Böcker utgivna av Catapult

"Tired of not having a place to land, twenty-year-old Akâua flies from Canada to her native Jamaica to reconnect with her estranged sister Tamika. Their younger brother Bryson has recently passed from sickle cell anemia--the same disease that took their mother ten years prior-- and Akâua carries his remains in a small wooden box with the hope of reassembling her family. Over the span of two fateful weeks, Akâua and Tamika visit significant places from their childhood, but time spent with her sister only clarifies how different they are, and how years of living abroad have distanced Akâua rom her home culture."--

"Drawing on lessons from his remarkable life, former child soldier turned activist, author, entrepreneur, and international recording artist Emmanuel Jal provides his eleven pillars for overcoming adversity and living a life of purpose. "Who owns your mind?" Beginning with this provocative question, Emmanuel Jal invites readers to claim ownership over the narratives that define their lives in order to become a force for good in the world. As a child growing up in South Sudan, Jal witnessed atrocities perpetrated against his family and community. These actions drove him to become a child soldier in a vicious civil war. Hunger, isolation, and the ever-present specter of death in battle attended his every moment. Yet his greatest challenge did not come from outside; it arose from within, from the corrosive nature of hopelessness, trauma, and narratives of victimization. Rather than succumb to these forces of negativity, Jal turned his life's challenges into opportunities by utilizing a comprehensive framework he developed around eleven pillars of support. These pillars can be utilized individually or as a unit to help build a durable internal structure that allows anyone to overcome adversity, regain joy and gratitude, and live a life of purpose that enriches the greater community"--

"Deer have been an important part of the world that humans occupy for millennia. They're one of the only large animals that can thrive in our presence. In the 21st century, our relationship is full of contradictions: We hunt and protect them, we cull them from suburbs while making them an icon of wilderness, we see them both as victims and as pests. But there is no doubt that we have a connection to deer: in mythology and story, in ecosystems biological and digital, in cities and in forests. Delving into the historical roots of these tangled attitudes and how they play out in the present, Erika Howsare observes scientists capture and collar fawns, hunters show off their trophies, a museum interpreter teaching American history while tanning a deer hide, an animal-control officer collecting the carcasses of deer killed by sharpshooters, and a woman bottle-raising orphaned fawns in her backyard. As she reports these stories, Howsare's eye is always on the bigger picture: Why do we look at deer in the ways we do, and what do these animals reveal about human involvement in the natural world?"--

"Mafia hit-man-turned-rabbi Sal Cupertine is ready to get out of the life. But it's not going to be easy. His once-brilliant plan to pass himself off as Rabbi David Cohen is unraveling. Enemies on both sides of the law are hot on his trail. His wife and son are unreachable in witness protection and are probably in danger. In order to find his family, get out of the desert alive, and salvage his long-sought-after happy ending, Sal is going to have to confront some very bad people from his past"--

"At her San Francisco art school, Joey enrolls in a film elective that requires her to complete what seems like a straightforward assignment: create a self-portrait. Joey inexplicably decides to remake Wes Anderson's Rushmore despite having never seen the movie. As Tell Me I'm An Artist unfolds over the course of the semester, the assignment hangs over her as she struggles to exist in a well-heeled world that is hugely different from any she has known. Miles away, Joey's sister goes missing, leaving her toddler with their mother, who in turn suggests that Joey might be the selfish one for pursuing her dreams. Meanwhile, her only friend at school, the enigmatic Suz, makes meaningful, appealing art, a product of Suz's own singular drive and talent as well as decades of careful nurturing by wealthy, sophisticated parents"--

"Black Punk Now is an anthology of contemporary nonfiction, fiction, illustrations, and comics that collectively describe punk today and give punks-especially the Black ones-a wider frame of reference. It shows all of the strains, styles, and identities of Black punk that are thriving, and gives newcomers to the scene more chances to see themselves"--

"Five months pregnant and struggling with a creative block, JoAnna Novak becomes obsessed with the enigmatic Abstract Expressionist painter Agnes Martin. She is drawn to the contradictions in Martin's life as well as art-the soft and exacting brushstrokes she employs for grid-like compositions that are both rigid and dreamy. But what most calls to JoAnna is Martin's dedication to her art in the face of paranoid schizophrenia. Uneasy with the changes her pregnant body is undergoing, JoAnna relapses into damaging old habits and thought patterns. When she confides in her doctor that she's struggling with depression, he tells her she must stop being so selfish, given she has a baby on the way, and start taking antidepressants. Appalled by his patronizing tone and disregard of her mental health history, JoAnna instead makes a deal with herself: she'll surrender to her obsession with Agnes Martin and adopt the painter's doctrine of joyful solitude and isolation."--Provided by publisher.

