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This concise text treats logic as a tool, "generated so that half the work involved in thinking is done for you by somebody else (the rules and laws of the logic)." Gabbay explains in a clear and careful manner how formal features of, and formal relations between, ordinary declarative sentences are captured by the systems of propositional and predicate logic.

This Broadview edition pairs two of Frances Burney's linked comedies. They both present the character of Lady Smatter, a "femme savante" whose lineage may be traced back to Molière; they both centre on the misfortunes of the "elle" figure, the dispossessed heiress and wife who appears frequently in Burney's fiction; and they both criticize a culture of misogyny that breeds suspicion and resentment. The Witlings, lighter and more comic, derives from late seventeenth-century conventions; The Woman-Hater, more melodramatic, both expresses and warns against the excessive sensibility of romanticism. Together, these two plays constitute a miniature history of English drama from the Restoration to the French Revolution and beyond. This edition contains a valuable selection of appendices, including: Burney's "Epilogue to Gerilda"; letters and diary entries; contemporary writings on comedy; and Burney's cast-list for The Woman-Hater.

For the first time in over a century, this edition makes available the work of the most important Jewish writer in early and mid-Victorian Britain. Grace Aguilar (1816-1847) broke new literary ground by writing from the unique perspective of an Anglo-Jewish woman. Aguilar's writing responds to English representations of Jews and women by writers such as Felicia Hemans, Maria Edgeworth, Sir Walter Scott, and Thomas Macaulay. She both assimilates and alters the genres of historical romance, dramatic monologue, domestic fiction, history, and midrash, among others. This edition includes Aguilar's novella The Perez Family in its entirety; the Sephardic historical romance "The Escape," her Sephardic historical romance, "History of the Jews in England," the first such history ever written by a Jew; major poems; excerpts from The Women of Israel; and Aguilar's Frankfurt journal, never before published. Also included are primary source materials such as writings on "the Jewish question" from Aguilar's non-Jewish contemporaries, tributes and memoirs, and contemporary responses to her work.

First published in London in 1799, The Vagabond was an immediate popular success. Critizing Jacobinism (or pro-revolutionary political sentiment), this novel's satirical descriptions of many of the historical figures who fought in the forefront of the ""British Revolution"" are full of playful banter and farce.

The first book of long fiction by an African to be published in English, this novel tells the story of a young woman of the Vai people in Liberia. Guanya Pau, betrothed as a child to a much older, polygamous man, flees her home rather than be forced into marriage, and the novel recounts her subsequent efforts to reach the Christian community where the man she loves awaits her. Joseph Jeffrey Walters was a Vai man who converted to Christianity, and this, his only novel, is a remarkably complex work, embracing both Christian beliefs and a deep pride in his African heritage. This Broadview edition includes a critical introduction that locates the novel in the context of Vai culture and the history of African missions, and a rich selection of historical documents relating to the education of African women, the Vai writing system, and the author's life.

The seemingly peaceful country village of Hayslope is the setting for this ambitious first novel by one of the nineteenth century's great novelists. With sympathy, wit, and unflinching realism, Adam Bede tells a story that would have been familiar to Eliot's first readers: the seduction of a pretty farm girl by the young squire of the district. Eliot uses this story, with its tragic implications, to explore the dangers of reliance on religious and social norms to govern destructive desires. As this edition demonstrates, Adam Bede addresses profound questions of morality, religion, and the role of women in society, while at the same time seeking to establish a new aesthetic for fiction. This Broadview edition includes a critical introduction and a rich selection of appendices, including selections from Eliot's letters and journals, contemporary reviews of the novel, and accounts of the murder trial of Mary Voce, the woman whose story formed part of the inspiration for the novel.

Uses the lens of children's literature to problematize the ways in which various adult discourses represent the Holocaust, and continually challenges the conventional belief that children's literature is the place for easy answers and optimistic lessons.

First published in 1832, this is a unique hybrid of Shakespeare criticism, women's rights activism, and conduct literature. Jameson's collection of readings of female characters includes praise for unexpected role models. Her interpretations portray intellect, passion, political ambition, and eroticism as acceptable aspects of women's behaviour.

"The contributors do not mince words: racism is rife in the criminal justice system. They offer careful and courageous scholarship to support their claims and we would do well to heed them." - Sherene Razack, University of Toronto

Margaret Oliphant, one of the most prolific and popular Victorian novelists, essayists, and reviewers, has been compared both in her day and our own to George Eliot. Oliphant wrote domestic novels that richly represent the broad social, political, and religious contexts of Victorian England. The Broadview edition of Phoebe Junior, the last novel in Oliphant's Chronicles of Carlingford series, restores the earliest extant text. The supplemental materials provide a rich background for examining key nineteenth-century issues such as religion and church reform, gender and the woman question, society and politics. They include excerpts from contemporary novels and poetry; newspaper articles; reviews; essays; polemic on religion and church reform; materials on gender and the woman question, and on etiquette and dress.

The first New Woman novel by Eliza Lynn Linton. Perdita Winstanley, the novel's protagonist, struggles to balance the competing demands of her snobbish, conservative mother and sisters, her radical friends in the women's rights movement, and an admirable but low-born chemist and his family.

