Böcker utgivna av Bucknell University Press

Yves Bonnefoy's book of poems, Beginning and End of the Snow followed by Where the Arrow Falls, combines two meditations in which the poet's thoughts and a landscape reflect each other.

Through the study of more than twenty novels produced in Spain from the 1840s to the 1920s, this book explores the literary means by which the social options available to modern Spanish bourgeois citizens were discursively constructed, occasionally before and often concomitantly to their production in reality. As a result, this study is concerned with the interplay of realism and reality in modern Spain. From the earliest folletines of the 1840s to the Modernist novels of the 1920s, the majority of novels written in this eighty-year period are what one might term novelas de costumbres contemporneas, or novels of contemporary customs, and therefore primarily concerned with faithfully copying and moreover influencing real social norms in the public sphere.In these pages, I argue that the spatial and behavioral discourses in the novels of contemporary customs offer a telling history of the evolving formulation of the Spanish bourgeoisie. The linking of novels and urbanism is hardly arbitrary in the context of nineteenth-century Spain. Urbanism, particularly in the nineteenth century, was as much a verbal construction as the novel, as proven by the lengthy treatises of such prominent Spanish bureaucrats, engineers, architects, and urban planners as Ramon de Mesonero Romanos, Ildefons Cerd and Carlos Mara de Castro. For Spanish intellectuals of this era, city planning and the novel functioned as parallel, enmeshed discourses in which to work out what it meant to be middle class and the roles this class ought to play in contemporary society. In this way, they can be considered associated fields of discourse, in the sense described by Michel Foucault in The Archaeology of Knowledge. Foucaults treatise was a call for scholars to reexamine historical fields and question the historical grouping of knowledge(s) into certain discursive unities, and consider whether these might be broken up and new ones conceived.In this vein, this book undertakes a broader and more integrative view of the Spanish nineteenth century, calling into question the boundaries of fields such as etiquette and urban planning, or literature and touristic discourse.

Poisons Dark Works in Renaissance England considers the ways sixteenth- and seventeenth-century fears of poisoning prompt new models for understanding the world even as the fictive qualities of poisoning frustrate attempts at certainty. Whether English writers invoke literal poisons, as they do in so many revenge dramas, homicide cases, and medical documents, or whether poisoning appears more metaphorically, as it does in a host of theological, legal, philosophical, popular, and literary works, this particular, ';invisible' weapon easily comes to embody the darkest elements of a more general English appetite for imagining the hidden correlations between the seen and the unseen. This book is an inherently interdisciplinary project. This book works from the premise that accounts of poisons and their operations in Renaissance texts are neither incidental nor purely sensational; rather, they do moral, political, and religious work which can best be assessed when we consider poisoning as part of the texture of Renaissance culture. Placing little known or less-studied texts (medical reports, legal accounts, or anonymous pamphlets) alongside those most familiar to scholars and the larger public (such as poetry by Edmund Spenser and plays by William Shakespeare and Thomas Middleton) allows us to appreciate the almost gravitational pull exerted by the notion of poison in the Renaissance. Considering a variety of texts, written for disparate audiences, and with diverse purposes, makes apparent the ways this crime functions as both a local problem to be solved and as an apt metaphor for the complications of epistemology.

