Böcker utgivna av Coach House Books

This poem resembles urban sprawl. This poem resembles the freedom to charge a fee. The fee occurs in the gaps. It is an event. It is not without precedent. It is a moment in which you pay money. It is a tribute to freedom of choice.Reality is a parking lot in Qatar. Reality is an airstrip in Malawi.Meanwhile the expressway encloses, the expressway round and around the perimeters like wagon trains circling the bonfire, all of them, guns pointed, Busby Berkeley in the night sky.Expressway exposes the paradox of modern mobility: the more roads and connections we build, the more separate we feel. Sina Queyras has written a bravely lyrical critique of our ethical and ecological imprint, a legacy easily blamed on corporations and commerce, but one we've allowed, through our tacit acquiescence, to overwhelm us. Every brush stroke, every bolt, and nut, every form and curve in our networks of oil and rubber, every thought and its material outcome each decision can make or unmake us.

The Winnipeg of Guy Maddin, the world's foremost cineaste planant, is far from the Winnipeg you'll find in tourist brochures.

Her acclaimed debut collection, The Sleep of Four Cities, announced the arrival of a fully formed, arresting new talent, and the poems in Jen Currins new collection, Hagiography, see her trademark cunning wordplay and entirely contemporary take on the surrealist image moving into new and more personal territory. In a style that regularly pushes lifes barely hidden strangeness into the light, Currins poems present thought as a bright, emotionally complex event, a place where mind and sense and the natural world they move through become indistinguishable elements in a mysterious, familiar, vexing, fascinating, and continuous human drama. There are no saints in this hagiography only ghosts, sisters, spiders, birds This is an anti-biography. It starts with death and ends with birth. In between: life after life.

"Walk thrice where thieves are hanged. Iron your own shirt." With the prisms of varied vocabularies refracting detail and language, the author illuminates the intricacies of communication. She invokes the vocabulary of the institution - the airport, the hospital.

Theatre doesnt have much relevance anymore. Or so acclaimed playwright Darren ODonnell tells us. The dynamics of unplanned social interaction, he says, are far more compelling than any play he could produce. So his latest show, A Suicide-Site Guide to the City, isnt really a show; its an interactive chitchat about memory, depression, and 9/11, a dazzling whirl of talking streetcars, pizza and schizophrenia. And its hilarious.ODonnells artistic practice has evolved into something as close to hanging out as you can come and still charge admission. With his theatre company, Mammalian Diving Reflex, ODonnell has generated a series of ongoing events that induce interactions between strangers in public; the Talking Creature, Q&A, Home Tours, the Toronto Strategy Meetings and Diplomatic Immunities bring people together in odd configurations, ask revealing questions and prove the generosity, abundance and power of the social sphere.Social Acupuncture includes the full text of A Suicide-Site Guide to the City and an extensive essay on the waning significance of theatre and the notion of civic engagement and social interaction as an aesthetic.

Drawing on texts ranging from Thorstein Veblen's groundbreaking "The Theory of the Leisure Class" to "Star Wars" (the nerd Bible) for inspiration, this suite of poems documents the tribulations and insecurities of one's inner geek.

Sequestered on a street in a dry Calgary suburb, our heroine, the House, finds herself embroiled in a stalled love affair with an elusive and alluring Oxfordshire riverbank. In a series of self-contained poems both prosy and lyrical, this work follows this curious and engaging affair, which mysteriously coincides with a slow and gradual flood.

Features Canadian poetry.

Contemporary Canadian poetry got you down? This book of poems operates within the constraints of what the author terms 'synaptic syntax' - poetry that performs the very nature of neuronal activity from the point of view of a mood-enhanced Human Comedy, which, with a quick turn of phrase, or missing neurotransmitter, could become Human Tragedy.

Through the disquieting absence of the letters characters n and b, and the narrator's attempt to uncover and record their lives, this book confronts and challenges human proscription through the untranslatibility of experience, with ironic and apocalyptic consequences.

