Böcker utgivna av Dalkey Archive Press

What if a man were so shallow that he couldn't believe his life hadmeaning unless he was loved and desired by millions of people?

Aims to provide the occasion for Sorrentino's imaginative meditation on letters and language. Each chapter serves as an opportunity for the author to expand on thoughts and images suggested by a letter of the alphabet, as well as to reflect upon the workings of the imagination, particularly in the art of William Carlos Williams and Arthur Rimbaud.

In this newly rediscovered memoir, Bonnie Bremser, ex-wife of Beat-poet Ray Bremser, chronicles her life on the run from the law in the early Sixties. When Ray fled to Mexico in 1961 to avoid imprisonment for armed robbery, a crime he claimed he did not commit, Bonnie followed with their baby daughter, Rachel. In a foreign country with no money and little knowledge of the language, Bonnie was forced into a life of prostitution to support her family and their drug habit. Just twenty-three years old, Bonnie was young and inexperienced, but very much in love with her husband; indeed, she was ready to go to any lengths in an attempt to keep their small family alive and together, even if it meant becoming une troia.

Not since On the Road has a book been more thoroughly of the road. Unlike Kerouac's novel, however, this book was literally written on the road in Gudding's own car, on pad and paper while driving. Rhode Island Notebook is the handwritten account of one driver's journey to happiness in the face of grief. This book-length poem chronicles the break-up of a family and the separation of a father and daughter, while at the same time recording the rise of jingoism in the United States in the moments before and during the invasion of Iraq.

Christ versus Arizona turns on the events in 1881 that surrounded the shootout at the OK Corral, where Wyatt Earp, Doc Holliday, and Virgil and Morgan Earp fought the Clantons and the McLaurys. Set against a backdrop of an Arizona influenced by the Mexican Revolution and the westward expansion of the United States, the story is a bravura performance by the 1989 Nobel Prize-winning author.A monologue by the naïve, unreliable, and uneducated Wendell L. Espana, the book weaves together hundreds of characters and a torrent of interconnected anecdotes, some true, some fabricated. Wendell¿s story is a document of the vast array of ills that welcomed the dawning of the twentieth century, ills that continue to shape our world in the new millennium.

A madman's intense soliloquy in a slim, powerful volume by French author Salvayre (Everyday Life, 2006, etc.).The novel opens in a courtroom, where a former museum tour guide stands trial for murder. The accused engages in one-sided debates with his judge, prison guard, lawyer and psychiatrist. The nameless voice remains the novel's sole speaker, and though his rants prove that he is not only neurotic but mentally unbalanced, he is surprisingly eloquent and darkly humorous. We soon learn that the narrator's childhood haunts him: Abused by his angry father, he grew up in a house of violence, fear and hatred. He came to find a father figure in his museum boss, but was crushed when his mentor didn't understand and eventually refused to tolerate his erratic behavior. He is obsessed with his selfless, protective, now-dead mother, and is unable to love any other woman. He had a malfunctioning relationship with his wife, verbally and physically abusive, yet she continued to love him - a fact that irritated him to no end. The condemned man's mocking descriptions of social norms and everyday actions (sex, sneezing) is humorous, and his tone, lacking fear and timidity, can be captivating. The accused may be neurotic, self-involved, snobbish and unlikable, but the questions he raises are universal. What is pre-ordained and what is self-willed? How does one "gain a foothold in the void"? How much sympathy does one owe his fellow man? Well-composed and provocative. (Kirkus Reviews)

After the publication of The Parson's Widow, Vartio's fifth novel, Finnish critics hailed it as a masterpiece, her finest literary achievement. This is the first opportunity for English readers to become acquainted with her unforgettable characters: the eccentric widow of a country parson, her maid Alma, and the other inhabitants of a rural village.

