Böcker utgivna av Dover Publications Inc.

For almost a century, W. A. Bentley caught and photographed thousands of snowflakes in his workshop at Jericho, Vermont, and made available to scientists and art instructors samples of his remarkable work. His painstakingly prepared images were remarkable revelations of nature's diversity in uniformity: no two snowflakes are exactly alike, but all are based on a common hexagon.In 1931, the American Meteorological Society gathered the best of Bentley's photos and had them published; that work has long been available in a Dover reprint edition. The present volume includes a selection of 72 of the best plates (containing over 850 royalty-free, black-and-white photographs), carefully selected from that larger collection.An inexhaustible source of design inspiration for artists, designers, and craftspeople, these graceful patterns are ideal for use in textile and wallpaper design, as well as a host of other creative projects. These images will also appeal to anyone intrigued by the intricacy and beauty of design in the natural world.

Twenty-nine realistic drawings depict Titanic at dock in Southhampton, England; passengers dining and strolling on deck, the ship striking the iceberg, passengers jumping into the water, and more. Captions.

A year's worth of classic, imaginative knitting projects from "one of America's most ingenious and creative knitters." Sweaters, baby items, blankets, mittens, moccasins, more. 35 illustrations.

In this classic treatise, a complete physical picture of quantum theory, the Nobel Laureate covers not only his own far-reaching contributions to quantum theory, but also those of Dirac, Schroedinger, Compton, Wilson, Einstein and others. "An authoritative statement of Heisenberg's views on this aspect of the quantum theory."

Rich in detail, shrewdly observed, and vividly narrated, these 6 tales include "Three Deaths," "The Three Hermits," "The Devil," "Father Sergius," "Master and Man," and the title story.

Blossfeldt's exquisite sharp-focus photo studies of plant form -- leaves, buds, stems, seed pods, tendrils and twigs -- won acclaim with publication of the 1928 edition of this book.

Nearly 300 speeches provide public speakers with a wealth of quotes and inspiration, from Pericles' funeral oration and William Jennings Bryan's "Cross of Gold" speech to Malcolm X's powerful words on the Black Revolution.

Nature was a form of religion for naturalist, essayist, and early environmentalist Henry David Thoreau (1817 62). In communing with the natural world, he wished to "live deliberately, to front only the essential facts of life, and learn what it had to teach." Toward that end Thoreau built a cabin in the spring of 1845 on the shores of Walden Pond on land owned by Ralph Waldo Emerson outside Concord, Massachusetts. There he observed nature, farmed, built fences, surveyed, and wrote in his journal.One product of his two-year sojourn was this book a great classic of American letters. Interwoven with accounts of Thoreau's daily life (he received visitors and almost daily walked into Concord) are mediations on human existence, society, government, and other topics, expressed with wisdom and beauty of style.Walden offers abundant evidence of Thoreau's ability to begin with observations on a mundane incident or the minutiae of nature and then develop these observations into profound ruminations on the most fundamental human concerns. Credited with influencing Tolstoy, Gandhi, and other thinkers, the volume remains a masterpiece of philosophical reflection."

This unique collection spans over 400 years (1488-1902) of haiku history by the greatest masters, in translations by top-flight scholars of the field. Haiku (distilled poems featuring 17 syllables) command enormous respect in Japan. Now readers of poetry in the West can savor these expressive masterpieces in this treasury.

Over 575 illustrations detailing 59 different garments, mainly for women. Introduction and brief instructions.

His Don Quixote ... from its first to its last page [is] a marvel of imagination, poetry, sentiment, and sarcasm. . . . People still speak of it only as 'Doré's Don Quixote'.--Life and Reminiscences of Gustave Doré Doré himself had something of Quixote's chivalry and spent an arduous life drafting impossible dreams; he knew fame as well as pain, disillusionment, and failure. At age 30 he was ready for Quixote and prepared to realize his dream of illustrating the world's great books.Doré never became the painter he yearned to be, but he came very close to realizing his desired intimacy with the classics. His sympathy with Cervantes' satire was so close that, of the numerous Quixote interpretations by many outstanding artists, Doré's has become the standard. The French translation of Cervantes that Doré illustrated is forgotten; here is the memorable remnant of that work--all 120 full-page plates, plus a selection of 70 characteristic headpiece and tailpiece vignettes.As can be seen in the backgrounds, Doré was ready professionally as well as emotionally for Quixote. He had traveled through Spain preparing an earlier work, and his graphic memory was as strong and indelible as that of another great Quixote interpreter, Picasso. From Sancho's village through Spanish hills and dry plateaus, in the Pyrenees and by the sea, in rural castles and Barcelona luxury, Doré illuminated the seventeenth-century setting with a nineteenth-century acquaintance with the scene. Doré was also a careful student of Renaissance costume and architecture; his minutiae, so copious, are invariably correct.Captions written especially for this edition describe the action with reference to the original Spanish text, capturing high points of the story. But of course Doré conveys it all in a picture: the famous windmill charge, traversing the Sierra Morena, battling the Knight of the White Moon, visions of giants, dragons, flaming lakes, and damsels, the Dulcinea never found, all in full-page wood engravings. Doré's marvelous penchant for ghostly effects in panoramic landscapes and seascapes finds large scope here, carefully engraved by one of the best of his longtime studio engravers, H. Pisano.Doré's Man of la Mancha glows with the artist's own enchantment and humor. Artists and illustration aficionados will add this royalty-free volume to other Dover editions of Doré's works--art he created to stand with great literature that now stands alone. Doré's Quixote indeed stands alone, unique among the knights and graphic castles in Spain.Dover (1982) original publication of selections from L'ingenieux hidalgo Don Quichotte de la Manche par Miguel de Cervantes Saavedra, published by L. Hachette et Cie, Paris, 1869.

