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  • av Joseph McElroy
    159,-

    Best known for his complex and beautiful novels-regularly compared to those of Thomas Pynchon, William Gaddis, and Don DeLillo-Joseph McElroy is equally at home in the short story, having written numerous pieces over the course of his career that now, collected at last, serve as an ideal introduction to one of the most important contemporary American authors. Combining elements of classic McElroy with tantalizing stories pointing the way ahead (the spare and dangerous "e;No Man's Land,"e; the lush and mischievous "e;The Campaign Trail"e;), Night Soul and Other Stories presents a wide range of work from a monumental artist.

  • av Lee Ki-Ho
    149,-

    This story focuses on an agency whose only purpose is to offer apologies-for a fee-on behalf of its clients. This seemingly insignificant service leads us into an examination of sin, guilt, and the often irrational demands of society. A kaleidoscope of minor nuisances and major grievances, this novel heralds a new comic voice in Korean letters.

  •  
    109,-

    "The Review of Contemporary Fiction" was founded in 1981 to promote a vision of literary culture that is not limited to the immediately popular, and to ensure that important world writers outside popular attention continue to be written about and discussed.

  • - From Confucius' Day to Our Own
    av Ford Madox Ford
    185,-

    This 900-page survey of world literature, "e;From Confucius' Day to Our Own"e; (as the subtitle reads), was the last book written by Ford Madox Ford, one of the seminal figures of the modernist period. Written for general readers rather than scholars and first published in 1938, The March of Literature is a working novelist's view of what is valuable in literature, and why. Convinced that scholars and teachers give a false sense of literature, Ford brings alive the pleasures of reading by writing about books he is passionate about. Beginning at the beginning - with ancient Egyptian and Chinese literature and the Bible - Ford works his way through classical literature, the writings of the Middle Ages, the Renaissance, continuing up to the major writers of his own day like Ezra Pound, Henry James, and Joseph Conrad. With his encyclopedic reading and expertise in the techniques of writing, Ford is a reliable and entertaining guide. Ford also includes a chapter on publishers and booksellers, noting the key roles they play in literature's existence. Novelist Alexander Theroux (Darconville's Cat, An Adultery) has written an insightful introduction for this reissue, the first time this monumental book has been made available in paperback.

  • av Lars Svendsen
    189

    In A Philosophy of Evil, acclaimed philosopher Lars Svendsen argues that evil remains a concrete moral problem: that we're all its victims, and all guilty of committing evil acts. A Philosophy of Evil treats evil as an ordinary aspect of contemporary life, with implications that are moral, practical, and above all, political.

  • av Stanley Elkin
    269,-

    Considered by many to be Elkin's magnum opus, George Mills is, an ambitious, digressive and endlessly entertaining account of the 1,000 year history of the George Millses. From toiling as a stable boy during the crusades to working as a furniture mover, there has always been a George Mills whose lot in life is to serve important personages. But the latest in the line of true blue-collar workers may also be the last, as he obsesses about his family's history and decides to break the cycle of doomed George Millses. An inventive, unique family saga, George Mills is Elkin at his most manic, most comic and most poignant. First published by Random House (1982), most recent paperback by Avon (1996).

  • av Ann Quin
    159,-

  • - Or, the Presence of Infinity
    av Nicholas Mosley
    145

    Paradoxes of Peace continues the meditation of Mosley's Time at War, at the end of which he wrote that humans find themselves at home in war because they feel they know what they have to do, whereas in peace they have to discover this. But what should inform them--custom? need? duty? ambition? desire? Forces pull in different directions--fidelity versus adventurousness, probity versus fun. During the war, Mosley found himself having to combine fondness for his father, Oswald Mosley, with the need to speak out against his post-war politics. In times of peace, his love for his wife and children, too, seemed riddled with paradoxes. He sought answers in Christianity, but came to see organized religion as primarily a social institution. How does caring not become a trap?

  • av Antonio Lobo Antunes
    169

    Like his creator, the narrator of this novel is a psychiatrist who loathes psychiatry, a veteran of the despised 1970s colonial war waged by Portugal against Angola, a survivor of a failed marriage, and a man seeking meaning in an uncaring and venal society. The reader joins that narrator on a journey, both real and phantasmagorical, from his Algarve vacation back to Lisbon and the mental-hospital job he hates. In the course of one long day and evening, he carries on an imaginary conversation with his daughter Joanna, observes with surreal vision the bleak countryside of his nation, recalls the horrors of his involuntary role in the suppression of Angolan independence, and curses the charlatanism of contemporary psychiatric ¿advances¿ that destroy rather than heal.