What if the goddess Athena, who sprang fully-grown from Zeus's head and denied she had a mother, became aware of the compelling existence of her other parent? What if she discovered that her mother, Metis,-first wife of Zeus and 'wiser than all gods and mortal men,' according to Hesiod-was swallowed by her father and continued to impart her wisdom to him from inside his belly? Recent Spanish novels by women parallel this hypothetical situation based on Greek myth by featuring female protagonists who obsessively re-examine the lives of their mothers, seeking to know and understand them. In Mother & Myth in Spanish Novels, Schumm examines six narratives by Spanish authors published since 2000 that focus on a daughter's search to know more about her matriarchal heritage: Carme Riera's La mitad del alma, Luc'a Etxebarria's Un milagro en equilibrio, Rosa Montero's El coraz-n del tOrtaro, Cristina Cerezales's De oca a oca, Mar'a de la Pau Janer's Las mujeres que hay en m', and Soledad Puertolas's Historia de un abrigo. In each of these novels, the protagonist realizes that failure to integrate the loss of her mother into her life results in the inability to define herself. Without valorization of the maternal subject, the legacy of the daughter is at risk-she is also objectified and swallowed- and the whole society suffers. The daughters' attention to their mothers in these novels is as if Athena had finally recognized that her mother, Metis, had been ingested by Zeus. The myth of Metis and Athena becomes a metaphor of the daughter's quest toward wholeness and individuation in these works; she begins to understand that her maternal legacy is a source of wisdom that has been obscured. These novels by Spanish women strengthen the mother's voice, rescue her from anonymity, and rewrite the matriarchal archetype.

Encountering China addresses the responses of early modern travelers to China who, awed by the wealth and sophistication of the society they encountered, attempted primarily to build bridges, to explore similarities, and to emulate the Chinese, though they were also critical of some local traditions and practices.

This book explores the ways in which five female radical novelists of the 1790sElizabeth Inchbald, Eliza Fenwick, Mary Hays, Charlotte Smith, and Mary Wollstonecraftattempt to use the components of private life to work toward widespread social reform. These writers depict the conjugal family as the site for a potential reformation of the prejudices and flaws of the biological family. The biological family in the radical novels of female writers is fraught with problems: greed and selfishness pervert the relationships between siblings, and neglect and ignorance characterize the parenting received by the heroines. Additionally, the radical novelists, responding to representations of biological families as inherently restrictive for unmarried women, develop the notion of marriage to a certain type of man as a social duty. Marriage between two properly sensible people who have both cultivated their reason and understanding and who can live together as equals, sharing domestic responsibilities, is shown to be an ideal with the power to create social change. Positioning their depictions of marriage in opposition to earlier feminist depictions of female utopian societies, the female radical novelists of the 1790s strive to depict relationships between men and women that are characterized by cooperation, individual autonomy, and equality. What is most important about these depictions is their ultimate failure. Most of the female radical novelists find such marriages nearly impossible to conceptualize. Marriage, for many of the female radical novelists, was an institution they perceived as inextricably related to (male) concerns about property and inescapably patriarchal under the marriage laws of late eighteenth-century British society. Unions between two worthy individuals outside the boundaries of marriage are shown in the female radical novels to be equally problematic: sex inevitably is the basis for such unions, yet sex leaves women vulnerable to exploitation by men. Rather than the triumph, therefore, of what comes to be in these novels the male-associated values of property and power through marriage, the female radical novels end by suggesting an alternative community, one that will shelter those members of society who are most frequently exploited in male attempts to accumulate this property and power: women, servants, and children.

Blighted Beginnings: Coming of Age in Independent Ireland offers a much needed examination of the manner in which narratives of emerging selfhood were used persistently by authors in order to critique and reform problems that have plagued post-independence Ireland.

Gothic Terrors brings together two discursive fields that have had very little contact hitherto: gothic studies and Hispanism. Though widely accepted in English studies, Hispanists seldom invoke the concept of a Gothic mode existing beyond its first appearance in the eighteenth century. Highlighting Gothic elements in mainstream Spanish fiction from the nineteenth century until the present day, Lee Six challenges the view that Spanish writers rejected what the Gothic had to offer. Through close study of texts by Benito Pérez Galdós, Emilia Pardo Bazán, Miguel de Unamuno, Camilo José Cela, Adelaida García Morales, Espido Freire, and Javier García Sanchez, Abigail Lee Six traces the evolution of three staples of the Gothic: the heroine imprisoned on grounds of madness, the doubled or split character, and the use of violent, gory description. Persuasively argued and well researched, Gothic Terrors reflects on the Gothic presence in Spanish mainstream literature and identifies two important ways in which it crosses cultural divides: the traditional gulf between high and low culture within Spain, and the engagement of Spanish creative writers with transnational literary trends. Gothic Terrors will thus appeal to Gothic scholars who are interested in the Spanish dimension of their field, as well as to Hispanists who may have been unaware of how relevant and useful Gothic studies could be for them.

