What justifies us in believing we have them? What are rights-holders and duty-bearers? Who should bear the costs and responsibilities for making human rights real? Why have some criticized the human rights perspective? And how can those supportive of human rights best respond? These and other conceptual issues are discussed in full in the first part of this book. The second part offers a detailed account of how the human rights idea came to be such a powerful force in the contemporary world.
Published together for the first time, Eliza Haywood's Anti-Pamela and Henry Fielding's An Apology for the Life of Mrs. Shamela Andrews are the two most important responses to Samuel Richardson's novel Pamela.Anti-Pamela comments on Richardson's representations of work, virtue, and gender, while also questioning the generic expectations of the novel that Pamela establishes, and it provides a vivid portrayal of the material realities of life for a woman in eighteenth-century London. Fielding's Shamela punctures both the figure Richardson established for himself as an author and Pamela's preoccupation with virtue. This Broadview edition also includes a rich selection of historical materials, including writings from the period on sexuality, women's work, Pamela and the print trade, and education and conduct.
A novel originally published in 1751, in which the heroine is courted by several eligible suitors. However her flirtations alienate the right man and she finds herself struggling with the consequences of marrying the wrong man.
First published in 1785, this is still one of the most widely read and influential works on moral philosophy. This Broadview edition combines a newly revised version of T.K. Abbot's respected translation with material crucial for placing the Groundwork in the context of Kant's broader moral thought.
Provides an outstanding introduction to a difficult period of literary history. This volume provides a simple historical and cultural context for the study of the Anglo-Saxons, and offers a history, illustrated by many passages in translation, of the whole of the literature that survives.
Is the lesser-known companion to Cleland's infamous Memoirs of a Woman of Pleasure, and an intriguing and accessible alternative to more familiar eighteenth-century novels. Witty and complex, with erotic elements, it is also a sophisticated comedy of manners that questions eighteenth-century ideas of masculinity and femininity.
The protagonist of Charlotte Dacre's best known novel, Zofloya, or the Moor (1806) is unique in women's Gothic and Romantic literature, and has more in common with the heroines of Sade or M.G. Lewis than with those of Ann Radcliffe, Charlotte Smith or Jane Austen. No heroine of Radcliffe or Austen could exult, as Victoria does in this novel, that "there is certainly a pleasure ... in the infliction of prolonged torment." The sexual desires and ambition of Dacre's protagonist, Victoria, drive her to seduce, torture and murder. Victoria is inspired to greater criminal and illicit acts by a seductive Lucifer, disguised as a Moor, before she too is plunged into an abyss by her demon lover. The text's unusual evocations of the female body and feminine subject are of particular interest in the context of the history of sexuality and of the body; after embarking on a series of violent crimes, Victoria's body actually begins to grow stronger and decidedly more masculine. Among the documents included as appendices to this volume are a selection of Dacre's poetry and excerpts from Bienville's Nymphomania, a medical treatise of the time aimed at a lay audience that focuses largely on the dangerous powers of women's imagination; inspired by improper novels, it is alleged that women may plunge into madness, violence and death--much as does the protagonist of Zofloya herself.
Logical Options introduces the extensions and alternatives to classical logic which are most discussed in the philosophical literature: many-sorted logic, second-order logic, modal logics, intuitionistic logic, three-valued logic, fuzzy logic, and free logic.
Set in early eighteenth-century Scotland, James Hogg's masterpiece is a brilliant psychological study of religious fanaticism and the power of evil. This edition places the work within the context of Calvinism, Scottish political and constitutional history, and early psychological theories of 'double consciousness'.
Heart and Science turns on the fate of the orphaned Carmina Graywell, who is left in the charge of her aunt and guardian Mrs. Gallilee when her fiance is forced to take an extended trip to Canada's drier climes in order to recover his health. Over the issue of her inheritance Mrs. Gallilee schemes to manipulate, control and ultimately destroy the naive but strong-willed Carmina.
This volume of The Subjection of Women provides a reliable text in an inexpensive edition, with explanatory notes but no additional editorial apparatus.
After the death of Margaret Oliphant - the prolific nineteenth century novelist, biographer, essayist, reviewer, and prominent voice on the "woman question" - two well-intending relatives took the autobiographical manuscripts she composed over a thirty-year period, and recomposed them to suit the model of a conventional memoir.
Medea betrayed her father and left her homeland for the love of Jason. Then when he abandoned her, she murdered her children. But did she? And what of Clytemnestra, the conniving adulteress? For ten years she plotted the murder of her husband Agamemnon, King of Mycenae and Conqueror of Troy. How would she have told her story? The Greek myths as we know them were told for men by men. Yet they were the culmination of a long oral tradition in which both men and women shared. Using extant ancient literary sources as her guide, including the works of Homer, Aeschylus, Euripides and Apollodorus, Jane Cahill reconstructs the stories as they might have been told to women by women. These are stories of wronged women, inspired women, determined women, tender women. Medusa tells how it is to know that one look at her face will turn a man to stone, to be hated and feared all the time. Jocasta, Queen of Thebes, confesses her love for the young man who came to save her city from the Sphinx--her son, Oedipus. Each story is accompanied by extensive notes which discuss the ancient sources, explain relevant Greek concepts and customs, and serve as a guide to further reading.
This anthology is a comprehensive collection of poetry from the Victorian era. It includes generous selections form the work of all major poets and a representation of the work of virtually every poet of significance.'
