The mountains of Argentina pulse with life in these disarming stories of people radically reinventing themselves-to find love and connection, to escape their pasts, to offer a way out of the banalities of sorrow and loss in the present.
La nueva edición de un clásico en su centenarioUn clásico de la literatura latinoamericana del siglo XX, La vorágine de José Eustasio Rivera sigue al joven poeta Arturo Cova y a su amante Alicia cuando se fugan de Bogotá y se embarcan en una aventura a través de los variados y mágicos paisajes de Colombia, con su rica biodiversidad. Tras quedar separado de Alicia en la selva tropical, Arturo es testigo de las terribles condiciones de los trabajadores obligados o engañados a extraer caucho de los árboles. Más relevante que nunca en su centenario, La vorágine es a la vez una denuncia de las terribles violaciones de los derechos humanos que tuvieron lugar durante el auge del caucho en la Amazonia, y una de las más perdurables representaciones del entorno natural en la literatura latinoamericana.The 100th anniversary edition of a classic.A classic of twentieth-century Latin American literature, José Eustasio Rivera's The Vortex follows the young poet Arturo Cova and his lover Alicia as they elope from Bogotá and embark on an adventure through Colombia's varied and magical landscapes, with their rich biodiversity. After becoming separated from Alicia in the rainforest, Arturo witnesses the appalling conditions of the workers forced or tricked into tapping rubber trees. Newly translated for its 100th anniversary, The Vortex is both a denunciation of the horrific human-rights abuses that took place during the Amazonian rubber boom, and one of most enduring renderings of the natural environment in Latin American literature.
Literary icon Julia Alvarez, the international bestselling author of In the Time of the Butterflies , returns with an inventive and emotional novel about storytelling that will be an instant classic.Alma Cruz, the celebrated writer at the heart of The Cemetery of Untold Stories , doesn't want to end up like her friend, a novelist who fought so long and hard to finish a book that it threatened her sanity. So when Alma inherits a small plot of land in the Dominican Republic, her homeland, she has the beautiful idea of turning it into a place to bury her untold stories - literally. She creates a graveyard for the manuscript drafts and revisions, and the characters whose lives she tried and failed to bring to life and who still haunt her.Alma wants her characters to rest in peace. But they have other ideas, and the cemetery becomes a mysterious sanctuary for their true narratives. Filomena, a local woman hired as the groundskeeper, becomes a sympathetic listener as Alma's characters unspool their secrets. Among them: Bienvenida, the abandoned wife of dictator Rafael Trujillo, consigned to oblivion by history, and Manuel Cruz, a doctor who fought in the Dominican underground and escaped to the United States.The characters defy their author: they talk back to her and talk to one another behind her back, rewriting and revising themselves. The Cemetery of Untold Stories asks: Whose stories get to be told, and whose buried? Finally, Alma finds the meaning she and her characters yearn for in the everlasting vitality of stories.Readers of Isabel Allende's Violeta and Barbara Kingsolver's Demon Copperhead will devour Alvarez's extraordinary new novel about beauty and authenticity, and will be reminded that the stories of our lives are never truly finished, even at the end.
The 100th anniversary edition of a classic.A classic of twentieth-century Latin American literature, José Eustasio Rivera's The Vortex follows the young poet Arturo Cova and his lover Alicia as they elope from Bogotá and embark on an adventure through Colombia's varied and magical landscapes, with their rich biodiversity. After becoming separated from Alicia in the rainforest, Arturo witnesses the appalling conditions of the workers forced or tricked into tapping rubber trees. Newly translated for its 100th anniversary, The Vortex is both a denunciation of the horrific human-rights abuses that took place during the Amazonian rubber boom, and one of most enduring renderings of the natural environment in Latin American literature.
A prowl through words reveals the unstable character of the cosmos.With entries as varied as 'elbow', 'Ophelia', 'progress', the painter Giorgio Morandi, 'chess', 'Eulalia' (a friend of the author's aunt), and 'unicorn', Ida Vitale constructs a dictionary of her long and passionately engaged artistic life. Taking the reader by the arm, she invites us to become her confidant, sharing her remarkable 20th century as a member of a storied generation of Latin American writers, of whom she is the last remaining alive. It's a compendium of friendship, travel, reading, and the endless opportunities she found for 'the joyful possibility of creation.' Like every dictionary, Lexicon of Affinities seeks to impose order on chaos, even if in its exuberant, whimsical profusion it lays bare the unstable character of the cosmos.