"Tennis bad boy Zeko Slade is serving twenty years for the grisly murder of small-time criminal Lenny Lerman. The facts of the case-and Slade's checkered past-seem indisputable. What begins as a cursory review of the case as a favor to Dave Gurney's wife's friend soon spirals into something much more complicated. When Gurney's involvement threatens to expose a viper's nest of corruption, he finds himself framed for murder and pursued by a sensational media, a ruthless district attorney, and a coldblooded killer"--

Vivian Carpentier, confined by her role as an upper class woman in the 1940s, gleans meaning only from erotic love. Troubled by the elusiveness of men, yet convinced that they run the world, she can barely conceal her desperation to entice. Struggling with motherhood and the failure of marriage, she takes jobs to bridge intervals between lovers. She sings in a hotel bar, sells dresses, and nurses her father's friend through his last illness, hoping to atone for a self-centered life. The constant in Vivian's life is her son, David. Having seen her worst and best moments, he provides her with consolation and a reason for living, "In those days of her lover's absence, she grew fascinated with her son's beauty .... with the hard blue of his eyes, with all the particulars of his face, the pliability of his lips". The Son is the haunting story of a woman who desires "something more, as if something more had been promised her that was not yet given".

"Earlier versions of this novel were published under the title Conference of victims, in 1962 by Atheneum and in 1985 by North Point Press."

In the Willapa Hills of southwest Washington, both the human community and the forest community are threatened with extinction. Virtually every acre of the hills has been logged, often repeatedly, in the past hundred years, endangering both the land and the people, leaving dying towns as well as a devastated ecosystem. Weaving vivid portraits of the place and its inhabitants—animal, plant, and human—with the story of his own love affair with the hills, Robert Michael Pyle has written a book so even–handed in its passion that it has been celebrated by those who make their living with a chain saw as well as by environmentalists. As he writes, 'My sympathies lie with the people and the woods, but not with the companies that have used them both with equal disregard.In his vivid portrayal of the land, plants, people and animals of the Willapa Hills of Washington State, Bob Pyle makes the modest patch of land he writes about a metaphor for the world.

"After ten years of reporting from central Africa for The New York Times, Associated Press, and others, Anjan Sundaram finds himself living a quiet life in Shippagan, Canada, with his wife and newborn. But when word arrives of preparations for ethnic cleansing in the Central African Republic, he is suddenly torn between his duty as a husband and father, and his moral responsibility to report on a conflict unseen by the world."--

A New York Times Book Review Editors' Choice Opening like a fairy tale and ending like a nightmare, this cannonball of a queer coming-of-age novel follows a young man's relationship with a violent older boyfriend--and how he and his sister survive a terrible crime After years of severed communication, Justin appears on his sister's doorstep needing a place to stay. The home he's made for himself has collapsed, as has everything else in his life. When they were children, Willa played the role of her brother's protector, but now, afraid of the chaos he might bring, she's reluctant to let him in. Willa lives a carefully ordered life working as a nurse and making ornate dioramas in her spare time. As Justin tries to connect with the people she's closest to--her landlord, her boyfriend, their mother--she begins to feel exposed. Willa and Justin's relationship has always been strained yet loving, frustrating and close. But it hits a new breaking point when Justin spirals out of control, unable to manage his sobriety and the sustained effects of a brain injury. Years earlier, in high school, desperate to escape his home life and his disapproving, troubled mother, Justin falls into the hands of his first lover, a slightly older boy living on his own who offers Justin some semblance of intimacy and refuge. When Justin's boyfriend commits a terrifying act of violence, the two flee on a doomed road trip, a journey that will damage Justin and change his and his family's lives forever. Weaving together these two timelines, Brother & Sister Enter the Forest unravels the thread of a young man's trauma and the love waiting for him on the other side.

