers, or anyone who admires or needs floral designs and motifs. These drawings may be used copyright-free as part of Dover's Pictorial Archive Series. Over 150 line illustrations of 100 different flowers--from African violet to Iris to flowering Tobacco.

More than 500 drawings and text teach you to abstract the body into its major masses. Also specific areas of anatomy.

The noted expert selects 70 of his favorite "short" puzzles. Includes The Returning Explorer, The Mutilated Chessboard, Scrambled Box Tops, and dozens more. Complete solutions included.

Romeo and Juliet was the first drama in English to confer full tragic dignity on the agonies of youthful love. The lyricism that enshrines their death-marked devotion has made the lovers legendary in every language that possesses a literature.

I have made it my concern to hunt out this technique for your study as I learned it by looking and listening. On Divers Arts, c. 1122, is the oldest extant manual on artistic crafts to be written by a practicing artist. Before Theophilus, manuscripts on the arts came from scholars and philosophers standing outside the actual profession. On Divers Arts describes actual 12th-century techniques in painting, glass, and metalwork, which the Benedictine author wished to pass on to those gifted by God with a talent for making beautiful things. Theophilus teaches, with rigorous attention to fact but also with great reverence the making of pigments for fresco painting, the manufacture of glue, the technique of gold leaf on parchment (the first recorded European reference to true paper), how to blow glass and design stained glass windows, how to fashion gold and silver chalices, and how to make a pipe organ and church bells. Precise instruction on enameling, chasing, repoussé, niello, and beaded wire work prove Theophilus's first-hand knowledge of his craft.While 90 percent of Theophilus's writing is sound technical knowledge, medieval folk lore occasionally spices his text: Tools are also made harder by hardening them in the urine of a small red-headed boy than by doing so in plain water. But the magnificent fact of On Divers Art remains its status as the first technical treatise on painting, glass, and metalwork, for which actual specimens still survive. The editors have taken care to ensure both philological and technological accuracy for this authoritative edition of a medieval classic, a manual of great importance to craftsmen, historians of art and science, and all who delight in the making of the beautiful.

16th-century classic debunks witchcraft but offers remarkable primary source of information on witchcraft, witch trials, practice of the black arts. Introduction by Montague Summers. 17 illustrations.

Certainly one of the most difficult, often neglected areas of art study is the correct rendering of heads, features, and faces. This volume, prepared by an expert in the field, is devoted exclusively to just that. With its clear, concise text, its almost 200 excellent illustrations, and its overall life-drawing approach, the book provides valuable guidelines on how best to portray faces, features, and heads. There is probably no better instructor to turn to than George B. Bridgman. He brings to the subject both his expertise as an artist and his fifty years' experience as lecturer and teacher at the Art Students League of New York. Throughout the book, he places as much emphasis on perspective and planes as on anatomy. In this way, you'll develop a more precise understanding of each feature, the head and face in general, the relationship between features, and the relationship between a specific feature and the face or head. Mr. Bridgman's consideration of the head includes such topics as the head at eye level and below eye level; planes of the head; and round and square forms. Four features--eye, nose, mouth, ear--are dealt with in detail. Sections on light and shade, comparative measurements, and principles of cube and oval construction further enhance the scope of the book. The finely executed drawings complement the textual material, illustrating all important concepts. Of special value is the author's inclusion of the work of famous portrait artists. Vermeer, Hals, Rembrandt, Reynolds, Louise Elisabeth LeBrun--these are the people who made portraiture a master art; and you'll be able to study, up close and at your leisure, the qualities that let their work achieve the status it did. Unabridged republication of the original 1932 edition.

This anthology highlights seven centuries of Italian poetry that will help you learn the language as well. Included are 34 examples of Italian verse in the original with English translations on facing pages. Twenty-one poets are represented, from Saint Francis of Assisi, author of the first memorable Italian lyric, "Cancio delle creature," to Salvatore Quasimodo, winner of the 1959 Nobel Prize for Literature. Also included are works by Dante, Petrarch, Ariosto, Tasso, and Montale, as well as such lesser known but significant poets as Compiuta Donzella and Cavalcanti. There are even important works by Boccaccio and Michelangelo.In addition to full Italian texts with expert literal translations on facing pages, this edition contains a wealth of biographical and critical commentary. Unabridged and updated Dover (1991) republication of the work originally published by Dover under the title Invitation to Italian Poetry in 1969.

This famous work by a pioneer in the movement to free art from the bonds of tradition explores the role of the line, point, and other key elements of non-objective painting. 127 illustrations.

Make Your Mark! Unleash your creativity with this unique take on the classic coloring book. Instead of coloring inside the lines, you'll trace, doodle, and draw your own lines to make this vibrantly colored art all your own. Full of sweet garden scenes and adorable gnomes, these pages offer hours of entertainment, inspiration, and stress relief.