Böcker utgivna av Boydell & Brewer Ltd

First English translations of two early feminist short-story collections, shedding light on the "e;woman question"e; at the turn of the 20th century and relating to today's #MeToo movement.This edition provides the first English translations of two short-story collections - Is That Love? (1896) and Innocence: A Modern Book for Girls (1901) - by the Austrian writer Elsa Asenijeff (1867-1941). Primarily remembered as the lover and muse of sculptor and painter Max Klinger, in her time Asenijeff was a widely read author. Both books engage with "e;the woman question"e; at the turn of the twentieth century: Asenijeff thematizes the lack of education and professional opportunities for women and girls, critiques the bourgeois family as a site of patriarchal power, and sheds light on systemic sexual violence. Is That Love?, in particular, dismantles dominant narratives of romantic love and marriage. Written while Asenijeff was living in Bulgaria, and set there, the text also engages with that country's political turmoil. In Innocence, Asenijeff relies on some of the traditional characteristics of Madchenliteratur, educational literature for girls, but also subverts its conventions. In their introduction, the translators explicate the sociohistorical background of both texts, arguing for Asenijeff's importance in the history of women's writing in the nineteenth- and twentieth-century German-speaking world and placing her within the larger context of the contemporary global #MeToo movement.

An annual volume, this time with special attention to the relevance of Brecht's work in today's world of resurgent authoritarianism and the need for resistance.

The Marlborough Mound has recently been recognised as one of the most important monuments in the group around Stonehenge. It was also a medieval castle and a feature in a major 17th century garden. This is the first comprehensive history of this extraordinary site.

Grete Meisel-Hess (1879-1922), a contemporary of Freud, Schnitzler, and Klimt, was a feminist voice in early-twentieth-century modernist discourse. Born in Prague to Jewish parents and raised in Vienna, she became a literary presence with her 1902 novel Fanny Roth. Influenced by many of her contemporaries, she also criticized their notions of gender and sexuality. Relocating to Berlin, she continued to write fiction and began publishing on sexology and the women's movement.Helga Thorson's book combines a literary-cultural exploration of modernism in Vienna and Berlin with a biography of Meisel-Hess and a critical analysis of her works. Focusing on Meisel-Hess's negotiations of feminism, modernism, and Jewishness, it illustrates the dynamic interplay between gender, sexuality, and race/ethnicity in Austrian and German modernism. Analyzing Meisel-Hess's fiction as well as her sexological studies, Thorson argues that Meisel-Hess posited herself as both a "New Woman" and the writer of the "New Woman."The book draws on extensive archival research that uncovered a large number of new sources, including an unpublished drama and a variety of documents and letters scattered in collections across Europe. Until now there have been only limited secondary sources about Meisel-Hess, most containing errors and omissions regarding her biography. This is the first book on Meisel-Hess in English.

A multi-disciplinary investigation of the links between people and animals, in reality and representation.

The first detailed study of the working relationship and productive friendship between Ralph Vaughan Williams (1872-1958) and Adrian Boult (1889-1983).From 1918 onwards, Boult became one of Vaughan Williams's most important interpreters, giving the world premieres of the Pastoral, Fourth and Sixth Symphonies, performing almost all his major works (not only at home but with some of the world's greatest orchestras), and working in close collaboration with the composer on major projects including the first complete recording of Vaughan Williams's symphonies. Boult continued to be the most devoted advocate of Vaughan Williams's music to the end of his long career.As this book shows, Boult's scores include numerous annotations derived from conversations and correspondence with Vaughan Williams and these provide important evidence of the composer's wishes including adjustments to orchestration, comments on interpretation, dynamics, phrasing and revisions to Vaughan Williams's notoriously unreliable metronome marks. The evidence of these scores is considered alongside the extensive correspondence between Vaughan Williams and Boult, Boult's private diaries and other relevant documents including contemporary press reports. The book includes three substantial supplements: a detailed description of Boult's marked scores, a comprehensive list of Boult's Vaughan Williams performances and a discography including surviving recordings of unpublished broadcasts. It will be indispensable reading for scholars and students of Vaughan Williams and historical conducting, Vaughan Williams enthusiasts and those interested in the history of recorded music.

Rich in archival detail and offering a ground-breaking analysis, this book presents a radically new interpretation of British politics and policy failings during the Great Famine.

Ground-breaking new studies of Henry V's chapel, tomb and funeral service have new revelations and insights into the time.