Revolutionary Subjects in the English "Jacobin" Novel engages ongoing debates on subject formation and rights discourse through the so-called "English Jacobin" novels. Wallace argues that subversive narrative strategies in fiction undercut and question the sovereign subject modeled as the ideal republican radical subject and describe a discourse that is not always in line with the work's overt "moral."

The Scottish and French Enlightenments are arguably the two intellectual movements of the eighteenth century that were the most influential in shaping the modern age. This challenging selection of essays comparing Scottish and French enlightenment views of natural history, jurisprudence, moral philosophy, history, and art history, complicates and enriches the notion of "Enlightenment" and will inaugurate a new field of Franco-Scottish studies.

Imagining Modernity in the Andes is an interdisciplinary work that deals with the intersection of projects of modernity with constructions of race and ethnicity in the Andes. This book focuses initially on Indigenismo, attempting to recuperate the intellectual energy of writers and artists from the twenties who rewrote political and cultural discourse in an irreversible manner, and concludes with a consideration of the new configurations of indigeneity that are emerging today not only in the Andes but across the globe. The multidisciplinary work of Jos Mara Arguedas occupies a privileged place in this study and his anthropological work is analyzed in the context of an ideological climate. In addition to considering sociological and anthropological accounts, Archibald examines representations of urbanization and social informality by four Peruvian novelists, pointing to the prevalence of the troupe of the grotesque as a metaphor for the unmanageability associated with cities of the South. Finally, Imagining Modernity in the Andes analyzes the implications of the emergence of new visual media in a culture context long defined by the oral-textual divide, and considers the continued relevance of the concept of transculturation in a transnational and post-literary context.

Ambivalent Desires: Representations of Modernity and Private Life in Colombia (1890s-1950s) is a literary and cultural study of the reception of modernity in Colombia. Unlike previous studies of Latin American modernization, which have usually focused on the public aspect of the process, this book discusses the intersection between modernity and the private sphere. It analyzes canonical and non-canonical works that reflect the existing ambivalence toward the modernizing project being implemented in the country at the time, and it discusses how the texts in question reinterpret, adapt, and even reject the ideology of modernity. The focus of the study is how the understanding of the relationship between modernity and private life relates to the project of constructing a modern nation, and the discontinuities and contradictions that appear in the process. The question of what modernity is, its implications for everyday life, and its desirability or undesirability as a new cultural paradigm were central issues in Colombian texts from the end of the nineteenth century through the first half of the twentieth. At stake was the definition of the nation's identity and the project of breaking away from the cultural patterns of the colonial past. Considering that the apparently peaceful process of modernization in Colombia was interrupted in the 1950s by the eruption of political violence across the country, this study situates itself on the eve of a crisis and asks how representations of modernity in texts from the period evidence the social fragmentation that may have led to it. The book begins with an analysis of the theme of the private collection in the work of JosZ Asunci-n Silva, and how it is used to propose a specific notion of personal and cultural identity. It continues with an analysis of the modernizing ideology of the popular magazine El GrOfico during the period of economic prosperity of the 1920s known as the 'Dance of the Millions,' focusing on the publication's advertisements and the section devoted to women and the home. Subsequently, the canonical writings of TomOs Rueda Vargas are analyzed in the context of the relation between autobiographical writing and public life, emphasizing the contradiction between the author's public liberalism and his private conservatism, and highlighting his critique of modern life. The works of previously neglected women writers Manuela Mallarino Isaacs, Juana SOnchez Lafaurie, and Fabiola Aguirre are studied in the context of women's relationship to modernity and their conflict between traditional roles that relegated them to the private sphere, and their desire to accept modern standards. The book concludes with an analysis of the novels of Ignacio G-mez DOvila, which have received scant attention to this date, as it discusses his critique of the upper classes' flight into the private and what the author sees as their alienation from a society on the verge of a crisis.

