Böcker utgivna av Cambridge University Press

Who has the right to wage war? The answer to this question constitutes one of the most fundamental organizing principles of any international order. Under contemporary international humanitarian law, this right is essentially restricted to sovereign states. It has been conventionally assumed that this arrangement derives from the ideas of the late-sixteenth century jurist Alberico Gentili. Claire Vergerio argues that this story is a myth, invented in the late 1800s by a group of prominent international lawyers who crafted what would become the contemporary laws of war. These lawyers reinterpreted Gentili's writings on war after centuries of marginal interest, and this revival was deeply intertwined with a project of making the modern sovereign state the sole subject of international law. By uncovering the genesis and diffusion of this narrative, Vergerio calls for a profound reassessment of when and with what consequences war became the exclusive prerogative of sovereign states.

Covers the chemistry and physics of conjugated polymers, and how they can be designed and optimised for various electronic applications.

"The first large-scale comparative study of epinikian song and epigram in English. Integrates these genres into the context of ancient Greek athletics, particularly the rituals associated with victory and competition, and will be invaluable for students and scholars of Pindar, ancient Greek lyric, and epigram"--

This Element focuses on Sleep No More, the iconic immersive theatre production of Macbeth produced by the British company Punchdrunk. Sleep No More and the Discourses of Shakespeare Performance frames this Shakespeare adaptation as part of a system of ghostly citationality through which audiences understand the significance of the past in performance today. Moreover, despite its seemingly analog format, Sleep No More is discussed as a valuable site for media research. And the concept of 'uncanny spectatorship' is introduced to describe audience practice in Sleep No More and other performance contexts. Ultimately, this Element offers readers the opportunity to explore a set of concepts that are significant to the study of Shakespeare in performance and to consider the ways in which audiences interact with bodies, spaces, text, and media in Sleep No More and other immersive experiences.

This Element turns to the stage to ask a simple question about gender and affect: what causes the shame of the early modern rape victim? Beneath honour codes and problematic assumptions about consent, the answer lies in affect, disgust. It explores both the textual "performance" of affect, how literary language works to evoke emotions and the ways disgust can work in theatrical performance. Here Shakespeare's poem The Rape of Lucrece is the classic paradigm of sexual pollution and shame, where disgust's irrational logic of contamination leaves the raped wife in a permanent state of uncleanness that spreads from body to soul. Staging Disgust offers alternatives to this depressing trajectory: Middleton's Women Beware Women and Shakespeare's Titus Andronicus perform disgust with a difference, deploying the audience's revulsion to challenge the assumption that a raped woman should "naturally" feel intolerable shame.

The Temple of our Soul is one of the most attractive spiritual texts of the late Middle Ages and early modern period. Written by an anonymous woman, who was also the author of influential The Evangelical Pearl, this masterpiece offers insights into the mystical aspects of Christianity that were widespread in Rhineland and the Low Countries. For political, socio-economic, and geographical reasons, spiritual writings from the Low Countries were highly influential in France, England, and Spain. Language barriers, however, have made the original texts inaccessible to many scholars and students. This bilingual edition offers the first English translation The Temple of our Soul together with the original Dutch text. This edition includes an introduction that provides insights into the text's key themes and the social context in which it was written. In addition to students of medieval mysticism, it will also be of interest to scholars of late medieval and early modern vernacular literature and feminist theology.

"Throughout history, 'obeying orders' has caused the loss of countless lives. By combining recent studies in social and cognitive neuroscience with accounts from genocide perpetrators, this book explains the brain science behind obedience and how ordinary people can commit awful acts of violence. No background in neuroscience required"--

Drawing on insights from language teaching experts and real students, this Level 4 (CEFR A1) Full Contact with Digital Pack covers all skills and focuses on the most effective and efficient ways to make progress in English. The pack includes the student's book, workbook with downloadable audio, video resource book, audio and video. It comes with an 18-month access code for the eBook and an interactive workbook that allows teachers to easily track the performance of their students. All digital content is online and works on smartphones as well as tablets, laptops and desktop computers.

How can the UN Security Council contribute to the maintenance of international peace and security in times of heightened tensions, global polarisation, and contestation about the principles underlying the international legal and political order? In this Trialogue, experts with diverse geographic, socio-legal, and ideational backgrounds present their perspectives on the Security Council's historic development, its present functions and deficits, and its defining tensions and future trajectories. Three approaches engage with each other: a power-focused approach emphasising the role of China as an emerging actor; an institutionalist perspective exploring how less powerful states, particularly the elected members of the Security Council, exert influence and may strengthen rule-of-law standards; a regionalist perspective investigating how the Security Council as the central actor can cooperate with regional organisations towards maintaining international peace and security. This title is also available as Open Access on Cambridge Core.