Böcker utgivna av Damiani

Hello Stranger is the new book by the theater group Motus, whose hybrid work has unleashed dramaturgy and artistic languages as well as produced new scenic forms since its founding in the early 1990s.

A reportage collecting limbs scattered in places and years, connecting them to physical or mental spaces, among which there is no pertinence. Each image comes into being by itself, independently, but with a mutilated value which, through its lines of force, even years later, merges into another image.

The Gauchito Gil is a legendary character of Argentina's popular culture. This book includes evocative pictures of the quacks, the pilgrims, the prayer centres, the gauchos arriving on horses to Mercedes the 8 January to celebrate the death of Gauchito Gil, those saved /cured by miracles, and the most radical bandits with Gauchito tatooed.

The 'Warzone Collective' began in 1984 in the city of Belfast, Northern Ireland when a few local punks decided to consolidate their efforts and get their own venue, practice & social space. In 1991 the Collective moved to a larger and more ambitious venue. This title includes photographs that were taken at the Warzone Centre.

SARAI MARI has always been interested in the gender roles men and women play within society. This book captures the essence of who her subjects are. By celebrating all definitions of gender and sexuality, the previously defined terms fall away. They lose their meaning; and there is nothing left but the raw expression of the subject in the image.

Waplington's informal vérité portrait of American fashion designer Mizrahi's studio and runway shows of the late 1980s and early '90sFrom 1989 to 1993, New York fashion designer Isaac Mizrahi granted the British photographer Nick Waplington rare backstage access to photograph every detail of the designer's fitting sessions in the weeks before his twice-yearly fashion shows. Combining Waplington's gritty vérité style with Mizrahi's haute couture sensibilities, the resulting images offer a candid glimpse into the world of fashion when supermodels including Cindy Crawford, Christy Turlington and Naomi Campbell reigned supreme. At the same time, Waplington set out to document the wildly creative nightlife of the '90s "club kid" culture in New York, juxtaposing his images of uptown style with downtown looks and taking pictures at some of the city's most infamous clubs, such as the Pyramid Club and Save the Robots. Artist and photographer Nick Waplington (born 1970) has published several monographs, including Living Room and The Wedding (Aperture), Safety in Numbers (Booth Clibborn), Truth or Consequences (Phaidon) and Alexander McQueen: Working Process (Damiani). He lives in London and New York. Isaac Mizrahi (born 1961) has been a leader in the fashion industry for almost 30 years. In 1995 he was the subject of the award-winning documentary, Unzipped. In 2003 Mizrahi pioneered the concept of merging high design with mass retail in partnership with Target. He has designed costumes for the New York Metropolitan Opera, the American Ballet Theater and the San Francisco Ballet. Mizrahi is the author of How to Have Style and has been head judge on Lifetime's Project Runway: All Stars.

Photographer and master printer Brian Young first arrived in New York City in 1984. He witnessed all the well-known ills of '70s and early '80s New York, finding the city slowly, haltingly recovering from an economic depression. Industry and manufacturing jobs had left the city, and the population continued to drain out to the suburbs. The "crack epidemic" was on the front pages and on the streets. Abandoned shells of burnt-out cars littered the roads and muggings were simply a fact of daily life. Young found his camera increasingly drawn to the subway system--one of the great social levelers of life in New York City and, increasingly, the canvas for an explosive profusion of graffiti. Brian Young: The Train NYC 1984 collects the photographer's quiet, black-and-white shots of the subway from 1984, bringing a vanished New York evocatively back to life.

Outer Boroughs: New York beyond Manhattan is not concerned with documentation, the way things look, but with "thusness" -- the feel of a place at a particular moment. Each image represents a certain time in a certain part of a certain city where, he has found, even in unlikely neighborhoods there are occasions for beauty.