Why do card tricks work? How can magicians do astonishing feats of mathematics mentally? Why do stage "mind-reading" tricks work? As a rule, we simply accept these tricks and "magic" without recognizing that they are really demonstrations of strict laws based on probability, sets, number theory, topology, and other branches of mathematics.This is the first book-length study of this fascinating branch of recreational mathematics. Written by one of the foremost experts on mathematical magic, it employs considerable historical data to summarize all previous work in this field. It is also a creative examination of laws and their exemplification, with scores of new tricks, insights, and demonstrations. Dozens of topological tricks are explained, and dozens of manipulation tricks are aligned with mathematical law.Nontechnical, detailed, and clear, this volume contains 115 sections discussing tricks with cards, dice, coins, etc.; topological tricks with handkerchiefs, cards, etc.; geometrical vanishing effects; demonstrations with pure numbers; and dozens of other topics. You will learn how a Moebius strip works and how a Curry square can "prove" that the whole is not equal to the sum of its parts.No skill at sleight of hand is needed to perform the more than 500 tricks described because mathematics guarantees their success. Detailed examination of laws and their application permits you to create your own problems and effects.

Rousseau considered this tale of a young boy and his tutor the most important of his writings, and its exploration of the retention of human goodness and avoidance of social corruption remains highly influential.

The noted expert selects 70 of his favorite "short" puzzles. Includes The Returning Explorer, The Mutilated Chessboard, Scrambled Box Tops, and dozens more. Complete solutions included.

Classic of economic and social theory offers satiric examination of the hollowness and falsity suggested by the term "conspicuous consumption," exposing the emptiness of many standards of taste, education, dress, and culture.

Romeo and Juliet was the first drama in English to confer full tragic dignity on the agonies of youthful love. The lyricism that enshrines their death-marked devotion has made the lovers legendary in every language that possesses a literature.

Is there art after modernism? Many of today's art students and professionals are finding the answer--yes--lies in the long-neglected field of figurative sculpture, a demanding form of expression that requires extremely rigorous technical training. Most modern schools, however, are simply not equipped to provide the necessary technical background. The republication of this highly valuable text by Edouard Lanteri, renowned teacher, sculptor, and intimate friend of Rodin (Rodin called him my dear master, my dear friend), makes it possible for serious students to gain the requisite skills and bridge the gap between artistic concept and figurative realization. Representing at least three thousand years of studio lore, this readily understandable, authoritative guide is a goldmine of technical information, easily comprising a four-year sculpture curriculum unavailable elsewhere.Beginning with a detailed study of modelling a head from a cast model, Lanteri gives meticulous descriptions of the anatomical features that comprise the head. Next, there are instructions for sculpting a bust from a live model: how to place the model, use the clay, take measurements, set up the all-important framework, put on hair, etc. The author also covers modelling the figure from nature, including such factors as the scale of proportions, posing the model, the chief line, contrasts of line, building up the figure, and more.Part III covers sculpting in relief (poses, fixing the background, tools, superposition of planes, color, change of light, etc.); drapery (arrangement of folds, principles of radiation, flying drapery, etc.); and medals (proportion, working the mold, inscriptions, etc.). Also discussed are principles of composition, both in relief and in the round. Profusely illustrated with hundreds of photographs, drawings, and diagrams, this work is the kind of comprehensive resource that should be a lifelong studio companion to the figure sculptor. 107 full-page photographic plates, 27 other photographs, 175 drawings and diagrams.

I have made it my concern to hunt out this technique for your study as I learned it by looking and listening. On Divers Arts, c. 1122, is the oldest extant manual on artistic crafts to be written by a practicing artist. Before Theophilus, manuscripts on the arts came from scholars and philosophers standing outside the actual profession. On Divers Arts describes actual 12th-century techniques in painting, glass, and metalwork, which the Benedictine author wished to pass on to those gifted by God with a talent for making beautiful things. Theophilus teaches, with rigorous attention to fact but also with great reverence the making of pigments for fresco painting, the manufacture of glue, the technique of gold leaf on parchment (the first recorded European reference to true paper), how to blow glass and design stained glass windows, how to fashion gold and silver chalices, and how to make a pipe organ and church bells. Precise instruction on enameling, chasing, repoussé, niello, and beaded wire work prove Theophilus's first-hand knowledge of his craft.While 90 percent of Theophilus's writing is sound technical knowledge, medieval folk lore occasionally spices his text: Tools are also made harder by hardening them in the urine of a small red-headed boy than by doing so in plain water. But the magnificent fact of On Divers Art remains its status as the first technical treatise on painting, glass, and metalwork, for which actual specimens still survive. The editors have taken care to ensure both philological and technological accuracy for this authoritative edition of a medieval classic, a manual of great importance to craftsmen, historians of art and science, and all who delight in the making of the beautiful.