Böcker utgivna av Dalkey Archive Press

The denizens of Kelton, New York - a bedroom community some fifty miles from Manhattan - are a well-heeled bunch who spend an awful lot of time playing rummy. There is Alice, an unfulfilled cellist, and her complacent brother Marshall, who doesn't like his friends to confide in him. There are the bumbling and overindulged Fabia and Victor, another sibling duo, and their friend Irving, a meek mama's boy. Into their cloistered lives come Claire and Nadia Tosti, two sisters from Paris, whose take-charge tactics stir the winds of enterprise, romance, and change. Through them, Alice is led to a swarthy Italian who helps her orchestrate a successful restaurant business. Irving pairs up with Claire, finally winning freedom from his eccentric, cat-loving mother. Victor embraces Nadia and the antiques trade, while Fabia discovers a potential romance with Victor's French pen pal. Only Marshall finds himself eluded by love, a predicament that will lead him from the snug environs of Kelton to the crude energies of the Midwest. In bistros, galleries, bars, and theaters, the protagonists eat, drink, criticize each other, and debate the worlds of art, music, literature, life, and love.

These fifteen journeys--fourteen of them within Poland--take six years, 1940-1946. The distances vary. Sometimes they are minimal, as short as a two-stop bus ride in a city, or a twenty-minute walk, and sometimes they are longer--much longer. The traveler is a young girl, who we meet at age seven. Along the way, she loses her home, her family, her name, her hair, and finally, her fear. Two things help her on her journeys during these difficult years: some lessons from her parents and a large share of luck, which never deserts her.

Returning to London from a trip to the West Indies, an aspiring writer encounters a bewitching trio of friends whose magic lies in their ability to turn any situation into fantasy. Previously out of place in the world, the narrator falls in love with the young brother-sister pair of Peter and Annabelle, as well as the older, more political Marius. Reality soon encroaches upon the foursome, however, in the form of Marius's ailing wife, forcing the narrator to confront the dark emptiness and fear at the heart of his friends' joie de vivre. In this, his second novel-written in the '50s and never before published-Nicholas Mosley weighs questions of responsibility and sacrifice against those of love and earthly desire, the spirit versus the flesh.

In this collection of thematically related stories, celebrated Belgian author Francois Emmanuel shows his indebtedness to the great poetic iconoclasts of the French language not least Charles Baudelaire, after whose famous poem this book was named.

Giovanni Orelli's docufictional phantasmagoria revisits a lesser-known painting by Paul Klee titled Alphabet I, which features black letters and symbols scrawled over the sports page of a newspaper reporting Switzerland's victory over Nazi Germany in the 1938 Swiss National Cup. This play of coincidences sets the stage for Orelli's encyclopedic portrait of European culture under Nazism, where a motley crew of philosopher-peasants as well as historical luminaries like Arthur Schopenhauer, Vincent van Gogh, Viktor Shklovsky, Marina Tsvetaeva, Klee himself, and the titular footballer Eugene Walaschek all meet at the local tavern and debate the significance of Klee's work.

Spanning fifty years, but with a particular emphasis on post-independence fiction, this collection features a diverse range of styles and voices, offering a window onto a vibrant literary scene that has been largely inaccessible to the English-language reader until now. With stories addressing subjects as diverse as blood feuds, betrayal, sex, drugs, and Sergio Leone, it promises to challenge any existing preconceptions the reader might hold, and make available a rich and varied literary tradition unjustly overshadowed by the other ex-Soviet republics, until now.

Perversely, but perhaps appropriately, Aidan Higgins-one of the few contemporary writers worthy of comparison with Beckett and Joyce, now celebrating his 85th year-has chosen to wait until his sight has nearly left him to assemble this collection of visual treats. A commonplace book of anecdotes and cartoons-the latter never before published, though familiar to all of Higgins's correspondents from the margins of his letters and postcards-Blind Man's Bluff is a compendium of tart and comic insights into sight itself, as well as other varied indignities: personal, historical, and literary.

A cornerstone of Swiss modernism, at last available in English translation from one of the great German translators of our time.

A thrilling mixture of the manipulative potential of TV and the routine of modern life. From one of Serbia's greatest contemporary writers, this work of fiction opens with the narrator finding a mysterious, blank envelope stuck in his apartment door inviting him to a private showing a movie.

Isolating these moments in his memory and attempting to analyze them much like a lens, he envisions "e;a haiku stripped of rhetoric that captures only what is in front of the camera."e; Yet, deprived of his sight, the photographer now must reconstruct his experiences as a series of affective snapshots, a diary of his emotions as they were frozen on this or that day. The result, then, is not the description of a remembered image, but of the emotional memory the image evokes. Joao Almino here gives us a trenchant portrait of an artist trying to close the gap between objective vision and sentimental memory, leafing through a catalog of his accomplishments and failures in a violent, artificial, universal city, and trying to reassemble the puzzle that was his life.

In Self-Portrait Abroad, our narrator-a Belgian author much like Toussaint himself-travels the globe, finding the mundane blended everywhere with the exotic: With his usual poker face, he keeps up on Corsican gossip in Tokyo and has a battle of nerves in a butcher shop in Berlin; he wins a boules tournament in Cap Corse, takes in a strip club in Japan's historic Nara, gets pulled through Hanoi on a cycle rickshaw, and has a chance encounter on the road from Tunis to Sfax. Tales of a cosmopolitan at home in a strangely familiar world, Self-Portrait Abroad casts the entire globe in a cool but playful light, reminding us that, wherever we go, we take our own eyes with us...

