Böcker utgivna av Dalkey Archive Press

Hailed from publication as one of the finest novels ever written in Hebrew, A Room is in the league of Gravity's Rainbow or The Recognitions: a monumental, subversive classic of twentieth-century literature.

Eliza travels to Sydney to deal with the estate of her Aunt Dodge, and finds Maxine, a hitherto unknown cousin, occupying Dodge's apartment. When legal complications derail plans to live it up on their inheritance, the women's lives become consumed by absurd attempts to deal with Australian tax law, as well their own mounting boredom and squalor.

Since 2010, this anthology has been an essential resource for readers, critics, and publishers interested in contemporary European literature. In this, the seventh installment of the series, Best European Fiction 2016 continues its commitment to uncovering the best prose writing happening on the continent

This novel is a love story in time of war, about a few years in the life and mysterious disappearance of Veronika Zarnik, a young bourgeois woman from Ljubljana, sucked into the whirlwind of a turbulent period in history, Slovenia before and during World War II. We follow her story from the perspective of five different characters.

One of the most penetrating and sympathetic explorations ever undertaken by one writer into the mind of another, Prancing Novelist is far more than a simple tribute or work of research. Prancing Novelist is not only a monument to Firbank, but is also a showcase for Brophy's own uproarious prose, not to mention her genius for telling good stories.

The writer-narrator of The Bulgarian Truck has hit upon a new technique for writing a novel, which he calls "a building site beneath the open sky," but he cannot persuade his more widely read wife, Marianne, a character from an earlier novel, that it is any good.

Focusing on the experiences of one particular family living in one particular house during these historic events, Ayse Kulin mixes fact and fiction, soap opera and Tolstoy, to bring to light the effects of such political upheaval on a nominally comfortable and affluent household: the monied and intellectual class who find that their stake in Turkish life and culture is far more precarious than they could have guessed.

Prague is a place where murders happen, and it takes an English-speaking Russian expat with a strong antipathy for the city and its inhabitants to solve the mystery . . . or maybe not. As the plots thicken, the two narrators of Kirill Kobrin's ten short stories gradually merge into a single hazy, undefined personality.

Majnun lives his life online in his grandparents' well-appointed home in the Brazilian capital. No school, no work-just bored in Brasilia. After falling in love with a married woman, he flees to Madrid with friends, intent on, well ... something. As the story progresses, his vague interests threaten to boil over into violent, even deadly action.

John Barth, a moderately successful novelist just turned sixty, decides to take a sail on Chesapeake Bay with his wife, but a tropical storm forces them deep into the Maryland tidal marshes. Lost, Barth takes out his dinghy to search for a way home, but becomes embarked instead on a quest through the murkier regions of his own memory-a semi-memoir, staged as an operatic cruise through desire, vocation, despair, love, marriage, selves, and counterselves.

Finnley Wren: His Notions and Opinions, Together with a Haphazard History of His Career and Amours in These Moody Years, as Well as Sundry Rhymes, Fables, Diatribes and Literary Misdemeanors stands as one of the greatest American responses to the thrown gauntlet that is Tristram Shandy. An innovative, uproarious sentimental education, this novel marries the mordant satire of Wylie's Generation of Vipers to what might in other hands have been an ordinary story of frustrated ambition and frustrated love, turning forty-eight hours' worth of drunken conversation into an emotional and typographical explosion.

The nine stories that make up this collection depict a wide variety of contemporary Koreans navigating a world focused on material wealth and social power, in which family ties have been disrupted and all relationships are dysfunctional.

A postmodern poet who successfully employed classic structures to exploit the range of possibilities inherent in the Slovenian language, this selection from the life's work of Milan Jesih highlights his revolutionary approach to verse. Beginning with humor and autobiography and gradually withdrawing into a universe of of fragments, quotations, dreams, and doubt, this collection offers English readers a first glimpse into the work of one of Slovenia's literary treasures.

Subtitled "An Exploration of the Musico-Erotic," this novel is an experiment in blurring the boundaries between the syntax of music and that of poetry.

Editor's note/An interview with Gerald Murnane by Antoni Jach/Looking for Writers Beyond Their Work by John Griswold/Five Silhouettes by Luis Chitarroni (translated by Sarah Denaci)/Seven and a Half Studies by S.D. Chrostowska/Nine Suppositions Concerning "Bouvard and Pecuchet" by Jacques Jouet (translated by E.C. Gogolak)/Irrationality, Situations, and Novels of Inquiry by Thalia Field/Margins and Mirrors by Warren Motte/The Colon by Lily Hoang and Bhanu Kapil/The Fragile Shelter of the Declarative: On Edouard Leve by Adrian West/Transgressive Autofictions by Jacques Houis/Contributors/Translators/Acknowledgments/Book Reviews/Books Received/Annual Index

The "Review of Contemporary Fiction" proudly presents the English language-debut of Austrian master Gert Jonke's absurd, revealing, and groundbreaking autobiographical essay/novella "Individual and Metamorphosis." It tells the story of Jonke's life as a writer by citing, examining, and even rewriting texts by authors whose work inspired his own: Jorge Luis Borges, Julio Cort?zar, Wolfgang Hildesheimer, Ernst Jandl, Marie Luise Kaschnitz, Robert Musil, Peter Weiss, and others.

