Böcker utgivna av De Gruyter

This book retells the history of Israeli film in the 1960s and 1970s in sex scenes. Through close readings of the first sex scenes in mainstream Israeli movies from this period, it explores the cultural and social contexts in which these movies were made. More specifically, it discusses how notions of collective identity, individual agency, and the public and private spheres are inscribed into and negotiated in sex scenes, especially in light of the historical events that marked these decades. This study thus pushes away from the traditional academic perception of Israeli film and opens up new ways of understanding how it has developed in recent decades. It draws on a growing international body of academic literature on the cinematic representation of sex in order to illuminate the particularities of the Israeli context in the 1960s and 1970s. Apart from film scholars and scholars of Israeli film, this study also addresses readers interested in Israeli cultural history more broadly.

This book offers for the first time a comprehensive study of the reception and reworking of the Peripatetic theory of the soul in the Kitab al-Nafs (Book of the Soul) by Avicenna (d. 1037). This study seeks to frame Avicenna's science of the soul (or psychology) by focusing on three key concepts: subject, definition, and activity. The examination of these concepts will disclose the twofold consideration of the soul in Avicenna's psychology. Besides the 'general approach' to the soul of sublunary living beings, which is the formal principle of the body, Avicenna's psychology also exhibits a 'specific orientation' towards the soul in itself, i.e. the human rational soul that, considered in isolation from the body, is a self-subsistent substance, identical with the theoretical intellect and capable of surviving severance from the body. These two investigations demonstrate the coexistence in Avicenna's psychology of a more specific and less physical science (psychologia specialis) within a more general and overall physical one (psychologia generalis).

Domestic Disputes is the first monograph in German studies to offer a critical examination of the home ownership crisis in the former East Germany that resulted from unification policy, taking as its focus news media, made-for-television movies, cinematic releases, and prose fiction that depict property disputes between former East and West Germans. In the cultural productions discussed in this book, anxieties about social disenfranchisement through unification policy are dramatized in narratives in which Westerners acquire, or attempt to acquire, property in the former East Germany. Each chapter addresses a different type of narrative that has emerged to frame those anxieties, including those of neocolonial Western takeover, the engagement with difficult family histories, masculinity crises in the West, and the corporatization of home. Domestic Disputes is the first book-length study to outline the way in which homes were awarded to individuals and families as the former East Germany privatized and to offer in-depth examinations of the narratives that emerged from that social phenomenon.

The dawn of the modern age posed challenges to all of the world's religions - and since then, religions have countered with challenges to modernity. In Religious Responses to Modernity, seven leading scholars from Germany and Israel explore specific instances of the face-off between religious thought and modernity, in Christianity, Judaism and Islam.As co-editor Christoph Markschies remarks in his Foreword, it may seem almost trivial to say that different religions, and the various currents within them, have reacted in very different ways to the "e;multiple modernities"e; described by S.N. Eisenstadt. However, things become more interesting when the comparative perspective leads us to discover surprising similarities. Disparate encounters are connected by their transnational or national perspectives, with the one side criticizing in the interest of rationality as a model of authorization, and the other presenting revelation as a critique of a depraved form of rationality. The thoughtful essays presented herein, by Simon Gerber, Johannes Zachhuber, Jonathan Garb, Rivka Feldhay, Paul Mendes-Flohr, Israel Gershoni and Christoph Schmidt, provide a counterweight to the popularity of some all-too-simplified models of modernization.

The essays on Dante collected in this volume interpret his Commedia as the attempt of a renewal of the Christian work of salvation by means of literature. In the view of his author, the sacro poema responds to a historical moment of extreme danger, in which nothing less than the redemption of mankind is at stake. The degradation of the medieval Roman Empire and the rise of an early capitalism in his birth town Florence, entailing a pernicious moral depravation for Dante, are to him nothing else but a variety of symptoms of the backfall of the world into its state prior to its salvation by the incarnation of Christ. Dante presents his journey into the other world as an endeavor to escape these risks. Mobilizing the traditional procedures of literary discourse for this purpose, he aims at writing a text that overcomes the deficiencies of the traditional Book of Revelation that, on its own terms, no longer seems capable of fulfilling his traditional tasks. The immense revaluation of poetry implied in Dante's Commedia, thus, contemporarily involves the claim of a substantial weakness of the institutional religious discourse.