  • av Rikki Ducornet
    140

  • av Antonio Lobo Antunes
    239,-

    Set in the aftermath of the ¿Carnation Revolution¿ of April 25, 1974, Antonio Lobo Antunes¿s Warning to the Crocodiles is a fragmented narrative of the violent tensions resulting from major political changes in Portugal. Told through the memories of four women who spend their days fashioning homemade explosives and participating in the kidnap and torture of communists, the novel details the clandestine activities of an extreme right-wing Salazarist faction resisting the country¿s new embrace of democracy.Warning to the Crocodiles (Exortação aos Crocodilos) has won:- Best Novel by the Portuguese Writers Association (Grande Prémio de Romance e Novela da Associação Portuguesa de Escritores) (1999)- The D. Dinis Prize of the Casa de Mateus Foundation (Prémio D. Dinis da Fundação Casa de Mateus) (1999)- The Austrian State Literature Prize (Prémio de Literatura Europeia do Estado Austríaco) (2000)

  • av Corinne Hoex
    185,-

    "I would consider it scandalous if Hoex's fiction is still unknown in the world literature canon ten years down the road." --Lee Yew Leong, Asymptote Journal

  • av Robert Rybicki
    145

    The comforts of ritualized shopping, Greek mythology intersecting with 1980s Polish punk music, poetic string theory and time travel and psychedelic dumpster diving all rolled into one

  • av Tanguy Viel
    149

  • av Bronka Nowicka
    145

    The book is a moving reminder of a child's perspective; a child who is surrounded by unmagical things; things that are sad, ugly, serious or just ordinary. It is that lens of a child that breathes magic into them.

  • av Jesse Anderson
    149

    Anderson's debut novel introduces readers to a writer of lucid, hallucinatory prose worthy of comparison with Roberto Bolano, Cormac McCarthy, and Jose Saramago

  • av Charles Juliet
    185,-

    When Samuel Beckett and the Dutch painter Bram Van Velde met in Paris in the 1930s, both were living in abject poverty, and neither could have anticipated that on the other side of World War II and the brutal occupation of France by the Nazis they would each go on to be luminaries in their respective mediums: Beckett winning the Nobel Prize and becoming a bulwark of contemporary Western literature, and Van Velde holding exhibitions all over the world. Thirty years later, a younger author at the start of his career is introduced into the company of these two great pessimists neither of whom make cooperative interview subjects, and each of whom represents, in his own way, a radical rejection of the common languages of his art.Itself a mixture of idolatry, deft characterization, and critical insight, Conversations with Samuel Beckett and Bram Van Velde is both an entertaining and insightful contribution to our understanding of the lives and thoughts of two masters.

  • - Dermot Healey
    av Dermot Healy
    159,-

    Like many of the great Irish writers before him, Dermot Healy first announced himself as a writer of intricate and innovative short stories. Healy¿s stories are set in small-town Ireland and its rural environs, and in the equally suffocating confines of the Irish expat communities in London. Throughout these texts, Healy demonstrates a deep sense of compassion towards the marginalized and the dispossessed, without ever becoming sentimental or clichéd. The language is earthy and imagistic by turn, and he continually seeks to extend the formal boundaries of the genre.Gathering all of Healy¿s stories together for the first time, this collection includes the long prose-drama ¿Before the Off¿ and Healy¿s final short works, ¿Along the Lines¿ and ¿Images.¿

  • av Danilo Kis
    179

    Written when he was only twenty-five, before embarking on the masterpieces that would make him an integral figure in twentieth-century letters, Psalm 44 shows Kis at his most lyrical and unguarded, demonstrating that even in "e;the place of dragons . . . covered with the shadow of death,"e; there can still be poetry. Featuring characters based on actual inmates and warders-including the abominable Dr. Mengele-Psalm 44 is a baring of many of the themes, patterns, and preoccupations Kis would return to in future, albeit never with the same starkness or immediacy.

  • av Max Frisch
    139,-

    "A luminous parable...A masterpiece."--The New York Times

  • av Carlos Fuentes
    169

    Mexico, 1991: Black acid rain falls on "Makesicko City", the most polluted, most populated city in the world. Amid this apocalyptic landscape a prize is being offered to the first child born on the 500th anniversary of Columbus' discovery of America. That child is the narrator of this passionate, savage novel by one of the world's preeminent writers.

  • av Carlos Fuentes
    169

    Where the Air Is Clear, Carlos Fuentes's first novel, is an unsparing portrayal of Mexico City's upper class. Departing from a traditional linear narrative, Fuentes constructs his novel around a series of encounters with members of this world, including Federico Robles, an ambitious self-made millionaire; Rodrigo Pola, a writer whose father was executed in the Mexican Revolution; and Norma Larragoiti, a social climber striving to erase her humble past. At the center of these events is Ixca Cienfuegos, an enigmatic figure who views the dramas enacted around him with unusual clarity, and who, with the aid of an Indian priestess, plots the destruction of the group. Overlaying Mexican myths onto contemporary settings, Fuentes shows that even the rich and powerful must succumb to the indomitable spirit of Mexico, which undermines all institutions and shapes all destinies.

