Böcker utgivna av Cornell University Press

"The End of Victory tells the history of the enigmatic Net Evaluation Subcommittee of the National Security Council. The NESC studied the gravest potential failure of American strategy in the 1950s and '60s: a surprise Soviet nuclear attack. Its annual reports and specialized studies quantified the risks that Presidents Eisenhower and Kennedy faced in a decade rife with crises, from Berlin to Cuba. The detailed work of the NESC, whose very existence was secret until the mid-1980s, has only been available to researchers in any detail since 2014. Kaplan's is the first study of the NESC as a body, documenting its value to Cold War history and strategy"--

"A child's suicide pitches you into a hellish place of fragmentary images, the deepest depression imaginable, efforts to destroy yourself, and an almost complete break with what's happening in the world around you. That was my experience. I wish it upon no one."    The essays of The Loneliest Places began as a chronicle of Rachel Dickinson's life after her son's suicide. The pieces became much more. Dickinson writes the unimaginable and terrifying facts of heartbreaking loss. In The Loneliest Places she tells stories from her months on the run, fleeing her grief and herself, as she escapes to Iceland and the Falkland Islands¿as far as possible from the memories of her dead son, Jack. She frankly relates the paralyzing emotion that sometimes left her trapped in her home, confined to a single chair, helplessly isolated.   The tales from these years are bleak and Dickinson's journey home, back to her changed self and fractured family, is lonely. Conjuring Emily Dickinson, however, she describes how hope was sighted, allowed to perch, and then, remarkably, made actual.

Sounding Out the State of Indonesian Music showcases the breadth and complexity of the music of Indonesia. By bringing together chapters on the merging of Batak musical preferences and popular music aesthetics; the vernacular cosmopolitanism of a Balinese rock band; the burgeoning underground noise scene; the growing interest in kroncong in the United States; and what is included and excluded on Indonesian media, editors Andrew McGraw and Christopher J. Miller expand the scope of Indonesian music studies. Essays analyzing the perception of decline among gamelan musicians in Central Java; changes in performing arts patronage in Bali; how gamelan communities form between Bali and North America; and reflecting on the "refusion" of American mathcore and Balinese gamelan offer new perspectives on more familiar topics.Sounding Out the State of Indonesian Music calls for a new paradigm in popular music studies, grapples with the imperative to decolonialize, and recognizes the field's grounding in diverse forms of practice.

Baby Bird Identification is a comprehensive illustrated guide for distinguishing hundreds of North American bird species in their early stages of life. From the just hatched to the fledgling, Linda Tuttle-Adams walks readers through the process of identifying baby birds that they may encounter in the wild¿a first step to ensuring proper care and rehabilitation. Successful rehabilitation of birds found in the wild requires species-specific attention. But the identification of a baby bird, whether altricial or precocial, may seem overwhelming at first, even to a trained ornithologist. Tuttle-Adams lays out an approachable and systematic method for discerning a baby bird's identity, offering descriptions of telling anatomical and environmental features as well as details of a bird's day-to-day growth. With over four hundred original watercolor paintings and an illustrated glossary, Baby Bird Identification is an invaluable resource for wildlife rehabilitators, those who find baby birds in their yards or recreational places, and anyone who enjoys watching or studying birds in the wild.

Focusing on songs by the troubadours and trouveres from the twelfth to the fourteenth centuries, Medieval Song from Aristotle to Opera contends that song is not best analyzed as "e;words plus music"e; but rather as a distinctive way of sounding words. Rather than situating them in their immediate period, Sarah Kay fruitfully listens for and traces crosscurrents between medieval French and Occitan songs and both earlier poetry and much later opera. Reflecting on a song's songlike quality-as, for example, the sound of light in the dawn sky, as breathed by beasts, as sirenlike in its perils-Kay reimagines the diversity of songs from this period, which include inset lyrics in medieval French narratives and the works of Guillaume de Machaut, as works that are as much desired and imagined as they are actually sung and heard. Kay understands song in terms of breath, the constellations, the animal soul, and life itself. Her method also draws inspiration from opera, especially those that inventively recreate medieval song, arguing for a perspective on the manuscripts that transmit medieval song as instances of multimedia, quasi-operatic performances. Medieval Song from Aristotle to Opera features a companion website (cornellpress.manifoldapp.org/projects/medieval-song) hosting twenty-four audio or video recordings, realized by professional musicians specializing in early music, of pieces discussed in the book, together with performance scores, performance reflections, and translations of all recorded texts. These audiovisual materials represent an extension in practice of the research aims of the book-to better understand the sung dimension of medieval song.

State of Madness examines the politically fraught collision between psychiatric and literary discourses in the years after Joseph Stalin's death.

More than a century after his death in 1881, Fyodor Dostoevsky continues to fascinate readers and reviewers. Countless studies of his writing have been published-more than a dozen in the past few years alone. In this important new work, Thomas Marullo provides a diary-portrait of Dostoevsky's early years drawn from the letters, memoirs, and...

Since his death, the writings of Carl Schmitt (1888-1985) have been debated, cited, and adopted by political and legal thinkers on both the left and right with increasing frequency, though not without controversy given Schmitt's unwavering support for National Socialism before and during World War II. In Perilous Futures, Peter Uwe Hohendahl...