An erotic confession, an essay about confused love, and a story of passion without presence.A Twitter thread leads a writer to "meet" a Chilean poet in China. The lovers can't touch each other, they live a full day of time zones apart, and their only possibility of seeing each other is through a screen. And yet their connection is electric--at least for our narrator. She can't stop thinking about this man, and that obsession makes the whole world its metaphor. Your Cross in the Desert Sky is a love affair that is consummated repeatedly, but never in person, and a collision that only one party may feel. In this territory of did they or didn't they, Sanín roams her own history; the meaning of desire; and how we perform intimacy, seduction, and entirely new selves on social media, in bullfights, and on the page. The sex is charged, but so is the demand to look at everything--from Macbeth to the Panama Canal to Jesus's shroud--as a way to understand who we are, and how we relate to each other and our mortality.
After a loss, a year in the country: four seasons to transform a garden and a self.'In the city the notion of the hours of the day, of the passage of time, is lost. In the countryside that is impossible, ' our narrator tells us. In this remote house and garden, time is almost palpable; it goes by without haste and brings into sharp relief even the tiniest details: insects, the sound of the rain, a falling leaf, the smell of damp earth. Past and present are equally weighted and visible here, revealing themselves slowly with every season and turn of the spade.So a year unfolds. A garden takes shape as his connection deepens to this place, becoming a shelter from everyone and everything, perhaps even from himself. We see the ants devouring the chard, we hear the tales his grandmother told, perhaps real, perhaps taken from a movie, and we learn about his great love, Ciro. The humid sheets in the country, the carefully renovated apartment in the city and the painful, inexplicable break-up that prompted him to take refuge in this patch of now-carefully tended land.
Longlisted for the International Booker Prize 2024Three men go out fishing, returning to a favourite spot on the river despite their memories of a terrible accident there years earlier. As a long, sultry day passes, they drink and cook and talk and dance, and try to overcome the ghosts of their past. But they are outsiders, and this intimate, peculiar moment also puts them at odds with the inhabitants of this watery universe, both human and otherwise. The forest presses close, and violence seems inevitable, but can another tragedy be avoided?Rippling across time like the river that runs through it, Selva Almada's latest novel is the finest expression yet of her compelling style and singular vision of rural Argentina.This masterful novel reveals once again Selva Almada's unique voice and extraordinary sensitivity, allowing its characters to shine and express in action what the depths of their souls harbour. One of the Best Books of 2020 in Clarín and La NaciónShortlisted for the Mario Vargas Llosa Novel Prize
"A fractured account of family abuse, secrets, and the cost of pursuing the truth. In the most private spaces, the most intimate betrayals occur. Belen Lopez Peiro places us squarely in the tenderest of times--young teenagehood, in a home about to be ruptured by sexual assault. In this home, for this young woman, your assailant is your uncle, and also a police commissioner. The people who shelter you will reject you: your mother is his sister-in-law, your beloved aunt his wife and your cousin and friend his daughter. And the truth of what happened will depend entirely on you. Why Did You Come Back Every Summer is a document of uncertainty, self-doubt, and the appearance of progress when there is none. A chorus of voices interrupt and overtake each other; interviews and reports are filed. The truth will be heard but how and by whom? Loyalties will shift and slip. And certain questions have no easy answers. What do you owe to your family? What do they owe you? How far will you go to get yourself back?"--Publisher.
Life under Brazil's brutal "cordial racism" comes painfully alive in this novel of fathers and sons. How do you become the protagonist of your own life? For Pedro, it means searching for himself in the objects his father left behind: the layers that make up his life, and that of his parents, and the circumstances, geographies, and wounds that shaped them all. It's an archaeology of affections, but also of life in southern Brazil, where being black on the streets of Porto Alegre manifests violences large and small. Where being a young woman, raised by a single mother, may find you seeking security in the untrustworthy arms of men. In Dark Side of Skin, Jeferson Tenâorio takes on fathers and sons, Shakespeare and Cervantes, and the inescapable bonds and burdens of family and history in one delicately rendered, painfully precise account of loved ones lost and found.
"Could anyone possibly believe that writing doesn't exist? It would be like denying the existence of rain."
From the acclaimed author of Fish Soup, a novel of motherhood, memory, and possibility just this side of the uncanny.
Short descriptionBrutal and overwhelming, Confession wrestles with the legacy of Argentina's past and the passions of one young girl.