Espectros is a collection of original scholarly studies on contemporary literature and film in Spanish and by authors of Latin American descent. Contributors contemplate ghosts, haunting, the spectral, and absence as central motifs in narratives that deal with the aftermath of collective or individual trauma.

The process of shaping and asserting cultural identity in viceregal Spanish America occurred as much through the medium of pictures as through the medium of writing. Focused on writing that references visual texts (ekphrasis), Visions of Empire in Colonial Spanish American Ekphrastic Writing examines the way words about pictures in the writing of three Spanish American CreolesHernando Domnguez Camargo, Juan de Espinosa Medrano, and Sor Juana Ines de la Cruznegotiate the challenges that confronted the American-born ruling elite in Spanish America during the contentious transitional period between the Conquest and Independence.In Spanish America, pictures have long served as a crucial medium for cultural communication. In vast rural and urban regions where print culture is not deeply rooted and being ';cultured' is not synonymous with being ';literate,' visual texts ranging from pre-Hispanic pictographic codices to Baroque architectural surfaces to postmodern painted murals have played an essential role in shaping and asserting cultural identity. During the viceregal era, texts that referenced such visual texts proliferated in Latin America, particularly among Creole elites, who found themselves trapped in an ambiguous political and social position between Spain and America. At the level of content, Creole ekphrases bear little obvious connection to categories of social privilege. On the level of form, however, these ekphrases engage conventions of representation that reveal the social contingencies of the poetic gaze. They refract the visual object through an ideologically-charged language that invokes differentials of race, class, gender, sexuality, nationality, and position within the colonial power structure. Visions of Empire brings recent scholarship on visuality and ekphrasis to bear on twenty first-century reexaminations of criollismo to explore how cultural productions of the Spanish American Creole elite exercised relations of power, mediated social differences, and presented symbolic organizations of social space. Focusing on the way Creole adaptations of Gongoran ekphrases placed the Creoles in a position of epistemological, economic, or moral authority over peninsular Spaniards and Amerindian and casta majorities around them, this book illustrates how Creole words about pictures propose alternate visions of empire, symbolically reordering Spain's empire in the Americas around the figure of the Creole.

As part of the Samuel Johnson tercentenary commemoration, the University of Georgia Press published the first full scholarly edition of Sir John Hawkins's Life of Samuel Johnson, LL.D. (1787). From its inception, Hawkins's work, arising from a close relationship with Johnson that spanned over forty-five years, challenged certain adulatory views of Johnson and has continued to raise interesting critical questions about both Johnsonian biography and the genre of biography generally. Reconsidering Biography collects new essays that explore Hawkins's biography of Johnson within its historical, political, legal, and personal contexts. More particularly, this volume considers how Hawkins's approach to recording the Life of Johnson opens up broader questions about early modern biography and its relationship with eighteenth-century trends in aesthetics, politics, and historiography. These sophisticated and informed essays on a curious and often vexed friendship, and its literary offspring, supply a colorful and expansive view of the role of life-writing in the eighteenth-century literary imagination.

Henry Crabb Robinson (1775-1867) spent five years in Germany (1800-1805) and became deeply informed about its Romantic literature and philosophy, then at its height in that country. In the course of his enthusiastic embrace of the German language and culture, Robinson built up an intellectual and literary capital that he would draw on for the rest of his long life. The main thrust of this critical and biographical study is to demonstrate that Robinson is an important nineteenth-century life writer, and that his autobiographical writings, a large portion of which are still in manuscript, deserve to be taken seriously by students and scholars of autobiography, and to be published in a new edition. Since to date no one has focused on Robinson the life writer, this study of Robinson's German years draws on his published letters, diaries, and reminiscences as well as some manuscript material.