Dynasties Intertwined traces the turbulent relationship between the Zirids of Ifriqiya and the Normans of Sicily during the eleventh and twelfth centuries. In doing so, it reveals the complex web of economic, political, cultural, and military connections that linked the two dynasties to each other and to other polities across the medieval Mediterranean. Furthermore, despite the contemporary interfaith holy wars happening around the Zirids and Normans, their relationship was never governed by an overarching ideology like jihad or crusade. Instead, both dynasties pursued policies that they thought would expand their power and wealth, either through collaboration or conflict. The relationship between the Zirids and Normans ultimately came to a violent end in the 1140s, when a devastating drought crippled Ifriqiya. The Normans seized this opportunity to conquer lands across the Ifriqiyan coast, bringing an end to the Zirid dynasty and forming the Norman kingdom of Africa, which persisted until the Almohad conquest of Mahdia in 1160.Previous scholarship on medieval North Africa during the reign of the Zirids has depicted the region as one of instability and political anarchy that rendered local lords powerless in the face of foreign conquest. Matt King shows that, to the contrary, the Zirids and other local lords in Ifriqiya were integral parts of the far-reaching political and economic networks across the Mediterranean. Despite the eventual collapse of the Zirid dynasty at the hands of the Normans, Dynasties Intertwined makes clear that its emirs were active and consequential Mediterranean players for much of the eleventh and twelfth centuries, with political agency independent of their Christian neighbors across the Strait of Sicily.

Places of Tenderness and Heat is a ground-level exploration of queer St. Petersburg at the fin-de-siecle. Olga Petri takes us through busy shopping arcades, bathhouses, and public urinals to show how queer men routinely met and socialized. She reconstructs the milieu that enabled them to navigate a city full of risk and opportunity.Focusing on a non-Western, unexplored, and fragile form of urban modernity, Petri reconstructs a broad picture of queer sociability. In addition to drawing on explicitly recorded incidents that led to prosecution or medical treatment, she investigates the many encounters that escaped bureaucratic surveillance and suppression. Her work reveals how queer men's lives were conditioned by developing urban infrastructure, weather, light and lighting, and the informal constraints on enforcing law and moral order in the city's public spaces. Places of Tenderness and Heat is an ambitious record of the dynamic negotiation of illicit male homosexual sex, friendship, and cruising and uncovers a historically fascinating urban milieu in which efforts to manage the moral landscape often unintentionally facilitated queer encounters.

In this inside look at worker cooperatives, Joan Meyers challenges long-held views and beliefs. From the outside, worker cooperatives all seem to offer alternatives to bad jobs and unequal treatment by giving workers democratic control and equitable ownership of their workplaces. Some contend, however, that such egalitarianism and self-management come at the cost of efficiency and stability, and are impractical in the long run. Working Democracies focuses on two worker cooperatives in business since the 1970s that transformed from small countercultural collectives into thriving multiracial and largely working-class firms. She shows how democratic worker ownership can provide stability and effective business management, but also shows that broad equality is not an inevitable outcome despite the best intentions of cooperative members.Working Democracies explores the interconnections between organizational structure and organizational culture under conditions of worker control, revealing not only the different effects of managerialism and "e;participatory bureaucracy,"e; but also how each bureaucratic variation is facilitated by how workers are defined by at each cooperative. Both bureaucratic variation and worker meanings are, she shows, are consequential for the reduction or reproduction of class, gender, and ethnoracial inequalities. Offering a behind the scenes comparative look at an often invisible type of workplace, Working Democracies serves as a guidebook for the future of worker cooperatives.

Unmaking Migrants engages critical questions about preventing trafficking by preventing migration through a study of a shelter for trafficking victims in Lagos, Nigeria. Over the past fifteen years, antitrafficking personnel have stopped thousands of women from traveling out of Nigeria and instead sent them to the federal counter-trafficking agency for investigation, protection, and rehabilitation. Government officials defend this form of intervention as preemptive, having intercepted the women before any abuses take place. Yet many of the women protest their detention, insist they were not being trafficked, and demand to be released. As Stacey Vanderhurst argues, migration can be a freely made choice. Unmaking Migrants shows the moments leading up to the migration choice, and it shows how well-intentioned efforts to help women considering these paths often don't address their real needs at all.

"This illustrated guide, organized by substrate, offers readers with little prior experience or knowledge an intuitive, easy-to-use method for distinguishing over 250 species of bryophytes in the field"-

Soviet Samizdat traces the emergence and development of samizdat, one of the most significant and distinctive phenomena of the late Soviet era, as an uncensored system for making and sharing texts. Based on extensive research of the underground journals, bulletins, art folios and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi analyzes the role of samizdat in fostering new forms of imagined community among Soviet citizens. Dissidence has been dismissed as an elite phenomenon or as insignificant because it had little demonstrable impact on the Soviet regime. Komaromi challenges these views and demonstrates that the kind of imagination about self and community made possible by samizdat could be a powerful social force. She explains why participants in samizdat culture so often sought to divide "e;political"e; from "e;cultural"e; samizdat. Her study provides a controversial umbrella definition for all forms of samizdat in terms of truth-telling, arguing that the act is experienced as transformative by Soviet authors and readers. This argument will challenge scholars in the field to respond to contentions that go against the grain of both anthropological and postmodern accounts. Komaromi's combination of literary analysis, historical research, and sociological theory makes sense of the phenomenon of samizdat for readers today. Soviet Samizdat shows that samizdat was not simply a tool of opposition to a defunct regime. Instead, samizdat fostered informal communities of knowledge that foreshadowed a similar phenomenon of alternative perspectives challenging the authority of institutions around the world today.