"The Adventures of Rivella is especially valuable for the light it throws on a woman author's relations with publishers and other writers, both male and female." -- Bruce Stovel, University of Alberta
This is the first new full-scale anthology of Restoration and eighteenth-century drama in over sixty years. Concentrating on plays from the heyday of 1660-1737, it focuses especially on Restoration drama proper (1660-1688) and Revolution drama (1689-1714), with a smaller selection of plays from the early Georgian period (1715-1737) and a glimpse at the later Georgian period's "laughing comedy" (1770s and 80s). It includes nine sub-genres (heroic romance, political tragedy, personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy), with the preponderance of exposure given to the jewel of this theatre, its comedy. The core canonical plays from the era--from Dryden's All for Love and Behn's The Rover to Congreve's The Way of the World and Sheridan's School for Scandal--are all here, but so are a remarkably wide range of non-canonical works. There are many more plays by women than in any previous general anthology of drama of the period. Also included are a number of works from the neglected 1660s, whose comedies feature delightful, subversive, levelling folk elements. In all there are forty-one plays; each is fully annotated and prefaced with an historical introduction. Also included are a general introduction, head-notes for each genre, and a glossary.
The first and most important of eight volumes chronicling the French Revolution to an England fearful of another civil war. The author's twenty-six letters recounting old regime tyranny and revolutionary events provide both an apology for the Revolution and a representation of it as sublime spectacle.
Du Maurier's Trilby was the novel sensation of the 1890s. Du Maurier had spent a good deal of his life as a child and later as an art student in Paris; when he turned from his career in journalism and magazine illustration to novel writing he found enormous success with a novel divided as his own life had been between Paris and London. Billee, an English artist living the Bohemian life abroad, meets and falls in love with Trilby, a Parisian model. Differences in social class doom their romance, but Trilby, taught by the mysterious hypnotist Svengali to sing like "some enchanted princess" becomes a famous entertainer. As it turns out, however, her talent and her possession of her own mind have become dependent on Svengali maintaining his spell over her. Originally serialized in Harper's Monthly in 1894, Trilby was published with 120 illustrations by the author (who was also a celebrated caricaturist for Punch). All 120 illustrations were included in the Harper and Brothers New York edition of 1894, and in a British edition published the following year in London. The first British publication in book form, however, (by Osgood & McIlvaine in 1894) did not include any of Du Maurier's illustrations, and many editions since that time have included no illustrations or reproduced only a selection of the illustrations. Particularly given that many of the illustrations are integrated into the page of text in which they appear, Trilby is ideally suited to be made available again in a facsimile reprint. In its first year of publication, the book sold over 200,000 copies, and before long it had also been adapted for the stage. The name "Svengali" came to be applied to any hypnotist and the image of Svengali carved a lasting place in the popular imagination. Perhaps the most important expression of 1890s Bohemianism, Trilby has also attracted interest in recent years on account of its presentation of hypnosis and split personality, and for the conflicted but often anti-Semitic presentation of the mysterious Svengali. This is one of a series from Broadview Press of facsimile reprint editions--editions that provide readers with a direct sense of these works as the Victorians themselves experienced them.
To borrow a phrase used by one of the characters in the novel, Dracula is ""nineteenth century up-to-date with a vengeance."" In her introduction to this edition Glennis Byron first discusses the famous novel as an expression not of universal fears and desires, but of specifically late nineteenth-century concerns.
The main plot of the Gothic novel, 'The Monk', concerns Ambrosio, an abbot of irreproachable holiness, who is seduced by a woman disguised as a novice, and who goes on to sell his soul to the Devil. An extravagant blend of sex, death, politics, Satanism and poetry.
Charles Darwin's On The Origin of Species, in which he writes of his theories of evolution by natural selection, is one of the most important works of scientific study ever published.
Aurora Floyd is one of the leading novels in the genre known as "sensation fiction". Braddon''s text has been carefully annotated for modern readers in this edition, including documents setting the text in context.'
Robert Bage's Hermsprong satirizes English society of the 1790s targeting, in particular, corrupt clergymen, grasping lawyers and wicked aristocrats. The protagonist, a European raised among Native Americans, visits Europe and is dismayed by what he encounters. While such satire might seem conventional enough, Hermsprong is distinguished from other political novels of the period by its comedy, and it is a measure of Bage's success that he won the admiration of writers as different in political outlook as Mary Wollstonecraft and Sir Walter Scott. Indeed, Hermsprong is built around debate, and celebrates the pleasures of the lively exchange of ideas. This Broadview edition contains extensive primary source appendices including material by William Godwin, Benjamin Franklin, Pierre de Charlevoix, and Voltaire.
Secresy was Eliza Fenwick's only work for adults--a fact that may help to explain why this extraordinary novel has been so thoroughly overlooked. On one level this is a book that presents fascinating challenges to traditional structures of class and gender. Whereas Mr. Valmont, the villain of the piece, rejects merely the surface forms of fashionable society, the story of his niece Sibella and her friend Caroline implicitly rejects the substance as well as the trappings of a system that rested on class privilege and on female dependence. Secresy is also, though, a remarkable novel of human relationships: of sexuality (Sibella's pregnancy is the occasion for the secrecy that gives the book its title), and of romantic love, but also the female friendship between Sibella and Caroline that is very much at the heart of the book. The relationships--and the grand themes--are expressed through an epistolary technique through which Fenwick (in the editor's words) shows "a breadth of sympathy which can find comedic pleasure even in what is disapproved."
This is an innovative study of an encounter between a Coast Salish Aboriginal community and the dominant institutions of Canadian state and society.
Mary Shelley was a complex and committed soc ial thinker whose novels reveal her deep concern with the im pact of the emerging Victorian social dynamic upon the lives of women. Lodore tells of a woman''s journey to reconciliati on with her mother. '
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