This book is about Susan Howe's poetry from the perspective of space. Howe reshapes cultural configurations of space through her drive to infiltrate interstitial areas of "third" spaces: the silences of history, the margins of the page, the placeless migrants, and the uncharted lands. Nuances, frontiers, thresholds, edges, fuzzinesses, ambiguities, pauses, singularities, margins: these are the spaces where her poetry occurs, places that lie between two states. Rather than absences, therefore, the space of this poetry is a place of being, of what Gilles Deleuze and Félix Guattari refer to as becoming. Third space is contested because it must also call itself into question in reimagining itself; in questioning its condition and rethinking itself, it contradicts itself repeatedly, setting up the form of an ever-present yet ever-shifting paradox of self-presencing. This site is also, however, the place of no frames or boundaries, a place that is all margins and singularities, that site of displacement, where migration is eternal and violence is perennial. Nomadism becomes an emblem in Howe's poetry for the twentieth-century condition as it represents the continual movement through space of the body, that never-ending, always-perpetuated sense of loss of place, but that equally charged coming into being regardless of the space within which that loss/becoming occurs.

This is the first full-length book on the work of La Monte Young and Marian Zazeela. It explores the recurring themes that have influenced and organized their ongoing engagement with sound and light.

This is the first book-length study of female adolescence in the French novel of this period. It analyzes representations of the 'world apart' of female adolescence in selected novels from the late nineteenth and early twentieth centuries. In the nineteenth century, several factors contributed to the shaping of a new social category for young women, which then gained increasing attention from writers. Art and life echoed one another, as novels about female adolescents created a social stir, and incited further discussion about the proper role for young women in French society.

Winner of the 2010 Serra d'Or Prize for Research in Catalan Studies

Why were Scottish writers able to dominate the field of periodical literature throughout the nineteenth century? Barton Swaim's Scottish Men of Letters and the New Public Sphere, 1802-1834 attempts an answer to that question by examining the period when the Scots' dominance was at its height: the three decades after the founding of the Edinburgh Review in 1802. In this carefully researched and thoughtful study, Swaim discusses the ways in which four writers in the vanguard of Scottish periodical-writing - Francis Jeffrey, John Wilson, John Gibson Lockhart, and Thomas Carlyle - exemplify the historical and cultural dynamics that occasioned Scottish dominance of what Jurgen Habermas would later call the public sphere.

This book presents a series of essays that examine the ideological, personal, and political difficulties faced by the group variously termed the Anglo-Irish, the Protestant Ascendancy, or the English in Ireland, a group that existed in a world of contested ideological, political, and cultural identities. At the root of this conflicted sense of self was an acute awareness among the Anglo-Irish of their liminal position as colonial dominators in Ireland who were viewed as 'other' both by the Catholic natives of Ireland and their English kinsmen. The work in this volume is highly interdisciplinary, bringing to bear examination of issues that are historical, literary, economic, and sociological. Contributors investigate how individuals experienced the ambiguities and conflicts of identity formation in a colonial society, how writers fought the economic and ideological superiority of the English, how the cooption of Gaelic history and culture was a political strategy for the Anglo-Irish, and how literary texts contributed to the emergence of national consciousness. In seeking to understand and trace the complex process of identity formation in early modern Ireland, the essays in this volume attest to its tenuous, dynamic, and necessarily incomplete nature.

Freedom to Believe is a powerful collection of philosophical and religious essays by a modern poet of distinction. It introduces a highly original and controversial thinker to the Western reader. Olga Sedakova's central philosophical thought lies in the notion of existential freedom in its association with the liberating power of the arts, especially poetry. These convictions place her firmly in the Russian and European classical cultural traditions, which, in turn, have deep roots in Christianity. Devoutly Orthodox yet fiercely independent in her thinking, Sedakova's ecumenical humanism places her in opposition to both the "new left" and modern fundamentalism. Indeed, Sedakova's "conservatism" is more genuinely new than the so-called radicalism of the postmodernists, as she castigates "old totalitarianism" and new commercialism alike, in the name of a new cultural poetics and politics.