"Shipwrecks, dive bars, possession, and science--this is where contemporary horrors and ancient terrors meet."--
"In a landscape worthy of Cormac McCarthy, the river runs septic with blood. Edgar Wilson makes the sign of the cross on the forehead of a cow, then stuns it with a mallet. He does this over and over again, as the stun operator at Senhor Milo's slaughterhouse: reliable, responsible, quietly dispatching cows and following orders, wherever that may take him. It's important to calm the cows, especially now that they seem so unsettled: they have begun to run in panic into walls and over cliffs. Bronco Gil, the foreman, thinks it's a jaguar or a wild boar. Edgar Wilson has other suspicions. But what is certain is that there is something in this desolate corner of Brazil driving men, and animals, to murder and madness."--
The history of Peru unfolds in the lives of the descendants of seven children fathered by a Catholic priest and his longtime secret lover.
¿Cómo mantener una amistad intacta cuando el Alzheimer se va llevando consigo las bases del lenguaje, la memoria y las experiencias compartidas?How do you keep a friendship intact, when Alzheimer's has stolen the common ground of language, memory, and experience, that unites you?
In brief, sharply drawn moments, Sylvia Molloy's Dislocations records the gradual loss of a beloved friend, M.L., a disappearance in ways expected (forgotten names, forgotten moments) and painfully surprising (the reversion to a formal, proper Spanish from their previous shared vernacular). There are occasions of wonder, too-M.L. can no longer find the words to say she is dizzy, but can translate that message from Spanish to English, when it's passed along by a friend. This loss holds Molloy's sense of herself too-the person she is in relation to M.L. fades as her friend's memory does. But the writer remains: 'I'm not writing to patch up holes and make people (or myself) think that there's nothing to see here, but rather to bear witness to unintelligibilities and breaches and silences. That is my continuity, that of the scribe.'
A mil doscientas millas de tierra firme, resistencia raizal, turistas descuidados, y una historia embarrada sobre la conquista convergen para Victoria, quien vuelve a su hogar desde la Ciudad de México lista para descifrarse a sí misma y al lugar de donde viene.Two hundred miles from mainland Colombia, grassroots resistance, sloppy tourists, and a muddy history of conquest converge for Victoria, home from Mexico City and ready to understand herself and the place she came from.
_Five hundred miles from mainland Colombia, grassroots resistance, sloppy vacationers, and a muddy history of conquest converge for Veronica, returning after living in Mexico City, ready to understand herself and the place she came from. _San Andres rises gently from the Caribbean, part of Colombia but closer to Nicaragua, the largest island in an archipelago claimed by the Spanish, colonized by the Puritans, worked by slaves, and home to Arab traders, migrants from the mainland, and the descendants of everyone who came before. For Victoria - whose origins on the island go back generations, but whose identity is contested by her accent, her skin colour, her years far away - the sunburnt tourists, sewage blooms, sudden storms, and 'thinking rundowns' where liberation is plotted and dinner served from a giant communal pot, bring her into vivid, intimate contact with the island she thought she knew, her own history, and the possibility for a real future for herself and San Andres.
Collection, colonialism, translation, and the ephemera that shapes the stories we tell about ourselves.
Un sensible homenaje a la narracion, la infancia y el poder transformador de la musica. A lyrical celebration of storytelling, of childhood, and of the transformative power of music.
Never Did the Fire unfolds in the humdrum of everyday working class existence, making the afterlife of an agitator that of anyone living next door. For one old couple, brought together years ago in an underground cell, the revolution has ended in a small apartment, a grinding job caring for the bodies of the unwell well-to-do, and all the aches and pains that go with a long life and a long marriage. Untethered from the political action that defined them, and mourning the loss of their child, their bonds dissolve, but the consequences of their former life, and their dependence on each other, won't let them go.A literary icon in Chile and a major figure in the anti-Pinochet resistance, Diamela Eltit is at the height of her powers in this novel of breakdowns. Never Did the Fire evokes the charged air of Chile's violent past, and the burdens it carries into the present-day, when the structures we built, and the ones we succumbed to, no longer offer us any comfort or prospect of salvation.
An artist races to finish his forgery of a masterpiece while held captive in surreal, menacing splendor.
Un juego intertextual que atraviesa la Ciudad de México con el espíritu de Juan Rulfo y Gabriela Cabezón Cámara.An artist races to finish his forgery of a masterpiece while held captive in surreal, menacing splendor.
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