"What is desire? And what are its rules? In this daring collection, award-winning and emerging female writers share their innermost longings, in turn dismantling both personal and political constructs of what desire is or can be. In the opening essay, Larissa Pham unearths the ache beneath all her wants: time. Rena Priest's desire for a pair of five-hundred-dollar cowboy boots spurs a reckoning with her childhood on the rez and the fraught history of her hometown. Other pieces in the collection turn cultural tropes around dating, sex, and romance on their heads--Angela Cardinale tries dating as a divorced mother of two in the California suburbs only to discover sweet solace in being alone; Keyanah B. Nurse finds power in polyamory; and when Joanna Rakoff spots a former lover at a bar, the heat between them unravels her family as she is pulled into his orbit--an undoing, she decides, that's worth everything. Including pieces by Tara Conklin, Torrey Peters, Camille Dungy, Melissa Febos, Lisa Taddeo, and so many others, these candid and insightful essays tackle the complicated knot of women's desire. Featuring essays by Elisa Albert, Kristen Arnett, Molly McCully Brown, Angela Cardinale, Tara Conklin, Sonia Maria David, Jennifer De Leon, Camille T. Dungy, Melissa Febos, Amber Flame, Amy Gall, Aracelis Girmay, Sonora Jha, Nicole Hardy, Laura Joyce-Hubbard, TaraShea Nesbit, Keyanah B. Nurse, Torrey Peters, Amanda Petrusich, Larissa Pham, Rena Priest, Joanna Rakoff, Karen Russell, Domenica Ruta, Susan Shapiro, Terese Svoboda, Lisa Taddeo, Ann Tashi Slater, Abigail Thomas, Merritt Tierce, Michelle Wildgen, Jane Wong, and Teresa Wong"--

“A shocking tale of wrongful conviction . . . that brings general conditions into cruelly sharp focus.” —Kirkus ReviewsJustice Failed is the story of Alton Logan, an African American man who served twenty–six years in prison for a murder he did not commit. In 1983, Logan was falsely convicted of fatally shooting an off–duty Cook County corrections officer, Lloyd M. Wickliffe, at a Chicago–area McDonald’s, and sentenced to life in prison. While serving time for unrelated charges, Andrew Wilson—the true murderer—admitted his guilt to his own lawyers, Dale Coventry and Jamie Kunz. However, bound by the legal code of ethics known as the absolutism of client–attorney privilege, Coventry and Kunz could not take action. Instead, they signed an affidavit proclaiming Logan’s innocence and locked the document in a hidden strong box. It wasn’t until after Wilson’s death in 2007 that his lawyers were able to come forward with the evidence that would eventually set Alton Logan free after twenty–six years in prison.Written in collaboration with veteran journalist Berl Falbaum, Justice Failed explores the sharp divide that exists between commonsense morality—an innocent man should be free—and the rigid ethics of the law that superseded that morality. Throughout the book, in–depth interviews and legal analyses give way to Alton Logan himself as he tells his own story, from his childhood in Chicago to the devastating impact that the loss of a quarter century has had on his life—he entered prison at twenty–eight years of age, and was released at fifty–five.

There was nothing out of the ordinary about Jim Koplin. He was just your typical central Minnesota gay farm boy with a Ph.D. in experimental psychology who developed anarchist-influenced, radical-feminist, and anti-imperialist politics, while never losing touch with his rural roots. But perhaps the most important thing about Jim is that throughout his life, almost literally to his dying breath, he spent some part of every day on the most important work we have: tending the garden. Plain Radical is a touching homage to a close friend and mentor taken too soon. But it is also an exploration of the ways in which an intensely local focus paired with a fierce intelligence can provide a deep, meaningful, even radical engagement with the world.

Walter Murch first came across Curzio Malaparte's writings in a chance encounter in a French book about cosmology, where one of Malaparte's stories was retold to illustrate a point about conditions shortly after the creation of the universe. Murch was so taken by the strange, utterly captivating imagery he went to find the book from which the story was taken. The book was Kaputt, Malaparte's autobiographical novel about the frontlines of World War II.Curzio Malaparte, an Italian born with a German heritage, was a journalist, dramatic, novelist and diplomat. When he wrote a book attacking totalitarianism and Hitler's reign, Mussolini, in no position to support such a body of work, stripped him of his National Fascist Party membership and sent him to internal exile on the island of Lipari. In 1941, he was sent to cover the Eastern Front as a correspondent for Corriere della Sera, the Milano daily newspaper. His dispatches from the next three years would be largely suppressed by the Italian government, but reverberated among readers as painfully real depictions of a landscape at war.The film editor, fluent in translating the written word over to the languages of sight and sound, began slowly translating Malaparte's writings from World War II. The density and intricacy of his stories compelled Murch to adapt many of them into prose or blank verse poems. The result is a book of surprising insight and strange beauty.