What is the best Dalkey Archive fiction that never got the attention it deserves? In this issue of the Review we introduce a new format and also go out on a limb to make the claim that here is the fiction that reviewers missed the boat on. Since Dalkey has the quixotic mission of keeping in print all the fiction it publishes, we want to give these books another chance, and we are staking our reputation on these selections being among the best fiction of the past thirty or so years. The first of what will become a regular feature of the Review, The Dalkey Archive Annual I includes work by authors as diverse as Wallace Markfield, Piotr Szewc, Osman Lins, Deborah Levy, Gert Jonke, Vedrana Rudan, Felipe Alfau, Gilbert Sorrentino, Mati Unit, Aidan Higgins, and many others. Future numbers of the Annual will feature work from forthcoming Dalkey Archive titles, introducing readers of the Review to the best new writing from around the world.

"Toussaint is a genuinely funny writer . . . small erotic moments are captured perfectly . . . makes me long for more by Toussaint." Kirkus Review

This issue publishes short stories by Cuba's most exciting contemporary writers, providing readers a unique opportunity to view both the life and art of a culture that has been shut off for almost half a century.

A modern-day Don Quixote and an exile in his own hometown, the protagonist of Teeth Under the Sun is kept from writing by a conspiracy (real? imagined?) designed to prevent him from revealing the truth about the town's strange status quo and violent past.In a place where people have abandoned their houses for tiny apartments in the confines of new high-rises, the narrator walks the almost empty streets, remembering better times and meeting figures from his past: his ex-wife, his son, writers, friends, and revolutionaries. And all of this is interspersed with his memories of the movies Fact and fiction, past and present, all meet in this story of the narrator's attempts to engage more fully with a modern world forcing him into isolation.

Among Schmidt enthusiasts, scholars, and fans, the two novels stand in sharp contrast to one another, the first belonging to his early, more realistic phase, and the second introducing his later, more experimentalphase. But the hairs are not worth splitting.

For over four decades, Gilbert Sorrentino has produced brilliant, penetrating essays and reviews, each one an uncompromising statement of what is good - and what is not - in literature and culture. Something Said collects in a single volume these definitive readings of such major twentieth-century innovators as William Carlos Williams, Edward Dahlberg, Hubert Selby, John Hawkes, Flann O'Brien, William Gaddis, Italo Calvino, John Hawkes, and Robert Creeley, along with critical writings on film, pop culture, and visual art. Featuring seventy-two pieces in all, this new expanded edition includes twenty-five pieces written since the publication of the first edition in 1984, and demonstrates Sorrentino's concern for the craft of writing and the development of an American aesthetic.

In Reading Games, Kimberly Bohman-Kalaja guides us through an entertaining and instructive exploration of a neglected literary genre, the Play-Text. Focusing on the works of Flann O'Brien, Samuel Beckett, and Georges Perec, Bohman-Kalaja's book provides insightful analysis of game and play theories, as well as a new perspective on the world of experimental fiction -- discovering, step by step, the innovative strategies of those authors who play reading games.

The interconnected stories that form this novel take place in a Madrid as exotic as the Baghdad of the 1001 Arabian Nights and feature unforgettable characters in revolt against their young "author". First published in 1936 and long neglected, this elegantly inventive novel anticipates works like Pale Fire and One Hundred Years of Solitude. In Locos, Felipe Alfau creates a mercurial dreamscape in which the characters - the eccentric, sometimes criminal, habitues of Toledo's Cafe of the Crazy - wrench free of authorial control, invade one another's stories, and even turn into one another.

A man murders a grocer over fifteen cents-but in the sharp, icy prose and detached tone that defines this collection, his crime seems neither sensational nor entirely reprehensible. Rosa Liksom populates a world of snow-covered landscapes, antiseptic apartments, fish factories, and lumber camps with the obsessive, the violent, and the unhinged

Benjamin Thompson, Count Rumford, was--as Nicholas Delbanco writes--"world famous in his lifetime," yet now he has been "almost wholly forgotten." Like Delbanco himself, Sally Ormsby Thompson Robinson--the narrator of this novel and the Count's fictional, last-surviving relative--is "haunted" by one of history's most fascinating and remarkable figures. On par with Thomas Jefferson and Benjamin Franklin, Count Rumford was, among many other things, a politician, a spy, a philanthropist, and above all, a scientist. Based on countless historical documents, including letters and essays by Thompson himself. The Count of Concord brings to life the remarkable career of Benjamin Thompson, Count Rumford.