A new look at how reading was practised and represented in England from the seventh century to the beginnings of the print era, finding many kinships between reading cultures across the medieval longue durée.

Provocative interrogation of how the Ottonian kingdom grew and flourished, focussing on the resources required.

The most recent cutting-edge scholarship on the tenth, eleventh and twelfth centuries.

Norfolk is a county sadly rich in "lost" country houses; this account and gazetteer offer a comprehensive account of them.

A fresh and sympathetic investigation of the depiction of wolves in early medieval literature, recuperating their reputation.

An exciting new collection of essays exploring the startling variety of transformations of Old Norse texts, and their legacy in later literary cultures.

First full analysis of the skaldic verse appearing in the family sagas of Icelanders, considering why and how it is deployed.Sagas of Icelanders, also called family sagas, are the best known of the many literary genres that flourished in medieval Iceland, most of them achieving written form during the thirteenth and early fourteenth centuries. Modern readers and critics often praise their apparently realistic descriptions of the lives, loves and feuds of settler families of the first century and a half of Iceland's commonwealth period (c. AD 970-1030), but this ascription of realism fails to account for one of the most important components of these sagas, the abundance of skaldic poetry, mostly in drottkvaett "e;court metre"e;, which comes to saga heroes' lips at moments of crisis. These presumed voices from the past and their integration into the narrative present of the written sagas are the subject of this book. It investigates what motivated Icelandic writers to develop this particular mode, and what particular literary effects they achieved by it. It also looks at the various paths saga writers took within the evolving prosimetrum (a mixed verse and prose form), and explores their likely reasons for using poetry in diverse ways. Consideration is also given to the evolution of the genre in the context of the growing popularity in Iceland of romantic and legendary sagas. A final chapter is devoted to understanding why a minority of sagas of Icelanders do not use poetry at all in their narratives.

A ground-breaking study of the lawbooks which were created in the changing social and political climate of post-conquest Wales.

"The leading academic vehicle for scholarly publication in the field of medieval warfare." Medieval Warfare

This volume of new essays represents a collective, academic, and activist effort to interpret German literature and culture in the context of the international #MeToo movement, illustrating and interrogating the ways that "rape cultures" persist.

First comparative study of landless households brings out their major role in European history and society.

The latest volume of Rossetti's correspondence, scrupulously edited by a team of experts.

Essays examining the Ostrogoths, the richest and most powerful Germanic tribe to emerge after the fall of the Roman Empire, and their role in the evolution of medieval Europe.

First critical edition of Spanish pastoral romance of the Golden Age.

Based on documents from two Suffolk villages, this study examines the operation of the poor law and the individual effort the elderly poor needed to make to survive.

A comparison of Chaucer and Boccaccio sheds new light on both writers, indicating their mutual use of ancient comic literary traditions.

Considerations of writing about war, in war, because of war, and against war, in a wide range of texts from the middle ages onwards.

The 19C roots of globalisation demonstrated through an account of the enterprise network created by the Scottish merchant, William Mackinnon. WINNER OF THE 2004 WADSWORTH PRIZE. WINNER OF THE 2004 SALTIRE SOCIETY RESEARCH BOOK OF THE YEAR AWARD.This book explores the nineteenth century roots of globalisation through the activities of the enterprise network created by the Scottish merchant, William Mackinnon. It follows the rise of the family-led business group from its modest origins in Scotland to its transformation into the world's largest maritime and mercantile conglomerate, tracing the history of the various shipping firms within the group - including the British India, Netherlands India andAustralasian United companies - and identifies the key factors behind its domination of coastal steamshipping around the Indian Ocean and into the western Pacific. It provides an analysis of the anatomy and dynamics of the enterprise network over time. The book also examines Mackinnon's relationship with the imperial statesman, Sir Henry Bartle Frere, which drew the network into the operations of British "e;informal imperialism"e; in the Persian Gulf, Red Seaand East-Central Africa regions, and eventually to its sponsorship of the ill-fated Imperial British East Africa Company. It breaks new ground in identifying the interplay of personal and business considerations behind Mackinnon's participation in the "e;Scramble for Africa"e; in its combination of maritime history with business history and imperial history to contribute to the current debate over "e;gentlemanly capitalism"e; and British overseas expansion. WINNER OF THE 2004 WADSWORTH PRIZE. JOINT WINNER OF THE 2004 SALTIRE SOCIETY RESEARCH BOOK OF THE YEAR AWARD. J. FORBES MUNRO is emeritus professor of international economic history, University of Glasgow.