  • av Steven Millhauser
    159,-

    The Barnum Museum is a combination waxworks, masked ball, and circus sideshow masquerading as a collection of short stories. Within its pages, note such sights as: a study of the motives and strategies used by the participants in the game of Clue, including the seduction of Miss Scarlet by Colonel Mustard; the Barnum Museum, a fantastic, monstrous landmark so compelling that an entire town finds its citizens gradually and inexorably disappearing into it; a bored dilettante who constructs an imaginary woman-and loses her to an imaginary man!-and a legendary magician so skilled at sleight-of-hand that he is pursued by police for the crime of erasing the line between the real and the conjured. Ingeniously written and orchestrated, each exhibit in The Barnum Museum will compel you to continue, each story becoming a lure to the next.

  • av Louis Paul Boon
    159,-

    According to the author, Chapel Road is the book about the childhood of Ondine [. . .] about her brother Valeer-Traleer with his monstrous head wobbling through life this way and that. But the book is about a lot more than that. It is also the story of Louis Paul Boon, an author working on a novel entitled Chapel Road, surrounded by his colorful group of friends. His readers and companions include the painter Tippetotje, who habitually works a naked woman into her paintings, and Johan Janssens, the journalist and poet who is fired from the paper for refusing to agree with the Capitalists, the Socialists or the Ultra-Marxists. Beyond that, Chapel Road includes a retelling of the myth of Reynard the fox and Isengrinus the wolf, a tale that underscores the greed, stupidity, hypocrisy, pride and lust motivating the other characters of the book. Chapel Road is a pool, a sea, a chaos: it is the book of all that can be heard and seen in Chapel Road, from the year 1800-and-something until today.

  • av Nathalie Sarraute
    169

    Martereau is narrated by a tubercular young man driven by a compulsion to discover what lies behind faades, especially in relation to the adults around him. He's particularly interested in Martereau, his uncle's devoted friend and business associate. All in all, Martereau seems like a trustworthy, benign, self-sufficient man, but under the narrator's intense scrutiny--and Martereau's suspect behavior concerning a shady real-estate deal--his motives seem much more complex and seedy. In a subtle, skillful way, Nathalie Sarraute explores the difference between those who are wealthy and those who pretend to be so, and the manipulative way in which some people get ahead in the world.

  • av Julian Rios
    145

    Just as Ezra Pound wrote a "Homage to Sextus Propertius" to pay tribute to an important influence, Julian Rios offers in his new novel a "Homage to Ezra Pound" (as the original Spanish edition is subtitled). On November 1, 1972, news of Pound's death in Venice reaches three Spanish bohemians in London, passionate admirers of "il miglior fabbro" ("the better craftsman", as Eliot called him), who decide to honor Pound's memory by visiting various sites in London associated with him. Filled with allusions to Pound's life and works and written in a style similar to Finnegans Wake, Rios's word-mad novel features the same characters from his first novel, Larva: the poet Milalias, his girlfriend Babelle, and their mentor X. Reis, each of whom writes part of the novel: Milalias writes the Joycean main text, Reis (as Herr Narrator) adds commentary on facing pages, and Babelle furnishes maps and photos. Together, they compile the "Parting Shots" at the end, dazzling short stories that expand upon incidents in the main text. Sound confusing? No more so than the Cantos, and Rios is much funnier.

  • av Raymond Queneau
    139,-

    The Last Days is Raymond Queneau's autobiographical novel of Parisian student life in the 1920s: Vincent Tuquedenne tries to reconcile his love for reading with the sterility of studying as he hopes to study his way out of the petite bourgeoisie to which he belongs. Vincent and his generation are contrasted with an older generation of retired teachers and petty crooks, and both generations come under the bemused gaze of the waiter Alfred, whose infallible method of predicting the future mocks prevailing scientific models. Similarly, Queneau's literary universe operates under its own laws, joining rigorous artistry with a warm evocation of the last days of a bygone world.

  • av Camilo Cela
    159,-

    This book reflects the crude reality of rural Spain in Franco's time. It is full of human power and rich in social insight. Cela writes with great detail, but still maintains simplicity.

  • av Mikheil Javakhishvili
    185,-

    This is, in brief, the story of a swindler, a Georgian Felix Krull, or perhaps a cynical Don Quixote, named Kvachi Kvachantiradze: womanizer, cheat, perpetrator of insurance fraud, bank-robber, associate of Rasputin, filmmaker, revolutionary, and pimp. Though originally denounced as pornographic, Kvachi's tale is one of the great classics of twentieth-century Georgian literature--and a hilarious romp to boot.

  • av Robert Pinget
    185,-

    Graal Flibuste follows the progress of its narrator and his impudent coachman, Brindon, through a fantastical land peopled by strange creatures and stranger potentates, and filled with tall tales, mysteries, crimes, dilemmas, and deities ... not least among whom is the terrible god Graal Flibuste himself.

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