Böcker utgivna av Carnegie-Mellon University Press

A collection of poetry by Allison Joseph.

"There's Something They're Not Telling Us is a meditation on the nuances of domestic life, of learning to exist in the constant presence of an other. Through the interrogation of a thesis on what holds us to the present moment, the collection explores the rapture and isolation of marriage and the quotidian. The poems ask us to consider what it means to live on a planet charged with entropy and in bodies that move towards natural and unnatural ends. The work does not purport to provide answers so much as it aims to keep the reader in the text, which is experiential and alive"--

"Michael McFee's twelfth collection of poetry explores challenging subjects-the realities of aging, the early days of the coronavirus pandemic, the disappearance of Appalachian culture-in poems that discover enduring pleasures in the details of our everyday lives. It also includes vivid, lively, and imaginative responses to quirky words, a jazz standard, family members, celebrities, and several paintings. As one reader has said, "In his poems filled with quotidian experience, the objects of the material world shimmer with consequence: they are alight with attention-McFee's, and through his art, ours. He is one of our best poets.""--

"Bel Canto is a collection belonging to the post-confessional tradition, whose protean speaker, a fast-talking theorist brimming with hypotheses and maxims, seeks to dismantle various power hierarchies by a dramatic staging of interiority and sensuous rebirth of meaning and desire, in moving, complex, funny, and cutting poems that cannot be reduced to information and exchanged like currency. Suggesting that revolutionary change will be linguistic, or will not be at all, Bel Canto critiques the alienating forces of late capitalism and neoliberal technocracy by restoring primacy to lyric subjectivity, sensibility, paradox, and alterity through a kaleidoscopic array of registers, modes, and idioms ironic and sincere. "What human could stay so quiet?" asks the speaker of "Epistle": "One who is secretly on fire.""--

"The Woman with a Cat on Her Shoulder is a gathering of "punk formalist" lyrics that collectively are a meditation not on mortality so much as on the terror of extinction, how that terror is the reservoir of love. Katrovas declaims from the margins of faith, the cliff edge of doubt, seeking to measure the conductivity of private troubles to public issues. Katrovas' "riffs" are verse essays jotted in the antechambers of nightmares and erotic dreams"--

"In the wry and tender poems of Barbara Edelman's All the Hanging Wrenches, we encounter creatures both wild and domestic; family, friends, strangers, and history, all deftly transfigured through poignant turns of phrase. Edelman's delight in wordplay is contagious. Time and the boundaries of memory are fluid amid adventures, reflection, and the glorious contradictions that are real life. "At the shoreline where waves flowed through windows in rock, we rode in and came out changed, our brains full of ocean," Edelman writes. With great good humor and sadness in equal portion, this is a book of quiet triumph in which all the ghosts abide"--

"Deborah Pope's poems give voice to a life deeply felt and fully realized, whose very personal visions yield universal claims. At the heart of this poetry's fanaticism is the search for the ground of intimacy and the configurations of identity. It is a measure of Pope's skill that each recognition seems powerfully right, not sought but given"--

"Matt Morton's What Passes Here for Mountains presents a mind caught in the grips of spiritual crisis. These poems take the reader on a journey across locales ranging from the West Texas desert to the bustling streets of Rome, from the social realm of festivity and ritual to the privacy of the imagination. Along the way, the search for meaning and stability within a world in constant flux is enlivened by a surrealist vitality. Câezanne and Shakespeare's Caliban commingle with indie rock musicians and Humpty Dumpty. A mystical encounter with an Edward Hopper painting meets the mundanity of waking again to one's morning routine. Poems of wry self-deprecation are juxtaposed with quiet meditations on memory, grief, and the relationship between the self and the cosmos"--

"Dan Rosenberg's third collection of poetry moves from loss into parenthood, exploring the roles of husband and father: their limits, their possibilities, and how they intersect with the wider world. Grounded in the familial, these poems wrestle with the political and the ecological, with heritage and hope, reimagining the breadth of home and what it means for one man to raise another to love it"--

"Out Beyond the Land refracts the subtle moments in nature where what is seen and unseen twists and loops back, gently nudging the speaker to question how knowledge is formed and memorialized. Using the Latin's "A priori" and "A posteriori" as a starting point, these lyrics work to form a kind of double helix in which the strands of empirical and intuitive knowledge twist and become one. In the silence that follows, the speaker comes to terms with both her attachment to nature's permanence and nature's solid independence from our attachment"--

"The poems in Internal West practice a careful empiricism, offering a science of the human, a way to understand the world through watching and listening. Becker's poems are as much in the Eastern European tradition of Daniel Simko as the American tradition of George Oppen. As the poet herself has stated, her main themes are the complete truth of what her life has been; of feeling alone even in supposed relationships"--

"Dark Harvest showcases two decades of Joseph Millar's finest poetic work, including his beloved and award-winning poems centered on the unseen men and women at the margins of American life. Millar's poems don't favor beauty over suffering, nor do they reach for knowledge over mystery-instead, his words carry forward their Whitmanic imperatives: to turn away from nothing, to be awash in contradictions"--

"Yes and No is a book about looking back and looking forward. Many of the poems deal with the loss of friends and relatives whose spirits remain in the poet's life in memory and even apparition. As the title connotes, the collection is about affirmation and negation: there are love poems and poems of the devastating loss of love and poems of passion and the dwindling of it. A spiritual thread runs through the book as well, as seen in the opening poem, "Prayer at the Masked Ball," and in the question asked in the title poem: "are we connected to the infinite, or not?"--

"Mangrove forests grow on coastlines, with root systems that hold them upright in the unstable grounds where land and water meet. That Salt on the Tongue to Say Mangrove draws on the in-between nature of these trees to explore spaces between-between a foot and the floor, a cup of coffee and its dish, a face and the shoulder of a couple on a motorbike. These are poems that dwell in the tidal movement between saying and what's left unsaid"--

"The Knives We Need is a settler-colonial coming-of-age tale, set in landscapes in Palestine and the United States. In short, iterative lyric poems, Nava Etshalom combs through disastrous settler genealogies. Wittily, meticulously, the collection unpicks the stitches of nationalism, sees its costs sidelong, and goes looking for another kind of home"--

"Glorious Veils of Diane is about the weird way children turn themselves inside out on the world, and a reimagining of the author's own childhood. Diane is an ever-changing archetype, a self-conscious child who's seen too many horror movies and is discovering, for the first time, her own blood. A child who thinks she is God, and who sees every person in her life as an extension of herself. A child who is possessed, beloved, and ignored. The book emerges through a chorus of voices belonging to Diane, the people around her, and Blood itself. At some point, Diane disappears. The book then investigates that disappearance, jumping back and forth through time, the physical world, and the spirit world. Ultimately, it suggests that Diane is not what is behind the veils; Diane is the veils"--

In a series of stylized, highly visual vignettes employing puppetry, poetry, and surrealism, the Weird Sisters from Macbeth explore the stories of women who disappear, whether by choice or force. Inspired by history, astronomy, and Shakespeare, Witches Vanish examines the nature of change and the value of human life.

"Leonardo Balada: La Mirada Oceâanica was first published in Spanish by Editorial Alpuerto, S.A., Madrid in 2012."--Title page verso.