Böcker utgivna av Clemson University Press

From the opening poem of Lisa Hase-Jackson's impactful collection, Insomnia in Another Town, we learn that "There is no small grief...all are interconnected." These poems, cloaked in memory and the unmaking and re-making of family, travel us through the harvest of a poet's life. Like the farms she made grow, this book tills the soil of a human soul and all the many experiences that make it. In pantoums, free verse, and prose poems, Hase-Jackson demonstrates the way that every lived experience weaves into a root system that bears unique fruit, singular as our heartbeats, our winding fingerprints.-Ashley M. Jones, poet laureate of Alabama

The alliterative poem St Erkenwald, long associated with the Gawain-Poet, is here presented in a new critical edition designed to offer maximum support for the general reader, as well as to provide fresh insights for the specialist. The text is accompanied by a close translation and an extensive commentary and glossary.

Diverse and distinctive voices in the wake of the murder of George Floyd and the toppling of the Colston statue in Bristol. Timely commentaries, insights and experiences in the memoryscape enriching and transforming an uncomfortable heritage through empathy and creativity. Multiple perspectives from academics, artists, activists and heritage professionals, contribute ideas and strategies towards re-telling obscured stories and getting unheard voices heard.

How to escape this world, this body? How can one invent a world parallel to this one? How do language and literature strive for a heterotopia that empties out the world and replaces it with words? From the mass graves of the First World War to transhumanist utopias, from Louis-Ferdinand Céline to Michel Houellebecq, Out of This World focuses on the modern and postmodern vexed relation to the world, body, and Creation, a major theme in gnostic metaphysical rebellion.

Animate(d) Architecture is an edited volume that examines animation from a spatial lens. It offers an interdisciplinary approach to survey the role of space animation, including in creating humorous moments in early cartoon shorts, generating action and suspense in Japanese anime, and even stimulating erotic pleasure in pornographic Hentai.

A lyrical biography of a bird and a fragmented study of a flawed and mutable creature bearing its name, Hannah Copley's Lapwing migrates across voices and blurs the divide between bird and human, self and other to explore restlessness, addiction, and ecological and personal grief.

This book plays with love and longing; showing us what fire can destroy, and what fire can illuminate, as love, like fire, is an energy that can never really be extinguished only transformed allowing our hearts to ignite on repeat with more chances to burn wherever we chose to land.

Feeling all the kills is a dazzling and ruthless series of poems where the physicality and rawness of the moment lives and breathes. Here is a collection of burning defiance - self-enquiring and brilliant, Calcutt reveals herself as a unique and critical voice on issues of sexual identity and womanhood.

The Robert Frost Review is a peer-reviewed annual publication of the Robert Frost Society, which was founded in 1978 to promote scholarlydiscussion of the poet's life and work. The Review is committed to publishing high quality scholarship in all areas of study related to Frost,including pedagogical approaches for all educational settings. It is also interested in international perspectives on Frost and articles related totranslations of his work. In addition to scholarly articles, the Review also features short notes, book reviews, descriptions of encounterswith the poet, historical and biographical features, and commissioned work on special topics. Each issue includes a bibliography of recentFrost-related publications and dissertations.