Presents the story of how a child becomes a monster: of how Red the boy becomes Red the Fiend. With an absent father who turns up only to drunkenly berate his son, and a grandmother whose aggression crescendos to a daily beating, Red can only escape by turning his hatred outward, by being as cruel and bitter as his young life has been.

Rather than trying to compel or convince the reader to accept his beliefs, the author describes how religion functions in the modern world.

Berlin, Spring of 1995. While a group of neo-Nazis are preparing an anniversary bash of disastrous proportions, an old physics professor returns to Potsdam to atone for his sins, an Italian postdoc designs an experiment that will determine the fate of the universe, and, in a room at Le Charit?, a Holocaust survivor tells his tale to the willing ear of a young psychologist. Who is that talking cat, why do ghosts of SS soldiers roam the city, and what is Speer's favorite actress up to?

A man lies sleepless in a foul-smelling room while raucous noises come from next door, and women past and present, real or imagined pass through his mind.

"One of the most influential modernist, and latterly postmodernist, authors in Estonia." Context

Set in Estonia near the end of the millennium, this eulogy is a moving and hilarious hybrid work concerning the author's attempts to write a book on electricity in all its forms. This novel explores a world on the edge of disaster - plagued by power-outages and threatened by conspiracies - juxtaposed against images and stories of tenderness.

This collection of beautifully written and entertaining literary essays by a wide range of Russian writers--young and old, funny and somber, angry and celebratory, many being translated for the first time--offers U.S. readers a unique chance to "see ourselves as others see us," to perhaps question how the American dream stands up to the American reality, and to experience the wit and generosity of today's Russian writers.

When a bailiff turns up, a teenager tries to salvage her mother, their dignity and the TV. In a narrative that lurches giddily between 1942 and 1997, the author picks at the sores of French history, exposing its authoritarianism. This book won the Prix Novembre in France.

Angel in the Forest is Marguerite Young's fascinating chronicle of two attempts to establish utopian communities in nineteenth-century America.In it, she  recounts the strange tale of New Harmony, Indiana, a community originally founded in 1814 by the German mystic Father George Rapp, who wanted to apply Scriptural communism to daily life in order to bring about the New Jerusalem. It was sold in 1825 to Robert Owen, the father of British socialism who, with a group of English immigrants, implemented his own theories for a perfect community, this time based on rationalism.Both experiments failed, but Young finds in both a distinctively American yearning for utopia, which continues to characterize the American spirit to this day: a tradition of faith and folly can be traced from Owen's New Moral World to George Bush's New World Order.Written with the same elegance, wit, and lyric beauty that distinguishes her fiction, Angel in the Forest was widely praised upon its first publication in 1945. This edition includes Mark Van Doren's introduction to Scribner's 1966 reprint.

From The Mirror in the Well, by Micheline Aharonian Marcom From Prairie Style, by C.S. Giscombe From Log of the S.S. The Mrs Unguentine, by Stanley Crawford From The Notebooks of Malte Laurids Brigge, by Rainer Maria Rilke (translated by Burton Pike) From Homage to Czerny: Studies in Virtuoso Technique, by Gert Jonke (translated by Jean M. Snook) From The One Marvelous Thing, by Rikki Ducornet From The Bathroom, by Jean-Philippe Toussaint (translated by Nancy Amphoux & Paul De Angelis) From Talking Out of School, by Kass Fleisher From A Nest of Ninnies, by John Ashbery & James Schuyler From Pigeon Post, by Dumitru Tsepeneag (translated by Jane Kuntz) From Dust, by Arkadii Dragomoshchenko (translated by Evgeny Pavlov) From Anonymous Celebrity, by Ignácio de Loyola Brandão (translated by Nelson H. Vieira) From Hoppla! 1 2 3, by Gérard Gavarry (translated by Jane Kuntz) From News from the Empire, by Fernando del Paso (translated by Alfonso Gonzalez & Stella Clark) From Encounters with Samuel Beckett, by Charles Juliet (translated by Axel Nesme & Tracy Cooke) From Western, by Christine Montalbetti (translated by Betsy Wing) From Jerusalem, by Gonçalo M. Tavares (translated by Anna Kushner)