Quill pen, linotype, computer: does how you write affect what you write? This book spurns the sentence and woos the phrase, the image and the language of printing, weaving fragments together to address the question of how publishing and printing affect writing.

Tells a tale of love that features a lonely Indian elephant, newly arrived at the Calgary Zoo from Holland, with a penchant for moonlight escapes, and the wooden Maytag Man statue on Calgary's 9th Street, with his sad eyes, his oaken thighs, his aloofness.

A collection of poetry that documents the sorts of interruptions that plague the lives of artists and writers. It weaves together the imagery of searching and the vagaries of language into a whole cloth. It reflects the dynamic between the known and the unknown.

Louise Bak's second book, "Tulpa" (in Buddhist mysticism, a magical entity created by intensely concentrated thought), continues her challenging exploration of a broad range of themes and uses of the global lexicon. Combining a visual artist's flair for colour with a performance artist's transgressive interventions, Bak is a unique voice in post-colonial Canadian writing.

"Busted" is a book about governance, and a catalogue of possible relations. It explores a litany of genres concerned with allegiance and refusal, and inhabits the array of ways we do or don't jive with self, group and governing relations. It is a polemic, it is a collage that interrogates how language and linguistic discourses contribute to shaping the relationship between the subject and polity.

Steve Venright, the true heir to the literary legacy of Henri Michau, Christopher Dewdney and Jorge Luis Borges, is the only surrealist ever to come from Sarnia, Ontario. Spiral Agitator, his fourth book, is a sumptuous assortment of prose poems and visual art from beyond the Turbulated Curtain.

Dan Farrell's second volume of poetry is an examination of a discourse that everyone knows about but few people have examined in detail: the response of people to Rorschach inkblot patterns. By turns profound and hilarious, this book is an insightful statement about the relentless drive to make meaning out of nothing.The online version features a dynamic inkblot, designed by Brian Kim Stefans, to test your own poetic/psychological state of being.

A double-lunged bong hit of mid-Eighties post-punk college rock, Gertrude Stein, art films, and the comedic legacy of Laurel and Hardy (including such great standup teams as HD and Ezra Pound, Jesus and Judas, and Steve McCaffery and bpNichol). Jeff Derksen says: 'If reading is sixty-nining, then "dyslexicon" satisfies at both ends. Stephen Cain disentangles everyday life into its constituent emotional, intellectual, sexual and cultural parts - people, the city, books, music - only to recombine them into a new set of relations ... It's a sexy m-f of a book. Put it on your turntables.'

At long last, this double-barrelled collection of visual poetry, "sensory deprivation" and "dream poetics," by damian lopes is now in print. Considered visual essays by the author, "sensory deprivation" explores the visual noise and overload of contemporary culture, while "dream poetics" offers an argument for a poetics in this culture. The print book is the companion to the online edition.

Although firmly rooted in the real, Lillian Necakov's evocations of 'movie magic' prove irresistible in these forty poems and five collages. Ranging across dozens of films - from Wim Wender's Wings of Desire and Jim Jarmusch's Down By Law to Hitchcock's Rope and Hawks's To Have and Have Not -- Lillian Necakov's language, steeped in the comic of the banal, has absurdity for breakfast.

'All of Nichol's work is stamped by his desire to create texts that are engaging in themselves as well as in context, and to use indirect structural and textual devices to carry meaning. In The Martyrology different ways of speaking testify to a journey through different ways of being. Language is both the poets instructor and, through its various permutations, the dominant 'image' of the poem. The [nine] books of The Martyrology document a poets quest for insight into himself and his writing through scrupulous attention to the messages hidden in the morphology of his own speech. Frank Davey

The triumphant return of the 1975 cult classic and seminal graphic novel - it's a nightmare you can't awake from.

'Crystal lography' means the study of crystals, but also, taken literally, 'lucid writing.' This book features the intersection of poetry and science, and explores the relationship between language and crystals - looking at language as a crystal, a space in which the chaos of individual parts align to expose a perfect formation of structure.