Böcker utgivna av Dalkey Archive Press

A memoir and meditation on the themes of separation and silence, The Summer of the Elder Tree was Marie Chaix's first book to appear in fourteen years, and deals with the reasons for her withdrawal from writing and the events in her life since the death of her mother (as detailed in Silences, or a Woman's Life). With uncompromising sincerity, and in the same beautiful prose for which she is renowned, Marie Chaix here takes stock of her life as a woman and writer, as well as the crises that caused her to give up her work. The Summer of the Elder Tree has its roots in Chaix's previous books while standing alone as a work of immense power: a new beginning.

Micheline Marcom describes her newest novel, A Brief History of Yes-her first since 2008's scathing and erotic The Mirror in the Well-as a "e;literary fado,"e; referring to a style of Portuguese music that, akin to the American blues, is often melancholic and soulful, and encapsulates the feeling of what the Portuguese call saudade-meaning, loosely, yearning and nostalgia for something or someone irrepreably lost. A Brief History of Yes tells the story of the break-up between a Portuguese woman named Maria and an unnamed American man: it is a collage-like, fragmentary novel whose form captures the workings of attraction and grief, proving once again that American letters has no better poet of love and loss than Micheline Aharonian Marcom.

Paying homage to the Italian-American experience, Italian Stories celebrates an Italian neighbourhood in the Bronx during the 1930s and '40s, and mourns the loss of this ethnic identity with the migration of subsequent generations to the suburbs. With stories that are both melancholy and comic, Papaleo here explores the contradictory desires of assimilation: his characters want to live the life of the average American while maintaining a strong link to their rich heritage. In addition, Papaleo rails against the damaging stereotypes of Italian-Americans propagated by the media in movies and television.

In God Head, Scott Zwiren boldly and courageously records the terrifying, destructive experience of manic depression. From a promising young college student to mental hospitals to a confined, out-of-control, roller-coaster life on New York City's Upper West Side, Zwiren's narrator traces from the inside the horrors of an existence that swings between numbing depression and exalting highs.

Comprised of 150 poems, with a title taken from Charles Baudelaire's "Les Fleurs du Mal", this collection skips from the strict form of the sonnet to the freedom of prose poetry. It contains a variety of forms and tones that work together to describe Paris, its people, its writers, its monumental past, and its unsteady response to change.

Koula falls in love with a young man she meets routinely on the tube ride home to her husband and kids. Attracted to older women, the young man introduces her to a different life than she's used to, a life filled with cigarettes, seedy bars and illicit meetings in a rundown flat. This novel charts the emotional fluctuations of these characters.

Memories of My Father Watching TV has as its protagonists television shows, around which the personalities of family members are shaped. The shows have a life of their own and become the arena of shared experience. And in Curtis White's hands, they become a son's projections of what he wants for himself and his father through characters in "Combat", "Highway Patrol", "Bonanza", and other television shows (and one movie) from the 1950s and '60s. Comic in many ways, Memories is finally a sad lament of a father-son relationship that is painful and tortured, displayed against a background of what they most shared, the watching of television, the universal American experience.

Mr. West is a writer for whom words are a projectile (if you remember Alley Jaggers) - freewheeling, hectic, rumbustious, percussive and imaginatively prolix. Mandy, his daughter, here glimpsed in a few of her early years, is deaf - also "exceptional" which might mean autistic - and also a hooligan who might be eating nail varnish or drinking from a potty or staring unblinking at 150 watt bulbs or running, everywhere, "heedless of gesticulating and half-felled adults and the sanity of drivers." She has only three words to begin with, baba, more and ish-ish, and Mr. West's "space probe" in the form of an epistle shows her here and there - taking care of a bird, or immersed in a bath, or developing a lexicon of sounds and meanings which will salvage her from the "long emergency" of those who live without words and with a special dependence which is also a special innocence. Some of the earlier parts appeared in the New American Review; a closing chapter relates more directly to those who deal with any disadvantaged child and his naked affection for this helterskelter, demonic creature is everywhere apparent. The book of course is for Mandy who is "as incoherent as daily light, as vulnerable as uranium 235, and (has) an atom where an atom shouldn't be" - it's for others too. (Kirkus Reviews)

Lyrical, provocative, and highly original a groundbreaking book by one of America s smartest young poet-critics.

Drawing together a wide range of focused critical commentary andobservation by internationally renowned scholars and writers, thiscollection of essays offers a major reassessment of Aidan Higgins sbody of work almost fifty years after the appearance of his first book, Felo De Se.

A dazzling literary card game: an investigation into how and why we fall into or out of love--with a person or a book.

The unmarried, unemployed narrator of A Fool's Paradise confronts the temptations of conventional success. Her life is founded on unsustainable contradictions. This precise and intensely personal novel describes the narrator's growing sense that freedom becomes, itself, a kind of routine, and shows her burgeoning desire to break out of it.

As in his novel The Polish Complex, Konwicki's A Minor Apocalypse stars a narrator and character named Konwicki, who has been asked to set himself on fire that evening in front of the Communist Party headquarters in Warsaw in an act of protest. He accepts the commission, but without any clear idea of whether he will actually go through with the self-immolation. He spends the rest of the day wandering the streets of Warsaw, being tortured by the secret police and falling in love. Both himself and Everyman, the character-author experiences the effects of ideologies and bureaucracies gone insane with, as always in history, the individual struggling for survival rather than offering himself up on the pyre of the greater good. Brilliantly translated by Richard Lourie, A Minor Apocalypse is one of the most important novels to emerge from Poland in the last twenty five years.

On the eve of a coup d'etat, the wife of a diplomat newly returned to Turkey from the United States finds that the new Minister of Foreign Affairs, Fuat, is in fact a childhood friend. Having married more for status than love, and quizzically unmoored from the reality of day-to-day existence in the capital, she begins to nurse an impossible love for her husband's superior, and in the process of telling us of her Bovary-like, novelistic infatuation, she confesses innumerable details of her life: her tomboyish school years, her independence and ambitions as a young woman, her surprise at her own willingness to set aside her aspirations to enter the comfortable world represented by her husband. Set against the backdrop of the great cultural changes occurring in Turkey during the 1960s, "Music by My Bedside" is a compelling and often playful journey through one woman's off-kilter view of herself, the world, and the conventions by which she is constrained.