On vacation from school, Denis goes to stay at Crome, an English country house inhabitated by several of Huxley's most outlandish characters--from Mr. Barbecue-Smith, who writes 1,500 publishable words an hour by "getting in touch" with his "subconscious," to Henry Wimbush, who is obsessed with writing the definitive HISTORY OF CROME. Denis's stay proves to be a disaster amid his weak attempts to attract the girl of his dreams and the ridicule he endures regarding his plan to write a novel about love and art. Lambasting the post-Victorian standards of morality, CROME YELLOW is a witty masterpiece that, in F. Scott Fitzgerald's words, "is too irnonic to be called satire and too scornful to be called irony."

Masochism is out and feminism is in, Jews are out and Germans are in, race is out and gender is in, and everyone's fighting (and rewriting) for a piece of the pie. Jewish director Jim Minsk disappears during a trip to the South. Black playwright Ian Ball writes the all-female play Reckless Eyeballing in hopes of getting off the "e;sex-list."e; Preeminent playwright Jack Brashford, claiming the Jews stole all his black material, decides to write about Armenians. In the background, an unknown assailant dubbed the "e;Flower Phantom"e; runs loose through the city shaving heads of prominent black feminists (to the secret delight of black men).In this hilarious, devastating, but also deeply sympathetic novel, Ishmael Reed turns characters on the backs, sides, tops and bottoms to expose the multiple hypocrisies at the heart of American culture.

Following the success of 2005 s Europeana: A Brief History of the Twentieth Century, Patrik Our edni k again confounds expectations with what seems, on the surface, to be a detective novel...

The hilarious second novel from actress and bestselling novelist Alona Kimhi holds up a comically warped mirror to contemporary Israel, as well as the very notion of "e;chick lit."e; Inhabiting a dark fairy-tale version of modern life, drawing equal inspiration from Angela Carter and the iconography of the classic horror movie, this is the story of Lily, our proudly overweight and romantically unlucky protagonist, who discovers a wild freedom in part through her friendship with a Russian prostitute, Ninush. This is a world of cellulite-dissolving panties, sex change as an outlet for self-expression, and the final triumph of the titular tigress; where metamorphosis is the rule, and where the waking world has become a funhouse prowled by our wildest desires.

A major, never before translated novel by the author of Mujong / The Heartless-often called the first modern Korean novel-The Soil tells the story of an idealist dedicating his life to helping the inhabitants of the rural community in which he was raised. Striving to influence the poor farmers of the time to improve their lots, become self-reliant, and thus indirectly change the reality of colonial life on the Korean peninsula, The Soil was vitally important to the social movements of the time, echoing the effects and reception of such English-language novels as Upton Sinclair's The Jungle.

With its echoes of fellow Austrian novelist Robert Musil's novella Young Torless, and of Gunter Grass's The Tin Drum, Florjan Lipus's Young Tjaz, first published in 1972, helped moved the critique of Germanic Europe's fundamental social conformity into the postwar age. But Lipus, a member of the Slovene ethnic minority indigenous to Austria's southernmost province of Carinthia, wrote his novel in Slovene and aimed it not just at Austrian society's hidebound clericalism, but also at its intolerance of the ethnic other in its midst. When Austrian novelist and fellow Carinthian Peter Handke resolved in the late 1970s to explore his Slovene roots, the first book he picked up was Lipus's Young Tjaz, which served as his Badeker through the Slovene language, and which he faithfully translated into German and published in 1981.

In the traditions of Victor Pelevin and Vladimir Sorokin, German Sadulaev's follow-up to his acclaimed I am a Chechen! is set in a twenty-first century Russia, phantasmagorical and violent. A bitingly funny twenty-first century satire, The Maya Pill tells the story of a mid-level manager at a frozen-food import company who comes upon a box of psychotropic pills that's accidentally been slipped into a shipment. He takes one, and disappears down the rabbit hole: entering the mind of a Chinese colleague; dreaming that he is one of the rulers of an ancient kingdom; even beleiving he is in negotiations with the devil. A mind-expanding companion to the great Russian classics, The Maya Pill is strange, savage, bizarre, and uproarious.

This landmark anthology of short fiction presents six electrifying voices from Singapore: Alfian bin Sa'at, Wena Poon, Jeffrey Lim, Tan Mei Ching, Claire Tham, and Dave Chua.

Closing the gap between the contemporary Russian novel and the masterpieces of the early Soviet avant-garde, this masterful mixture of prose and poetry, excerpts from private letters and diaries, and quotes from newspapers and NKVD documents, is a unique amalgam of documentary, philosophical novel, and black humor. Revolving around three central characters-a composer; his lover, Vera; and Vera's husband, a naval officer intercepting enemy communications-we are made witness to the inhuman conditions prevailing during the Siege of Leningrad, against a background of starvation and continuous bombing. In their wild attempts to survive, the protagonists hold on to their art, ideals, and sentiments-hoping that these might somehow remain uncorrupted despite the Bolsheviks, Nazis, and even death itself.