Fire and Ice: Timescapes gathers breathtakingly beautiful photographs of volcanoes by photograpgher Joan Myers

England-born, New York-based photographer Alexi Lubomirski has become an established name within the fashion industry, shooting for such publications as Harper's Bazaar, Vogue and GQ, and working with cover stars such as Charlize Theron, Gwyneth Paltrow, Natalie Portman, Jennifer Lopez and Nicole Kidman, to name but a few. It was after shooting Lupita Nyong'o, however, that Lubomirski was struck by the homogeneity of the subjects he'd been hired to shoot professionally. Often when he submitted a list of models he was interested in shooting, responses would range along the lines of "we love her, but...," "her hair is a problem," "she is too dark" or "she is too light to make a statement." In Diverse Beauty, Lubomirski aims to move beyond the underrepresentation of women from a range of ethnicities in fashion media. The volume compiles his photographs of beautiful women of every color, size, age and sexual orientation in a celebration of beauty that adds dimension to the standards so omniscient in Western fashion magazines and advertisements. This handsome volume of cinematic fashion portraiture--featuring such subjects as Lupita Nyong'o, Rashida Jones, Salma Hayek, Demi Lovato, Anja Rubik, Jennifer Lopez, Chanel Iman, Hari Nef, Isabella Rossellini, Tyra Banks and Rosie Huntington-Whiteley, among many others--is also a small step in the direction of changing societal norms.

This book edited by Jerome Sans draws a Lipstick panorama within the world of contemporary art photography. Fully illustrated it is conceived as a magazine or a rhapsody without any beginning or end. Throughout the pages unfurls a new history of the relationship with Lipstick.

Diary of a Set Designer is a book of Polaroids taken over 25 years by Happy Massee while traveling the world as a production designer. The photographic journal is a journey through time, with a collection of images taken with the now-defunct Polaroid camera--which, at the time, was essential to the art of designing for film. One of the industry's top production designers, Massee has enjoyed a career spanning the realms of theater, film, commercials and fashion. He has worked with established directors such as Wes Anderson, David Lynch, David Fincher, Michel Gondry and more, while in the world of fashion he has collaborated with the likes of Inez and Vinoodh, Peter Lindbergh and Craig McDean, and worked for brands such as Gucci, Valentino, Armani, Bulgari and Swarovski. His film credits include, among others, Broken English, directed by Zoe Cassavetes, and Two Lovers, directed by James Gray, and he has designed sets for music videos such as Jay Z's "99 Problems" and Madonna's "Take a Bow." In this volume, "the images of personalities, sets, locations and encounters," Massee explains, "all tell a story related to my work and travels, and the people I met while on them. The images, raw and unretouched, are candid, and capture my art as well as my life as I like to travel through it."

The first monograph of Norma I. Quintana's photography; Circus. A Traveling Life, chronicles her decade-long collaboration with an American, travelling one-ring circus. Resulting in a loving history of extended families and a glance at another way of living in this world.

Winner of the IDIA Award in 1989, Italian architect Walter Vallini practices design and architecture together as a single unified activity. This book on his oeuvre is the first in the series New Italian Creative Generation.

TOILETPAPER is a picture based magazine founded in 2010 by Maurizio Cattelan and Pierpaolo Ferrari. TOILETPAPER combines the vernacular of commercial photography with twisted narrative tableaux and a troubling imagination, creating a world that displays ambiguous and surrealistic imagery.

The setup is classic and familiar: a table draped with a white cloth, a dish of fruit, a sugar bowl. Yet instead of the meal awaiting an unseen viewer's consumption, as in a classic still life, Laura Letinsky photographs what remains on the table after the food has been eaten, leaving only crumbs, melon rinds, a cantaloupe pocked with rot and a half-finished lollipop. Letinsky explores the inextricable relationship between ripeness and decay, delicacy and clumsiness, waste and plenitude, pleasure and sustenance. The influence of Dutch-Flemish and Italian still-life paintings--whose exacting beauty documented shifting social attitudes resulting from exploration, colonization, economics and ideas about seeing as a kind of truth--can be seen here as well. In "After All," Letinsky explores photography's transformative quality, changing what is typically overlooked into something splendid in its resilience. Poet Mark Strand contributes an essay to this marvelous volume.