Written during the English Civil War and Interregnum when the public theatres were closed and Margaret Cavendish was living away from England in exile, Bell in Campo and The Sociable Companions are scathing satires that speak to the role of women's agency amidst this cultural tumult. In Bell in Campo, a group of virtuous women follow their husbands to war and, refusing to remain docilely out of harm's way, form an army of their own. The Sociable Companions details the struggles of four women from impoverished Royalist families trying to survive in a rapacious marriage market at the war's end. This Broadview Edition presents these two complementary plays together, along with supplementary materials on Cavendish's life, the participation of women in the combat of the English Civil War, the conduct of the Royalist military forces, and seventeenth-century social and marriage conventions.

The Story of an African Farm (1883) marks an early appearance in fiction of Victorian society's emerging New Woman.This Broadview edition includes appendices that link the novel to histories of empire and colonialism, the emergence of the New Woman, and the conflicts between science and religion in the Victorian period. Contemporary reviews are also included.

In 1810, while still at Eton, Percy Bysshe Shelley published Zastrozzi, the first of his two early Gothic prose romances. He published the second, St. Irvyne; or, The Rosicrucian, a year later. These sensationalist novels present some of Shelley's earliest thoughts on irresponsible self-indulgence and violent revenge, and offer remarkable insight into an imagination that is strikingly modern. This new Broadview Literary Texts edition also brings together the fragmentary remains of Shelley's other prose fiction, including his chapbook, Wolfstein, and contemporary reviews both by Shelley and about his work.

This concise and affordable anthology is designed for use as a textbook in both undergraduate and graduate courses in philosophy of language.

Mary Robinson's A Letter to the Women of England (1799) is a radical response to the rampant anti-feminist sentiment of the late 1790s.This edition also includes: other writings by Mary Robinson (tributes, and an excerpt from The Progress of Liberty); writings by contemporaries on women, society, and revolution; and contemporary reviews of both works.

In 1832, Harold Transome arrives home from the East to inherit the family estate, and startles his family by standing as a Radical candidate. He is well-intentioned but misguided, and his character is contrasted with idealistic artisan, Felix Holt.

The Victim of Prejudice is of great interest for its strong feminist content, and it is both powerful and moving as a literary work; this edition makes this important late eighteenth-century text again available to a wide readership.

Provides a concise look at ethical issues such as euthanasia, animal rights, abortion, and pornography. This book provides a set of views from the perspective of a leading libertarian thinker and aims to provoke thought and discussion.

Mary Robinson''s work has started to assume a central place in criticism and anthologies of romanticism. A writer of the 1790s, Robinson's poems chronicle the major events of the day and participate in the chief aesthetic innovations.

Native Poetry in Canada: A Contemporary Anthology is the only collection of its kind. It brings together the poetry of many authors whose work has not previously been published in book form alongside that of critically-acclaimed poets, thus offering a record of Native cultural revival as it emerged through poetry from the 1960s to the present. The poets included here adapt English oratory and, above all, a sense of play. Native Poetry in Canada suggests both a history of struggle to be heard and the wealth of Native cultures in Canada today.

"For the first time in one edition, we now have the complete story of the March family!" -- Daniel Shealy, University of North Carolina at Charlotte

Originally published in serial form from December 1860 to August 1861, Great Expectations is the 'autobiography' of Pip, as he transformed from apprentice village blacksmith to a London gentleman.

One of Joseph Conrad's greatest novels, Lord Jim brilliantly combines adventure and analysis. Haunted by the memory of a moment of lost nerve during a disastrous voyage, Jim submits to condemnation by a Court of Inquiry. In the wake of his disgrace he travels to the exotic region of Patusan, and as the agent at this remote trading post comes to be revered as 'Tuan Jim.' Here he finds a measure of serenity and respect within himself. However, when a gang of thieves arrives on the island, the memory of his earlier disgrace comes again to the fore, and his relationship with the people of the island is jeopardized. This new Broadview edition is based on the first British edition of 1900, which provides the historical basis for the accompanying critical and contextual discussions. The appendices include a wide variety of Conrad's source material, documents concerning the scandal of the Jeddah, along with other materials such as a substantial selection of early critical comments.

This is the story of a young country workman obsessed by his ambition to become an Oxford student, interwoven with his fraught relationships with two women.'

Offers the first full-length bo ok treatment of professional storytelling in North America today. For some years there has been a major storytelling revival throughout the continent and Stone analyses these developments in this book.

Times change, lives change, and the terms we need to describe our literature or society or condition--what Raymond Williams calls "keywords"--change with them. Perhaps the most significant development in the quarter-century since Eli Mandel edited his anthology Contexts of Canadian Criticism has been the growing recognition that not only do different people need different terms, but the same terms have different meanings for different people and in different contexts. Nation, history, culture, art, identity--the positions we take discussing these and other issues can lead to conflict, but also hold the promise of a new sort of community. Speaking of First Nations people and their literature, Beth Brant observes that "Our connections ... are like the threads of a weaving. ... While the colour and beauty of each thread is unique and important, together they make a communal material of strength and durability." New Contexts of Canadian Criticism is designed to be read, to work, in much the same manner.

In 1906, two years after the appearance of her best-known novel, The Imperialist, Duncan published its darker twin, an Anglo-Indian novel which returns to political themes but with a deeper and more clinical irony than in her previous work. Set in Authority is about illusions: the imperial illusions of those who rule and are ruled; the illusions of families about their members; the illusions of men and women about each other. The setting moves between the political drawing rooms of London and the English station at Pilaghur in the province of Ghoom, where the murder of a native by an English soldier changes the lives of a cast of ruthlessly observed characters.