Prompted by the occasion of a gala poetry reading atthe University of Salamanca, Spain, in July 2019, this anthology is the firstof its kind to comprise Anglophone and Spanish speaking poets breathing lifeinto the multifarious poetic legacy of the poet Ezra Pound. Although Pound'sinfluence on diverse Anglo-American poets is well-known, this collectionfurther reveals his lesser known, yet equally vital impact on the Spanishspeaking world, which has been immense. A bilingual anthology, it includes 29poets, 13 of whom write in Spanish and 16 of whom are Anglophone. In recentdecades, the Ezra Pound International Conferences taking place worldwide havefeatured poetry readings in what has become by a well-known tradition. InSalamanca, poets of older and younger generations from five continents paidtribute to Pound, with selections from their work now available in this volume.The anthology includes poems by the Spanish Novisimos poets (?The NewestOnes?), considered in Spain Pound's direct poetic heirs, such as AntonioColinas, Jaime Siles, Luis Alberto de Cuenca, and José María Álvarez, but also includedhere are poems by Jorge Guillén from the Generation of '27, as well as SpanishAmerican poets such as Ernesto Cardenal, Gonzalo Rojas Pizarro, Julián Herbert,and Jeannette Lozano Clariond; also represented are poets of a youngergeneration: Jordi Doce, Juan Antonio González-Iglesias, MªÁngeles PérezLópez, and Natalia Carbajosa.At the reading in Salamanca, the Anglophone poets, includingmany devoted Poundians among them, also offered a robust contribution. Still,in concert with their Spanish-speaking counterparts, these poets have alsorecreated the Spanish world in unusual ways, each reflecting a different,illuminating dimension of Pound's sensibility. Celebrated Anglophone poets presenthere include David Cappella, John Gery, Patrizia de Rachewiltz, Tony Lopez, RonSmith, Clive Wilmer, Paul Scott Derrick, Jeff Grieneisen and Silvia Falsaperla,together with distinguished scholars such as David Moody, Alec Marsh, and JohnBeall, as well as promising voices of a new generation: Rhett Forman, Justin Kishbaugh, Chengru He,and Sean Mark.______Esta antología, la primera que reúne a poetas anglófonose hispanohablantes, nació a raíz de un recital de poesía celebrado en laUniversidad de Salamanca en julio de 2019, con el propósito de infundir nuevavida al valioso legado poético del poeta Ezra Pound. Si bien su influencia enla tradición angloamericana es indiscutible, esta antología revela la inmensahuella, menos conocida, aunque igualmente vital de Pound en los poetas delmundo hispano. Se trata por tanto de una colección bilingüe que incluye29 poetas, de los cuales 13 escriben en español y 16 en inglés. En las últimasdécadas, los congresos internacionales dedicados a la obra de Ezra Pound,&am

This book examines the children of the Irish poor law in late nineteenth- and early twentieth-century Belfast, an economically powerful yet deeply divided city, self-consciously British but geographically Irish. Through a close examination of the spaces of engagement between welfare authorities and the city's poorest families, it explores the increasing intervention of the State in family welfare and the care of the child.

Two of Henry Newbolt's poems, 'Vitai Lampada' and 'Drake's Drum', became staples of poetry anthologies and were able to be recited by every school-boy.

Art, Money, Parties is a collection of essays based on papers given at a conference of the same name held at Tate Liverpool in November 2002. It sets out to describe and evaluate the development of new forms of art patronage and display evident in such recurrent events as biennials, 'cultural quarter' projects for urban regeneration, novel galleries of contemporary art, and production sponsors (such as the Saatchi Gallery and the Baltic). The scope of the collection is international and its aim is to map and examine the globalisation of art's political-economy. Contributors: Jeremy Valentine (Queen Elizabeth College, Edinburgh), Andrew Brighton (Tate Modern), Sadie Coles (Gallery owner), Rory Francis (Manchester Metropolitan University), Paul Usherwood (University of Northumbria), Stewart Home (artist and writer), Lewis Biggs (ex-Director, Tate Liverpool), and Jonathan Harris (University of Liverpool).

Since 1968, The South Carolina Review (SCR) has published fiction, poetry, interviews, unpublished letters and manuscripts, essays, and reviews from literary giants such as Joyce Carol Oates and Kurt Vonnegut as well as eminent critics such as Cleanth Brooks and Marjorie Perloff.

The stories in this collection give voice to the history and soul of a rural collective. These people want to belong-to themselves, their families, their communities, and their God. Their motivations, disturbing at times, expose their love, loneliness, and their limits. As one character reminds readers, "We move beside and around and in between each other until something-sometimes good, mostly bad-pushes us together. Then we have to get close, real close, and it's no easy job for any of us." From the dizzying Thanksgiving table to the sobering graveside service, these stories exist in their acts of agency and grace.

89% narrates the love story of a mother and daughter: one has cancer while the other grapples with her sexuality. This collection documents the mother, using her words as quotes, floating between poems. The daughter explores her body as she witnesses her mother and experiences the bodies of other women. While sexuality and disability are central to the formulation of this collection, these poems resist single-issue narratives. There is humor and light alongside enduring loss. This collection asks its audience to sit in the lines of its poems as we listen to the mother and hear the voice of the daughter. 89% won the poetry prize for the Clemson-Converse Literature Series.

Woodstock Then and Now is a first-hand transcription of a series of roundtable discussions and interviews with "Woodstock luminaries" held at the Berklee College of Music in April 2019. Here, the words of Michael Lang (Woodstock cofounder) Chip Monck (emcee, stage and lighting designer), Bill Hanley (audio engineer), Henry Diltz and Elliott Landy (photographers), Rona Elliot (public relations), and Gerardo Velez (percussionist for Jimi Hendrix) are presented for scholars and fans alike. Meeting all together for the first time since 1969, these luminaries shared Woodstock stories, talking about the impact of the festival on their careers and on society as a whole.