This collection of essays by distinguished scholars from various disciplines addresses the central question: 'Was Enlightenment a force for emancipation?' Their responses, working from within, and frequently across the disciplinary lines of history, political science, economics, music, literature, aesthetics, art history, and film, reveal unsuspected connections and divergences even between well-known figures and texts. In their turn, the essays suggest the need for further inquiry in areas that turn out to be very far from closed. The volume considers major writings in unusual juxtaposition; highlights new figures of importance; and demonstrates familiar texts to embody strange implications.

This is the first book in the English language devoted to an analysis of the work ofthe Mozambican author Mia Couto. The book provides essential background details about Mozambican political and cultural history.

Culture and Consciousness argues that the vast interdisciplinary boom in consciousness research has enormous implications for literary and cultural studies, and that the potential benefits of this research in the twenty-first century are momentous. Its objective is to show how consciousness studies can help us reassess our approach to key issues and the fundamental assumptions of contemporary theory and criticism.

The Anxieties of Idleness: Idleness in Eighteenth-Century British Literature and Culture investigates the preoccupation with idleness that haunts the British eighteenth century. Sarah Jordan argues that as Great Britain began to define itself as a nation during this period, one important quality it claimed for itself was industriousness. But this claim was undermined and complicated by, among other factors, the importance of leisure to the upholding of class status, thus making idleness a subject of intense anxiety. One result of this anxiety was an increased surveillance of the supposed idleness of marginalized and less powerful members of society: the working classes, the nonwhite races, and women. In a widely researched and elegantly argued book, Jordan analyzes how idleness is figured in eighteenth-century literature and culture, including both traditional forms of literature and a wide variety of other cultural discourses. At the center of this account, Jordan investigates the lives and works of Johnson, Cowper, Thomson, and many other, lesser known writers. She incorporates their obsession with idleness into a new and lucid theorization of the professionalization of writing and the place of idleness and industry in the larger cultural formation that was eighteenth-century British identity.

This volume is a collection of essays on various notions of the human state during the Enlightenment and post-Enlightenment period in Germany. The book includes articles on Madame de Stael, Herder and India, Kant and race, Nicholas von Zinzendorf, Lichtenberg, the Brothers Grimm, and Humboldt.

Reading Riddles: Rhetorics of Obscurity from Romanticism to Freud explores how the riddle becomes a figure for reading and writing in early German Romanticism and how this model then enables Sigmund Freud's approach to the psyche. It traces a migration of ideas from literature to psychoanalysis and argues that the relationship between them must be situated at the methodological level. Through readings of texts by August Wilhelm, Friedrich Schlegel, G.W.F. Hegel, and Ludwig Tieck Reading Riddles documents how the Romantics expand the field of poetic signification to include obscure, distorted signs and how they applied this rhetoric of obscurity to the self. The book argues that this model of self and signification plays a central role in the formulation of Freud's psychoanalytic theory. If the self is a riddle, as many in the nineteenth century claim, Freud takes the figure seriously and interprets the mind according to all the structures and techniques of that textual genre.

This book on the role of written and iconographic communication in the Atlantic World combines a broad outlook, geographically and chronologically, with the precise treatment of specific evidence extracted from the sources. The author argues that diatribes against chivalric fiction and the Index of Prohibited Books did not prevent proscribed literature from circulating freely on both sides of the Atlantic. On the contrary, he notes, such prohibitions may have increased the lure of certain books. A description of the process of registering and inspecting ships in Seville and upon reaching their destinations highlights opportunities for contraband, smuggling, fraud, and the corruption of officials entrusted with regulating the trade. Within the prominent spiritual genre, the author documents a shift from Erasmian to Tridentine thinking. The registers analyzed also suggest the growing popularity of literary works by Cervantes, Mateo Alemn, and Lope de Vega. It opens a fascinating window onto the book trade in the Americas. Different forms of participation in this culture included the use of books as fetishes and the possession of printed devotional images. The analysis of books as well as printed images supports larger contentions about their role as agents of evangelization and westernization. This book certainly opens up new worlds on the impact of books and images in the Atlantic World.