A moving contribution to the tradition of the metaphysical novel as exemplified by Dostoyevsky and Bernanos, and likewise a worthy counterpart to the vibrant and polyphonic work of fellow Iberians Camilo Jos? Cela and Juan Goytisolo, "The Sea" is a cornerstone of postwar Catalan literature. Set in a tubercular sanatorium in Mallorca after the Spanish Civil War, it tells the story of three children sharing a gruesome secret who are brought together again by chance and illness -- two patients and one nurse. A love triangle, a story of retribution, and an exploration of evil, "The Sea" is "a profound and radical descent into the depths of the human soul." (Gerard de Cortanze)

Both a sense of urgency and a goodly amount of patience are required for any writer to produce a novel. Moving between these two poles, Jean-Philippe Toussaint here collects a series of short essays on the art of writing, both his own and that of writers he's admired, for example Kafka, Beckett, Dostoyevsky, and Proust. As Toussaint himself has said, "It's only natural for writers... to say a word about how they write and what they owe to great authors."

On Wing, the first published work of fiction by the Slovak poet-philosopher Robert Gal, is a constellation of hundreds of aphorisms, dreams, anecdotes, and inquiries, all written in a restless, searching, "improvisational" prose whose techniques reflect those of Bernhard, Nietzsche, and Kierkegaard, not to mention the saxophonist and composer John Zorn, who makes a brief cameo as a character.

According to his contract, the old man has five months to sit on his bench and reminisce about his childhood, but all that comes out are curious stories--about leprous dominos, amorous concrete towers, chaste call girls, and more. In other words: the old man twaddles on and on. A virtuoso novel that reveals what language can do when it serves no purpose but its own proliferation, Swiss provocateur Urs Alleman's "The Old Man and the Bench" is a comedy of mangled verbosity.

How do writers and filmmakers use repetition? It is useful when accenting an idea, but, in this original and thought-provoking book, Bruce F. Kawin argues that it serves a more important function as a manipulator of our sense of time and of the timeless. Brilliantly pitching the aesthetics of novelty against those of repetition, Kawin shows that the connections and rhythm of repetition offer revelations about literature and film, nature and memory, and time and art.

In An Eochair (The Key), one of Máirtín Ó Cadhain's most Kafkaesque short stories (and one of his longest), J., a 'paper-keeper,' one of the more junior civil servant positions, accidentally locks himself in his office when the key breaks in the lock. The story -- a mixture of satire, farce, black comedy and, ultimately, tragedy -- relates the efforts of J. and various other characters, his wife, civil service colleagues and superiors and others, to extricate himself from his predicament. However, all efforts to free J. must be in accordance with civil service protocols, and no such protocol exists for J.'s unique dilemma.

Farley, a seventy-five year old man, lies on his bathroom floor, having just suffered a stroke. As his mind sifts through his past, we are introduced to the loyal friend he once was, his loving wife, the city of Dublin, and the question of how this very ordinary man has become so lonely at the end of his life. Told in reverse, from Farley's penultimate day to decades before, Christine Dwyer Hickey's bestseller is a jarring look at a life up close. First published in 2011, The Cold Eye of Heaven shows Dwyer Hickey's lyrical prose at its best: rendering sorrow, joy, wisdom, and humor in equal measure. Acutely insightful, this is an eerily accurate portrait of what it's like to grow old.

"Vano and Niko" resembles a catalogue of all the relationships that are possible between people. It is a parable that demonstrates that not only humans but all living beings are engaged in the search for the other. Peter Handke, who met Erlom Akhvlediani in 1975, described the parables as "exhilarating and at the same time paradoxical"; in his view they show us the redemptive "third way," that of waylessness. Travelling this third way calls for courage and the Vano and Niko parables therefore have something ominous about them. "Vano and Niko" was one of Akhvlediani's earlier works, written in the 1950s. Today "Vano and Niko" has cult status and the book is famous throughout Georgia, even forming part of the philosophy curriculum.This edition of "Vano and Niko" includes the two other parts to Akhvlediani's trilogy of parables: "The Story of the Lazy Mouse" and "The Man Who Lost His Self and Other Stories."

Exercises in Criticism is an experiment in applied poetics in which critic and poet Louis Bury utilizes constraint-based methods in order to write about constraint-based literature. By tracing the lineage and enduring influence of early Oulipian classics, he argues that contemporary American writers have, in their adoption of constraint-based methods, transformed such methods from apolitical literary laboratory exercises into a form of cultural critique, whose usage is surprisingly widespread, particularly among poets and ¿experimental¿ novelists. More, Bury¿s own use of critical constraints functions as a commentary on how and why we write and talk about books, culture, and ideas.